question 1b - how and what to revise - concepts

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  • 8/16/2019 Question 1B - How and What to Revise - Concepts

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    CONCEPTSSection 1B

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    What we will look at…

    • Quick overview of exam requirements

    • Making revision eective

     – Understanding each concet

     – !dentif"ing which theorists to use – Understanding and interreting their ideas

     – #ow to organise "our examles when revising

     – $onverting examles in to essa" aragrah

    lans

     – #ow to ractice essa" writing

    • %racticing #&W '& al" this in the session

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    G325 – SECTION A

    QUESTION 1B

    #ow dierent

     MEDIA CONCEPTScan (e alied to "our

    coursework

    It’s about

    THE TEXT

    GENRE

    NARRATIE

    MEDIA !ANGUAGE

    AUDIENCE

    REPRESENTATION

     )ou must give examles from o"#$ ONEiece of coursework * "our MUSIC

    IDEO

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    MA%ING REISIONE&&ECTIE

    #&W '& +%%,&+$# )&U, ,-.!S!&/ 0&, Q1(

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    Understanding the $oncets

    ,ead through the $&/$-%'Sdenitions hand out

    Make sure "ou understandwhat each concet means

     )ou can (egin "our introduction aragrah with2• a (rief denition of the concet• Sa" "ou will al" theories a(out the concet

    to "our +dvanced %ortfolio Main 'ask * + Music.ideo

    Brie3" sa" which theorists "ou will discuss inour answer

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    4eciding which theories to use

    0or -+$# concet look at the

     '#-&,!S'S and theories the"have a(out the concet

    !dentif" which theories

    "ou want to talk a(out in"our essa"

    %ick a M!/!MUM of 3 '()*+*"t t,*o+(*s for each concet

    ! +*-o..*"' $ou '(s-uss /0 '()*+*"t ('*as (ut this will

    deend on2• #ow well "ou understand the ideas• Whether "ou can nd good examles from "our music

    video to discuss the theories• #ow condentl" "ou can write a(out them in 56 mins

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    Understanding the theories

    0or -+$# theor" "ou need to (e

    clear a(out what the" mean andwhat it tells "ou a(out the concet 0or each idea7 make notes

    or an interretation in"our own words of what

    the idea means

    Use the hand out to hel "ou develo "ourunderstanding

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    What torevise…

    • 4ivide u "our revision into

    $&/$-%' +,-+

    • 0or each $&/$-%'7 list eachof the theorists +/4 each oftheir ideas  that "ou havestudied for that concet

    • 0or each theorist 8 theor"7identif" 1 or 9 examlesfrom "our Music video

    • 0or each examle2 – +nal"se  how "ou used the

    use of camera7 editing andmise:en:scene

     – -xlain  how this suorts orchallenges the theor"

    ,-%,-S-/'+'!&/

    Mulve";oodwi

    n

    ,ailton<

    Watson

     'u=illo

    Male

    ;a>e

    +ctive0emale+rtists

    Masculine %ower

    Masculinit"< the

    outdoors

    Masculinit" as

    %h"sical%ower

    A2EG11

    $amera *

    shot t"e<

    movement

    A2 EG12Mise:en:

    scene$&S'UM-

    A2

    EG21$amera *shot t"e

    A2 EG31

    Mise:en:scene

    costume

    A2EG21-diting *

     =um cuts

    A2 EG32

    $amera *cameraangle

    A2 EG/1

    Mise:en:scene :location

    A2 EG/2

    $amera *shot

    distance

    A2 EG51

    $amera* shot:t"e <angleA2 EG52

    -diting *cuts andscreentime

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    ;rids and Mindmas…

    or an"thing that can (eeasil" converted to anessa" aragrah lan

    such as

    0?+S#$+,4S

    Making "our notes eective#ow to organise "our revision…

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    ,-%,-S-/'+'!&/

     '#-&,!S' '#-&, )

    M.examle 1

    M.examle 9

    MU?.-)M+?-;+@-

    A2 EG11$amera * shot t"e

    < movement

    A2 EG12Mise:en:scene $&S'UM-

    4!,-$'+44,-SS *

    +$'!.- 0-M+?-+,'!S'S

    ;&&4W!/

    A2 EG21$amera * shot t"e

    A2 EG21-diting * =um cuts

    ,!+?'& <W+'S&/

    M+S$U?!/-%&W-,

     '#,&U;#4-S-AU+?!S+'!

    &/

    A2 EG 31Mise:en:scene

    costume

    A2 EG /1Mise:en:scene : location

     ',U!??&

    M+S$U?!/!') +SS',&/; +/4%#)S!$+??)%&W-,0U?

    A2 EG 32$amera * camera

    angle

    A2 EG /2$amera * shot distance

     ',U!??&

    M+S$U?!/!') +SB-!/;

    &U'4&&,S < !/

    %UB?!$ S%+$-S

    A2 EG 51$amera * shot:t"e

    < angle

    A2 EG 52-diting * cuts and

    screen time

    Making "our notes eective#ow to organise "our revision…+ 

    suggestion of how to use grids

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     'he need for ',!+/;U?+'!&/

    1C /ame the theorist <exlain their idea a(out the

    concet

    9C ;ive a detailed7secic examle from"our music video *anal"se it and sa" how

    it links to the theor"a(out the concet

    5C -xlain how the examlesuorts or challenges the

    theor" 8 idea a(out theconcet * how useful and

    relevant is their idea

    &r a aragrah sandwichD

    i i i

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     '#-&,!S' '#-&,) +9 -A+M%?- 1 +9 -A+M%?- 9

    MU?.-)

     'he Male

    ;a>e,eresentation ofwomen highlights

    im(alance inatriarchal societ"CWomen as assive7sexual o(=ects to

    satisf" male leasure :the" are Elooked atF

    and the male vieweris EactiveF * the erson

    who ElooksFC

    A2 EG11• $amera *movement <

    shot t"e•

    1st

     verse * tilt u to introour female artist * use ofcamera to drawaudience to her (od"(efore we intro her face* conventional of M. *reetition of this shot atthe (eginning of eachverse

    • Use of (ig close u onlis in chorus *

    dismem(ers mouth *(ecomes an o(=ect

    • Suorts Male ;a>e• #els to show how

    women are reresentednegativel" in M.s

    A2 EG12• Mise:en:Scene : costume• 5 searate costumes * 1

    er verse * hels to (randartist and connect withtarget audience of men <women

    • 1st verse eseciall"reinforces male ga>e * short(lack dress * aeal tomale audience

    • Suorts Mulve"Fs ideas• #els to show the

    reresentation of an artist

    will (e from the oint ofview of roducer (ut alsoconstructed with theaudience in mind 'he +ctive

    0emale+rtist

    +lthough the femaleartist might (e

    dressed

    rovocativel" or useshot t"es thatindicate a male

    ga>e7 he argues thatin looking directl" at

    the camera7(reaking the Gth wall7 the female

    artist takes controlof her

    reresentation and

    is active not assive

    A2 EG22• $amera * Shot t"e• $horus * use of mid shots

    and medium close ushel us see the artistlooking directl" at theviewer7 (reaking the Gth 

    wallC• makes the artist look in

    control in the M. * sheknows we are watchingher and she is watching us

    • Suorts ;oodwinFs idea• #els to oer a counter

    argument to Mulve" <indicates howreresentations can (eseen dierentl" deending

    on oint of view

    A2 EG22• -diting * =um cuts•  'he (ridge * temo of sound

    increases * use of =um cutscreates reetition of $Us wherewe use a >oom in on the artistface one after another

    • reinforces she is singingdirectl" to us * the >oom in(rings us closer to her toremind us that is singing to usdirectl"

    • reinforces ;oodwinFs idea ofthe artist taking control and(eing active in her role withinthe M.

    ;oodwin

    #ow to organise "our revision… makingeective notes

    !tFs in the detail…lanning detail in revision gives "ou

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    0rom revision to -xam…converting grid to lan,-%,-S-/'+'!&/

     '#-&,!S' '#-&, )

    M.examle 1

    M.examle 9

    MU?.-)M+?-;+@-

    A2 EG11$amera * shot t"e

    < movement

    A2 EG12Mise:en:scene $&S'UM-

    4!,-$'+44,-SS *

    +$'!.- 0-M+?-+,'!S'S

    ;&&4W!/

    A2 EG21$amera * shot t"e

    A2 EG21-diting * =um cuts

    ,!+?'& <W+'S&/

    M+S$U?!/-%&W-,

     '#,&U;#4-S-AU+?!S+'!

    &/

    A2 EG 31Mise:en:scene

    costume

    A2 EG /1Mise:en:scene : location

     ',U!??&

    M+S$U?!/!') +S

    S',&/; +/4%#)S!$+??)%&W-,0U?

    A2 EG 32$amera * cameraangle

    A2 EG /2$amera * shot distance

     ',U!??&

    M+S$U?!/!') +SB-!/;

    &U'4&&,S < !/%UB?!$ S%+$-S

    A2 EG 51$amera * shot:t"e

    < angle

    A2 EG 52-diting * cuts and

    screen time

     , -  .

     ! S ! & /  ;

     , ! 4%aragrah 1

    %aragrah 9

    %aragrah 5

    %aragra

    h G

    %aragrah H

    %aragrah I

    %aragra

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    !ntro * dene concet 8 sa" "ou will anal"se "our music video and give the name of "ourartist7 the song and genre "ou worked in 8 "ou could also mention some of the theorists

    "ou will look at

    1B:-xam

    Qu

    estion%a

    ragrah%

    lan

    %aragrah 1

    %aragrah

    9

    %aragrah5

    %aragrahG

    %aragrah

    H

    %aragrah J

    %aragrahI

    $onclusion * Summarise the main theories < ideas that "our Music .ideo suorts and those

    it challenges * re3ect on the success of the music video in relation to the concetC

    MU?.-)M+?-

    ;+@-

    A2 EG11$amera * shot

    t"e

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    %ractice -ssa" Writing

    • Using the lan that "ou have made with "ournotes2 – 'ake a ast exam question for each concet

     –

    Write out an essa" following the structure "ou havemade with "our notes• ou MUST ADD THE EA!UATION s*"t*"-* Lso oint

    5 on the aragrah triangle at the end of ever"aragrah (4 $ou ,a*"’t 'o"* t,(s (" $ou+ "ot*s

     – ;ive "ourself as long as "ou need to write theessa"• +t 56 mins draw a line on the aer to show where "ou

    got to

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    What MUS' "ou show in "our essa"N

    • structure "our answer well

    • understanding of the concet

    • a range of examles2 – of dierent theorists Lnames

     – dierent ideas Lwhat the" sa" a(out the concet

     – secic examles from "our music video Lthat refer to "our use ofcamera7 editing and mise:en:scene

    • "ou can use aroriate media and theoretical terms

    • whether "ou suort or challenge the dierent theories a(outthe concet

    • a(le to rovide an argument * what do "ou think a(out theconcetN Which theor" do "ou nd most useful7 interesting7relevant in heling "ou to understand the concetN

    • write more than 5 sides

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    %racticing timed writing

    • When "ouFre ha" with "our essa" structureand the wa" "ou are using "our content… – Set "ourself 56 mins

     –

    Use notes for reference – Sto at 56 mins < see how far "ouFve got

     – ,eeat ,eeat ,eeat ,eeat ,eeatDDDD

    • nish (" having a go at writing a timedessa" without notes

    • Move onto the next concet…

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    GOOD!UC%