professional-level arpeggios: making the jump from …€¦ · czerny: etude in c, op. 261 no. 81...

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Release thumb/mo ‘thumb- under’ (during supination) Momentum Quiet Hand Foundational Prerequisites: I. Understanding of the sound point (escapement) II. Fingers active from the base knuckle (MCP joint) III. The Quiet Hand The One-Octave Arpeggio: I. The Basic Three-Dimensional Form on a Pentascale o Alignment and Adjusting Motions o “Under and Out”/”Over and In” shaping II. The Basic Three-Dimensional Form on 3rds The Two-Octave Arpeggio: I. The Throw o Basic Throw on 3rds and 4ths o Isolating crossovers with reduced intervals II. Linking the first and second octaves o Continuous Drop on fingers 2 & 3 o Check-Mark Motion beginning on reduced intervals o Linking, coming ‘out’/three-dimensional space o Successively adding notes with momentum o The Turnarounds Fred Karpoff Initially mentored by Yoheved Kaplinsky to rethink his approach to piano playing after a career-threatening injury, Fred Karpoff has continued to develop his multi-dimensional approach to piano teaching and technique through a wide range of experience. Combining elements of Tai chi, the Alexander Technique, and the Feldenkrais Method® with the work of many piano pedagogues, past and present, he guides teachers and students toward more efficient, healthful, and expressive piano playing, as artistic producer of Entrada Piano Technique at entradapiano.com. Fred has been fortunate to also study with Ann Schein, Robert Weirich, and Leon Fleisher, and to have had extensive coachings with Karl Ulrich Schnabel and Richard Goode. A Steinway Artist, former USIA Artistic Ambassador and current Professor of Piano at Syracuse University, he is a recipient of MTNA’s Frances Clark Keyboard Pedagogy Award. Presented by Fred Karpoff Professional-Level Arpeggios: Making the Jump from “Intermediate” to “Advanced” Release hand over thumb (for pronation) Letting Go to Gain Control Release Fingers Maintain alignment!/No swiveling Take Risks! Keep the Hand Small Watchwords and Phrases

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  • Release thumb/mo ‘thumb-under’ (during supination)

    Momentum

    Quiet HandFoundational Prerequisites:I. Understanding of the sound point (escapement)II. Fingers active from the base knuckle (MCP joint)III. The Quiet Hand

    The One-Octave Arpeggio:I. The Basic Three-Dimensional Form on

    a Pentascaleo Alignment and Adjusting Motionso “Under and Out”/”Over and In” shaping

    II. The Basic Three-Dimensional Form on 3rds

    The Two-Octave Arpeggio:I. The Throw

    o Basic Throw on 3rds and 4thso Isolating crossovers with reduced intervals

    II. Linking the first and second octaveso Continuous Drop on fingers 2 & 3o Check-Mark Motion beginning on

    reduced intervalso Linking, coming ‘out’/three-dimensional spaceo Successively adding notes with momentumo The Turnarounds

    Fred KarpoffInitially mentored by Yoheved Kaplinsky to rethink his approach to piano playing after a career-threatening injury, Fred Karpoff has continued to develop his multi-dimensional approach to piano teaching and technique through a wide range of experience. Combining elements of Tai chi, the Alexander Technique, and the Feldenkrais Method® with the work of many piano pedagogues, past and present, he guides teachers and students toward more efficient, healthful, and expressive piano playing, as artistic producer of Entrada Piano Technique at entradapiano.com.

    Fred has been fortunate to also study with Ann Schein, Robert Weirich, and Leon Fleisher, and to have had extensive coachings with Karl Ulrich Schnabel and Richard Goode. A Steinway Artist, former USIA Artistic Ambassador and current Professor of Piano at Syracuse University, he is a recipient of MTNA’s Frances Clark Keyboard Pedagogy Award.

    Presented by Fred Karpo�

    Professional-Level Arpeggios:Making the Jump from“Intermediate” to“Advanced”

    Release hand over thumb(for pronation)

    Letting Go to Gain Control

    Release Fingers

    Maintain alignment!/No swiveling

    Take Risks!

    Keep the Hand Small

    Watchwordsand Phrases

  • Czerny: Etude in C, Op. 261 No. 81

    Chopin: Etude in C Minor, Op. 10 No. 12

    Debussy: Clair de lune

  • Chopin: Waltz in A-Flat, Op. 42

    Schubert: Impromptu in A-Flat, D. 935 No. 2

    Ravel: Une barque sur l’océan

  • Brahms: Concerto No. 1 in D Minor, Op. 15

    Beethoven: Sonata in C Major, Op. 2 No. 3

    Chopin: Waltz in A minor, B. 150

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