propaganda/fallacies/structural devices william shakespeare’s “julius caesar”

37
Propaganda/Fallacies/ Structural Devices William Shakespeare’s “Julius Caesar”

Upload: paulina-hill

Post on 02-Jan-2016

231 views

Category:

Documents


1 download

TRANSCRIPT

Page 1: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Propaganda/Fallacies/Structural Devices

William Shakespeare’s “Julius Caesar”

Page 2: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

What is propaganda?

This is information, ideas, or rumors deliberately spread widely to help or harm a person, group, movement, institution, nation, etc– Think of the commercials you watch on tv, read

in a magazine, or listen to on the radio…all of these have propaganda techniques that are going to try to get you to buy that product

Page 3: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

What is a Fallacy?

A fallacy is an argument that is flawed by its very nature or structure

Fallacies are not absolute Depending on context, some

fallacies can be appropriate to certain situations

Page 4: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

What are Structural Devices?

These are some of the literary devices we will see in the play– Rhetorical questions– Antiphrasis which forms a good deal of casual

speech…example “That is one bad*** movie” you are saying it is a good movie

– Asyndeton eliminates conjunctions in sentences while still maintaining grammatical accuracy

Page 5: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Hasty Generalization

An inference drawn from insufficient evidence

Example:– Four Arab

fundamentalists were convicted in the bombing of the WTC

– Arabs are nothing but a pack of religious fanatics prone to violence

Page 6: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Dicto Simpliciter (Sweeping Generalization)

Making a sweeping statement and expecting it to be true of every specific case– Stereotyping

Page 7: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Post Hoc Ergo Propter Hoc

After this, therefore because of this)

Suggests that because B follows A, A must cause B.

Remember, just because two events or two sets of data are related does not necessarily mean that one caused the other to happen.

It is important to evaluate data carefully before jumping to a wrong conclusion.

Page 8: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Ad Baculum

Someone resorts to force or threat of force to try to push others to accept a conclusion

Page 9: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Ad Hominem

“To the man” Assaulting a

person’s character, rather then the logic of his/her argument

Page 10: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Tu Quoque

“You, too!” Argument, the arguer

points out that the opponent has actually done the thing he or she is arguing against, and so the opponent's argument shouldn't be listened to.

Page 11: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Ad Lazarum

Assumes that someone who is poor is sounder or more virtuous than someone who is wealthier

Example: “Monks are more likely to possess insight into the meaning of life, as they have given up the distractions of wealth.

Page 12: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Ad Misericordiam (Appeal to pity)

The appeal to pity takes place when an arguer tries to get people to accept a conclusion by making them feel sorry for someone.

Page 13: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Ad Populum

Means "to the people." The arguer takes

advantage of the desire most people have to be liked and to fit in with others

Uses that desire to try to get the audience to accept his or her argument.

Page 14: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Ad Verecumdiam (Appeal to Authority)

Referring to respected sources or authorities and explaining their positions on the issues being discussed.

Trying to get readers to agree with us simply by impressing them with a famous name or by appealing to a supposed authority who really isn't much of an expert

Page 15: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Non Sequitur

The logic of the argument is not connected: 

Example: I stole the lipstick because the sky was blue.

Page 16: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Missing the Point

The premises of an argument do support a particular conclusion, but not the conclusion that the arguer actually draws.

Page 17: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Slippery Slope

Threatens successively amplified consequences for small actions

Page 18: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Weak (False)Analogy

Comparisons that are inappropriate or inaccurate

Page 19: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Appeal to Ignorance In the appeal to ignorance,

the arguer basically says, "Look, there's no conclusive evidence on the issue at hand.

Therefore, you should accept my conclusion on this issue.“

Example: "People have been trying for centuries to prove that God exists. But no one has yet been able to prove it. Therefore, God does not exist."

Page 20: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Straw Man Anticipate and respond in

advance to the arguments that an opponent might make.

The arguer sets up a wimpy version of the opponent's position and tries to score points by knocking it down.

But just as being able to knock down a straw man, or a scarecrow, isn't very impressive

Defeating a watered-down version of your opponents' argument isn't very impressive either.

Page 21: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Red Herring

Partway through an argument, the arguer goes off on a tangent, raising a side issue that distracts the audience from what's really at stake.

Often, the arguer never returns to the original issue.

Page 22: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

False Dichotomy The arguer sets up the

situation so it looks like there are only two choices.

The arguer then eliminates one of the choices, so it seems that we are left with only one option: the one the arguer wanted us to pick in the first place.

But often there are really many different options, not just two—and if we thought about them all, we might not be so quick to pick the one the arguer recommends!

Page 23: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Begging the Question

Assuming as true the very claim that is being disputed

Page 24: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Equivocation

A half-truth, usually involving a trick of language

Example: “none of woman

born/shall harm Macbeth”

Page 25: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Either/Or

Technique is also called "black-and-white thinking" because only two choices are given.

You are either for something or against it; there is no middle ground or shades of gray.

It is used to polarize issues, and negates all attempts to find a common ground.

Page 26: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

False Authority

Offering an authority as sufficient warrant for believing a claim

Example:

– X is true because I, George Washington say(s) it is

Page 27: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Propaganda Techniques

Page 28: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Name Calling

Attaching a negative label to a person or a thing.

People engage in this type of behavior when they are trying to avoid supporting their own opinion with facts.

Rather than explain what they believe in, they prefer to try to tear their opponent down.

Page 29: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Glittering Generalities

Uses important-sounding "glad words" that have little or no real meaning.

These words are used in general statements that cannot be proved or disproved.

Words like "good," "honest," "fair," and "best" are examples of "glad" words.

Page 30: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Transfer

An attempt is made to transfer the prestige of a positive symbol to a person or an idea.

For example, using the American flag as a backdrop for a political event makes the implication that the event is patriotic in the best interest of the U.S.

Page 31: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Testimonial

It is when "big name" personalities are used to endorse a product.

Whenever you see someone famous endorsing a product, ask yourself how much that person knows about the product, and what he or she stands to gain by promoting it.

Page 32: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Plain Folks

Uses a folksy approach to convince us to support someone or something.

These ads depict people with ordinary looks doing ordinary activities.

Page 33: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Card Stacking This term comes from

stacking a deck of cards in your favor.

Card stacking is used to slant a message.

Key words or unfavorable statistics may be omitted in an ad or commercial, leading to a series of half-truths.

Keep in mind that an advertiser is under no obligation "to give the truth, the whole truth, and nothing but the truth."

Page 34: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Bandwagon

Encourages you to think that because everyone else is doing something, you should do it too, or you'll be left out.

The technique embodies a "keeping up with the Joneses" philosophy.

Page 35: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Snob Appeal

Arouses the desire to achieve status or wealth or to feel superior.

Page 36: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Loaded Words

Using words with strong connotations -whether negative or positive.

Page 37: Propaganda/Fallacies/Structural Devices William Shakespeare’s “Julius Caesar”

Source Documentation <www.cwrl.utexas.edu/~ulrich/presentations/fallacies.ppt> Rhetorical Appeals Works Cited <http://rhetoric.byu.edu/Persuasive%20Appeals/Persuasive

%20Appeals.htm> Fallacies Works Cited <http://www.unc.edu/depts/wcweb/handouts/fallacies.html> Works Consulted Hurley, Patrick J. A Concise Introduction to Logic. Thornson

Learning, 2000 Lunsford, Andrea and John Ruszkiewicz. Everything's an

Argument. Bedford Books, 1998. Copi, Irving M. and Carl Cohen. Introduction to Logic. Prentice

Hall, 1998. Propaganda Works Cited <http://academic.cuesta.edu/acasupp/as/404.htm>