raphael villiermet 2012 cv book portfolio

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Curriculum Vitae & examples of works Raphael Villiermet Graduate Architect of State Versailles' School of Architecture - ENSAV 2012

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Page 1: Raphael Villiermet 2012 CV Book Portfolio

WORKS Raphaël Villiermet 2012

Raphaël Villiermet, architect30 rue Barbès, 92120 MontrougeFrance

[email protected]+33 (0)6 26 92 34 71+33 (0)1 46 48 39 05

Page 2: Raphael Villiermet 2012 CV Book Portfolio

RAPHAEL VILLIERMETGraduate Architect of State

Personal Profile

Professional Experience

D.O.B. : 04/09/1988 French Nationality

[email protected]+33 (0)6 26 92 34 71

A young architect who has just graduated from the National School of Architecture of Versailles, which is an innovative and renowned school, the best according to ministry of culture’s ranking. A cutting edge designer combining creativity and coherence throughout his projects. An industrious and autonomous worker willing to comprehend the whole complexity of context and programs in order to provide appropriate solutions. An adaptable and fast learner, fluent in French, English and Spanish, who has assimilated a wide spectrum of methods and experiences from Latin America and France.

Bruther Architectes (http://www.bruther.biz/)A young architecture office set by two former project managers from Jacques Ferrier’s studio. The firm is known for its efficient and rational design, focusing on improving living quality through materials and light.

Assistant Project Designer & Model Maker - Internship Designing of a school of osteopathy and a council housing program in Nantes (France), a social centre and a student restaurant in Paris and a secondary school in Lille (France).- Study and final models- 3D models and perspectives, - Drawing assistant (Phases A to D equivalent : «ESQ», «APS-APD», «permis de construire»)- Study and detailed design of an original furniture line

Baillon-Henrion Architectes (http://www.baillon-henrion.fr/)A small studio specialized in educational buildings and offices, with a pragmatic point of view on the projects’ political, financial and social context.

Project Designer - Part Time Competition to rehabilitate a secondary school in suburban Paris.- Feasibility analysis- Concept and designing- 3d models, final perspectives

Perraudin Architectes (http://www.perraudinarchitectes.com/)Successful award winning company, focused on simple and environmentally friendly designs while reducing costs and carbon footprint. The studio is known for its use of local stones and traditional techniques.

Assistant Designer - InternshipInvolved in various tasks including the designing of furniture, the rendering of study images and worksites visits.

Bruno Legrand Architecture (www.bla.fr)A small architecture office run by a senior architect, specialized in housing, luxury hotels and wineries. The firm works in association with Argentinean studios.

Assistant Project Designer - InternshipProject of a winery and hotel resort near Mendoza, Argentina -Master plan of the vineyard-Hotel rooms design-Drawing assistant (Phases C and G equivalent : «ESQ», «DCE»)

2011-20126 monthsParis

20114 monthsBoulogne

20091 monthLyon

20083 monthsParis

Page 3: Raphael Villiermet 2012 CV Book Portfolio

Education

Computing Skills

Special Interests

References available upon demand.

Languages : French (mother tongue), English (spoken and written, fluent), Spanish (spoken and written, fluent)

Master Degree in ArchitectureENSAV - Ecole Nationale Supérieure D’architecture de Versailles

Master’s year abroadFADU - Facultad de Arquitectura, Diseño, y Urbanismo, Buenos Aires

ENSAV – VICAT (http://www.vicat.fr/) A six months academic and professional research project focused on the use of concrete. It included a construction project in association with VICAT, using BEFUP (Ultra High Performance Concrete).

French Baccalaureate with Honours, Major : Sciences IBO-CA2(International Baccalaureate Organisation Certificate in English)First Certificate of English - University of Cambridge Esol (Grade B)EABJM International School - Ecole Active Bilingue Jeannine Manuel, Paris

Saxophone French Classical Conservatoire and Jazz Conservatoire. Private music teacher.The Red Pill Electro-jazz music band, recording and production done in a home studio.Supertromp University brass band, Co-founder, President, composer and rehearsal chief.

Furniture design, using second hand objects, or cheap materials, prefering simple processesSmall size architecture (polycarbonate and wooden structure pavilion)

Basket-Ball, RugbySki and snowboard

www.bloggymary.frwww.baillon-henrion.fr

UK, LondonItaly, Rome - Venezuela, Caracas - Colombia, Cartagena, Santa Marta, Bogota - Ecuador, Quito, Cotopaxi Peru, Lima, Machu Pichu, Cuzco, Puno - Bolivia, Titicaca lake, Copacabana, La Paz -Uruguay, Montevideo, Cabo Polonio, Colonia - Brasil, Iguazu, Sao Paulo, Rio de Janeiro - Argentina, Salta, Tucuman, Abra Pampa, Jujuy, Cafayate, Buenos Aires, La PlataHungary, Budapest - Germany, Berlin - Czech Republic, Prague - Italy, Rome - USA, Los Angeles, San Francisco, Las Vegas

2007-2012France

2010-2011Argentina

20096 monthsVersailles - Lyon

2000-2006France

Music

Design, DIY

Sports

Web design

Travels20122011

2010

2009

3DSketchupAutocad

3Ds MAXRendering

ArtlantisV ray

3Ds Max

PresentationMicrosoft Office

2DAutocadArchicad

Vector WorksPhotoshopInDesign

IllustratorFlash

+ + + + + ++ + + + + -+ + - - - -

+ + + + - -+ + - - - - + - - - - -

+ + + + + - + + + + + ++ + + - - -+ - - - - -+ + + + + -+ + + + + -+ + + + - -+ + + - - -

Page 4: Raphael Villiermet 2012 CV Book Portfolio

Furthermore, Orly has a strategic location regarding the “Grand Paris” program being at the outskirts of the upcoming suburban zone materialized by a new transportations belt (trains and metro in a concentric and radial organization). This belt will link the major suburban cities together along with Paris airports and train stations.

My project consists in developing a site shaped and streamlined as an island, with a totally introverted 80 000-seat entertainment complex.

The site, a sterile industrial zone, isolated and hyper connected, matches with the paradox of the project: hypo-insularity.

So far, it appears that the challenge is to create a built-in structure, similar to a city in terms of dimensions and functioning. Its conception, development and scale is the result of an analysis of the people in and out flows in a short period of time.

Paris

This project find its origin in a real request from the French Rugby Association (FFR): the development of a coherent project (site, needs and functioning) with a strong and symbolic concern to achieve a place devoted to sports and to promote rugby in the North of France.

I selected the site from the FFR shortlist and chose the city of Orly which best met all the requirements: local, regional and international connecting facilities. Orly is a nodal point in the Paris urban district which concentrates all types of transportation: train (freight & passengers, national and regional lines), automobile (major motorways cross the site) and plane (Orly Airport is within a stone throw).

Master Degree - Final Project

ENSAV, VersaillesProfessor: F. Chochon

July 2012

80 000-seat Stadium, Sports & entertainment complex

Orly, France

StadiumMetropolis

Orly

Page 5: Raphael Villiermet 2012 CV Book Portfolio
Page 6: Raphael Villiermet 2012 CV Book Portfolio

MAXI PLAN R+3 500E.indd 1 03/07/2012 20:26:38

MethodThe entertainment resort is entirely pedestrian with underneath different layers: a six-platform train station above which is a circular 3 lane-motorway with intersections to get into a two-level car park housing 4500 parking places. The project is based on the analysis of successive bottlenecks considering the chronological order in which visitors and workers enter the stadium. This methodology gives an approximate scale of the project: the ring dimension is given by the size of the car park and the number and width of the footbridges by the number of pedestrians (80 000) having to get out in less than 15 min. In addition to this, we understand that no other places could host this stadium without massive investments in transportation facilities.These key elements are spatially organized in two directions: first from underground zones (train station and indoor motorway) to higher levels (tribunes), and secondly from exterior (outside the public piazza) to central point (sports field).

Programmatic mixThe whole project intends to create a dynamic stadium able to attract all types of audiences: sports, of course but also entertainments, offices, hotels, shops and sport facilities, maintaining its activity at the level of major centres in Paris metropolis area. In order to create this unity of the stadium and the whole complex, the public piazza is continuous from the ring to the inner stadium, but also, all the minor functions of the stadium (police, logistic, media hosting, reception, administration) are located in the ring, giving the image of a boneless stadium.

1 bridge = 7200 pers/15min

train station1 plateform = 1200 pers/min = 1 train/90sec 2 for regional trains1 for subways

Page 7: Raphael Villiermet 2012 CV Book Portfolio
Page 8: Raphael Villiermet 2012 CV Book Portfolio

College700

Chatillon

BAILLON-HENRION, architectes, Boulogne-Billancourt

Assistant project designer Part time

March 2011

Competition, rehabilitation700-student secondary school+gymnasium

Chatillon

The competition site is the Paul Eluard Secondary School built in the suburban city of Paris, Chatillo. It consists in rehabilitating the school’s main wing on one side and to create a new gymnasium on the other. The analysis first revealed the lack of anticipation from the city to organize the construction while

students had to stay at school during the three-year worksite. In addition, the building itself had no patrimonial qualities regarding history or conception. It is a 1960’s three-storey longitudinal building, with wide and old windows, narrow corridors and stairways built in concrete and deprived of isolation. Also the implemented costs were high; it didn’t allow reaching high environmental goals. For these reasons, we took an opposite view regarding the wing in building a whole new one along the street, keeping the old one at the bottom of the site. This gave the advantage not to disturb the school life during works and guaranteed a safe worksite for children and workers. Relocate pupils and staff over one summer became possible. The new building could

reach much more easily higher energetic and environmental goals. We only had to dismantle the old building where we had planned to build the gymnasium. The costs of this proposal were analysed by a consulting firm and validated. Even though we knew our project did not match with the title of the conpetition it seemed to be our duty to give this analysis and proposal. The results of the competition are not yet given, it appears that there will be no laureate, and the city will launch a new competition soon.

-Analysis and concept-CAD drawings-3D models, rendering, (Models done by an external studio)

phase 1 :18 months

phase 2 :2 months

phase 3 :12 months

Build the future main wingBuild the future dwellings

Move all school life during one summerDestroy the old main wingCreate the new access from the street

Build the future gymnasium

Page 9: Raphael Villiermet 2012 CV Book Portfolio

Plan of the ground floor

Plan of the dwellings, typical floor

Page 10: Raphael Villiermet 2012 CV Book Portfolio

18° 28° 38°

Having to deal with the antique Rome heritage, thinking about the best way to create a good collaboration between the new and the old, we settle a new historical heritage strategy: Prefer merging to side by side collage.

I find it a difficult and melancholy business, I must confess, separating the old Rome from the new.

Richard Wendorf quotes Goethe in Piranesi’s Double Ruin

We take advantage of the architectural qualities of the coliseum, giving back its part in the city life, bringing it some new uses, giving a new life to the old stones and spaces. This interpretation implies adding, at the same time, a private initiative and public spaces for Romans, and retaining ruins as an open ur-ban museum.We propose giving an inner point of view of Rome instead of a global landscape from above, merging the spa in the coliseum. We create windows towards the antique arena but also to the surroundings monuments, guests become actors of this mythic place.

18° 28° 38° «»

antique ruins public area private spa area

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Page 11: Raphael Villiermet 2012 CV Book Portfolio

18° 28° 38°

Having to deal with the antique Rome heritage, thinking about the best way to create a good collaboration between the new and the old, we settle a new historical heritage strategy: Prefer merging to side by side collage.

I find it a difficult and melancholy business, I must confess, separating the old Rome from the new.

Richard Wendorf quotes Goethe in Piranesi’s Double Ruin

We take advantage of the architectural qualities of the coliseum, giving back its part in the city life, bringing it some new uses, giving a new life to the old stones and spaces. This interpretation implies adding, at the same time, a private initiative and public spaces for Romans, and retaining ruins as an open ur-ban museum.We propose giving an inner point of view of Rome instead of a global landscape from above, merging the spa in the coliseum. We create windows towards the antique arena but also to the surroundings monuments, guests become actors of this mythic place.

18° 28° 38° «»

antique ruins public area private spa area

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Page 12: Raphael Villiermet 2012 CV Book Portfolio

Designed for a disadvantaged zone in the suburbs of Lille, the project had two parts: a boarding school and a city building hosting a gymnasium and a small concert hall. The foothold reconciles the construction of a set of three triangular buildings around a courtyard in keeping each one’s autonomy. The estate is unified by the facade’s material and pattern: glazed bricks and arcade pattern. Bricks are commonly used in the north and suggest the building is part of the city and integrates public functions. But its glazed blue bricks add a modern and new touch in the morose landscape, introducing new social actions and community equipment.

Furthermore, the arcades give pedestrians an insight into the ensemble. The sight is filtered and centred thanks to the arcades and the glass separations. Even though the outsiders can partly see inside and the public ground is continuous, the access is controlled at the arcades.Perspectives done by an external studio-Models and Photos-CAD drawings

ArcadecollegeBruther Architectes, ParisMaster internship

November 2011

900-student secondary school+gymnasium

LilleCompetition

Lille

Page 13: Raphael Villiermet 2012 CV Book Portfolio

MARQBuenos Aires

Museo de Arquitectura

Competition

Work in soloSeptember 2010

Extension of a small arquitecture museum

Buenos Aires

The competition was held for architects and FADU’s students, its aim was to give ideas for a hypothetical extension of a small museum in the centre of the city. The original museum is set up in a vertical building which was originally a railway observation post apart from the urban space. The proposal intends to occupy the ground and make a connection to the street.It makes a minimal link with the ancient building. The formal aspect of the building is a belt slightly unbalanced with the existent geometry. This belt offers a partial transparency to let see the building from the street. It wears a light formal shape, unstuck from the ground using stilts.The result is open longitudinal space, creating a tension between old and new.

Page 14: Raphael Villiermet 2012 CV Book Portfolio

MNBAEl Tigre, Buenos Aires

Museo Nacional de Bellas ArtesFADU, Buenos AiresProfessor : Roca

December 2010

3 000 m² exposition museumEl Tigre, Argentina

The project is a 3000m² museum for fine arts of Argentina’s collection. It’s located at the estuary of the river La Plata, the land is a marshy ground cut by river arms. The whole city of El Tigre is made of hundreds of islands. The museum is on one of the major island and benefits a road connection. The main transportation medium is boat. The museum develops between these two sides, offering equivalent qualities for both accesses(river and road). The visitors ‘course is a spiral way going progressively up to the rooftop, where it is possible to enjoy the sight of the delta. The path is organized around a two patios and a high library hall. This gives sights to the inside and creates the introverted atmosphere needed in a museum.

Page 15: Raphael Villiermet 2012 CV Book Portfolio

MAPBuenos Aires

Museo Alicia PenalbaFADU, Buenos AiresProfessor : Gringberg

July 2010

6 500 m² exposition museumBuenos Aires, Argentina

The museum is dedicated to Alicia Penalba’s works, and a third of the exposition surface to temporary exhibitions. The site is in Buenos Aires itself, in a very dense part of the city. The space available is tiny, and in a L form. The building, massive and tall has to deal with the surrounding. The theme of party walls was important in the site. For this reason, the main entrance of the museum is made in an opening fault, which is even more dramatic at night with the light of the museum coming from inside. The fact that a museum, which should be a free and wide space, has to be constrained by its neighbors gave the way to the shape of the building. It gets out of the block with a torsion move as if it was forced. To reinforce the aspect of a naturally constrained rock, the skin is meant to be as homogenous and opaque as possible, it is made of perforated corten steel. Finally the inside visitors path is thought as a series of very different rooms in scale, made exclusively for the sculptures of Alicia Penalba.

Page 16: Raphael Villiermet 2012 CV Book Portfolio

Undulinehouse Coupigny

Clearing pavilionFriends ‘projectCoupigny

September 2009

Economic construction6 days, 7 workers, 650€, cheap and re-used materials

The idea of this pavilion was to try to build something with a group of friends. The site is at the countryside, one hour driving from Paris. The pavilion is watertight and isolated. Foundations are made of recuperated concrete blocks. Structure is made of cheap pine wood. All windows are recuperated, or made up with wood and glass. Isolation is made of rock wool. Exterior facing and water tightening are done with undulated transparent polycarbonate and a simple plastic film at the bottom under the floor. Interior’s facing is done with OSB.

Page 17: Raphael Villiermet 2012 CV Book Portfolio

concrete VaultedVersailles

A six months history analysis exercise in third year of license led to think about relations and evolution of structures through XIX, XX and XXI centuries. The group was formed of 15 students. We first worked on building references (Bourse of Paris, Pantheon of Paris) and technical history (traditional apparatus and assembling). From all those examples, the principle of vault structures made of wooden small pieces (“Structure de voûte à petits bois”, Viollet-Le-Duc) seemed very interesting and barely forgotten today. The reason is that concrete does not permit to use such thin pieces and is made to be a “one piece structure”, but today’s evolution led us to think that it’s now possible with Ultra High Performance Concretes. These are new types of concrete composed of very thin concrete, very little sand and aluminum fibers. This technology is used for exceptional infrastructures.

History & experimentation

LicenceWork with group of students

June 2009

Creation of an historically inspirated structureExperimentation of a new material

Versailles, France

Our project wasinspired by our historical analysis and knowledge of traditional know-how. We reproduced a vault structure with small pieces, but adapted to concrete and integrating the use of 3D computing. The project got sponsored by an important French concrete firm (VICAT) which financed the whole material for trials and final work. We made all the pieces ourselves, in a big construction lab, where we made the formworks and poured the concrete. The structure was assembled in Versailles Architecture School, then dismantled and assembled for a professional concrete show in Marseilles on Vicat’s stand.

The idea of this table came from the fact that dozens of test concrete slats were thrown away (from the project above). In regards of their financial and ecological cost, it seemed to be a waste to not re-use them. Furthermore, the aesthetic qualities of this half industrial objects and its brutal material make it beautiful. The wood comes from an old dismantled house gate. All materials were cleaned and prepared to be worked as it stands. The assembling is inspirited from traditional wood works

Personal Workdesign and construction of furniture

August 2011

Recycling used materials and giving new life to garbage objects

Frejus, France

Coffee Table (80x60x40cm)

Page 18: Raphael Villiermet 2012 CV Book Portfolio

Table

Square galvanized steel profile (20x2x700mm)Galvanized steel frame (600x1000mm), L angle iron (20x20mm)Medium wood board (16x590x990mm)Lacquered sheet metalSteel mounting angle (3x45x130mm)Adjustable foot: turn of the screw, stalk thread 50mm, nut, plastic square footPlastic square footNutStalk thread 50mmTurn of the screw in iron foot

12345678910

Sofa

Page 19: Raphael Villiermet 2012 CV Book Portfolio

DivanGalvanized steel frame (2400x800mm), L angle iron (30x30mm)Galvanized steel frame (660x400mm), Square section (20x20mm)Galvanized steel frame (895x400mm), Square section (20x20mm)T angle iron (30x18x794mm)T angle iron (30x30x794mm)Foot - U galvanized steel frame (290x800mm), Square section (20x20mm)Iron angle (127mm)Bed slat (ikea SULTAN)Bed matress (ikea SULTAN)Wooden board (27x395x790mm)Mirror board (10x170x395mm)

1234567891011

Bruther Architectes, ParisMaster internship

December 2011

TABL/SOFA/DIVA

ParisFurniture collection

The aim of this work was to produce a furniture set designed by the studio. The design focused on simple materials and fabrication processes to guarantee low prices and fast fabrication. The drawings presented are the schedules of the prototypes handed to the craftsman in charge of the production. Each object has a little booklet to explain how it is made. In the end, it is an attempt to create modern furniture, designed and produced by small firms on demand, and at low prices.

Page 20: Raphael Villiermet 2012 CV Book Portfolio

WORKS Raphaël Villiermet 2012

Raphaël Villiermet, architect30 rue Barbès, 92120 MontrougeFrance

[email protected]+33 (0)6 26 92 34 71+33 (0)1 46 48 39 05