rare original prints “spectacle”goldenlegend.com/pdfs/prints.pdf · sereniss. gran duca, per le...
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Table of Contents~Delete3Bella, Stefano, Entree du Prince di Toscane, Representant Hercul
~Delete3Amigioni, Carlotta, Celebre Auretti, La~Delete4Amoroso Antonio, The musician
~Delete5Duclose, Marie, Duclose in the role of Ariane~Delete6Lancret, Nicolas, Marie Sallé
~Delete7Nilson, Johann, Catharina Helena Stöber~Delete7Voltaire Francois, Le heros de Ferney au theatre de Chatelaine…
~Delete8Les Franconis. Lithograph, hand colored. Printed Metz: Imprimerie…~Delete9Marie Taglioni
~Delete10Allgemeine Theaterzeitung, Marie Taglioni als Sylphide~Delete11Alophe, Menut, Les Danseuses de L'Opera: Costumes des Principaux Ballets
~Delete11Celeste as, London: Hodgson and Graves, November, 1837~Delete12Cerrito, Fanny, Mad'lle Fanny Cerrito, of Her Majesty's Theatre
~Delete12Daumier, Honore, Le danseur qui se pique d'avoir conserve les…~Delete13Daumier, Honore, Un rappel de chanteuse, scene de haute comedie
~Delete13Duvernay, Paulin, Pauline Duvernay~Delete14Duvernay, Pauline, Pauline Duvernay
~Delete15Duvernay, Pauline, Nayade in the ballet La Belle au Bois…~Delete16Gautier, Jean, Rupture entre Lord donnant et Miss prend, danseuse…
~Delete16Heath, William, Opera Reminiscences to be continued Pl 2 Hat…~Delete17Horton, Priscilla, Miss P. Horton as April Souvenir print
~Delete17Monplaisir, Mme, La Zingarilla" as Danced by Mad. & Mons. Monplaisir…~Delete18Nureyev, Rudolph, Hair dressing. Two etchings, hand colored
~Delete18Pepita de, Engraving on paper~Delete19Taglioni, Marie, Mademoiselle Taglioni from a drawing by A.E. Chalon…
~Delete19Taglioni, Marie, La Gitana The New Cachoucha~Delete20Chagall, Paris / l'Opera Romeo and Juliet
~Delete21Cocteau, Jean, Poster, Ballets Russes de Diaghilew Paris: 1939~Delete22Marceau, Marcel, Marceau at the Kaye, April 25-30, 1995
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Bella, Stefano Della . [Entree du Prince di Toscane,Representant Hercul]. [Entree du Prince di Toscane,Representant Hercul]. Etching, 1661. The first of threeetchings from the festival book Il mondo festeggiante:balletto a cavallo, fatto nel teatro congiunto al palazzo delsereniss. gran duca, per le reali nozze de' serenissimiprincipi Cosimo Terzo di Toscana, e Margherita Luisad'Orleans. In Firenze: Nella Stamperia di S.A.S., 1661.(Etching on paper 17 1/8 x 9 1/16", with margins.Mounted on laid paper. An excellent impression, in verygood and clean condition, with slight chipping and someminor repairs). By Stefano della Bella after G.A.Moniglia.
The most arresting of the three Della Bella etchings takenfrom the festival book Il mondo festiggiante (1661).
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Amigioni, Carlotta (artist). Celebre Auretti, La . Largeengraving, printed on two sheets of laid paper. 12" x 183/8" plus wide margins. Untrimmed. Some darkening tomargins from mat, and faint staining to upper rightmargin. Slight soiling. Tape on top margin, verso. Alovely impression.
Anonymous engraving (English? French? Ca. 1750)probably after a lost painting by Carlotta Amigoni withthe face probably taken from a medal of Joanna Auretti.The subject of the print is either Anne or JannetonAuretti. One of three engravings most likely based onAmigoni’s painting.
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Amoroso Antonio Mercurio (1660-1738). Themusician. Engraved From the Original Picture painted byAmoroso, in the Collection of the Right Honble LordMiddleton. To whom this Plate is moft HumblyDedicated, by his Lordship’: moft Obliged & most ObedtServant. J. Boydell. Size of the Picture 2 F10 I by 3 F4 Iin height. Published by J.Boydell Engraver in CheapfideLondon 1764.
Fine mezzotint
Large folio. 16 ½ x 21 5/16th”. Chaloner Smith’s #4.Later states are smaller or have scratched publisher’sname or have subject size of 14 x 18” [as opposed to 14 x18 ¼” as ours].
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Duclose, Marie-Anne de Chateauneuf (1668-1748).Duclose in the role of Ariane,. Engraving on Paper.(Paris) 1714. Engraved by Louis Desplaces (1632-1739).After a painting by Nicolas de Largilliere (ca. 1656-1746) [cf: Benizet III, 217]. Large folio (20" x 15"), withgood margins. A fine impression with rich contrasts inshading, and excellent detail indicating this is an earlyimpression before the engraving plate had been worn.Framed.
Mari-Anne de Chateauneuf Duclose (1668-1748). Frenchactress who was accepted by the Comédie Française in1693, where she acted in tragic roles, later replacing MlleChampmesle and sharing feminine leads with MlleDesmares. Her strength lay in declamation, and she wasadmired in the roles of Molière. Her great talent waseclipsed by her volatile temper and by the changingstyles of acting best exemplified by that of AdrienneLecouvrer, her young rival.
Duclos in the role of Ariane (by Thomas Corneille) is oneof the grand portraits of the French baroque theatre andone of the treasures of Le Musée de la ComédieFrançaise (Dacier, 20)
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Lancret, Nicolas, 1690-1743. . Marie Sallé. Se
vende a Paris chez l'auteur d'entre du quai de la
Féraille ala croix de Perles et chez Sr. De
Laramessin rüe de Platre a la 4e porte cochena adroit
par la rüe St. Jacques et ches la Ve de F. Chereau rüe
St. Jacques au deux pilliers d'or a Veu Privilege du
Roy. 1732. Bocher.#71.
Height 17 ½" ie 1' 5 ½ 444.5m; Length 22" ie 17 ½
558mm. Framed.
Sallé to front, feet in fourth position, arms à la
seconde, elaborate ankle-length gown. Background
left, trio of women dancing. Background right, four
boys playing woodwind instruments in front of the
Temple of Diana, heavy foliage. Engraved by
L'Armessin, Nicolas de, 1684-1753.
ref: Bocher, Emmanuel, Nicolas Lancret, catalogue
raisonné, Paris, 1877
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Nilson, Johann Esaias . Catharina Helena Stöber. .Catharina Helena Stöber 1775 or Stöberin (Germanmodel, 1721-1788)
etching with engraved text on laid paper; 230 x 166 mm(9 ⅛ x 6 ½ inches)Schuster 374
This is a rare souvenir portrait of CatharinaHelena Stöber, who was only two foot fourinches (ca. 70 cm) in height. She was exhibitedat fairs all over Germany.
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"Voltaire" (Francois-Marie Arouet; 1694-1778). “Leheros de Ferney au theatre de Chatelaine--Ne pretenspas a trop, tu ne seaurais qu'ecrire, Tes vers forcentmes pleurs, mais tes gestes me font rire. [Ferny, ca.1772] [Etching on paper] Size: 5 5/8" x 7 3/8", trimmedto platemark.
The subject of this anonymous satirical etching isVoltaire acting well past his prime
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Les Franconis. Lithograph, hand colored.Printed Metz: Imprimerie, Lithographie etFabrique d’Images de Dembour et Gangel,N.130. (Before 1852) . Ancestors of the modern circus
A souvenir print of the famous Parisian Franconiequestrian circus with eight scenes of acrobats onhorseback. The Franconi's theatrical circus influencedRingling Brothers and Barnum & Bailey.
The Franconi troupe were not only wonderful horsemen -“veritable Centaurs-and jumpers, but also expressivemimes and elegant dancers of a kind rare in the moderncircuses for they had been formed in the special schoolsfor circus children.” (Marian Hannah Winter).
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Marie Taglioni . Paris: ca: 1837. After a drawing byZephirin-Felix-Jean Belliard lithograph by Delpech.Lithograph on paper. (14x10). Framed (18 x 22"). Notexamined out of frame. The lithograph pictures a sereneTaglioni looking front, amost half length to right,wearing off-the-shoulder gown with two tiers of lace atcollar, braids hanging over ears. Zéphirin Belliard(France, 1798-1857?) worked from 1820-1850, mainly inlithography. Taglioni is one of his most elegant images
Ref: Sowell. Il Balleto Romantico. 2007. #69 coloredversion. “Un dei piú squisiti ritratti della Taglioni edell’ epoca romantica.”
Longing for the Ideal. Harvard Theatre Collection, 1984#58
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Allgemeine Theaterzeitung. Marie Taglioni alsSylphide. . Wein: Theterzeitung, ca 1835.
Engraving, delicately hand colored ; plate mark: 24
x 17 cm. 6 3/4" x 8 7/8". Matted and nicely framed.
Slight spots of foxing.
Taglioni full length to right, looking left, right hand
at right shoulder, left hand raised, sur la pointe left,
right leg extended back. Wearing floral headpiece,
pearl necklace, wings, costume trimmed with
flowers. Outdoor setting with flowers, garlands and
trees.
Published as No. 67 in the periodical Allgemeine
Theaterzeitung und Originalblatt für Kunst,
Literatur, Musik, Mode und geselliges Leben (Adolf
Bäuerle, publisher). This periodical was known for
its fine illustrations of theatrical stars.
$350
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Alophe, Menut. Les Danseuses de L'Opera: Costumesdes Principaux Ballets. Paris: Les Modes Parisiennes,[ca. 1860]. Quarto. Original green wrappers, glassine.Glassine frayed, wrappers chipped a little at spine. Astain of blue ink affects the gutter margin at the bottom,plates are not affected. Very slight foxing to a few plates.
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Celeste as the Maid of Cashmere. [London: Hodgsonand Graves, November, 1837]. After a painting by E.T.Parris; Lithographed by A. Dick. Octagonal 8 x15" (plate size), 8 1/2 x 17 1/2" (sheet size). Originallithograph on paper. Mounted on stiff paper, trimmed to1/4" of left margin, lacking publisher's logo at bottom.Beautifully framed.
$1,500http://www.abaa.org/books/283485270.html
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Cerrito, Fanny. (Mad'lle Fanny Cerrito, of HerMajesty's Theatre). London: John Mitchell, publisher toHer Majesty, 33 Old Bond Street, March 1, 1844. 9 5/8"x 12 1/2" plate size. Trimmed with half-inch margins allaround, with loss of publisher's legend at bottom margin.Mezzotint on paper. Matted. A lovely mezzotint showingCerrito three-quarter length to slight left, right armresting on an ornate wall table, left arm at side, end oflace shawl held in left hand. Wearing a Spanish costume;mirror, vase with two flowers and draperies inbackground. Rare. Locations: NYPL.
$850
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Daumier, Honore. Le danseur qui se pique d'avoirconserve les belles traditions de VESTRIS. Paris:Charivari, (ca. 1847). Lithograph with newsprint onreverse, as issued. (10" x 14 1/2"). Reference: Deltiel#2908. A charming satire of an aging male dancerprobably based on the over-extended career of the elderVestris. As published in the journal Charivari.
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Daumier, Honore. Un rappel de chanteuse, scene dehaute comedie. Paris: Martine, 1857. Original lithographon paper, newspaper print on verso as issued. D2905 iii(of 3). HD 1427; D2905. 10 3/4 x 8" with margins.Matted. Very good condition. From CroquisDramatiques. Printed by Destouches.
$300
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Duvernay, Paulin (1813-1894). Pauline Duvernay. Aftera drawing by J.F. Lewis, printed by C. Hullmandel.[London: T. Mclean, February 14th, 1837]. Octagonal 81/2 x 15" (plate size) 13 x 17 3/4" (full sheet). Originallithograph on paper, with contemporary hand coloring.Repaired tear, a few scuffs. Very good conditionmounted on stiff paper. The print represents Duvernay asFlorinda in The Devil on Two Sticks.
References: Beaumont & Sitwell #43 (pictured). Chaffee.English #45. Guest (1954) (Pictured on dust jacket coverand frontispiece).
$1,850
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Duvernay, Pauline. Pauline Duvernay. After a portraitby A.E. Chalon, Lithographed by R.J. Lane. London: J.Mitchell, March 16th, 1837. (10 1/4 x 14 1/4" to platemark; 15 1/4 x 20 1/2" full sheet). Original lithograph onpaper, with contemporary hand coloring. Backed on stifflinen. Beautifully framed. The print represents Duvernayas Florinda in The Devil on Two Sticks
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Duvernay, Pauline. I. Nayade in the ballet La Belle
au Bois Dormant. Lithograph on heavy paper.
London? After 1833. Beaumont & Sitwell 41. After
a drawing by Edward P. Novello. Originally
printed : London: S.W. Fores, 1833. One of the
contemporary reprints of this lithograph. Duvernay's
solo was so successful that surviving prints of her in
this ballet show her as the Naiad, not as the Princess.
She became a great favorite with London audiences.
The print depicts Duvernay en pointe in 4th position,
turned left with arms crossed over her chest, wearing
a layered gossamer dress decorated with leaf motifs,
a garland of leaves in her hair.
Image size: 9 3/4" X 12 ½" . Sheet size 14" x 18".
Delicately hand colored in silver, blues, grays, flesh
colors. Framed under a velvet arch. Slightly worn
and soiled; small stain to lower edge; paper
browned under mat and slightly foxed and creased;
remnants of mounting tape to verso of mount.Faint
pencil notes at bottom of image.
Pauline Duvernay or Yolande Marie-Louise
Duvernay or Yolande Marie Louise de Varnay
(December 1812 – 2 September 1894) . French
ballerina. Her beauty and dancing skills captivated
audiences in Paris and London, and she enjoyed
tremendous popularity. She retired in 1837, at the
height of her career.
$750
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Gautier, Jean Baptiste. Rupture entre Lord donnant etMiss prend, danseuse du Theatre de Londres[Caricature]. Paris: December, 1815. Etching andaquatint, 14 1/2" x 11", nicely hand-colored, on laidpaper with heart and leaf watermark. Excellent condition,with colors delicate and bright. Tape to mat verso. Titledat top, with legend at bottom "Milord mis, puisque vousdansez avec un autre, marche nul, rendez mois mesarrlrea! ..... Miss_ Ah! Milord, que vous nous connaissezmal, nous sommes allichées, une fois la toile levée nousne rendons plus l'argent."
$650http://www.abaa.org/books/624944623.html
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Heath, William. Opera Reminiscences to be continuedPl 2 Hat - Boxes. Pub July 14 1829 by T. McLean 26Haymarket, Sole Publisher of Mr. Heaths Sketchs.Etching with hand colour, (13 1/2" x 9" / 255 x 367mm.,with large margins). Two fashionable young ladiessporting magnificent hats in their box at the opera. A finecopy with strong color. Old mat. Not in BM. Ex:Collection of Alec Clunes. From the Minto WilsonCollection.
$300
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Horton, Priscilla [also known as Priscilla Reed]. Miss P.Horton as April [Souvenir print]. Lithograph by G.E.Madeley. London: G. Madeley, [ca. 1835]. Octagonallithograph on paper, nicely hand colored. 7 1/2 x 9 1/2",window mounted on matboard. Slight soiling, 1 1/2"closed tear on bottom margin, repaired. This printpictures Horton in the musical opera at the Strand in 1834called The Twelve Months probably after the text ofGilbert Abbott a Beckett (1811-1856).
How quickly we forget.
Without this little lady, we might never had had Gilbert& Sullivan.
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Monplaisir, Mme, Mons.); Bartholomin, Mons. (. "LaZingarilla" as Danced by Mad. & Mons. Monplaisirin the Grand Asiatic Ballet of l'Almee as PerformedUnder the Direction of Mons. V. Bartholomin at theBroadway Theatre. New York: Atwill, 1847. Hand-colored lithographic cover with 3-6pp. music, 1f. blank.Lithograph by New York: Sarony & Major, H. DeTrobriand Fecit., shows dancing couple on pointe.Dancers are Madame and Monsieur Plaisir. Foxed andaged. Reference: Levy. GLIMG #88.
$350
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Nureyev, Rudolph (from his collection). (Hair dressing.Two etchings, hand colored]. Paris: Le Bon Genre, ca1822. Etchings on paper, beautifully hand-colored. (Printsize: each 10 1/2 x 14". Matted together, mat size 25 1/2"x 20"). Fine condition.
Two original etchings, hand colored from the satiricalseries “Le Bon Genre” poking fun at the Parisian hairsalon.
These are from the Rudolph Nureyev's collection, sold atChristies 1994.
$1,200
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Pepita de Oliva. Engraving on paper. Leipzig: LouisRocca, (ca. 1851). 7 x 8 1/4" (plate size) with margins. Ahalf length portrait picturing ballerina looking right;ribbon in hair, three bows in vertical line down front ofbodice. Slight soiling to margins, else fine. Pepita deOliva was the stage name of the great Spanish dancerJosefa Duran y Ortega, 1830-1871. Not in the any of theusual catalogues.
$850
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Taglioni, Marie. Mademoiselle Taglioni from adrawing by A.E. Chalon...drawn on stone by R.J.Lane, R.A. London: J. Dickinson, June 1831. Lithographon paper ( Rectangle frame within sheet of 14 1/2 x 101/4” ) representing Taglioni in the role of Flore inDidelot's Flore et Zephire, King’s Theatre, London, June3rd, 1830. A rare hand-colored copy. Proof impression.A few stains, light soiling, remains of tape on verso.
One of the great prints of the Romantic ballet
Beaumont & Sitwell. The Romantic Ballet.( 1938), Plate# catalogue #2;Migel, Parmenia. Great Ballet Prints ofthe Romantic Era. #8; Longing for the ideal. Images ofMarie Taglioni in the Romantic Ballet. (Harvard, 1969).#20 and pictured on cover.
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Taglioni, Marie; Glover, Charles W. La Gitana (TheNew Cachoucha). Danced By Madlle. Taglioni, In theGrand Ballet la Gitana, At her Majesty's Theatre, theCourts of Paris & St. Petersburgh. Arranged for the PianoForte, By Charles W. Glover. New York: Hewitt &Jaques, 239 Broadway, (ca 1841). Lithographic coveronly. Slight wear and soiling. Currier's Lithographers, N.Y.; W.K. Hewitt; G.W. Quidor Engvr. Reference:Harvard/Longing #81. Chaffee/American #78 (1839).
$250
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Chagall. Paris / l'Opera [Romeo and Juliet.]. Chagall,Marc. . Paris / l'Opera [Romeo and Juliet.][Lithographic poster printed in colors] by MourlotGallery. Paris: Mourlot, 1965. On paper, 24x38”610x965 mm, sheet.
The decoration for the ceiling of the Paris Opera byChagall was commissioned by Andre Malraux, then theCabinet Minister in charge of Cultural Affairs. Thisinterpretive rendering of lithograph executed by CharlesSorlier, from a detail of the preliminary sketch of theceiling of the Paris Opera. This fragment is a tribute toBerlioz for Romeo and Juliet; it also includes pictures ofthe Place de la Concorde and the Arc de Triomphe Ref:Sorlier, Chagall's Posters, A Catalogue Raisonne, 96;Weill page 358.
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Cocteau, Jean. [Poster], Ballets Russes deDiaghilew Paris: 1939. . [Poster], Ballets
Russes de Diaghilew Paris: 1939. Advertising
poster for the 1939 exhibition
BALLETS RUSSES DE DIAGHILEW 1909 A
1929 Musee des Art Decoratifs. Palais Du
Louvre. Pavillon de Marsan. Exposition organisee
par Serge Lifar. Mars a Juin 1939.
Lithographic poster on paper, printed in color with
lettering and full margins. Signed "Jean
Cocteau" in the stone, lower right. Sheet size: 61" x
34"; mounted on silk, rolled. Fine copy.
Our 1939 poster was restruck from the original
lithograph of 1911 to advertise this, the first major
exhibition concerning Diaghilev and the Ballets
Russes.
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(Marceau, Marcel.). Marceau at the Kaye, April 25-30,1995. [Poster printed in colors]. New York: HunterCollege, 1995. (15" x 22") For Marceau performance atthe Hunter College Kaye theatre. Nicely inscribed byMarceau in gold ink to Anna Sosensko, the Broadwayproducer and composer. Depicts the great mime in aBalletic pose. Framed.
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IndexA
Allgemeine Theaterzeitung, 10Alophe, Menut, 11Amigioni, Carlotta, 3Amoroso Antonio, 4
BBella, Stefano, 3
CCatharina Helena Stöber, 7Celebre Auretti, La, 3Celeste as, 11Cerrito, Fanny, 12Chagall, 20Cocteau, Jean, 21
DDaumier, Honore, 12, 13Duclose in the role of Ariane, 5Duclose, Marie, 5Duvernay, Paulin, 13Duvernay, Pauline, 14, 15
EEngraving on paper, 18Entree du Prince di Toscane, Representant Hercul, 3
GGautier, Jean, 16
HHair dressing. Two etchings, hand colored, 18Heath, William, 16Horton, Priscilla, 17
LLa Gitana The New Cachoucha, 19La Zingarilla" as Danced by Mad. & Mons. Monplaisir…, 17Lancret, Nicolas, 6Le danseur qui se pique d'avoir conserve les…, 12Le heros de Ferney au theatre de Chatelaine…, 7Les Danseuses de L'Opera: Costumes des Principaux Ballets, 11Les Franconis. Lithograph, hand colored. Printed Metz: Imprimerie…, 8London: Hodgson and Graves, November, 1837, 11
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MMad'lle Fanny Cerrito, of Her Majesty's Theatre, 12Mademoiselle Taglioni from a drawing by A.E. Chalon…, 19Marceau at the Kaye, April 25-30, 1995, 22Marceau, Marcel, 22Marie Sallé, 6Marie Taglioni, 9Marie Taglioni als Sylphide, 10Miss P. Horton as April Souvenir print, 17Monplaisir, Mme, 17
NNayade in the ballet La Belle au Bois…, 15Nilson, Johann, 7Nureyev, Rudolph, 18
OOpera Reminiscences to be continued Pl 2 Hat…, 16
PParis / l'Opera Romeo and Juliet, 20Pauline Duvernay, 13, 14Pepita de, 18Poster, Ballets Russes de Diaghilew Paris: 1939, 21
RRupture entre Lord donnant et Miss prend, danseuse…, 16
TTaglioni, Marie, 19, 19The musician, 4
UUn rappel de chanteuse, scene de haute comedie, 13
VVoltaire Francois, 7
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