presenter name hosting institution date openness: contribute, access, use acrl scholarly...
TRANSCRIPT
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Presenter Name
Hosting InstitutionDate
OPENNESS: CONTRIBUTE, ACCESS, USE
ACRL Scholarly Communications Roadshow:
From Understanding to Engagement
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Understand the conceptual underpinnings of open movements
Understand what the open access and public access movements are
Identify current events within the open and public access movements
Identify other open movements
LEARNING OBJECTIVES
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Open to contributions and participation
Open and free to access
Open to use & reuse w/few or no restrictions
Open to indexing and machine readable
WHAT DO WE MEAN BY OPEN?
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PARTICIPATEin
BUILDING and
CONTRIBUTE
EXPERTISE
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AS OPPOSED TO…
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OPEN and FREE TO ACCESS
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AS OPPOSED TO…
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OPEN TO USE and REUSE WITH FEW or NO RESTRICTIONS
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AS OPPOSED TO…
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OPEN TO MACHINE READING, INDEXING, and PROCESSING
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Click icon to add picture
AS OPPOSED TO…
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Generally enabled by technology
Works both inside and outside of traditional models
Supported by a variety of business models
COMMONALITIES
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Open access literature is digital, online, free of charge, and free of most copyright and licensing restrictions.
- Peter Suber
OPEN ACCESS
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Gratis: You can read it for free. Anything else, you better ask permission.
Libre: With credit given, OK to text-mine, re-catalog, mirror for preservation, quote, remix, whatever.
Most OA is gratis. You get to “libre” via Creative Commons licensing, usually.
(text from Dorothea Salo)
GRATIS VS. LIBRE
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1) Open Access publishing
2) Author self-archiving
2.5) Hybrid open access publishing
TWO (AND A HALF) ROADS TO OPEN ACCESS
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Public should have ready and
easy access to taxpayer
funded research
Many legislative efforts in US to halt and expand
this.
PUBLIC ACCESS MANDATES
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Offi ce of Science and Technology Planning of the White House: Request for Information on Public Access to Peer-Reviewed Scholarly
Publications Resulting From Federally Funded Research Request for Information: Public Access to Digital Data Resulting From
Federally Funded Scientific Research Out of the COMPETE act
Continuing anger over Research Works Act - H.R. 3699 (now withdrawn) - http://thecostofknowledge.com/
Federal Research Public Access Act (S.1373 and HR 5037) Federal agencies with annual extramural research expenditures over $100 million
make manuscripts of journal articles stemming from research funded by that agency publicly available
Harvard Memo: http:// isites.harvard.edu/icb/icb.do?keyword=k77982&tabgroupid=icb.tabgroup143448
CURRENT ACTIVITY
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Harvard (Faculty of Arts and Sciences, College of Law)
MITKansasOberlinDuke
And others… http://roarmap.eprints.org
INSTITUTIONAL OPEN ACCESS POLICIES
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OPEN EDUCATION
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OPEN BOOKS
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OPEN PEER REVIEW
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Open access to data not just papers
The rate of discovery is accelerated by better access to data
Actionable data
Funder mandates around management and sharing of data (in some cases)
OPEN DATA
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OPEN SCIENCE
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Peter Suber - Open Access Overview: http://www.earlham.edu/~peters/fos/overview.htm
Directory of Open Access Journals:http://www.doaj.org/
Registry of Open Access Repositories: http://roar.eprints.org/
Sherpa/Romeo Publisher Copyright Policies and Self-Archiving: http://www.sherpa.ac.uk/romeo.php
RESOURCES
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Slide 14: Text used from Dorothea Salo’s “Open Sesame” Presentation at http://www.slideshare.net/cavlec/open-sesame-and-other-open-movements
Slide 15: “The winding roads of Spain” by SKI Tripper, CC-BY,http://www.fl ickr.com/photos/nzer/2640367659/
Slide 25: Public http://www.fl ickr.com/photos/aaronw79/5575652125/
Slide 26: Harvard Widener Library http://www.fl ickr.com/photos/mak506/2771080083/
Screenshots used under fair use.
Except noted all photos used under a Creative Commons 3.0 Attribution-Share Alike 3.0 license.
This work was created by Sarah L. Shreeves and Molly Kleinman and last updated on Apri l 26, 2012. This work is l icensed under the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 United States License. To view a copy of this l icense, visit http://creativecommons.org/l icenses/by-nc-sa/3.0/us/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA.
ATTRIBUTION