portfolio 2015 johanna nordin

PORTFOLIOJohanna Nordin

March 2015

CV

Johanna Nordin1991.04.15

Mail:[email protected]

Telefon+4673-998 66 44

Adress:Nockebyvägen 8616775 BrommaSweden

Website:http://cargocollective.com/johannanordin

Contact

2011-2014 & 2015Umeå ArkitelthögskolaBachelor, 3 year

2010-2011Nyckelviksskolan, Färg, Form & HantverkPreparation year in art and craft

2007-2010Thorildsplans GymnasiumTechnology, Industialdesign

Education

2014-2015Berg C.F. Møller1 year internship

2012-KAJAKAJA (graphic posters)Co owner and Illustator

2012-2014BARKK ArkitekterInternship, shorter periods

2012-Freelance as Graphic DesignerWebsites, posters, logotypes etc.

Experience

ABCDE

F

Index

5th semester The end of 30 ft road, a street analysis

How big is your world

4th semester Food market

Temporary structure, a flexible bridge

2nd & 1st semester Unlock Locking, a dance project

Future city

Addition #apanfattas

Collage of projects

Berg C.F. Møller Uppsala Kraftvärmeverk (Competition)

Hagnässkolan (Remodeling and extension)Knivsta, Styr- & Upphandlings dokument för förskolor(Policy & Procurement document for nursery schools)

HSB andas, Bolidentriangeln(Volume study & Concept development, together with

Dinell Johansson)Pinterest (Marketing and Communications)

Today 6th semester Bachelor Project

Slum project in Mumbai

The end of 30 ft road At the end of 30 feet road, also named Bhatiya NagarDharavi Road, is the place I chosed to investigate furtherat the end of my stay in Dharavi. It fascinated me howthe development seemed to bloom around this place/street. Though it was sad too, because the new develop-ment didn’t pay any attention to the elder structure. Asa result of the new development the old dwellings en-ded up in even worse conditions.

A

BHATIYA

NAGAR

DHARAVI

ROADJohanna Nordin

TRASHES 2 SYSTEMSHow do different areas throw theirs trashes? Seems like there is two sys-tems within this area, one formal that BMC takes care of and one is infor-mal. In this bigger system of trash you FDQ�ÀQG�VPDOOHU�V\VWHPV�WKDW�PRYH�trashes from household to the stations. The informal stations are often close to the common toilettes and bigger open areas outside of the dense hou-sing areas. No one comes where and takes away the trashes instead some-times they burn the pile so it shrinks.

Formal system

Informal system

FUTURE

7KH�DUHD�DURXQG�%KDWL\D�1DJDU�'KDUYL�5RDG�LV�XQGHU�GH-YHORSPHQW�LWV�FOHDU��<RX�FDQ�VHH�QHZ�SODQV�RQ�DSDUWPHQWV�RQ�the east side. The oldest high-rise has only been inhabited VHYHQ�\HDUV�DQG�VLQFH�WKH�URDG�KDV�EHHQ�UHGHYHORSHG�DQG�new high-rises has been build. There are also some open areas near the road that the power company B.E.S.T. owns and will build a power station on. The people are happy DQG�KDYH�JRRG�KRSHV�RQ�WKH�IXWXUH�DQG�WKH\�VPLOH�DQG� say – Come back again in 7 years and this will be something completely else!

QUESTIONS

Since this area is in a stage where a lot of cities already has been redesigned and GHYHORSHG�,�WKLQN�WKLV�DUHD�KDV�D�SRWHQWLDO�WR�FUHDWH�VRPHWKLQJ�QHZ�E\�ORRNLQJ�DQG�learning from earlier examples that has been done before. I hope they will asked the questions again and do something new and that the designer of the high-rises sees the TXDOLWLHV�DQG�QHHGHG�VSDFHV�WKDW�H[LVWV�RQ�WKH�VWUHHW�OHYHO�DQG�WKDW�WKH�GHVLJQHU�WULHV�to keep them in to the new structure.

+RZ�VKRXOG�WKH�DUHD�EH�GHYHORSLQJ"�

With what kind of strategy?

Who will/should/can do it?

:KDW�FDQ�ZH�OHDUQ�IURP�WKH�UHGHYHORSHG�VPDOOHU�DUHDV�LQ�WKLV�area?

BMC [clean up!] stations Informal places for trashes

Planed toilettes Other places where people do their needs

Streets with shops or market places

'HYHORSHG�DUHDV��ODVW��\HDUV� 8QGHU�GHYHORSPHQW��LQ�SURFHVV 3ODQHG�WR�EH�GHYHORSHG��ZLWKLQ��\HDUV�

Hindu tempel Mosques

DEVELOPMENT AND THE DREAM ABOUT SOMETHING BETTER7DONLQJ�WR�WKH�SHRSOH�LQ�WKH�DUHD�WKH\�VD\�WKDW�WKH�GUHDP�LV�WR�KDYH�an apartment in a high-rise with their own toilette and kitchen. 7RGD\�WKH�GHYHORSPHQW�KDV�KDSSHQHG�DORQJ�WKH�QRUWKZHVW�VLGH�DQG�WKH�ERDUGHU�WR�WKH�ROG�UHVLGHQWLDO�DUHD�LV�HYHU\WKLQJ�HOVH�EXW�JHQWOH��In the south part of the plan and section the street also has GHYHORSHG�ZDWHU�LQ�ELJ�SLSHV�XQGHU�WKH�QHZ�SDYHPHQW��

SANTITATION AND TOILETTES6LQFH�HDFK�KRXVHKROG�GRHVQ·W�KDYH�WKHLU�RZQ�WRLOHWWH�WKH�FRP-munity share a common toilettes on the west side of the road. 7KH�WRLOHWWHV�KDYH�D�ZRPHQ�DQG�D�PHQ�VLGH�DQG�RQ�WKH�VH-FRQG�OHYHO�WKH�FOHDQHU�OLYHV��,W�FRVWV�WZR�UXSHHV�WR�XVH�WKH�WRL-lette witch is the cleaners salary. Some don’t use the toilettes because of different reasons and do their needs where the informal trash stations are. They happened to be behind the toilettes and on the sides.

INFRASTRUCTURE

Within this area the infrastructure of water and road are clearly linked. It seems like the roads are where because of the water drainage and its thanks to the water the roads still exist. This last strip of the Bhatiya 1DJDU�'KDUYL�5RDG�LV�QRW�LQ� WKH�VDPH�VWDWH�RI�GHYHORSPHQW� as the rest of it, which in YHUQDFXODU�LV�FDOOHG��IW�URDG� because of its width.

SPARC concept toilette

��

How Big is Your World? One of the things that struck me in an early encounter with life in Dharavi was how different sized worlds different people had in the slums. I met a woman, Sangeeta, who told me that if she were to reach someone far away so she had to call first. I asked her, ”How far away is” far away ”?” She replied, ”About 5-7 min walk”.

It got me thinking about how our worlds are different in different countries, cultures and cities. To get an under-standing or comparison, I did the same chart for the life in Dharavi and Stockholm. (As you can see on the image it’s only men at the bigger street moving from A to B.)

A

HOW BIG IS YOUR WORLD?

House

Home

Family

Houses

Block

Community

Bromma

Adjacent neighborhood

Familiar saces

Stockholm

City

Strangers

within 20 mins walk or bike

within 20 mins by train or bus

>30 min with train, bus or car

MENfathers and sons

WOMENmothers and daughters

CHILDRENboys and girls

STOCKHOLM

DISTANCE AND TIME

How I and my parents, friends, neighbors or other inhabitants in Stockholm moves are different than in Dharvai. Now the Dharavi is placed centrally and not Bromma, in Stockholm, which I first compare with. Because I’m in the suburbs should have access to what the city provides I have to leave in 30 minutes by train at least.

Do you live in the middle of Stock-holm are your distances probably shorter and perhaps more often by bicycle or walking. Few can manage with just living within a 7-minute stroll diameter around their home. Jobs, food, clothing, school, leisure, etc.

HOW BIG IS YOUR WORLD?

House

Home

Family

Houses

Block

Community

Dharavi

Adjacent neighborhood

Familiar saces

Mumbai

City

Strangers

within 7 mins walk within 20 mins walk by somekind of vehicle

MENfathers and sons

WOMENmothers and daughters

CHILDRENboys and girls

DHARAVI

DISTANCE AND TIME

The perception of time and distance is different for people in Dharavi than it is for us (Swedes / Europeans living in cities).

After talking with Sangeeta, I un-derstood that their world is smaller then what we would think. I asked her what she meant when saying “far away”; it was a 7 minutes walk. Is it because they can not leave home? Or is it because they do not need? Or because they can not afford? Or nothing that attracts them? (These questions deals only with women.) How far children and men moving in the graph below is based more what I think.

Food market ROOM FOR ACTIVITIESI see this market as a framework for activities to take place in. To be filled with colorful food, spices, meat, fish, cheese, crafts, second hand goods or to put up a concert inside the big hall or another event arranged by the market, the city, the hotel, a company or for a private event.

WHY the location?This is an unused place most of the time during the year, though people pass it everyday all year around. The big bike path connects the city center of consumption with the center of knowledge – the university and the hospital. The site is also close to the buss center –Vasa-plan– where all the bus lines connect. This part is also a grey zone now a day, in my opinion. To the left you have “Öst på stan” as you past Östra Kyrkogatan, and just one block away you will start to feel the center.

In the history of Umeå the site between the school and church has had different names and functions: church square, school park and as now “Vänortsparken”, a public park. In the 70’s the old city plan was ”destroy-ed” by the infrastructure that was built to make the city more adapted for car access. Storgatan got broader and a new bridge was build to connect both sides of the river. It was planned for 60 000 cars using the bridge every day. Today it’s about 15 000, so it is much larger then it has to be. The north south axis in the city plan be-tween the two great buildings, the church and the school, became secondary and inferior to the new street and it also had a negative infuence on the connection between the three parks Vänortsparken, Kyrk-parken and Döbelns Park.

I believe that a food market can bring life to this part again, linking to the old north-south axis but also high-light the movement of people in the west-east direction.

B

FOOD MARKET - spring 2013 JOHANNA NORDIN

STORING UNIT EAT, look, smell EVERYDAy MOVEMENT

Car road

Walk ways

Cars

Bicycles

Winter

Fall

Summer

Spring

Front side

Back side

Cars/ pedestrians

Intensity

Seasons

Front/ Back

7KH�SHGHVWULDQ�VWUHHWV�FDQ�EH�VHHQ�DV�D�GHÀQL-tion of the ”city center”.

6KRZLQJ�WKH�LQWHQVLW\�RI�FDU�DQG�ELNH�WUDIÀF��7KH�FHQWUDO�VTXDUH�LV�FOHDUO\�GHÀQHG�E\�ERUGHUV�RI�LQWHQVH�FDU�WUDIÀF��7KLV�FHQWUDO�VTXDUH�LV�HYHQ�PRUH�FOHDUO\�GHÀQHG�E\�WKH�ELNH�ODQHV�DOVR�EH-ing focused in the same area.

Showing the expanding and s hrinking city center, depending on the seasons. It shows that many central areas are periodically completely unused.

The color coding shows what areas within the city center feel like front sides and what areas feel like backsides. It shows that large areas of WKH�FLW\�FHQWHU�DFWXDOO\�IHHO�OLNH�EDFNVLGHV��HYHQ�though they are located in the most central part of Umeå.

SCHMACK BIBLIOTEKSCAFEET

Age

Sex

Lives

Origin

Occupation

How often

15-2526-3536-4546-5556-65

WomenMen

Umeå centerOutside center

Other city

UmeåSweden

Outside Sweden

Culture workerMunicipal em.3ULYDWH�HP�

StudentRetired

(YHU\GD\4-6/week1-3/weekca 1/yearFirst time

SeatingBoutique

WCStaff

0RYHPHQWCachier

50's design, culture, eco IULHQGO\��YHJDQ�DQG�

fashion.

3ULYDWH��ZRPHQ�

2005

Not consciously.

3ULYDWH��IDPLO\�EXVQLHVV

1980's

CONCEPT &Target group

OWNERSHIP

OPENING

Light sourceBig lamps in the ceiling create a

general lighting but the main light sorce is daylight.

Wall lamps mainly for decor, main light sorce is daylight.

80 seats

50-60 Seats

Bibliotekcafeet

Schmack

Distance betweenvisitors

0,5-1 m

1-2 m

Visual relations

Passing people are on the same OHYHO�DV�FXVWRPHUV��2QO\�FOHDU�

YLHZ�LQ�ZKHQ�FORVH�WR�WKH�ZLQGRZV��

&XVWRPHUV�DUH�RQ�D�KLJKHU�OHYHO�than passing people. Feeling of looking into a ”store window”.

acoustics

Despite the closeness to other FXVWRPHUV�WKH�VRXQG�GRHVQ·W�WUDYHO��

Constant sounds from the coffee machine and other customers.

24 kr

28 kr

65 kr

79 kr

Jazz

Jazz

ArrivalSchmack

Bibliotekscafeet

0DUNHWV� ÀOO� PRUH� IXQFWLRQV� WKDQ� FRQVXPSWLRQ�� 7KH\� DUH� D� PHHWLQJ�SRLQW��D�VSHFWDFOH�WKDW�GLVUXSWV�HYHU\-GD\�OLIH�DV�PXFK�DV�LW�LV�SDUW�RI�LW��1RW�D� VKRSSLQJ� FRPSOH[� EXW� DQ� DFWLYH� SDUWLFLSDQW� LQ� ORFDO� OLIH��7KH�PDUNHW�KDV� VRPHWKLQJ� WR� RIIHU� IRU� HYHU\� RQH�� EH� LW� HFRORJLFDO� SURGXFH�� ,UDQLDQ�KHUE�EOHQGV��RU�D�FKDW�ZLWK�

\RXU�QHLJKERXU��

How to get to the market

CITY ANALYSIS ProgramPERMANENT

TEmporary

SEASON

INDOOR

OUTDOOR

14 units

20 units

40 units

Thoughts about different architectural expressions

PERMANENT

7KH�SHUPDQHQW�YHQGRUV�VKRXOG�DOVR�H[SUHVV�WKDW�WKH\�DUH�WKHUH�WR�VWD\��,�DOVR�ZDQW�WKHP�WR�KDYH�WKH�SRVVLELOLW\�WR�FUHDWH�D�IULHQGO\�DQG�HYHU\GD\�OLIH� connection with the people in the city who are passing by. The expression should therefore talk the language of a normal street with big, wide display possibilities, all year around.

TEmporary

7KH�VKRUW�WHUP�YHQGRUV�ZLOO�UHQWLQJ�VWDOOV�LQ�WKH�KDOO��D�VSDFH�WKDW�LV�PRUH�ÁH[LEOH��'HSHQGLQJ�RQ�KRZ�PDQ\�YHQGRUV�ZKR�DUH�RFFXS\LQJ�WKH�PDUNHW��6LQFH�LW�FDQ�EH�SUHWW\�LQWHQVH�DQG�PDQ\�YHQGRUV�DW�RQFH�,�EHOLHYH�LQ�D�ODUJH�YROXPH��7KH�VWDOOV�ZLOO�FUHDWH�DQ�LQQHU�URRI�WKDW�FUHDWHV�D�PRUH�LQWLPDWH�VFDOH�ZLWKLQ�WKH�ELJJHU�YROXPH�

SEASON

The season market will be outdoor. In Umeå there is already existing a seasonal market –”The Farmers Market”. It’s simple and they come with WUXFNV�DQG�SDUDVROV�DQG�WDEOHV��,�ZDQW�WR�FUHDWH�D�QLFH�VSDFH�IRU�WKHP�WR�ÀOO�GXULQJ�VHDVRQ��7KH\�FDQ�ÀOO�LW�ZLWK�ZKDW�WKH\�ZDQW�DQG�KRZ�WKH\�ZDQW�DQG�WKDW�ZLOO�FUHDWH�D�GLYHUVLW\�WKDW�ZLOO�JLYH�DQ�XUEDQ�WRXFK�WR�8PHn�

CHOOSEN SITE

WHY?7KLV�LV�DQ�XQXVHG�SODFH�PRVW�RI�WKH�WLPH�GXULQJ�WKH�\HDU��3HRSOH�SDVV�LW�HYHU\-day all year around. The big bike path connects the city center of consump-WLRQ�ZLWK�WKH�FHQWHU�RI�NQRZOHGJH�²�WKH�XQLYHUVLW\�DQG�WKH�KRVSLWDO��7KH�VLWH�LV�also close to the buss center –Vasaplan– where all the bus lines connect. This SDUW�LV�DOVR�D�JUH\�]RQH�QRZ�D�GD\��LQ�P\�RSLQLRQ��<RX�KDYH�WR�WKH�OHIW�´gVW�Sn�VWDQµ�DV�\RX�SDVW�gVWUD�.\UNRJDWDQ��DQG�MXVW�RQH�EORFN�DZD\�\RX�ZLOO�start to feel the center.

In the history of Umeå the site between the school and church has had different names and functions: church square, school park and as now ´9lQRUWVSDUNHQµ��D�SXEOLF�SDUN��,Q�WKH��·V�WKH�ROG�FLW\�SODQ�ZDV�µGHVWUR\HGµ�by the infrastructure that was built to make the city more adapted for car access. Storgatan got broader and a new bridge was build to connect both VLGHV�RI�WKH�ULYHU��,W�ZDV�SODQQHG�IRU��FDUV�XVLQJ�WKH�EULGJH�HYHU\�GD\��Today it’s about 15 000, so it is much larger then it has to be. Because of this infrastructure the north south connection in the city plan with the two great buildings, church and school, became weaker and also the connection bet-ZHHQ�WKH�SDUN�9lQRUWVSDUNHQ��WKH�.\UNSDUNHQ�DQG�'|EHOQV�3DUN��

,�EHOLHYH�WKDW�D�IRRG�PDUNHW�FDQ�EULQJ�OLIH�WR�WKLV�SDUW�DJDLQ�DQG�DOVR� FRPPHQW�RQ�WKH�ROG�QRUWK�VRXWK�D[HV�EXW�DOVR�KLJKOLJKW�WKH�PRYHPHQW�RI� people in the west-east direction.


PLAN & ELEVATIONSPLAN 1

ELEVATION SOUTH

CONCEPT COLLAGE

ELEVATION west

1:200

1:200 1:200

1.

2. 2.3. 3.4. 4.5. 5.6.

6.

7.

8.8.

8.9.

9.9.9.

10. 11.12.13.

14. 14.

15.

16.

17.

17. 17.

17. 17.

18.19.

20.

1. 19.

18.

20.17. 17.16. 9. 7.13.

21.22.

INDEX

1. MAIN ENTRANCE 2. FISH3. FRUIT4. MEAT5. DIARY��602.('��%$.(5<8. FOR RENTAL9. TEMPORAY UNITS10. ADMINISTRATION11. MAIN STORING

12. CHILDREN ROOM13. PUBLIC TOILETS14. CORRIDOR15. LOADING SPACE16. SECONDARY ENTRANCE��6($621�0$5.(718. CAFE/ RESTAURANT19. ENTRANCE TO CAFE20. OUTDOOR SEATING21. ELEVATOR22. TOILET

MAIN ENTRANCE

SECONDARY ENTRANCE

1:20 SECTION MODEL


SITe PLAN

KUNGSGATAN

STORGATAN

VÄNORTSPARKEN

DÖBELNS KYRKA

ÖSTRA KYRKOGATAN

VÄSTRA KYRKOGATAN

MIMERSSKOLAN

DÖBELNS PARK

KYRKOBRON

CULTURE HERITAGE

UNDERGROUND PATH

VASAPLAN, BUS CENTRAL

UMEÅ ÄLVEN

1:500

1:50

SMALL CHANGES1. The park and the greenery is exten-ding and connecting towards Vasaplan to make a nice walk path down to the market and the park. This can also be a great feature for the future hotel WKDW�ZLOO�PRYH�LQ�to the old school – Mimerskolan.

2. A parking lot for YLVLWRUV�WR�WKH�PDU-ket and the hotel to be. Placed near WR�WKH�gVWUD�.\UNR�gatan for easy access. No one would like to sit outdoor next to the crowded road either, therefore a perfect spot for parking and loading.

��6RPH�YHJHWD-tion is cut down to open up the park WRZDUGV�.XQJV� gatan. Today it is hard to see and appreciate the park because of bushes and trees. ��7UDIÀF�FDQ�EH�KHDY\�RQ�gVWUD�.\UNRJDWDQ�DQG�Storgatan therefore this roundabout can be hard for pede-strians to cross. To SODFH�WUDIÀF�OLJKW�KHUH�,�EHOLHYH�FDQ�make this safer for bicycles and pede-strians. A resulting effect might be that more citizens will use the parks south of Storgatan and then also expe-ULHQFLQJ�WKH�ULYHU�²�8PHn�bOY�

1. 2.

3.

4.

4. 4.

4.

perspeCtive

View #1

View #2

View #3

1.

3.

2.

BUS STOPBUS STOP


SECTIONS

ELEVATIONSELEVATION EAST1:200

ELEVATION NORTH1:200

Short Section1:200

Long Section1:200

MATERIAL

Abstract SECTION

NORTH/ SCHOOL

West/ city EAST/ DWELLING

SOUTH/ Church

PROJECT


FLOOR PLANs

Floor Plan 21:200

Floor Plan 31:200

23.

INDEX

23. GREEN ROOF24. DOUBLE HEIGHT25. BALCONY26. PORTAL

SECONDARY ENTRANCE

23.

24.

25.

26.

23.


TEMPORARY STALL

1:20

MATERIAL

Desired functions and properties is a light material in some parts but also solid and strong in other parts of the construction. For example the core has to be able to stand straight when the HQWLUH�URRI�LV�XQIROGHG��7KH�ERWWRP�SDUW�KDV�WR�EH�À[HG�WR�WKH�JURXQG�RU�KDYH�D�ZHLJKW�SUHYHQWLQJ�WLOWLQJ��7KH�H[WUDFWHG�URRI�KDV�WR�EH�RI�D�OLJKW�PDWHULDO�DQG�DOVR�EHLQJ�DEOH�WR�EH�IROGHG�DQG�XQIROGHG�DQG�KDYLQJ�VRPH�VWLIIQHVV�LQ�RQ�GLUHFWLRQ�

Since the market is based on natural materials such as wood, glass, metal and concrete it would be nice if the stalls would keep up the same theme.

7KH�GUDZLQJ�LV�VKRZLQJ�D�FRQÀJXUDWLRQ�RI��XQLWV��WKH�PLQLPXP�DVNHG�IRU�LQ�WKH�SURJUDP��7KH�KDOO�FDQ�HDVLO\�ÀW�PRUH�XQLWV��7KH�VWDOOV�PD[LPXP�VL]H�LV��VTXDUH�PHWHUV��[�P��EXW�VLQFH�WKH�URRI�LV�ÁH[LEOH�\RX�FDQ�WDNH�OHVV�VSDFH�LI�ZDQWHG�DQG�WKHQ�SODFH�WKHP�FORVHU�WRJHWKHU�DQG�LQ�RWKHU�FRQÀJXUDWLRQV��IRU�LQVWDQFH�LQ�WKH�SHULSKHU\��:K\�QRW�PL[�WKHP�ZLWK�ORUULHV�DQG�WDEOHV":KHQ�DQRWKHU�HYHQW�LV�VFKHGXOHG�LQ�WKH�KDOO�\RX�FDQ�IROG�WKH�VWDOOV�WRJHWKHU�DQG�WKH\�EHFRPH�pillars, and you can pack them in the storing room if wanted.

3000

600

3000

Hall for temporary DFWLYLWLHV

Main storing area


Structure

An internal drainage will be installed for rainwater and also for the melting snow. A slight angel on the roofs towards the drainage will make the water ÁRZ�LQ�ULJKW�GLUHFWLRQ��

water and snowThe building will regulate some of the heating by using the shading system and also by opening all or some of the doors that exists around the building. 7KHUH�ZLOO�DOVR�EH�YHQWLODWLRQ�RSHQLQJV�near the roof in the façade for natural YHQWLODWLRQ��,Q�WKH�PRUH�VROLG�SDUW�WKHUH�ZLOO�EH�D�IDQ�V\VWHP�SURYLGLQJ�IUHVK�DLU�

Heating and ventilationThe materials in the market is pretty hard besides the wood in the panels, WKHUHIRUH�,�EHOLHYH�LW�ZRXOG�EH�JRRG�WR�put in some acoustic material in the in-ner roof especially in the double height space. If more is needed it is always possible to add it near the roof. When crowed the people will also absorb noise but of course also bring sound.

Acoustics

ROOM FOR ACTIVITIES

1:500

,�VHH�WKLV�PDUNHW�DV�D�IUDPHZRUN�IRU�DFWLYLWLHV�WR�WDNH�SODFH�LQ��)LOO�LW�ZLWK�FRORUIXO�IRRG��VSLFHV��PHDW��ÀVK��FKHHVH��FUDIWV��VHFRQG�KDQG�RU�HYHQ�SXW�D�FRQFHUW�LQVLGH�WKH�ELJ�KDOO�RU�DQRWKHU�HYHQW�E\�WKH�PDUNHW��WKH�FLW\��WKH�KRWHO��D�FRPSDQ\�RU�D�SULYDWH�HYHQW�

ConnectionPlaced in the north-south axe of the old city plan: school, park and church –commenting, JDLQLQJ�DQG�HQKDQFLQJ�LW��7KLV�JDOOHU\�ZLOO�DOVR�EH�D�SDVVDJH�IRU�WKH�IXWXUH�KRWHO�JXHVWV�WR�PRYH�WRZDUGV�WKH�SDUN�DQG�WKH�ULYHU��7KH\�ZLOO�KDYH�WKH�SRVVLELOLW\�WR�VHH�WKH�PDUNHW�ZDNH�XS�ZKHQ�passing through in early time of the day.

Democracy$OO�WKH�SHUPDQHQW�YHQGRUV�KDYH�WKH�VDPH�RXWZDUG�GLVSOD\�SRVVLELOLWLHV�H[FHSW�WKH�RQHV�RQ�WKH�FRUQHUV��7KH\�KDYH�WKH�VDPH�DPRXQW�RI�VTXDUH�PHWHUV�LQ�WKH�XQLW�DQG�DUH�IUHH�WR�ÀOO�LW�DQG� IXUQLVK�LW�KRZ�WKH\�ZDQW��(YHU\RQH�DOVR�KDV�WKH�SRVVLELOLW\�WR�SXW�VRPH�JRRGV�RXWVLGH�RI�WKHLU�store in the corridor.

Public spaceSince sellers can close their store during closed hours the hall can be partly opened for public use during the whole day. For example the public toilettes can be accessible 24 hours. It’s placed on the west side towards the city center and Vasaplan where all the busses connect.

big hall7KLV�GRXEOH�KHLJKW�KDOO�LV�IRU�WHPSRUDU\�HYHQWV��LW�FRXOG�EH�IRRG�PDUNHW��VHFRQG�KDQG��ÁHD� PDUNHW��FRQFHUW��VSRUW�HYHQWV�DQG�VR�RQH��7KH�XVH�LV�ÁH[LEOH�DQG�VKRXOG�EH��7KH�ZDOOV�FDQ�RSHQ�XS�GXULQJ�WKH�ZDUP�VHDVRQ�DQG�WKH�DFWLYLW\�FDQ�PRYH�RXWVLGH�DV�ZHOO�

THE GRIDThe market structure is based on a grid –VHH�GUDZLQJ²�ERWK�LQ�SODQ�DQG�HOHYDWLRQ��it is noticed in the glass facades.

STRUCTUREThe framework is based on a 200x50 mm pillars that is used throughout the building. The in between space in the IDFDGHV�LV�JODVV��WKDW�JLYHV�WKLV�ELJ� building light and transparent look.To stabilizing the framework both in HOHYDWLRQ�DQG�SODQ�ZLUHV�DUH�SODFHG� GLDJRQDOO\�WR�À[�WKH�VWUXFWXUH�

LARGE SPAN STRUCTURETo make the passage between the school DQG�.XQJVJDWDQ��9lQRUWVSDUNHQ�WR�feel like a high gallery without any pil-lars that interfere with the space a large span structure is placed to hold up the roof.

Building structure 1:50

1:2001:100

1:100

6LQFH�WKH�EXLOGLQJ�LV�FRYHUHG�ZLWK�JODVV�facades and will be exposed for sun light during the whole day it will need some sort of shading. The shading sys-tem will be wooden panels within each framework in the facades. The panels DUH�PDGH�ÁH[LEOH�DQG�FDQ�EH�FRQWUROOHG�depending of whether conditions. It can be set in to different angels and distance – see drawing. The appearance when unused will be as in the photo collage.

sun shading

1:10

The buffer zone in this building is the glass corridor, which runs around the entire building except the north facade. 'XULQJ�VXPPHU�LW�FDQ�EH�RSHQHG�LQ�HYHU\�RWKHU�IUDPHZRUN�RQ�WKH�ÀUVW�SODQ��'XULQJ�winter the sun will heat this space up and it will create a pleasant in-door climate.

Buffer zone

IN SEMI OUT


Early THOUGHTS

PROCESS SKETCHES

EARLY PROCESS

Temporary structure We developed this structure to fit as a temporary onefor a food market. The structure should create a spaceunderneath it where the market can take place and it should also work like a bridge. When folded it takes very little space and when unfolding it you can choose different figurations. Since itbridges over an already existing path we wanted it to be able see and walk through so it wouldn’t stop for the movement, just slowing it down giving attention to the the market stands so the market get its audience.

Group work with Emma Sandvik, Andreas Jonsson and Christina Lövald Hellberg.

B

SITUATION & Function

Stretch out over a movement that exists and create a new crossing It on a higher level.

SITUATION & FUNCTION

Inner Roof Process

#1 #2 #3 #4

FINAL

Process

#1 #2 #3 #4

Process

Inner Roof

ProcessProcess

Process

Space Sketch model

Final sketch model Final sketch model

Sketch model

Space

Forces

Partly unfolded

Completely unfolded

Support Rod Rods are connected between the ground supporting elements in the structure. The wheel based structure folds and unfolds by external forces. This method allows for the structure to transform its shape.

Wire Wires are attached to the sides of the structure where the roof and the ground supporting structures meet and to the bottom of the ground supporting structures. The electric driven wires are also used to fold and unfold the structure. This method allows for the structure to transform its shape.

Rail Ground supporting elements are attached to a rail and can be locked in the rail at certain points. The electric rail is also the force unfolding and folding the structure. This method only allows the structure to fold out straight or bended according to the rail.

Detail, Hinge

Formations Formations

Forces DETAIL, HINGE

Support

Final model 1:20 FINAL MODEL 1:20

Detail, 4 way Hinge 1:2 DETAIL, 4 WAY HINGE 1:2

Unlock Locking

After doing some research on Locking and its history Ifound how the shape of the performing of the dance had changed since the 70’s. I also noticed that it used to be outdoors on the streets, it still is sometimes. I decided to “Unlock Locking” back to it’s original shape and origi-nal place – outdoor. The space would not be only for dancers, if it should I believe that the real street dancers would not go there. The space need to be a place where citizens could stop and be curious and to be surprised. The dance is about locking in positions and a lot of turning. I used that for my “furniture” in the square. Every light piece has a locked point it can be rotated around and you as a visitor can create different spacesby reordering the walls. Two walls are fixed and innon-transparent material and works as a coulisse for the dancers so nothing would distract the attention from them. Used if wanted. The light walls has different heights some works as walls other more for dividing areas and others are low enough so you as audience can sit on them.

Johanna Nordin UMA1 29 may 2012

C

Johanna Nordin UMA1 March 2012

AUDIENCES LOCKER

TOO CLOSE

NEAR

NICE

TOO FAR

Johanna Nordin UMA1 2012Mapping Locking


1:100SKETCHMODEL

sketchmodel

1:100

OPEN

CLOSED


OPEN

OPEN

CLOSE

CLOSE

SITE PLAN

Performance

Competition

Fixed wall[8m high]

Fixed wall[7m high]

Spontaneous dance areaor space for standing crowd

Fixed wall[3m high]

Traning

Passage

Lower rotatable walls[Benches]

Future City Project, Standard What would the world look like if we changed the standards? How we live and move ourselves etc. How would that effect the movement within the city and the placement of functions? What is a good standard? A standard has a kind of power, why don’t do it more fun?

The input to the project started with me questioning how we move today in our cities. On the street level we have cars and underground the metro. The car represent an individual movement while the metro a collective way of moving. How would the organsation of movements and functions be affected if everyone could move indepen-dently in the air? I tried that idea by giving everyone in my city the possibility to move on a pink hovering big balloon.

The next question became, how will this new way of moving effect the rhythm and spaces in the city? Will new types of spaces be developed? All the old com-munication areas is now replaced by free movement in the air, what happens with the old ones on the ground and will there be any need to be underground? Shops and other social functions and activities don’t need to be on the street level any more to be accessible. What role will the roof tops play in a city like that?

Since I have the freedom in this experiment to decide the standards I wanted to create bigger spaces then needed for survival. I also wanted to leave some free-dom for the ones living in the city to create a home for themselves. The module became 5x5x5 and all dwelling units consist by 3 modules. All dwellings should also have contact with the façade in 2 directions. Since the module is 5m high you can have two floors if you want to but also divide it into a duplex for sleeping on the upper half for example.

C

#apanfattas Apberget var en trappa och en scen med talarstol.

http://apanfattas.se

Initiativ på grund av att Umeå inför kulturhuvudstadsår-et väljer att riva stadens demokratiska plats Apberget. Apberget var en viktig plats för umeåborna. En plats att samlas i stadens centrum. Ibland för att ta en rullpizza i solen ibland i manifestation och fackeltåg mot rasism.

Ihop med 3 klasskamrater började vi rörelsen #apan-fattas. Vi letar nu efter Apan och försöker få Umeå kommun att förstå vilken viktig del de har tagit ifrån Umeås stad.

Vi letar varje dag vid lunch efter Apan genom att sitta där och äta lunch eller ta en kaffe i hopp om att de en dag återvänt till sin ursprungliga plats.

Under manifestationen innan jul mot rasism byggde vi också upp en temporär talarstol där den tidigare hade stått. 2000 umeåbor samlades efter fackeltåget vid talarstolen som stod på ett par lastpallar där tal mot rasism hölls.

Jag har formgivit hemsidan där vi lagt upp texter som beskriver vårt letande och där bilder från vårt insta-gramflöde #apanfattas finns och bilder innan och efter rivningen.

Vi har fått glada tillrop av andra som också önskar apans återkomst bla på Allt åt Alla. Länk till artikel:http://alltatalla.com/umea/att-gemensamt-bygga-ett-apberg-i-staden

2013- pågående

Vi är jag, Maja Hallen, Julia Samberg och Felicia Reppen.

D

Johanna Nordin1991-04-15

Adress 1: Häradshövdingegatan 2, 903 31 UMEÅAdress 2: Nockebyvägen 86, 167 75 BROMMA

Email: [email protected]: 073-998 66 44

Abstract model of slum-street

Heavy Painting

Dwelling model

Flexible furniture, The cube

Climate responsive design model

Graphic print

Field notes Dharavi

Model of structure inspired of a book

Abstract model Dance space

Abstract model Dance space

Lamp ”Horn”

”Dagens skulptur”Body device

Material test

Birch

EUppsala KVV CLIENTVattenfall ABADDRESSUppsala, SwedenSIZE8000 m²YEAR2014, competition

Berg C.F. Møller:Fredrik Cavallin, Petter Eklund, Joel Sjögren, Johanna Nordin & Rutger Sjögrim. Design board with: Julian Weyer & Lasse Vilstrup Palm

EHagnässkolan (Remodeling and extension)

CLIENTUpplands-Bro kommunADDRESSUpplands-Bro, SwedenSIZE6000 m²YEAR2014-

Berg C.F. Møller:Linda G. Lutener, Åsa Esseen Wiking, Johanna Nordin & present also Anna Szkurlat & Fredrika Lönnaeus

2014-09-02

SA 04

HAGNÄSSKOLAN

Ny Flexhall

Bef. Hemkunskap

Bef. InnergårdFör utomhuspedagogik ,läsning och reflektion.

Bef. träslöjd

Bef. textilslöjd

Bef. Fläktrum

Bef.klassrum

Ny matsalca.210m2

Nytt kökca.150m2

Bef.elcentral

Bef.fläktrum

Huvudentré

Bef.klassrum

Bef.klassrum

Bef.klassrum

Bef.klassrum

Bef.klassrum

Bef. Kapprum

Bef. Kapprum

Bef. Kapprum

Nytt Grupprum

Nytt klassrum

Nytt Bibliotekmed integrerad studieyta

123m2

Nyaomklädningsrum

Ny uppehållsyta/lobby

Bef.fläktrum

Nytt NO klassrum

Bef. NO klassrum

Nytt NO klassrum

Bef. NO klassrum

Nytt NO klassrum

Ny Kurator

Prep. rum NO

Ny Specialpedagogåk. 4-6

Bef.kapprum

Nytt klassrum Nytt klassrum

Bef. HWCBef. HWC

Nya WCNya WC

Bef. rektor Bef. bitrrektor

Bef. exp

Ny HWC

Ny WC

Bef.HWC

Bef. personalrumBef.pentry

Bef. kapprum

Bef. SPR Klassrum

Bef. SPR klassrum

Nytt Grupprum

SO/SPR klassrum

SO/SPR klassrum

SO/SPR klassrum

Bef. SO klassrum

Bef. Bild

Bef. klassrum

NyttArkiv

NyttKopierings-rum

Bef.Städ

Bef.Café

Bef. HobbyBef. HobbyBef. kökBef. HobbyBef. Hobby

Entré lobby

Nytt arbetsrumför samtliga arbetslag

36 st. individuella kontorsplatser

Bef. WC

Bef. Frd

Bef. HWC

Bef.förråd

Bef.Kappr.

NyWC

NyttFörråd

NyttKapprum

Bef.Ute-förråd

Bef.WC

Nya WC Nya WC

Bef. Grupprum

Ny Musik

NyttFörråd/städ/tvättNytt konferansrum/

samtalsrum

NyVaktmästare

Nytt Grupprum

Special-pedagogrum

Ny HWC

Ny WC

Bef.WCBef. Musikförråd

Bef. Keramik

Nytt Förråd

Nytt vilorumför personal

Nyttmötesrum/samtalsrum

Ny SYONy WC

Ny WC

Ny WC

Ny HWC

Ny SkolsysterNyttelev-vilorum

Nyttväntrum

Bef.kapprum

Studieytamed data

Nyttförråd

Ny WC

Ny WC

Nyttförråd

Ny WC

Ny WC

Nyttförråd

Ny WC

Ny WC

Bef.Förråd

Bef. Förråd

Bef. Förråd

Bef. Förråd

Ny uppehålls- och aktivitetsyta

Landskapet artikulerar huvudentrén

NyttArbetsrum,personali Hagan

NyWC

Bef. Förråd

UppehållsytaBef.WC

Bef.WC

Nynisch

Nynisch

Nynisch

Nynisch

In- och utgång

Hemklassrum för åk. 5-6

Klassrum för åk. 7-9

Administrativa rum

Kreativa klassrum

Gemensamma ytor

Toaletter

Grupprum, Kapprum, Korridor

Förråd

Teknikrum

Befintliga takfönster

Möblering

Befintliga skåp och fast installation

Nya väggar

Uppehållsyta

Bef.låsbarabrevfack

Bef. Bildförråd

Bef.förråd

12000 1716117000

Prep. rum NO Nynisch

Stu

dieb

åsS

tudi

ebås

Stu

dieb

åsS

tudi

ebås

Bok

skåp

Bok

skåp

Platsbyggd sitthörna

Studieytamed data

Nya elevskåp

Nya elevskåp

Mjuka sittmöbler

Nytt Grupprum

Bef. Grupprum

Bef. Grupprum

Bef.WC

NyWC

Bef.WC

Bef.WC

Bef. elcentral

Temporärt grupprummusik

Grupprum musik

Grupprum musik

Nya takfönster

Bef.

elev

skåp

Bef.

elev

skåp

Nya

elev

skåp

Nya

elev

skåp

Bef. väntrum

Bok

skåp

SKALA 1:400 (A3)

HAGNÄSSKOLANPerspektivbilder

2014-12-09

SA 13

Korridor åk.4-6. intill bibliotek

Högstadie, uppehållsrum

HAGNÄSSKOLANPerspektivbilder

2014-12-09

SA 13

Korridor åk.4-6. intill bibliotek

Högstadie, uppehållsrum

EKnivsta Styr- & Upphandlingsdokument för förskolor (Policy & Procurement document for nursery schools)

CLIENTKnivsta KommunADDRESSKnivtsa, SwedenYEAR2014

Berg C.F. Møller:Linda G. Lutener, Johanna Nordin & from RAU Ante Runnquist

Project included workshops with municipality and preschool teachers, sum up info and formulate ”rules” for new nursery schools.

I SAMARBETE MED

Datum: 2015-01-21

Sid. 1

Framtidens pedagogiska lärmiljöer förFörskolan i Knivsta kommun -

Där framtiden bor

2015-01-21

Ett Styr- & Upphandlingsdokumentför Förskolor i Knivsta Kommun

EHSB andas Bolidentriangeln CLIENTHSBADDRESSStockholm, SwedenSIZE13.000 m²YEAR2014

Berg C.F. Møller:Ola Jonsson, César Patín Lapausa & Johanna Nordin.Dinell Johansson:Morten Johansson, Rosa Hereu & Johan Zetterholm.

DINELLJOHANSSON & BERG / C.F. MÖLLER FÖR HSB BOLIDENTRIANGELN STOCKHOLM2014-09-05 9

”CHARKUTERIFABRIKEN” = HSB-HUB

KVARTERSTORG

PRIVAT BOSTADSGÅRD

LOKALER I BV

MARKBOSTÄDER I BV

GARAGEINFART

KVARTERSSTRÅK - OFFENTLIGTVÄXTHUS

HSB-PORT

FÖRSKOLA GÅRD

FÖRSKOLA I BV

HSB-CYKELPOOL

GÅRDSPLAN - OFFENTLIG

ANGÖRINGSSLINGA

GÅNGTUNNEL ALT. LÄGE

- café / deli- föreningslokal / festvåning- tvättstuga- gästlägenhet

- offentlig mötesplats längs bolidenvägen

Alt. 1

Alt. 2

7

8

9

6

5

4

3

1

2

CHARKUTERIFABRIKEN BEHÅLLS

YTSAMMANSTÄLLNING

1. 454 m2 2 vån 2. 1160 m2 4 vån 16 lgh3. 3520 m2 6 vån 40 lgh4. 1150 m2 4 vån 16 lgh5. 3200 m2 8 vån 30 lgh6. 1440 m2 3 vån 14 lgh7. 1720 m2 4 vån 24 lgh8. 2400 m2 6 vån 24 lgh9. 1520 m2 4 vån 16 lgh

BTA ljus = 16 560 m2

LÄGENHETER = min. 180st

IV

IV

II

VI

IV

VIIIIII

VI

IV

SITUATIONSPLANSKALA A3 1:1000


TARMRENSERIET BEHÅLLSBEF. BYGGNADER BEHÅLLS ALLA BYGGNADER RIVS

ALT. EXPLOATERING


Alt. 1

Alt. 2

FUNKTIONERSITUATIONSPLAN; SKALA A3 1:1000

SOCIALA YTOR OCH MÖTESPLATSER

BEVARA BEFINTLIG BEBYGGELSE

MASSIV TRÄSTOMME

SOPSUG BERGVÄRME

HÅLLBARHETSDIAGRAM

IV

II

VI

IV

VIIIIII

VI

IV

PRIVATA TAKTERASSER

SOCIAL MÖTEPLATS

HSB HUB

IV


BERG|CFMØLLER & DINELLJOHANSSON FÖR HSB STOCKHOLM 2014-06-25 HSBÅRSTA

EC.F. Møller Pinterest Initiator to create two Pinterest accounts for C.F. Møller. One for the employees to pin their inspiration and one for C.F. Møller to show their work.

Made a guide for the two accounts together with:Marie-Louise E. Albertsen & Diana Sørensen.Julian Weyer

C.F. MØLLER KONTON

C.F. Møller Architects

A Inspo

C.F. Møller kontonC.F. Møller har två konton på Pinterest . Ett används som en publik företagsprofil, den andra är en profil som ska användas av CF Møller anställda för att samla och dela inspiration.

Presentation av C.F. MøllerDetta konto är som ett showroom för C.F. MØLLERs olika projekt.Potentiellt ett sätt för nyfikna männsiskor världen över att hitta våra projekt och sprida dom. Detta kan i sin tur ge trafik till vår hemsida och fler kommer i kontakt med oss och våra projekt.

Inspiration för medarbetarna på C.F. MøllerDetta konto är till för alla oss som jobbar på C.F. MØLLER. En plats att samla referensbilder på, inspirationsbilder eller dela en rolig bild på. Det här kontot kommer inte vara synligt kopplat till C.F. MØLLER och därför fritt att lägga upp de bilder man vill och skapa nya Boards.

Kom ihåg att även funktionen ”hemliga board” kan användas. Denna funktion gör att du kan skapa obegränsat antal gömda anslagstavlor. Kan vara bra om man samlar till ett specifikt projekt t.ex.

VAD ÄR PINTEREST?

Pinterest är ett visuellt media och det snabbast växande i USA. Pinterest beskrivs bäst som en digital anslagstavla, även kallad ”board”. Här kan du spara saker som du hittat på webben som du tycker är intressanta eller vackra. Du kan också följa andra pinnare och ta del av deras anslagstavlor.

Användare/Pinnare delar och kommenterar det som den hittat. Med hjälp av de bilder man väljer att dela skapar man sig en identitet via sina anslagstavlor med ens olika intressen.

Träffa andra pinnareAnvändare kan välja att följa andra med samma eller andra intressen. Du kan följa en person eller en specifik anslagstavla. Du kan enkelt möta pinnare världen över så som i Indien, Vietnam och Kanada tack vare att ni har samma intressen och smak.

Pinna och RepinnaDu kan både pinna och repinna foton. När du pinnar sparar du något du hittat på webben. Hittar du något som du vill spara på Pinterest repinnar du bilden på någon av dina anslagstavlor. Att repinna är alltså att spara något du sett på Pinterest antingen genom ditt flöde eller att du sökt på något specifikt.

Vad använder du Pinterest till?För att hitta inspiration och inspirera andra. T.ex: Jag jobbar på en barnbok, och jag vill göra lite research runt om i världen. Jag vill också dela med mig av mitt arbete så det blir mer synligt. Pinterest är som ett visuellt Google kombinerat med social media, eftersom du via de du följer får tips. Pinterest är också en utmärkt plats för trendspaning. Genom att följa andra på pinterest och se vilka bilder som repinnas frekvent kan

man få en känsla för vad som är på uppgång. Men kom ihåg upphovsrättUpphovsrättslagen är tydlig: ”Det är inte tillåtet att använda bilder som du inte äger upphovsrätten till - om inte upphovsrättsinnehavaren ger dig tillåtelse.” Innehavaren upphovsrätt har ensamrätt att styra arbetet.

Genom att publicera dina bilder på Pinterest ger du Pinterest omfattande tillstånd att använda bilderna ”you hereby grant to Cold Brew Labs a worldwide, irrevocable, perpetual, non-exclusive, transferable, royalty-free license, with the right to sublicense, to use, copy, adapt, modify, distribute, license, sell, transfer, publicly display, publicly perform, transmit, stream, broadcast, access, view, and otherwise exploit such Member Content only on, through or by means of the Site, Application or Services”

FBachelor Project For me the slum was a big network with different nodes. In between these nodes where communities built up on identity like; religion, profession, origin or a combination. Within the communities different unwritten procedures exist and each community has it’s own way of living and dealing with different difficulties. For me as a woman coming from west it was surprisingly few women at the bigger streets moving around, seemed like only men where at the bigger public spaces. After talking to a few I learned that women stays in their community, taking care of kids, cooking and guarding the community and some worked from home doing papadam for example (a thin bread).

I found this interesting that the entire slum worked because of networks and with constant movement but that it were some that never moved more then a radius of a 5 minutes walk. As a result of these small circles that these women lives in they never come in contact with some functions of the society and misses some important information.

Based on this I want to reach out to women, and not only those who’s circles is in contact with the built project.Therefore I not only want to do a project with a location,I want to create my own network working from thebuilt project and reach out to the women living in othercommunities further away.

An issue that needs to be addressed in the slum is how malnourished a lot of young children are. This can be improved only by providing information. The issue is not an issue because of lack of money it because of lack of knowledge. Therefore the project will be learning women about nutrition and food by cooking together. The built project will be a kitchen and a community space. And then the networked based strategy will be an extension from that building.

Johanna Nordin

1:400

The oasisThis site would be interesting to use as a home station. The existing function is a government owned barn where they occasionally give out food. That means that inhabitants already pay attention to this site and are used to it being temporary events. The two functions with free food and health information/education would benefit from each other. Spaces needed are for the mobile clinic when not used, a small reception, small storage and a space for meetings and information about health issues.

Amount of people here would be more controlled since the space isn’t as flexible. 1-30 people at one time.

1:200

Johanna Nordin

Sites for temporary visits of a mobile clinic

Area needed

Network of nodes and home station

The mobile devicebus/trailer6-12 sqmRoom for medical examinations

The mobile clinic will have a network of nodes from where it will do its practice. These sites should be within a context of dwelling to easy connect and reach out to women and children. These nodes would be visit regularly and the topic of the mobile surgery can change during time but always be able to help with some easier health issues.

A ”home station” would be good too. A place from where the round starts, a small health center, a small reception and storage.

”Lobby” area, meeting area, area for smaller examinations

Area for workshops, seminairs and discussions

Status: In the beginning of project [march 2015]

Nodes

Home station

F

Status: In the beginning of project [march 2015]Sketch model 1:100 Home station

CVReferences Berg C.F. Møller• Mårten [email protected]: +46 (0)7 0563 7519

• Ola [email protected]: +46 (0)7 6168 8708

References Umeå School of Architecture• Allan [email protected]: +4522573372

Nyckelviksskolan• Anders [email protected]

Johanna Nordin1991.04.15Sweden

Mail:[email protected]

Telefon+4673-998 66 44

Adress:Nockebyvägen 8616775 Bromma, Sweden

Website:http://cargocollective.com/johannanordin

Contact

2011-2014 & 2015Umeå School of ArchitectureBachelor, 3 year

2010-2011Nyckelviksskolan, Färg, Form & HantverkPreparation year in art and craft

2007-2010Thorildsplans GymnasiumTechnology, Industialdesign

Education

2014-2015Berg C.F. Møller1 year internship

2012-KAJAKAJA (graphic posters)Co owner and Illustator

2012-2014BARKK ArkitekterInternship, shorter periods

2012-Freelance as Graphic DesignerWebsites, posters, logotypes etc.

Experience

PORTFOLIOJohanna Nordin

March 2015

portfolio 2015 johanna nordin

Documents