qualitative and observational evaluation of kids’ own pre-school workshops in county waterford
DESCRIPTION
This research was commissioned by Kids' Own as part of the Rannta na nDéise project. The report , written by researcher Áine McKenna, details the witnessed effects of engagement with the arts in early years.TRANSCRIPT
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Kids’ Own Publishing Partnership Qualitative and Observational Evaluation of Kids’ Own
Pre-School Workshops in County Waterford
Research commissioned by Kids’ Own
In partnership with the University of Ulster – funded by the Arts Council Touring Award
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Introduction
The research that led to the creation of this report was commissioned by Kids’ Own as part of a project called Rannta na nDeise, which was funded by the Arts Council Touring Award. The research was initiated by meetings between Kids’ Own and the University of Ulster, and the independent report is the result of the planned programme of evaluation.
The project itself involved a tour of the Kids’ Own Travelling Library to four branch libraries in County Waterford, where a series of workshops were delivered to early years children and parents.
As a prelimary study, the research focused only on the final two workshops of the project, which took place at Tramore Library in April. Although the activity that took place during these two workshops is representative of what took place during the whole project, the findings in this report can only refer to the observations of the activity that took place during these two workshops.
Our aim in commissioning this research was to initiate a research process that would build an evidence base for arts engagement within an early years setting. Also within the broader context of all of Kids’ Own’s work, we wish to explore the benefits of our methodology and bring forward recommendations for further research and initiatives.
This report outlines preliminary findings from the observations of the researcher on these two days and gives an indication of the scope that exists for further investigation. We are grateful to Áine McKenna for the expertise that she has brought to this initial research process.
Orla Kenny
Kids’ Own Publishing Partnership
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R e p o r t s u b m i t t e d b y
Á i n e M c K e n n a
I n d e p e n d e n t R e s e a r c h e r
Qualitative and Observational Evaluation of Kids’ Own Pre-School Workshops in County Waterford
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Contents
Executive summary……………………………………………………………………..……….…...6
Introduction……………………………………………………………………………………………8
How do we define “quality” in early years education?..............................................................8
The role of the adults in early years education......................................................................10
Government policy and strategy............................................................................................11
Rationale................................................................................................................................13
Method...................................................................................................................................14
Observational evaluation.......................................................................................................14
Parent survey.........................................................................................................................15
Focus group ..........................................................................................................................16
Results...................................................................................................................................17
Observational evaluation........................................................................................................17
Table 1. Music, song, rhyme and story session.....................................................................17
Zone of proximal development...............................................................................................18
Table 2. Creative art session.................................................................................................19
Zone of proximal development...............................................................................................20
Modelling: what happens when the water for the pastels spills everywhere?........................20
General findings from the observational evaluation...............................................................20
Parent survey.........................................................................................................................21
1.How would you describe your child’s experience of Kids’ Own?........................................21
Fig.1 Pie chart showing whether play was child/adult directed..............................................21
2. Do you currently attend storytelling in the library and parent and toddler groups?............21
3. Has this session given you any ideas for “play” in the home?...........................................22
Thematic analysis of focus group...........................................................................................22
Table 3. Thematic analysis summary.....................................................................................23
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Supporting parents as “primary educators”............................................................................24
How the facilitators view their role as supporters of “primary educators”...............................25
Overcoming the barriers that make it difficult for parents to participate in Kids’ Own workshops…………………………………………………………………………………..............26
Supporting children’s creativity and their acquisition of essential literary skills......................27
The need for interagency work to co-ordinate the “rearing to go” strategy............................29
Kids’ Own as an intervention..................................................................................................29
Empowerment.......................................................................................................................30
Empowerment to try this at home..........................................................................................30
Interculturalism.......................................................................................................................31
The finished product: “The Book”...........................................................................................31
Summary of findings..............................................................................................................32
Discussion..............................................................................................................................33
Do Kids’ Own workshops provide developmentally appropriate “influences”?......................33
Did the facilitators “guide the children’s responding”?...........................................................33
Have they accurately judged the children’s “zone of proximal development”?......................34
Were the parents also in a comfortable supported but challenging learning zone where they might learn from observing the facilitators “at play”?......................................................34
Examining the Kids’ Own intervention within a policy and strategy context...........................35
References.............................................................................................................................36
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Executive Summary
Áine McKenna, an independent researcher based at the University of Ulster, carried
out an observational and qualitative evaluation of the Travelling Library workshops
that were constructed as an Early Years intervention by Kids’ Own for Waterford
Library Services working in conjunction with the County Childcare Committee and
RESPOND (Community Playgroup).
[Within the context of this evaluation] The Kids’ Own Travelling Library
workshops were:
• Comprised of 2 sessions that each ran for two and a half hours on 13th and
14th of April 2011 in Tramore Library in County Waterford.
• Facilitated by Polly Minett, the artist, and Mary Branley who is both a writer
and a musician.
Methods of Evaluation:
• An observational evaluation of the workshops using specific evaluation criteria
was carried out by the researcher.
• A parent survey was completed by nine parents.
• The final part of the evaluation involved a focus group with representatives
from all the agencies that were involved in this project namely the Library,
Childcare Committee, RESPOND and Kids’ Own.
The findings suggest that:
• Kids’ Own delivers a quality intervention for parents and children that is
congruent with the major theories of early learning as well as with
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Government policy and strategy in relation to supporting parents as “primary
educators”.
• It was argued that Kids’ Own is a particularly relevant intervention for the
delivery of three of the National Children’s Strategy outcomes namely:
1. Supported in active learning.
2. Part of positive networks of family, friends, neighbours and the community.
3. Included and participating in society.
Conclusion
It was concluded that the most unique and distinct aspect of this “process orientated”
intervention is ironically the finished product aka “THE BOOK”, that was written and
illustrated by the three year olds. This, it is argued, is a very real example of children
being included in and participating in society by contributing meaningfully to the
existing collection of the early years literature.
Limitations of this evaluation
It must also be acknowledged here, that no appraisal of the impact of this
intervention on subsequent parenting practices or child development could be made
as this would require a far more in depth evaluation including a pre and post
intervention evaluation. However the evidence here suggests that this project should
be considered for such an evaluation because it epitomises “best practice” in this
area.
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Introduction
The aim of this short report is to offer a preliminary observational and qualitative
evaluation of the work carried out by Kids’ Own, with the Kids’ Own Travelling Library
in County Waterford, in collaboration with Waterford County Library Services (WLS),
Waterford County Childcare Committee (WCCC). From the outset, it is important to
be explicit about what this evaluation can and cannot claim to answer. This
evaluation can examine whether the service delivery is congruent with the major
psychological theories of early learning, as well as examining whether it creates a
context for both child development and parent education. It also offers an opportunity
to “re-think” the possibilities that such a project may offer in terms of early years
intervention. A brief appraisal of its congruence with Government policy and strategy
in this area will also be carried out. In this way a coherent evaluation of the delivery
of the Kids’ Own workshops can be made. In order to preserve the integrity of this
report and the work of Kids’ Own it is important to highlight that conclusions about
the effectiveness of Kids’ Own on children’s subsequent development and their
continued access to library services and changes in parents’ facilitation of play
sessions in the home cannot be made. In order to make an empirical appraisal of
these outcomes a far more in-depth evaluation would be required.
How do we define “quality” in Early Years education?
The purpose of all education is to “draw fourth” potential. Specifically in relation to
the education of pre-school children an understanding of their developmental stage
is crucial if a meaningful, relevant and stimulating play experience is to be offered.
In addition to this when working with parents their knowledge of the qualitatively
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different stages of development cannot be assumed and therefore the aim of any
supportive intervention work with parents should aim to communicate this knowledge
in a practical way because this knowledge alone may be key to improving adult child
interactions during “playtime” in order to provide more intellectually nourishing
experiences and increase the satisfaction levels for all involved. Research has
consistently shown over the past thirty years that parental involvement in children’s
education not only enhances the child’s intellectual development but also improves
their social skills and reduces problem behaviour (Englund, Luckner, Whaley, &
Egeland, 2004; Fax & Chen, 2001; Izzo, Weissberg, Kasprow, & Fendrich, 1999).
The facilitation of “quality” play experiences provides a context for the deepening of
young children’s representational thought, the developing of their vocabulary, the
freedom to experiment with the metalinguistic features of speech as well as the
enacting of story structure, setting and other literacy elements. From the theoretical
perspectives that will briefly be outlined here it will be demonstrated that early
literacy education should include providing time and opportunity for experimentation
with a vast range of literacy materials during the first five years of life. Two questions
for this evaluation emerge from these theoretical assertions, but only the first of
these can be fully answered by this current evaluation:
• 1. Do the Kids’ Own Workshops provide a “quality” play experience for
children?
• 2. Do Kids’ Own workshops provide a context where parents can learn to
effectively facilitate and engage in playtime with their young children.
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The role of the adults in early years education
Dewey (1897) asserted that the role of the adult does not involve imposing certain
ideas or creating certain habits in the child rather it is to select influences which shall
affect the child and to assist him/her in responding properly to these influences.
Connected closely with this is Vygotsky’s concept of the “zone of proximal
development”. According to Vygotsky (1978), learning takes place when children are
challenged within close proximity to, but slightly beyond their current level of
development. It is therefore suggested that the outcome of successfully completing a
challenging task is that the learner gains confidence and motivation. Von Glasersfeld
(1989) contends that sustaining motivation to learn is strongly dependent on the
learner’s confidence in his or her potential for learning. These feelings of
competence and belief in potential to solve new problems, are derived from first-
hand experience of mastery of problems in the past and are much more powerful
than any external acknowledgment and motivation (Prawat and Floden 1994). These
theories and supporting evidence suggest that a knowledge of a child’s current level
of ability provide the basis for the initial planning of the play session and the role of
the adult is to “select influences”, “guide responding” and carefully “scaffold the
challenge” to ensure the confidence and motivation of the child are nurtured. To
return to the key questions:
• 1a. Do the Kids’ Own Workshops provide developmentally appropriate and
meaningful “influences”?
• 1b. Do the facilitators “guide the children’s responding”?
• 1c. Have they accurately judged the children’s “zone of proximal
development”?
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• 2. Are the parents also in a comfortable supported but challenging learning
zone where they might learn from observing the facilitators “at play”?
Government policy and strategy
The primary question when evaluating any provision of services for pre-school
children should relate to the “quality” of the service delivery. This “quality”
encompasses:
• Developmental appropriateness
• Sensitivity of delivery
• Congruence with best practice in early education policy and delivery, which
includes the recognition of parents as the “primary educators” of their
children.
The “White Paper” on early childhood education states that the aim of policy in
this area is to deliver on Article 29 1 (a) of the Convention on the Rights of the
Child, which states
• “The education of the child shall be directed to (a) the development of the
child’s personality, talents and mental and physical abilities to their fullest
potential.”
Part of delivering on this policy involved the development of the Early Years
Curriculum (Síolta) and the provision of free pre-school places. Another element of
this White Paper articulates the need to support parents with their child rearing in the
home. This of course is a far trickier area to deliver upon, and the question that
needs to be asked here is:
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• Does the work of Kids’ Own concur and support the delivery of these
policy aims?
In posing this question the intention is to probe the relevance that a children’s
publishing company may play in the delivery of quality early years education to
children, and to support parents in their role as primary educators. A key component
of government strategy in this area as outlined in the Transformation Programme
(2006) was the:
• Development of integrated services to deliver “optimal and effective
results”;
• Engagement of all staff in transforming health and social care outcomes
for “all” children.
In order to further probe the current relevance of the Kids’ Own Travelling Library
intervention a selection of relevant outcomes taken from the Children’s Strategy will
be considered in relation to the role that Kids’ Own may potentially play in early
years education provision. The outcomes that will be considered are:
• 1. Supported in active learning.
• 2. Part of positive networks of family, friends, neighbours and the community.
• 3. Included and participating in society.
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Rationale
This evaluation therefore seeks to ascertain if the Kids’ Own Travelling Library and
associated workshop programme provides a quality play based experience for
children and their parents. This will be achieved:
• Firstly, by examining whether the delivery of the workshops is congruent with
“best and developmentally appropriate practice” as outlined by the major
theorists in this area.
• Secondly, by considering the potential role that Kids’ Own could play in
providing a context for the provision of integrated interagency services.
• Thirdly, the potential role this intervention could play in relation to the delivery
of the three mentioned strategy outcomes will be examined.
These workshops in Waterford were really a test of how three independent
agencies co-operated to provide a service and engage parents and their children
in an “early literacy experience” with a distinct difference. The fruit of these
workshops will be published in a book, which was written and illustrated by none
other than the children themselves in a carefully scaffolded, process-orientated,
child-led play experience.
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Method
The Kids’ Own Travelling Library programme delivered four workshops for two
separate groups of parents and their pre-school children in Tramore Library in April
2011. The sessions were facilitated by the artist Polly Minett and writer and musician
Mary Branley. Each group attended two, two-hour sessions on 14th and 15th April
2011. One group attended a morning session on both dates while the second group
attended in the afternoon. The sessions were organised by Kids’ Own in
collaboration with the library service and coincided with the library service’s
development of their four-year reading strategy. These workshops were part of an
early years literary intervention with the aim of developing pre-reading skills,
developing creativity and making library services accessible to “all” pre-school
children. Recruiting parents for these workshops was a collaborative effort between
the library staff, Waterford County Childcare Committee and RESPOND (a
community preschool group).
Observational Evaluation
The researcher sat in on the workshops that took place on 14th and 15th April 2011 in
Tramore Library in order to specifically evaluate the content, delivery, atmosphere,
interactions, behaviour management and materials that were used during the
workshops over the two days. The facilitators were at no stage made aware of the
evaluation criteria that were being used by the researcher who just participated in
songs and rhymes, to act like an “insider” rather than an “outsider” during the
process. During the observation the focus was on evaluating the facilitators’ skills in
relation to encouraging the participation of both parents and children in the session.
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The facilitators’ delivery skills in relation to their ability to provide a stage-appropriate
workshop that created a “zone of proximal development”, was also evaluated. Their
choice and use of play materials was also under observation in order to draw
conclusions about the availability of these in the home setting as well as their
affordability. Behaviour management was judged in relation to strategies employed
to deal with both withdrawn and challenging behaviour. Finally facilitators were
evaluated in relation to their handling of spontaneous events such as “water
spillages” in order to judge their power as “models” for parents in creating a warm,
safe, play environment.
Parent Survey
Following the delivery of the afternoon workshop on the 14th April 2011, nine parents
were surveyed and asked to answer the following open-ended questions:
1. How would you describe your child’s experience of Kids’ Own?
2. Do you currently attend storytelling in the library and parent and toddler groups?
3. Has this session given you any ideas for “play” in the home?
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Focus group with representatives from Kids’ Own, Waterford County Childcare
Committee, Waterford Library Services and RESPOND.
After the completion of the final workshop a focus group was conducted with 10
representatives from the above named agencies who engaged in interagency
collaboration to deliver the Kids’ Own programme in Waterford. The session began
when the researcher introduced herself and explained the process to be followed.
She then asked each group member to introduce themselves and say a little bit
about why they were part of the group. Following this each member of the group was
asked to talk about their strategy for supporting parents. As part of this a general
discussion evolved around the group’s experience of the workshops. The group
discussion was audio recorded and lasted approximately 45 minutes. Following the
group the recordings were transcribed and analysed using qualitative thematic
analysis.
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Results
Observational Evaluation
The first part of the workshop consisted of a music, songs, rhymes and stories
session. The evaluation criteria were as follows: content, delivery, atmosphere,
interactions, participation and behaviour management and use of materials and
props.
Table 1. Music, Song, Rhyme and Story Session
Description Child Participation Adult Participation
Delivery A positive atmosphere of participation, fun and openness was encouraged.
The material was age and stage appropriate.
All children were allowed to participate at their own level of comfort.
Guitar was played by Facilitator 1.
Puppets were introduced to scaffold children’s integration into the group by Facilitator 2.
All children joined in the singing, rhyming and stories.
There was full adult participation.
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Zone of Proximal Development.
Facilitators, parents and children sang songs, enacted rhymes and shared stories. At
the outset traditional nursery rhymes such as “Incy Wincy”, “Polly put the kettle on”,
“The Grand Old Duke of York” etc. were used to ease the children into the session.
Once all children were settled and interacting and participating, they were
encouraged by the facilitators to develop their own rhymes. One child would say a
line and the facilitators would encourage the children to think of rhyming words to
create the next line. This was a carefully “scaffolded process” where the children’s
emerging metalinguistic abilities were carefully developed in an atmosphere where
mistakes were no “big deal”, even funny at times, and success led to the addition of
a new line for the emerging rhyme for their “book”.
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Table 2. Creative Art Session
Description Child
Participation
Adult
Participation
Delivery Facilitators laid paper, chalks, pastels, on the table.
Parents were encouraged to join their children in the activity.
Facilitators modelled the asking of open questions about the children’s emerging works of art… ”What’s this”, “Tell me about that.”
This activity was child-led.
Children developed ideas about what they wanted to create.
Facilitators modelled the scaffolding process for parents and then allowed parents to take over this “supportive guide role”.
If boredom set in, facilitators extended play by gradually adding new materials: paper for tearing and gluing, glitter, lollipop sticks, water for the pastels to see what happens when...
Printing session was set up and this offered a welcome opportunity for the children requiring an additional challenge to extend the journey of colour and texture exploration even further.
Full child participation
Children requiring additional stimulation.
Full adult participation
Parents of these children also took part.
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Zone of Proximal Development
This session provided opportunity for individual parent–child involvement and
engagement with the materials at a level and pace that they felt comfortable with.
This session was carefully planned so that play was gradually supported or extended
when frustration or boredom set in. Parents were shown how to follow the child’s
lead, to ask appropriate open ended questions about the emerging symbolic
representations and to act as a sensitive and supportive guide when required. Adults
were encouraged to become process orientated in their attitude towards children’s
creative play. In this way children were supported to bring the fruit of their
representational thought out into the “real world”.
Modelling
What happens when the water for the pastels spills everywhere?
Alarm signals go off. Children say “maybe we won’t be allowed to play anymore?”.
Facilitator 1 says, “sure it’s only water, we will dry it up, get some more and carry on.
It’s no big deal”.
General Findings from the Observational Evaluation
Kids’ Own provides a “quality” and enjoyable play experience for both children and
adults. The workshop provided the necessary balance of blending the familiar with
the novel, which created a fun and highly stimulating session for the child. The
“influences” were carefully chosen. For example, the pastels offered an opportunity
for extension when using them with water and the printing was new for all parents
and children alike.
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Parent Survey
1. How would you describe your child’s experience of Kids’ Own?
All nine parents reported that their child thoroughly enjoyed the session and had
played with a range of materials. All reported interactive play with their child. Three
parents indicated that play was generally lead by the child, one reported that play
was lead by them, and five felt it was a mutual sharing of ideas.
Fig.1 Pie Chart showing whether play was child/adult directed
2. Do you currently attend storytelling in the library and parent and toddler
groups?
Three parents indicated that they attended a parent toddler group, and only one of
the nine had attended storytelling sessions in the library. Following the workshop all
nine said they would attend parent toddler groups and storytelling sessions. All
parents felt their children were comfortable interacting with other children and adults.
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All parents reported that their attitudes to their child’s play had been positively
influenced and all felt they would allow their child more free and creative playtime in
the home. Again all nine parents said they felt more competent in encouraging their
child to think creatively and felt they gained an awareness of how to support their
child towards independently being able to carry out the cutting, taping and gluing
themselves.
3. Has this session given you any ideas for “play” in the home?
They all reported that they would introduce rhyme time and art time in the home. All
nine parents felt they had learned a lot in terms of ideas about play and how creative
play could be generated by using everyday items in the home. All reported that it
was important to follow the child’s lead in play and felt that their child had enjoyed
the workshop.
Thematic analysis of focus group
The main themes that emerged from the thematic analysis were 1.Supporting
Parents as “Primary Educators”. 2. Supporting children’s creativity and their
acquisition of essential literary skills. 3. Empowerment. Table 3 shows the themes as
well as the sub-themes that emerged from thematic analysis of the focus group.
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Table 3. Thematic analysis summary
Main Theme Brief Summary
1.Supporting parents as “primary educators”
Facilitators’ view of their “supportive role”
Overcoming barriers
Kids Own as an intervention for parents and children who are not currently accessing Library services.
Mutual Respect, Open Communication and Modelling
Understanding barriers, flexiblity and open Communication
2. Supporting children’s creativity and their acquisition of essential literary skills
Interagency co-ordination
Kids’ Own as an intervention
Adding local children’s published work to their early years collection
Kids’ Own as a catalyst for the creation of a network of early years interagency collaboration
Early years intervention to explore the relationship between creativity and early acquisition of basic literary skills, starting with rhyme, expression and art.
3. Empowerment
To try it at home
Interculturalism
The finished product: The book
Emphasis on process released the freedom of artistic expression in both children and adults.
Materials had to be accessible and readily available in the home.
All children have the right to be celebrated. We have no barriers.
Three-year olds immortalised in a quality published book.
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1. Supporting parents as “primary educators”
The library offers support to parents by providing a parent advisory service and by
providing support services such as storytelling sessions. The offering of Kids’ Own is
an extension of this and was constructed as an intervention for parents and children
who might not currently be accessing library services. The County Childcare
Committee co-ordinates all the county childcare in the county and would be the best
placed to identify gaps in provision and to advertise such interventions as they would
have been involved in establishing the 19 parents and toddler groups in the county
and also be involved in supporting of all preschool and childminders in the county.
RESPOND is a community playgroup that was established by the County Childcare
Committee to address the developmental needs of children who may be deemed “at
risk”. The Kids’ Own workshop was promoted to these parents and children during a
parenting programme that was being offered to the parents because helping them
establish links in the wider community was an important aim of this project. Three out
of the five parents from this programme attended
“There is a parenting programme that we helped to organise which is currently going
on in that service and he [the co-ordinator] observed very closely the parents
supporting each other during the rhyme and art workshops”.
“They would not have got the chance to practice their skills outside the RESPOND
service, but also the children were in tow, because the parenting group would be
done with a group of parents only.”
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It was suggested that Kids’ Own offered a context where parenting skills could be
practiced and parents would have a very real opportunity to support each other in
this.
“You have an experience where you are a parent with your child. So it presented a
perfect example of how parenting styles could be practiced.”
How the facilitators view their role as supporters of “primary educators”
The writer suggested that her method of working with parents has evolved as a
result of reflective practice and avoids directing parents but is based on mutual
respect and the creating of a relaxed open atmosphere where learning takes place
through observation and open communication rather than direction.
“...So when the parents are working on the printing and holding, I do not say this is
what you should do...but just say this is the way that I work and I show them by
modelling.”
The artist also suggested that this is how she supports parent’s development.
“You have to feed the information in without them feeling that you are telling them
what to do.”
It was also acknowledged that a possible barrier that parent’s faced was a lack of
confidence in their own creative abilities and they might construe art as product-
driven rather than an enjoyable explorative process.
“I think it is very important to say that it’s very difficult to be creative if you don’t feel
creative yourself and some parents feel quite worried about having to be creative to
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start with and how that was modelled and how that was brought in was very
important to both myself and the writer. There was no threatening and they weren’t
threatened in any way, so they could just be creative alongside.”
“And also parents who thought they couldn’t do it or who thought they wouldn’t be
comfortable in such a situation, they were down on the ground with them and they
were drawing as many pictures as them...”
Both facilitators agreed that an essential component of their effectiveness in their
role as supporters was having a small group, maximum of six parent-child couples.
“The first thing is the number of participants within the workshop is very important in
terms of the quality of engagement between the artists, the children and the
parents”.
Fathers are as welcome as mothers.
“There seemed to be quite a lot of fathers as well and that was quite important”.
“...The father and son worked together on a project...and the whole engineering of it
and the two of them worked together and discussed their plans together, because
they were both working from the same point.”
Overcoming the barriers that make it difficult for parents to participate in Kids’
Own workshops.
It was suggested that in providing such services for parents a good deal of flexibility
is required, and it can be difficult to get parents to commit to something when they
don’t know what they are committing to.
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“...It was hard to get the parents to commit for two days because they may have a
new born baby as well as a three year old.”
“...We had to change the workshops slightly because of school times and that is very
hard.”
“When your children are young it can be very difficult to organise yourself for these
things.”
Kids’ Own also conducted two workshops in Dungarvan and Portlaw, the first on a
Friday and the second on a Saturday. Many fathers attended on the Saturday
morning only, so there was a situation where the fathers felt quite uncomfortable to
begin with.
“...This was an interesting dynamic because the child was much more settled and
comfortable than the father. The child was leading the father.”
“There was a particular father in Portlaw who looked so uncomfortable and worried
but he and his son ended up making something fabulous together.”
2. Supporting children’s creativity and their acquisition of essential literary
skills.
By agreeing to partner with Kids’ Own on the project, the Library Service allowed this
to feed into its four year reading strategy “Rearing to Go”. This policy is mainly
implemented through their collections of early literacy material. The County Librarian
explicitly wanted to extend this collection by adding the children’s own work to this
collection.
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“Children are not just little people....”
“They are artists, they are writers, they are creators...”
“The children own the work...”
“They create the book...”
“Their work was in no way template, it’s as far away from template as you can get”
“The only way the creative process was controlled was in the way the materials were
fed to the children”
The facilitators actively encourage the children’s own individuality and creativity. For
instance, one child chose for Humpty Dumpty to fall into a fire as opposed to falling
off a wall. This variation then offered opportunities for the development of
metalinguistic abilities in the form of words that rhyme with fire, but also opened the
doors for the children to dive deep into their own representations and give birth to
these in the real world.
“...It has arisen a couple of times that a variation comes into the nursery rhyme, and
so we kind of listen for variations and encourage them.”
“We talk about the rhymes and songs beforehand…”
This is done to encourage the children to develop their own variations and to get the
children engaged with the possibilities that such opportunities offer. These variations
then become extended into the drawings of the children
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“The drawing that the little boy did is that he fell into the fire, and the puppet that he
made, and it became a wonderful shared common song for the whole group.”
The need for interagency work to co-ordinate the “Rearing to Go” strategy
For library strategies to be effective a network of partnerships is needed.
“We cannot implement any kind of a reading support strategy or education support
strategy on our own”
It was suggested that Kids Own could be like a catalyst that provided the context for
such interagency work to take place in a meaningful way.
“I think that Kids’ Own’s role is as a catalyst to support and complement the work
that is happening on the ground.”
“...Part of this project would be the creation of partnerships with other agencies
because we realise that we cannot implement any kind of a reading support strategy
or education support strategy on our own. We need a web of partnerships.”
Kids’ Own as an intervention
The County Librarian conceptualises Kids’ Own as an early years intervention that
would act as an extension of their collection of early literacy materials and their
reader advisory service for parents.
“This is the first time that it’s not just a passive event where parents come and
participate; this is actually constructed as an early years intervention.”
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“...To explore the relationship between creativity and early acquisition of basic, or
essential, literary skills. You know, starting really with rhyme, expression and art.”
3. Empowerment
One of the representatives from Waterford County Childcare committee suggested
that there was a sense of empowerment for both parents and children and alike that
emanated from participation in the sessions. It was suggested that the emphasis on
process released the freedom of artistic expression in both children and adults.
“What everyone is describing here is empowerment.”
“...Because there was no pressure put on parents to produce certain things.”
“...Because there was no link to product, everything was do-able.”
Empowerment to try this at home
When planning the session, particular consideration was given to choosing the
materials.
“The materials that we used were very important.”
“They had to be accessible, do you remember that we discussed that they had to be
free or as near and as accessible, so they could be easily used in the home.”
“The focus was not only on the process, but the materials that we were working with
were as close to everyday...and therefore they were not frightening.”
“They were things that they were used to working with.”
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Interculturalism
It was asserted that all children were equally respected and celebrated in Kids’ Own
workshops.
“Our intercultural ethos is totally across the board. It is about valuing three-year olds
of all shapes, sizes and backgrounds. All children have the right to be celebrated.
We have no barriers. Kids’ Own have no barriers.”
There was an incident in Portlaw Library where a non-national parent bought in a
little poem from her own culture that she had translated into English for the event.
The mother was encouraged to recite it in Polish, although the child was initially
uncomfortable about this.
“...In the public setting to hear his mother speak the poem in Polish but yet in the
supportive environment he did contribute. It was a really powerful moment in that
parent-child connection.”
The finished product: “The Book”
The final element under the empowerment theme relates to the finished product.
“The quality of the books that have already been published, the colour, the language,
the physical size of them, everything about it – it’s a proper book...How wonderful
that a three year old can be immortalised in a proper book.”
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Summary of findings
33
Discussion
The findings of this evaluation suggest that Kids’ Own workshops offer a “quality”
early education experience and that their method of facilitation is congruent with the
major psychological theories of early learning as outlined in the introduction (Dewey,
Vygotsky & Piaget). A number of questions emanated from this outline and these will
now be discussed within the context of the current findings in relation to the provision
of “quality” early years education.
1a. Do Kids’ Own workshops provide developmentally appropriate and
meaningful “influences”?
The findings from the observation strongly suggest that both the song, story and
creative materials were developmentally appropriate. All the materials that were
used were items that would be available around the home and this is of particular
importance within the current economic climate. Parents need to be educated in
relation to being resourceful when providing play experiences for their children that
are both valuable and affordable.
1b. Did the facilitators “guide the children’s responding”?
The facilitators did guide responding in such a way that children were drawn into a
zone of proximal development. This was detailed in the results section in relation to
the encouraging of children to develop their own rhymes and to engage them in the
process of “what would happen if” during the second part of the workshops when the
children were developing their pictures.
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1c. Have they accurately judged the children’s “zone of proximal
development”?
It was evident that these sessions were perfectly pitched both at the group and
individual child level.
2. Were the parents also in a comfortable supported but challenging learning
zone where they might learn from observing the facilitators “at play”?
As already outlined it is impossible to appraise whether observing the facilitators “at
play” brought about any subsequent changes in parent’s own facilitation of play
outside of the workshop. It was suggested during the focus group that the Kids’ Own
workshops offered the parenting programme participants a very real opportunity to
practice their parenting skills in a supportive environment. The findings from the
parent survey indicate that parents did learn something as all nine parents felt they
had learned a lot in terms of ideas about play and how creative play could be
generated by using everyday items in the home. All reported that it was important to
follow the child’s lead in play. However no parent mentioned here the importance of
gradually feeding materials to extend play when that was required. This is a vital
ingredient in successful play experiences, so further investigations would be required
in order to understand how these subsequently worked in the home.
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Examining the Kids’ Own intervention within a policy and strategy context
As previously mentioned, government policy and strategy in this area involves
supporting parents as the “primary educators” of their children. Findings from this
evaluation suggest that Kids’ Own could potentially provide a viable extension for
existing parenting programmes by providing a context where parents could practice
their parenting skills in a supportive environment, where they also are offered the
opportunity to build supportive connections with other parents and other agencies
within the community. A major focus of government strategy is for interagency co-
operation in order to assure the achievement of positive outcomes for all children.
The Kids’ Own intervention has a clear role to play in the delivery of three of these
outcomes because it provides a place where children are supported in active
learning. It also acts as a catalyst for involvement in a positive network of family and
community. The creation and publication of a real book offers pre-school children a
unique and real, as opposed to the often “tokenistic”, participation of children in our
society.
To conclude, although this evaluation cannot make claims in relation to the
subsequent impact of these workshops on parents and children, it can make clear
the case that this constitutes a quality “intervention” which is congruent with
psychological theories of early education as well as government policy and strategy
that aims to ensure the achievement of outcomes for “all” children.
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References
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Dewey, J. (1897). “My Pedagogic Creed” http://en.wikisource.org/wiki/My_Pedagogic_Creed
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