portfolio 2007

R H Y T H M , F LO WF o r m C o m p o s i t i o n

Project I Mark RoddyFall05 ADE120

Asymmetrical balance and rhythm inform black square

patterns. The composition—a line colliding at its tangent

with a radius—becomes synergistic and magnifying

the frequency. Chaotic elements progressively

gravitate together with escalating momentum

and proximity creating a synergistic trajectory.

Project I Mark RoddyFall05 ADE120

Asymmetrical balance and rhythm inform black square

patterns. The composition—a line colliding at its tangent

with a radius—becomes synergistic and magnifying

the frequency. Chaotic elements progressively

gravitate together with escalating momentum

and proximity creating a synergistic trajectory.

Placed in nature atop a butte overlooking vast valleys and

approached by a steep foot path, when the destination is

achieved and pinnacle is reached, one is facing eastward. At

sunrise a burst of orange light pierces through the horizontal

slit at the far end of the form, compelling humanity to move toward the light. One moves down a long corridor toward

the light, ducking slightly to move past an overhang, and

then receives the full display of vibrant colors from the

mature sunrise. After admiring this scene, one can exit in an

exploratory attitude and finding intimate reflecting spaces.

Passively protected from the elements, one is able to reflect

on the journey and the jewel earned at its culmination.2

Volume and space is created by manipulating a three

dimensional square, employing the constraint of twelve

sides and simultaneously considering form and composition

By treating the black square composition as a layout and applying

three dimensional forms, a place with identity is created.1

Placed in nature atop a butte overlooking vast valleys and

approached by a steep foot path, when the destination is

achieved and pinnacle is reached, one is facing eastward. At

sunrise a burst of orange light pierces through the horizontal

slit at the far end of the form, compelling humanity to move toward the light. One moves down a long corridor toward

the light, ducking slightly to move past an overhang, and

then receives the full display of vibrant colors from the

mature sunrise. After admiring this scene, one can exit in an

exploratory attitude and finding intimate reflecting spaces.

Passively protected from the elements, one is able to reflect

on the journey and the jewel earned at its culmination.2

Volume and space is created by manipulating a three

dimensional square, employing the constraint of twelve

sides and simultaneously considering form and composition

By treating the black square composition as a layout and applying

three dimensional forms, a place with identity is created.1

V I E W I N G E X P E R I E N C E SS p a c e a n d e x p e r i a n c e

Project II Mark RoddyADE120

By analyzing the negative, inverse spatial char-acteristics1 of the cube in the previous proj-

ect, a geometric mimic, an environmentally complementary and inhabitable form is created.

As one walks along a foot path in the woods and

approaches a clearing, one sees an object foreign to

the surrounding natural environment yet intriguing,

igniting curiosity. Continuing toward the formation

on the path, one discovers a small flight of stairs

leading to a platform convenient for rest and enjoy

the sound of trickling water, and a vista overlooking

a striking mountain lake. After relaxing, curiosity is

sparked by a narrow opening. Carefully evading a

small pool of water to the left, suddenly the view

is opened to a panorama of the majestic mountain

peaks. Here one can rest and admire the scene in a

cove with seating. After the natural beauty is admired

one can reclaim the pursuit of a continued journey.2

Project II Mark RoddyADE120

By analyzing the negative, inverse spatial char-acteristics1 of the cube in the previous proj-

ect, a geometric mimic, an environmentally complementary and inhabitable form is created.

As one walks along a foot path in the woods and

approaches a clearing, one sees an object foreign to

the surrounding natural environment yet intriguing,

igniting curiosity. Continuing toward the formation

on the path, one discovers a small flight of stairs

leading to a platform convenient for rest and enjoy

the sound of trickling water, and a vista overlooking

a striking mountain lake. After relaxing, curiosity is

sparked by a narrow opening. Carefully evading a

small pool of water to the left, suddenly the view

is opened to a panorama of the majestic mountain

peaks. Here one can rest and admire the scene in a

cove with seating. After the natural beauty is admired

one can reclaim the pursuit of a continued journey.2

To move toward an independent design: a compelling local

space was selected. Spatial characteristics, lighting conditions1, movement of people through the space2 over

time, and material3 were all analyzed and .incorporated.

Charcoal 22x30

To move toward an independent design: a compelling local

space was selected. Spatial characteristics, lighting conditions1, movement of people through the space2 over

time, and material3 were all analyzed and .incorporated.

Charcoal 22x30

Y O G A I N T H E T R E E SP l a c e , H a r m o n y , M a t e r i a l , S p a c e , E x p e r i e n c e

Project III Mark RoddyADE120

Yoga is inherently characterized by the solitude

associated with it. When this meditative practice

is performed in a site with a contrasting dynamic, a

frenzied university campus core, separation and iso-

lation, must be created. This is accomplished by us-

ing a canopy of trees to distinguish this from its inverse.

Balance is portrayed by a circular platform; this reflects the yoga

principles of wholeness: mental, physical, spiritual and emotional. The

center of the space is occupied by a tree, exemplifying the focus on na-

ture and is cyclical patterns. A wood deck and surrounding poles mimic the

forest environment. As the patrons move deeper and deeper into meditation,

chaos can be transcended moving into the tranquility of the canopy of the trees.

Project III Mark RoddyADE120

Yoga is inherently characterized by the solitude

associated with it. When this meditative practice

is performed in a site with a contrasting dynamic, a

frenzied university campus core, separation and iso-

lation, must be created. This is accomplished by us-

ing a canopy of trees to distinguish this from its inverse.

Balance is portrayed by a circular platform; this reflects the yoga

principles of wholeness: mental, physical, spiritual and emotional. The

center of the space is occupied by a tree, exemplifying the focus on na-

ture and is cyclical patterns. A wood deck and surrounding poles mimic the

forest environment. As the patrons move deeper and deeper into meditation,

chaos can be transcended moving into the tranquility of the canopy of the trees.

Originating with a simple two dimensional design; this

screen has no inherent scale which it is assigned there-

fore it can be universally applied. This grants flex-

ibility of purpose and functionality. Used repeti-

tively in succession, it might be used as a wall

or trellis from which vibrant flora may grow,

or it may be stretched to take on the form

of a steel structural facade to be ap-

plied to a large building. Both shadow

and modeling material usage were

explored as part of this study.

Originating with a simple two dimensional design; this

screen has no inherent scale which it is assigned there-

fore it can be universally applied. This grants flex-

ibility of purpose and functionality. Used repeti-

tively in succession, it might be used as a wall

or trellis from which vibrant flora may grow,

or it may be stretched to take on the form

of a steel structural facade to be ap-

plied to a large building. Both shadow

and modeling material usage were

explored as part of this study.

R I V E R O F C O L L A B O R AT I O NR e a d i n g a n d r e s p o n d i n g t o c o n t e x t

Project I & II Aaron HerringFall 06 ALA221

Beginning with simple shapes and progressing to a complex design

involving multiple components, materials and themes, the Core

to Hayden corridor becomes an inviting space for campus confi-

dants. Even before the concept was attached to a physical loca-tion,1 the composition had been the recipient of much inspiration.

Basic two-dimensional elements were used to portray an

ideology—a trajectory. Some of the initial inspiration included

the use of a golden mean based grid, and the understanding

of balance and spatial relationships with certain fundamental

guidelines dictating composition. The exploration matured

from an aimless wander through spaces, to a pointed study of

guided motion through converging contrasting elements.2

With the addition of a physical location, flow of traffic and

use of space became important parameters to consider.3 3

Project I & II Aaron HerringFall 06 ALA221

Beginning with simple shapes and progressing to a complex design

involving multiple components, materials and themes, the Core

to Hayden corridor becomes an inviting space for campus confi-

dants. Even before the concept was attached to a physical loca-tion,1 the composition had been the recipient of much inspiration.

Basic two-dimensional elements were used to portray an

ideology—a trajectory. Some of the initial inspiration included

the use of a golden mean based grid, and the understanding

of balance and spatial relationships with certain fundamental

guidelines dictating composition. The exploration matured

from an aimless wander through spaces, to a pointed study of

guided motion through converging contrasting elements.2

With the addition of a physical location, flow of traffic and

use of space became important parameters to consider.3 3

s i t e

s p e a k s ,

inspires, and leads

to an intuitive destination

with inherent characteristics.

With this destination in mind, it was

imperative to marry it to the fundamental idea

of guided motion through contrasting elements. The

added element of vegetation was strategically important

for strengthening the desired personality and adding new

dimension of the conceptualized Core to Hayden Corridor.

s i t e

s p e a k s ,

inspires, and leads

to an intuitive destination

with inherent characteristics.

With this destination in mind, it was

imperative to marry it to the fundamental idea

of guided motion through contrasting elements. The

added element of vegetation was strategically important

for strengthening the desired personality and adding new

dimension of the conceptualized Core to Hayden Corridor.

A K I N E S T H E T I C A C Q U I S I T I O N O F I N F O R M AT I O N P l a c e a n d P e r c e p t i o n

Project III Aaron HerringALA221

The transformation from a flowing river of thought into a

complex, organized structure of information and knowl-edge is the vision.1 Moving through this corridor, an indi-

vidual is presented with many choices. Opportunities for ex-

ploration abound. This network is dictated by the parameters

through which a kinesthetic thinker might explore information.

This design leaves the options open for opportunity and growth, with

exhilarating perspectives2 at destinations throughout the project.

This is a place of exchange, reminiscent of a marketplace of the

past. It was not only a place of trading goods, but a place for

people to catch up on the latest gossip, to trade stories, and to

pass on the latest and greatest of the age. Visually there was

consistency in the chaos: Flags and banners of all shapes, sizes

and colors; a hustle and bustle of people moving in all directions

with different purposes. The picture that has been painted

for you is the site corridor. Cafe, gallery and corresponding

interactions portrayed as an information market place.