ProHD the solution for Professionals

ProHD is the universal toolEconomical

FlexibleFuture Proof

Semir NouriEuropean Product Manager

Creation Products

General information HD Formats,

Standards Techniques

Why Progressive HD?

Is HD 720p a big improvement? We already have 625 lines in PAL!Wouldn’t 1080i be better? Doesn’t it offer more resolution?

1080i720p

576i (PAL) = ?

Comparison of Progressive and Interlace

ProgressiveInterlaced

Effect on moving objects

Overall Conclusion?

1080i720p

576i (PAL) =

This is not a reliable comparison

576i has around 400 lines of vertical resolution1080i offers around 780 lines of vertical resolution720p has 720 Lines of vertical resolutionTherefore…

1080p

1080i

A More Realistic Comparison

720p576i (PAL)

Comparison of Signal Resolution

This compares the resolution of the resulting signalWhich has nothing to do with the specified pixel count

Why JVC Chose Progressive ?

All new displays are progressive in nature

More efficient to compress

Easier to process and convert

More economical for broadcasting

IT friendly for streaming and distribution

The HDV HD Formats

Intended for Consumer Applications but usable for Professionals Identical frame rates and Line counts as ATSC/EBU 720p and 1080i offer visually similar Quality Quantization is 8 Bit @ 4:2:0 like DV MPEG-2 Compression 18~22 Mbit/s GoP 6 bzw. 12

The JVC HD Strategy

Affordable HD with Professional features

Progressive Scan: for best compatibility with new display technology

Exchangeable Lens System: manual Focus and Zoom ideal for Professional users

MPEG-2 Compression: for high efficiency and economical Storage and Editing solutions

Tapeless Solution: for fast and reliable editing workflow

Complete Product Family: to cater for every need and budget

Strategic Partnerships for a complete solution

Tape-less Workflow Solutions Editing Solutions Archiving Solutions Wireless HD Links Battery Options Lens Adaptations

The Compact Shoulder Camcorder GY-HD100Our Most successful Product ever

ProHD the most successful product Line ever launched Many Satisfied Customers, Many great Projects

Claude Lelouch in France “Karger” Ö-Film, Germany My Boy “011Films” in Spain Italy and Morocco And many More

This is a testimonial of flexibility and Robustness

ProHD the most successful product Line ever launched

The ProHD Family is growing

Product Features :

Exchangeable lens (Fujinon 16x) 3-CCD HD 1/3" - in 16:9 Format Improved CCD Front end High Definition Images, New advanced Super Encoder 5 MPEG-2 encoder HDV and DV PAL in one Camcorder 60p, 50p, 24p / 25p / 30p recording on miniDV Tape @ 19,7 Mbit/s Output in 720p with 50p and 60p also in 1080i with 50i and 60i TC Sync over Firewire Image Upside Down function for Cinema adapters LCD mirror mode Focus Assist Effect Adjust Function 2 Audio XLR connectors Compact, ergonomically designed Easy Focusing with « Focus Assist» Optional adapter for 1/2" lenses  Available versions:

HD200E without DV/HDV input incl. 16x lens: € 6750,-- + vat. HD201E with DV/HDV input incl. 16x lens : € 7350,-- +vat.

* with optional Hard disk recorder DR-HD100 TM

HDV and HDV logo are trademarks of Sony Corporation and Victor Company of Japan, Limited (JVC)

The Products; GY-HD200/201

JVC GY-HD200

Product Features :

Exchangeable lens (Fujinon 16x) 3-CCD HD 1/3" - in 16:9 Format Improved CCD Front end High Definition Images, New advanced Super Encoder 5 MPEG-2 encoder HDV and DV PAL in one Camcorder 60p, 50p, 24p / 25p / 30p recording on miniDV Tape @ 19,7 Mbit/s Output in 720p with 50p and 60p also in 1080i with 50i and 60i TC Sync over Firewire TC in and TC out over BNC HDSDI out with Embedded Audio (!) GENLOCK input Image Upside Down function for Cinema adapters LCD mirror mode Focus Assist Effect Adjust Function Optional Studio Adapter with 26 pin compatible with RMP-210 IDX V-Mount for longer battery life Improved Audio indicators 2 Audio XLR connectors Compact, ergonomically designed Easy Focusing with « Focus Assist» Optional adapter for 1/2" lenses  Available versions:

GY-HD251E only with DV/HDV input incl. 16x lens : € 9450,-- +vat. GY-HD251CHE only with DV/HDV input incl. 16x lens : € 8950,-- +vat.

* with optional Hard disk recorder DR-HD100

TM

HDV and HDV logo are trademarks of Sony Corporation and Victor Company of Japan, Limited (JVC)

JVC GY-HD251

The Products; GY-HD251E

New Features You Wanted…we Listened

Full 50 and 60 Frames per second recording: Smooth motion for sports and action-rich scenes High quality Slow motion with full resolution images

HDSDI output -> user benefits: End to end digital quality, no signal degradation even with longer cables e.g. with

CCUs Embedded Audio and Time Code for single cable signal transfer…One wire is enough Low latency output signal << 1 frame ideal for live events where lip-sync is

important Expand System compatibility with several output signal options:

720p native, 1080i cross converted, 576i PAL down converted

Genlock input -> user benefits: Synchronize 2 or more cameras in the studio and feed the signal to a mixer or

switcher Live event applications with low latency and several cameras

Time Code inputs and outputs -> user benefits: Get identical time code for 2 or more cameras in a shoot. Multi-Angle shoots with 2 or more cameras are now easy to synchronize in the

editing system Easy synchronization of 2 cameras for 3D applications Works in SD and HD, so the benefit is available in all modes

Other enhancements: Image flip; use inexpensive cinema adapters like red rock micro 3 settings for Focus assist; Adjust the level according to scene content, get more

precise focusing

Workflow Solutions

GY-HD251E Acquisition System Example

NLE

DR-HD100

IEEE1394

BR-HD50

GY-HD250

Tape

1080i

720p

SD

DV cableHDV/DV

Recording format720p 60(HDV)720p 50(HDV)720p 24(HDV)576i 50(DV:GY-HD251E)576i 25(DV:GY-HD251E)

DV cable

(Output signal is NLE dependant)

DV cable

BR-HD50

Now Shipping and new firmware is available with Apple Quicktime support

By recording on a hard drive recording times much longer than 60 min can be achieved. The Direct To Edit (DTE) Technology saves time because it allows direct access to clips recorded on the hard drive. Editing on the external drive is also possible. Recording on two media also increases safety against loss of footage. Loop recording, time lapse and other features increase productivity. The hard drive recorder is available in a a 40GB and a 80GB version.

40 GB = 3h DV, 4h20 min HDV80 GB = 6h DV, 8h30min HDV

Extra Hard Drive for Tapelss Workflow

Today: Disk-Based Produktion Workflow

Dual Media Acquisition Disk + TapeDTE Direct To Edit, no Transfer/Conversion timesLong recording times >8h per disk

Disk

1394

DR-HD100

1394

HD: MPEG Transport Stream (.ts)

HD: MPEG Quicktime (.mov)

HD: …..

DV: .avi-1 and .avi-2

DV: .Quicktime DV (.mov)

DV: .omf

DV: More formats incl. mxf

GY-HD251E Multi-Camera Acquisition System

DV cable

NLE

BR-HD50

HDV/DV

Tape

1080i

720p

SD

Recording format720p 60(HDV)720p 50(HDV)720p 24(HDV)576i 50(DV:GY-HD251E)576i 25(DV:GY-HD251E)

Tape

GY-HD250

GY-HD250

Genlock/Time code

BR-HD50

(Output signal is NLE dependant)

HD SDI

HouseSync

HD Live Switcher

Headset

GY-HD250/KA-HD250

RM-P210

Control

GY-HD251 HD Studio System

Monitoring

GY-HD250/KA-HD250

HD SDI

Control

Component

Marshall V-R70

Headset

Headset

HeadsetMarshall V-R70

More ProHD Advantages

Advantages of low bit rate signals based on HDV Less storage capacity is needed per hour

Economical archiving Longer recording times on any given media User friendly operation

IT Communication channel friendly Use: Microwave, Wimax, DSL…for transfer

Native workflow easier to achieve Shoot, Transfer, Edit and Archive without ever changing the codec

Accessories

ProHD Concept

HDV Wireless Solution

This adapter allows the use of Film prime lenses. Changing the This adapter allows the use of Film prime lenses. Changing the focus and depth of field properties as available in film are possible. focus and depth of field properties as available in film are possible. In a dialogs the speaking person can be put in focusIn a dialogs the speaking person can be put in focus

Optional Adaptation with P&S Mini35 for ProHDPrice ~€ 8000.– without Lens

Film Prime Lenses and ProHD

ProHD 1/3“ Lenses for All ProHD Cameras

Canon KT20X5BKRS Price € 9 600.--

Fujinon HTS18X4.2BRMM48 Price € 12 100.—

Fujinon TH17X5BRM-29 Price € 3 200.--

Fujinon TH17X5BMD-D29 Price € 4 100.--

Fujinon TH13X3.5BRMU Price € 8 500.--

New Photo Lens Adapters:

Zoerk Leica and Nikon adapters (www.zoerk.com)

- Zoerk Nikon Adapter ZO-HD-ADAPT-NIK, € 250.--- Zoerk Leica Adapter ZO-HD-ADAPT-LEI, € 300.–

- Coming soon tilt lens adaptation

More 3rd Party Accessories for Creation

Future Solutions

Headset

HouseSync

Headset

GY-HD250/KA-HD250

RM-HP250

Control

Analog GY-HD251 HD Studio System

HD Live Switcher

GY-HD250/KA-HD250

Control Component

VF-P700

Headset

Headset

Multi-Core cable

Control

RM-LP25RM-LP25

VF-P700

Headset

HouseSync

Headset

GY-HD250/KA-HD250

RM-HP250

Control

Analog GY-HD251 HD Studio System

HD Live Switcher

GY-HD250/KA-HD250

Control

SDI/HDSDI

VF-P700

Headset

Headset

SuperMulti-Core

cable

Control

RM-LP25RM-LP25

VF-P700

SDI/HDSDI

DT-V24L1D (HD-SDI)

DT-V20L1D (HD-SDI)

Designed for Broadcast, Electronic Cinema and Post-Production applications. Native 1920x1080 24” wide-screen LCD panel (DT-V24L1) Built-in Analog and HD-SDI / SD-SDI inputs 1080p 24/24SF support and embedded audio DVI-D input with HDCP, HDMI compatible Professional rotary-type and direct function image controls Blue Check, Color Off, Area Markers and other professional features One-piece space saving design Multiple Remote Control capabilities Rack Mountable (DT-V20L1)

Professional Studio Monitors

24”

20”

Model Name DT-V24L1D DT-V20L1D

LCD SIZE 24 inch TFT-LCD 16:10

20inch TFT-LCD 16:10

Resolution 1920 x 1200 (WUXGA) 1680 x 1050 (WSXGA+)

Brightness 450 cd/m2 (Glare)

450 cd/m2 (Glare)

STD. Input ・ VBS 2 Line BNC ( Bridged) 24” is Gold・ HD/SD SDI with E.Audio (Switched Out) Both model is Gold・ Component / RGB for Video (Bridged) 24” is Gold

・ DVI-D ｗｉｔｈ CP

AUDIO In/Out

With speaker

IN : E.Audio 2Line (BNC)

Selectable LINE IN ×2LINE (RCA)+1LINE(mini Plug)

OUT : Monitor OUT 1 Line (RCA)

Exterior Features ・ Front cabinet : Plastic Rear Cabinet : Metal

・ VESA 100 mounting Hole

・ Mounting structure for Optional screen protector

STD. Function Based on “DT-V1710CG” CRT series image

REMOTE Make or Trigger （ RJ-45 ） or RS-232C （ D-sub9pin ） or RS-485 （ RJ-45 ）

Accessory AC Power Code / Tilt stand

POWER AC120 / 220-240V

1080/50P 60P native FHD1080/50P 60P native FHD （（ DVI-inputDVI-input ） ） for HD Editing use and for HD Editing use and Class No.1 High-Performance Line-Up Class No.1 High-Performance Line-Up

24inch-Wide 20inch-Wide “DT-VXXL1D” seriesBasic Specification

【 Optional Parts 】

【 General Specifications 】

★★: Studying: Studying

Rack Mount Adapter (for 20inch)

★Screen Protector (for 20 / 24inch)

World first premium!! Gold BNC connector for 24inch and both SDI!!

Input FunctionsInput Functions

HDSDI Embedded AUDIO

Capability of 12ch (for Cinema Editing) ※Current model is 8ch

Audio Level Meter Capability of HD/SD SDI 12ch

NO SYNC FUNCTION No Work or SLEEP or GRAY BACK selectable

MAKE/TRIGGER parallel remote

Control item is assigned to every pin.

RS Remote control RS system change feature RS-232C → RS-485 　→　 RS-485 　　

Twin color TALLY RED or GREEN selectable

INPUT FORMAT and Remote of SystemsFORMAT and Remote of Systems

VIDEO NTSC PAL SECAM BW50 BW60

COMPO/RGB 480i 576i 480p 576p 1080i 　→ Both 50/60Hz 　720p→50/60Hz 1080p→24sF/30sF/24/30Hz

HD/SD SDI 480i 576i 480p 576p 1080i 　→ Both 50/60Hz 　720p→24/30/50/60Hz 1080p→24sF/30sF/24/30Hz

DVI with HDCP 480i 576i 480p 576p 1080i 　→ Both 50/60Hz720p 1080p 　→　 Both 24/25/30/50/60HzVGA60 WVGA60 SVGA60 XGA60 WXGA60 SXGA60 SXGA+60 WSXGA+60 UXGA60(only 24”) WUXGA60(only 24”)

AUDIO Selectable Input Analog L/R LINE INMonitor LINE OUT

REMOTE (RJ45)

MAKE Contact or TRIGGER Pulse selectableRS-485 or RS-232C selectable

The Ultimate High-Definition Studio Display

DT-V24L1DProfessional Multi-Format 24” Studio Monitor

Thank you !

Q&A