production techniques equipment. camera shots the camera, alone or combined with narration can...

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Production Techniques Equipment

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Camera Shots A decent zoom lens will go a long ways toward framing the subject and create a connection between the viewer and the “talent” (subject of the video segment).

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Page 1: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

Production Techniques

Equipment

Page 2: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

Camera Shots

• The camera, alone or combined with narration can create the “who, what, why, where” effect we desire for effective film-making.

Page 3: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

Camera Shots

• A decent zoom lens will go a long ways toward framing the subject and create a connection between the viewer and the “talent” (subject of the video segment).

Page 4: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

• For steady images you should use a tripod whenever possible to take the weight of the camera off the cameraman’s hands.

• Standard camera movements include:

Page 5: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

DollyingThe camera operator moves himself/herself and the entire camera in (dolly in) or out (dolly out) by wheeling or walking toward or away from the subject.

Page 6: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

TruckingThe camera operator moves themselves and the camera to the left (truck left) or right (truck right).

Page 7: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

Tilting & PanningThe camera operator moves the camera up (tilt up) or down (tilt down).

The camera operator pivots the camera to the left (pan left) or the right (pan right).

Page 8: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

The subject can be portrayed in a number of ways.The long shot: Encompasses a large area and establishes where the action is taking place.

Page 9: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

The Medium ShotThis camera shot usually focuses on one or two persons, showing just their heads,. shoulders and upper torsos

Page 10: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

Close-up shotA camera shot that zeros in on one person or subject and shows facial expressions or a certain detail in a demonstration or on an object.

Page 11: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

Extreme or Tight Close-upThis angle is used for dramatic effect or to show very tiny detail – for example, eyes filled with tears or the street number on a house.

Page 12: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

Camera Position

Camera position can add psychological effects to a scene. Basic camera positions include:

Page 13: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

Rules of ThirdsThis is a general principle in photography, which is typically considered to make shots more appealing to the eye. One can easily visualize this rule by taking a frame and dividing the horizontal piece into three equal sections and dividing the vertical in three equal sections. This creates 9 equal sections. Where these sections meet are four points on the frame. By aligning the central object into these points of the frame (often called the power points), instead of centering the object, you get more aesthetically and professional-looking shots.However, we should note that while we describe this as the RULE of thirds, it might better be used as a guideline.

Page 14: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

Eye LevelThe talent’s eyes should be located one-third from the top of the screen.

Page 15: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

High AngleThe camera should be located on a raised platform. The high angle shot, which looks down on the subject, can make a person appear smaller and weaker.

Page 16: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

Low AngleThe camera should be low to the ground or the talent on a raised platform. A low angle shot looks up on the subject, making a person appear larger than life and domineering.

Page 17: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

Extreme OverheadThe camera is directly above the talent shooting downward.

Page 18: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

Purpose of camera shotsTo add to the story by good technique.

Stories that are video driven are not as interesting and relevant.

Page 19: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

FX: Terms and definitions

Page 20: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

Fade-inA transition effect for bringing an image or video into an existing one.

Page 21: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

Zoom inBringing a distant or previously unseen image in close. A useful technique that must not be over-used.

Page 22: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

WipeAn effect where the image seems to appear from left or right, top of bottom.

Page 23: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

MontageA grouping of pictures that can either be displayed in a collage effect or brought in bit by bit. In video it can be a series of short clips that are run together in a fast and dramatic fashion.

Page 24: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

MontageA grouping of pictures that can either be displayed in a collage effect or brought in bit by bit. In video it can be a series of short clips that are run together in a fast and dramatic fashion.

Page 25: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

And now a video to illustrate

Page 26: Production Techniques Equipment. Camera Shots The camera, alone or combined with narration can create the who, what, why, where effect we desire for

For now….