pokhran pottery a design intervention workshop the objectives : -to maintain the traditional style...

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POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craf which has a strong aesthetic language that i typical of Pokhran pottery. -To enhance the products made by the potters with contemporary applications of their craf terms of design & function. -To conduct the design interaction with the potters such that they would be able to con with the development of further variations product types. -To work with the varied skill sets of differe potters in order to have a widespread intera with the many groups and create a variety of product ranges.

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Page 1: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

POKHRAN POTTERY

A Design intervention workshop The objectives :-To maintain the traditional style of the craft, which has a strong aesthetic language that is typical of Pokhran pottery.-To enhance the products made by the potters with contemporary applications of their craft in terms of design & function. -To conduct the design interaction with the potters such that they would be able to continue with the development of further variations of the product types.-To work with the varied skill sets of different potters in order to have a widespread interaction with the many groups and create a variety of product ranges.

Page 2: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Pokhran Pottery techniques

Page 3: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

The main techniques focused on for product development were :

- Throwing- Pinching- Slabbing- Cutwork- Embossing- Scraffito- Appliqué

Page 4: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Terracotta tables for outdoor furniture

Page 5: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Bird bath on stand with applied decoration

Page 6: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Modhas – Outdoor stools

The unusual strength of Pokhran clay makesit an ideal material for durable outdoor/ garden/ terrace furniture which also uses the traditional embossed & scraffito decoration that is a signature of the ‘Pokhran’ style.

Page 7: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Decorated pots cum Modhas

Page 8: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Modhas – Outdoor stools

Page 9: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Flowerpots & Planters

One of the most commonly made products in Terracotta is the Flowerpot. Here, we developed a range of flowerpots with large rims for stability, ease of handling and as an eye catching decorative border whichkeeps them within an affordable price range.

Page 10: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language
Page 11: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Bird bath

Page 12: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Planters and flowerpots with decorative edges

Page 13: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Wall hung Planters

Page 14: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Wall mounted Planters

Wall mounted & hanging planters made using a combination of throwing, slabbing & varied decorative techniques.

Page 15: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Hanging planters in varied shapes

Page 16: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Cutwork fruitbowls

Fruit bowls using the cutwork technique which, in this product, serves the function of ventilation,thereby keeping fruits fresh for a longer period of time, as the gases emitted by them during ripening are dissipated through the vents.

Page 17: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Fruit bowls

Page 18: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Fruit bowls

Closed shapes that are cut into halves after the throwing process to get two bowls from one shape. Different surfaces and shapes may be employed to generate a variety of design.

Page 19: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Cutwork terracotta Lamps combining bases & lampshades

Complete lamps combining the lamp base and shade in one material, thereby facilitating an ease of in house manufacture for the potters. The use of the cutwork method makes terracotta a viable material for the purpose of light dispersion.

Page 20: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Cutwork terracotta lamp with detachable shade

Page 21: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Cutwork Garuda Table lamp

Page 22: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Designed for holding a standard 40 – 60 watt bulb

The ‘Garuda’ is usually made by the Pokhran potters as a decorative figurine or lidded jar. This design retains the form of the Garuda but uses it in an entirely different product application.

Page 23: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Lampshades designed for holding a standard 40 – 60 watt bulb

Simple hanging lampshades for household bulbs.

Page 24: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

The birds of Pokhran

There is a tremendous variety of bird figurines crafted in Pokhran. So far, they have mainly been made as toys, bels or small hanging planters, which are quite labor intensive to make. The exercise here was to raise the perceived value of these Pokhran clay birds by designing products that make them more unusual as functional objects.

Page 25: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Wall hung Oil lamp

Page 26: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Oil lamp & Incense stick stand

Page 27: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Oil lamps

Page 28: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Bird votive

Page 29: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Bird Planters on stands

Page 30: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Bird Planters

Page 31: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Incense stands etc.

Many of the younger potters make varieties of toy animal figures, oil lamps and other such smaller products.Working with their level of skill, the objective was to come up with a range of small gift items & household objects such as, incense stands, oil lamps, soap dishes, textured body scrubbers and small bowls.

Page 32: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Soap dishes

Page 33: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Soap dishes

Page 34: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Diyas & Oil lamps

Page 35: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Wall hung oil lamp tiles

Page 36: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Decoratively textured body scrubbers

Page 37: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Decoratively textured body scrubbers

Page 38: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Varied shapes & sizes of pots

Page 39: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Water pitcher

Creation of alternative forms for the traditional matka , for use in urban homes, while using the same principle of the cooling effect of a terracotta vessel.

Page 40: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Water bottles

Page 41: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Large decorative bottles

Page 42: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

Vases

Page 43: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language
Page 44: POKHRAN POTTERY A Design intervention workshop The objectives : -To maintain the traditional style of the craft, which has a strong aesthetic language

The Pokhran story continues…