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Architecture, light, design, interior

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INDEX

01 / SWAN LAMP

02 / SHAFTSBURY PLACE

03 / CAPTURE THE LIGHT

04 / MOUNTAIN SHELTER

05 / HONOURS PROJECT

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INDEX

ABOUT /

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I am currently completing the BDes Honours Interior Architecture programme at Edinburgh Napier University. I have completed modules in Architectural Design and Tectonics, Design and Busi-ness, Urbanism, Interior Design and Lighting Design. The programme has allowed me to develop a multidisciplinary design thinking. I am a postiviv resourceful individual highly motivated with an Innovative design-based portfolio. I am confident thinker who can work creatively within a group or as an individual, enjoy-ing a challenge and variety within the workplace. To further my career within lighting design in the build environment. My main interests lies within architectureal lighting and lighting science in the ongrowing light industries we see today. .

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SWAN LAMP

DESIGNINSTITUTTET OSLO1 YEAR

MODULE / PRODUCT DESIGN

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BRIEF / Create a light design that demonstrates innovative forms Iinspired by nature.

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SWAN LAMP

01

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01

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DESIGN / A lamp desk Inspired by one of natures most beautiful birds the swan lamp emphazises the charactris-tics of the swans long neck steady body and grasefulness. .

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RENDER / SWAN LAMP

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INDEX

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INDEX

SHAFTSBURY PLACE

BDes (HONS)INTERIOR ARCHITECTURE THIRD SEMESTER

MODULE: STUDIO

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BRIEF: Adaption and refurb ishment of existing garageThe brief for this project was the alteration of an existing residential garage into a two-storey live/work space.This small-scale architectural project encourages exploration of the creative and cultural potential in the refurbishment and/or re-working of an existing small-scale structure. Overall aiming to develop articulate spatial solutions to clearly

defined spatial problems within a set urban context.

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DEVELOPMENT / SKETCHES / MODEL

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01

FRONT SECTION

BACK SECTION

LANE

HOUSE

GF PLAN

1ST FLOOR PLAN

ELEVATIONS

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01

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1. hallway

2. storage

3. livingroom

4. dining

5. kitchen

1. bathroom

2. walk-in closet

3. bedroom

4. work space

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CAPTURE THE LIGHT

BDes (HONS)INTERIOR ARCHITECTURE FIFTH SEMESTER

MODULE: TECTONISCS LIGHTING

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BRIEF / Create an architectural space that is specifically designed to manipulate natural light. A single space or a set of linked spaces is to be selected. The aim is to create a visually stunning architectural space using an innovative combination of apertures, material choices, colour and reflective surfaces. Your design aim is to provide the occupants with a sense of time. By producing distinctly different lit effects at different

times of day.

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03

CAPTURE THE LIGHT

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Light is of decisive importance in experiencing architecture. The same room can be made to give very different spatial impressions by the simple expedient of changing the size and

location of its openings.

- RASMUSSEN, S. E. (1962).........

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The openings in the walls allows light in and creates shadows pattern reflection to the exterior walls. The pattern is cast off in the buildings interior walls and floors. This creates a different spatial experience as the sun moves around the building during the day from sunrise to sunset.

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DEVELOPMENT / SKETCHES

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DEVELOPMENT / MODEL IN SCALE 1:50

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9AM / SUNLIGHT

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10AM / SUNLIGHT

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11AM / SUNLIGHT

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12AM / SUNLIGHT

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13AM / SUNLIGHT

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15AM / SUNLIGHT

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16AM / SUNLIGHT

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18AM / SUNLIGHT

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INHABITATION

BDes (HONS)INTERIOR ARCHITECTURE 7TH SEMESTER

MODULE: MINOR PROJECT

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BRIEF / Create a design that demonstrates innovative forms of meaningful interior inhabitation. This involved the development and realisation of innovative spaces in which to live, work, relax, consume, perform, exhibit, learn, consume, become well, acculturate and many other forms of human inhabitation. Therefore intending to reflect the multiplicity of ways in which humans can meaningfully inhabit space.

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The tradition of cross -crountry skiing began thousands of years ago in northern Scandinavia where skies were used as transportation across the winter landscape. Due to exten-sive winter months with snow and interest for skiing for both tourists and natives, the Norwegians have built an extensive netwrk of trails and systmes of huts throughout the country. The country has responded to this wealth of mountains by protecting scenic and ecogologically signifi-cant areas in 18 national parks. Skiers can find themselves skiing up to 15-20 miles a day. Some of the huts are catered and some selfcatered. Self catered works more as a tempo-ray shelter to protect from weather. They are traditionally called ‘rastehytter’ or ‘fjellbuer’. The rule is if it is open your welcome to use it as a shelter, but you arents suppose to stay more then one night. And the norm is to leave the hut as it was. In most of these huts the sleeping conditions are very basic with limited spac and wooden interior benches to sleep on . There are simple a simple heating system and wood available. Objective/ A modern shelter inspired by the traditional ‘fjellbu’. Intended to be inhabited temporar-ily during winter months in snow-covered plateau scenery.

“Can you imagine anything freer and more exctiing than when you, swiftly as a bird, zoom down the wood-clad hillsides country air and spruce twigs whiz by your cheeks and eyes; brain and muscle tense,ready to avoid any unknown obstacle which any moment might be thrown in your path? You are one with your skies and nature. This is something that develops not only the body but the soal as well, and it has a deeper meaning for a people than most of us perceive.” - Fridtjof Nansen, 1890

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