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Page 1: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

RADIO AND CANADIAN RECORDING INDUSTRYMIT2000

04/21/23 1

Page 2: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

Canadian Radio Eras:

1. Towards Federal Involvement, ca. 1900-1932

2. Golden Age (Public Radio), 1932-1955

3. Challenge of Television, 1955-1970

4. Local Radio Competition, 1970-present

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Page 3: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

Radio as Mass Medium (1930s/40s)1. Emphasis on Evening

broadcasts (drama, variety)

2. Heterogeneous audiences

3. US shows/stations popular (‘Amos n’ Andy’)

4. CBC is only network

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Page 4: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

Challenge of TV, 1950s

1. Radio Audiences:

1. national to local

2. mass market to market segmentation

2. Advertising: National to Local

1. lower cost

2. local retailers (auto dealerships)

04/21/23 4

Page 5: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

Radio Adapts1. Radio Programming:

1. Mixed Format to Single Format

2. Format Programming

1. Specific demographics

2. Teens

3. DJ/ Rock Music formats

04/21/23 5

Page 6: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

Music Format Radio

1. Cheap promotion for recording industry

2. Cheap content for broadcasters

3. Music: national/global 1. audiences/advertising: local

4. Society to Segment-making Media

04/21/23 6

Page 7: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

AM to FM

1. Share of Listening:

1. 1968: 6% FM

2. 2000: 65% FM

2. Stereo: better transmission

3. Post-1980s: AM

1. saturated

2. poor reception

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Page 8: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

Listening Changes

1. In-home to out-of-home (50-50 today)

1. Evening to Daytime

– Mobile listening – transistor radio– car radios – suburbanization

2 Public (CBC) to private

3 Listening (early 2000s) : Private (85); CBC (8); US (4); community/campus (4)

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Page 9: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

Canadian Content Regulations

1. Commercial Radio; AM/FM

2. 1970-98 (30%) 1. popular music selections in

broadcast week

3. 1998: 35%1. 35% from 6AM to 6PM, Mon-

Fri

4. Goals:1. cultural

2. industrial

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Page 10: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

Defining Canadian ContentMAPL SystemRequire minimum 2 of:• M –music: composed entirely by CDN• A -artist: performing piece is CDN• P -production: recorded or performed wholly in Canada; broadcast live in Can.

• L –lyrics written entirely by Canadian

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Page 11: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

CANCON/MAPL: Exceptions

1. Recorded before 1972 (+ one of MAPL)

2. Instrumental performance of piece composed by CDN

3. Live/recorded after Sept 1, 1991 and CDN has 50% credit as composer/lyricist

1. (“Bryan Adams exemption”)

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Page 12: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

Canadian Recording Industry (Straw)1. “Branch Plant” era

(1950s-60s)

1. press/distribute

2. dependent on US firms (Capitol Records, etc.)

3. Musicana, Regal, Phonodisc

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Page 13: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

End of Branch Plant Era (1960/70s)

1. horizontal/vertical integration

2. “distribution oligopoly”

1. harder for CDN independents to compete

04/21/23 13

Page 14: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

“Branch Plant” Case Study

1. Quality Records, 1950-1. 20% market late 1970s

2. license US songs/albums

3. lose CDN rights for multinationals

4. company collapses, sells assets5. http://www.youtube.com/watch?

v=M8dipfD8-ww

6. http://www.youtube.com/watch?v=DCl1zhKWZq8

7. http://www.youtube.com/watch?v=PeKdIWSc6DU

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Page 15: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

“National” Era, 1970s/1980s

1. Manufacturing to Talent

2. Original content

3. Multinationals for CDN distribution

4. CDN Independent Record Production Association (1975-)

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Page 16: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

National-Era Recording Labels

1. Aquarius, 1968-1. concert-booking, local

recording

2. April Wine

2. True North Records, 1970-1. talent manager owner

2. Bruce Cockburn, Murray McLaughlin

3. Anthem Records, 1977-1. Rush’s production company

as owners

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Page 17: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

Case Study: National Era

• Attic Records, 1974-99• Diverse markets/ genres • Discover talent

• Teenage Head (late 1970s)

• “Picture My Face”• http://www.youtube.com/watch?v=oc_wy8KNVXQ

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Page 18: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

Case Study: National Era

• License CDN performers for foreign markets

• The Nylons• Patsy Gallant (“From NY to LA”)• http://www.youtube.com/watch?

v=haZCnt_SVgM (1976)

• Distribution: foreign multinationals

• Back Catalogues

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Page 19: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

National Era: Summary

1. Creative Side

2. Multinationals for stability

3. National Musical “Canon” 1. Cockburn, M. McLaughlin,

Lightfoot

4. Back catalogue profits

5. Lobby for govt subsidies, CANCON

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Page 20: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

Blue Rodeo/CDN Identity

1. Golden Era, 1980s-90s

2. Political Economy

3. Anti-Americanism

1. “Piranha Pool” (1987)

2. “God and Country” (1989)

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Page 21: RADIO AND CANADIAN RECORDING INDUSTRY MIT2000 12/16/2015 1

Blue Rodeo/CDN Identity

1. Canadian Stories

1. “Fools Like You” –Elijah Harper/ Meech Lake

2. CDN places, symbols

1. “Western Skies”

2. “Hasn’t Hit Me Yet”

1. http://www.youtube.com/watch?v=kRM7QAZ3IxI

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