Product Summary 2005

Broadcast Delays

BD600

New Flagship 80 second profanity delay Improved sonic performance – all 24-bit, AES and

analog I/O MicroPrecision™ Delay mode provides 10 seconds of

delay adjustable in 1 microsecond increments – good for synchronizing analog with digital in HD radio signal chains, Simulcasting FM with TV, or anytime sub-sample synchronizing is required

.WAV sample can be played during PANIC mode, allows the delay to rebuild while sample is playing

Available mid-July 2005, Expanded remote option available Q4/2005

BD960

Our most economical, eight-second profanity delay covers unwanted words with auto fill of a user recorded sample stored in nonvolatile memory.

Plug-ins for Pro Tools TDM

NOW SHIPPING!

“So to sum up, a large suite of plug-ins which cover every part of the processing chain from dynamics to pitch shifting and delay to reverb, a truly amazing suite of plug-ins… This is the first time I have ever given a product ten out of ten but surely it would be a criminal not to.” Donal Hodgson, Soundgenerator

All 9 Eventide TDM Plug-ins: H910 Harmonizer® pitch

shifter H949 Harmonizer pitch

shifter with randomizer Instant Phaser™ Instant Flanger™ Omnipressor® Octavox™8-voice

Harmonizer pitch shifter Eventide Reverb H3000 Band Delays™ H3000 Factory™

All for $1195 MSRP!

Anthology

“Powerful” Barry Rudolph, Mix

18 effects modules that can be patched together

Great post-production effects including: Telephone, TV in the Next Room, Megaphone

Locks to session tempo Function Generator

features 19 wave shapes plus MIDI

Mix, HD and Accel Available with Anthology

only

Band Delays™ The Band Delays

algorithm from the H3000 including all presets made from it

Eight voices of 1.2 second delays: each w/parametric filters, pan, phase and volume control

Locks to session tempo

Function Generator features 19 wave shapes plus MIDI

Mix, HD and Accel

George Peterson’s Certified Hit

“If you’re looking to take reverb to the next level, Reverb is for you.”

Mitch Gallagher, EQ

Truly a multi-effect plug-in

Reverbs from Orville Rooms, Plates,

Halls, Ambience, Lo Fi effect

Compressor before or after reverb

3 Band Parametric EQ before and after reverb

Twin Delays HD and Accel only

Harmonizer® plug-in

“Octavox took complete hold of my imagination.”

Mitch Gallagher, EQ

8 voice diatonic pitch shifter with delays, and pan controls for each voice

Derived from Orville™

Includes Notation Grid™

Creation Tool Pro Tools

HD/Accel only

“Well worth the cost of admission…” K.K. Proffitt, Audio Media

Bundle of the 5 Original Eventide Products in Plug-in Form (included

in the Anthology bundle):“…they sound

fantastic…they’re immediately usable in modern musical contexts”

Sam Inglis, Sound on Sound

The H910 (1975-1984)

The world’s first Harmonizer® effects processor Primary contemporary function: Micro pitch

detuning for widening and thickening tracks Used by Frank Zappa in his live guitar rig Used extensively by Tony Visconti on David

Bowie’s seminal works “Young Americans”, “Low” and “Lodger”

The Instant Phaser™ (1971-1977)

The world’s first phaser, an Eventide invention Widely used by Led Zeppelin, in fact they offered

to endorse the product Listen to Kashmir (Physical Graffiti, 1975) for

extensive use

“I’ve not heard a phaser this good as a plug-in.” Andy Day, Resolution (UK)

The H949 (1977-1984)

Deglitched pitch changer with delay, flanging and randomization, great for guitar effects

Jimmy Page used the H949 in his guitar rig during the Led Zeppelin days

“The harmonizing in the H949 adds a lot more depth and character to a sound.” Stephen Krause, Hollywood sound designer

The Instant Flanger™ (1976-1984)

One of the first analog flangers Ability to blend modulation sources from LFO to

envelope follower (input level) and manual sweep Great for heavy duty flange and also subtle

“stereoizing” of mono tracks“…Easily the best-sounding implementation of this

effect I’ve ever heard in software.” Sam Inglis, Sound on Sound (UK)

The Omnipressor® (1971-1984)

A compressor with an attitude; unlike any compressor on the market

Capable of extreme results like Dynamic Reversal™ Integral part of Brian May’s (Queen) guitar sound “It takes compression/expansion to a new level and

adds a load of fun in the process.” Kevin Becka, Mix

Digital Audio Hardware Processors

Eclipse 3.0™

Optimized for live performance, featuring ultra-fast program change

Winner of Guitar Player’s Editor’s Pick Award, June 2004 Replacement for the venerable H3000, 5X more

processing power, includes many of the favorite H3000 presets and much more, including User Definable Scales

Includes 390 killer presets and 90 effects algorithms True dual engine processor: run two full stereo effects

simultaneously in series or parallel Ideal for use live AND in the studio “Positively breathtaking” Barry Cleveland,

Guitar Player, June 2004

Our new eight-channel flagship processor available in two versions: H8000 and H8000A

The most powerful Eventide processor ever, the H8000 features Monolithic Tandem™ which allows both DSPs to combine their efforts to run massive single algorithms including 5.1 reverb and effects up to 96 kHz

The H8000 features: 8 channels of AES/EBU, S/PDIF and ADAT digital I/O, 2X2 analog XLR balanced I/O (>110dB S/N), and word clock I/O (H8000A: 4 channels of analog I/O and 4 channels of AES)

The H8000 has 1588 preset-algorithms, 5.1 reverbs, 5.1 effects, new enhanced reverbs and Virtual Rack effects which combine unique combinations of multiple machines in one preset-algorithm

Reverb 2016™

The much sought-after reverbs from the SP2016 and new High Definition reverbs

Dedicated controls for each parameter with LED rings for ergonomic display of settings

Menu-free operation, one knob one job Optimized for performance, great in low light situations XLR balanced analog I/O, S/PDIF digital I/O all 24-bit, featuring XLR

and 1/4” TRS connectors “I can't imagine mixing without one.” Ed Cherney (Rolling Stones, Eric

Clapton, Dave Matthews Band, Bob Dylan, B52s) "I have been using the Eventide SP-2016 on almost all of my mixes

since 1983. The new Reverb 2016 preserves all of the qualities of the original reverbs plus much lower noise, greater headroom and improved reliability." Mick Guzouski (Marc Anthony, J Lo, Michael McDonald, Mariah Carey)

“I’m excited to finally have one of my favorite reverbs available again.” George Massenburg (Earth, Wind & Fire, Little Feat, Frank Sinatra, Linda Ronstadt)

DSP7000

Our most powerful stereo processor Featuring Ultrashifter™, our most natural-sounding,

formant corrected, pitch changer optimized for voice 746 top quality preset/algorithms, each its own unique

multi-effect algorithm Supported by our PC-based VSIG™ graphic editor,

which can be used to create new effect algorithms Factory software upgrades can be downloaded to the

unit from any Internet-connected PC All forms of standard digital and analog connections are

available: AES/EBU, S/PDIF digital I/O- all 24-bit, 2X2 analog XLR balanced I/O, and word clock I/O

DSP7500

The DSP7000 with sampling and post presets Includes 880 preset-algorithms in total, including post-

production and broadcast effects and a 174 second sampler, great for looping or flying in tracks

Featuring Ultrashifter, our most natural-sounding, formant corrected, pitch changer optimized for voice

Supported by our PC-based VSIG graphic editor, which can be used to create new effect algorithms

Factory software upgrades can be downloaded to the unit from any Internet-connected PC

All forms of standard digital and analog connections are available: AES/EBU, S/PDIF digital I/O- all 24-bit, 2X2 analog XLR balanced I/O, and word clock I/O

DSP4000B+

The world’s foremost dedicated post-production and broadcast effects processor

Saves time and money by providing complex effects which typically require complex setups and multiple units

Many presets designed by production guru Jay Rose Telephone, megaphone, CB radio, TV room-- hundreds

of complex effects at your fingertips, 385 preset-algorithms in all

Real-time effects make productions go faster, and voice talent perform better, yielding better results

All forms of standard digital and analog connections are available: AES/EBU, S/PDIF digital I/O- all 24-bit, XLR balanced I/O, and word clock I/O

VSIG, the PC or OSX, preset-algorithm development tool, and editor, works VSIG, the PC or OSX, preset-algorithm development tool, and editor, works with the H8000, Orville, DSP7000, DSP7500, and the DSP4000B+, giving you with the H8000, Orville, DSP7000, DSP7500, and the DSP4000B+, giving you

the freedom to create signature effects the freedom to create signature effects never before heardnever before heard.. Eventide, Harmonizer and Omnipressor are Eventide, Harmonizer and Omnipressor are

registered trademarks; Clockworks Legacy, Instant Phaser, Instant Flanger, Notation Grid, UltraShifter MicroPitch, and VSIG are trademarks of Eventide ©2005 Eventide Inc. registered trademarks; Clockworks Legacy, Instant Phaser, Instant Flanger, Notation Grid, UltraShifter MicroPitch, and VSIG are trademarks of Eventide ©2005 Eventide Inc.