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Poetry ENGL 2030—Summer 2013 | Lavery Il Postino [The Postman] (Michael Radford, 1994)

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Poetry. Il Postino [ The Postman ] (Michael Radford, 1994). ENGL 2030—Summer 2013 | Lavery. Poetry. Watch Clip on YouTube. ENGL 2030—Summer 2013 | Lavery. Poetry. Poetry Terms. ENGL 2030—Summer 2013 | Lavery. ENGL 2030—Summer 2013 | Lavery. Poetry. alliteration. - PowerPoint PPT Presentation

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Page 1: Poetry

Poetry

ENGL 2030—Summer 2013 | Lavery

Il Postino [The Postman] (Michael Radford, 1994)

Page 2: Poetry

Poetry

ENGL 2030—Summer 2013 | Lavery

Watch Clip on YouTube.

Page 3: Poetry

Poetry

ENGL 2030—Summer 2013 | Lavery

Poetry Terms

Page 4: Poetry

Poetry

alliterationENGL 2030—Summer 2013 | Lavery

Page 5: Poetry

Poetry

allusionENGL 2030—Summer 2013 | Lavery

Page 6: Poetry

Poetry

ambiguityENGL 2030—Summer 2013 | Lavery

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Poetry

carpe diemENGL 2030—Summer 2013 | Lavery

Page 8: Poetry

Poetry

colloquialENGL 2030—Summer 2013 | Lavery

Page 9: Poetry

Poetry

connotation

ENGL 2030—Summer 2013 | Lavery

Page 10: Poetry

Poetry

denotationENGL 2030—Summer 2013 | Lavery

Page 11: Poetry

Poetry

explicateENGL 2030—Summer 2013 | Lavery

Page 12: Poetry

Poetry

figurative/figures of

speech

ENGL 2030—Summer 2013 | Lavery

Page 13: Poetry

Poetry

hyperboleENGL 2030—Summer 2013 | Lavery

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Poetry

imagery

ENGL 2030—Summer 2013 | Lavery

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Poetry

ironyENGL 2030—Summer 2013 | Lavery

Page 16: Poetry

Poetry

literal / figurative

ENGL 2030—Summer 2013 | Lavery

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Poetry

metaphor/simile

ENGL 2030—Summer 2013 | Lavery

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Poetry

metaphor/simile

ENGL 2030—Summer 2013 | Lavery

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Poetry

meterENGL 2030—Summer 2013 | Lavery

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Poetry

metonymyENGL 2030—Summer 2013 | Lavery

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Poetry

onomatopoeiaENGL 2030—Summer 2013 | Lavery

Page 22: Poetry

Poetry

paraphrase

ENGL 2030—Summer 2013 | Lavery

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Poetry

parodyENGL 2030—Summer 2013 | Lavery

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Poetry

personaENGL 2030—Summer 2013 | Lavery

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Poetry

poetic diction

ENGL 2030—Summer 2013 | Lavery

kings of old old kings

Page 26: Poetry

Poetry

poetry vs. prose

ENGL 2030—Summer 2013 | Lavery

Page 27: Poetry

Poetry

poetry vs. verse

ENGL 2030—Summer 2013 | Lavery

Page 28: Poetry

Poetry

prosody: meter, feet, rhyme scheme, scansion

ENGL 2030—Summer 2013 | Lavery

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Poetry

rhymeENGL 2030—Summer 2013 | Lavery

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Poetry

satireENGL 2030—Summer 2013 | Lavery

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Poetry

sonnetENGL 2030—Summer 2013 | Lavery

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Poetry

stanzaENGL 2030—Summer 2013 | Lavery

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Poetry

symbolENGL 2030—Summer 2013 | Lavery

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Poetry

synecdocheENGL 2030—Summer 2013 | Lavery

Page 35: Poetry

Poetry

syntaxENGL 2030—Summer 2013 | Lavery

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Poetry

understatementENGL 2030—Summer 2013 | Lavery

Page 37: Poetry

How NOT to Read a Poem

ENGL 2030—Summer 2013 | Lavery

Page 38: Poetry

Stopping By Woods On A Snowy Evening

Whose woods these are I think I know.His house is in the village though;He will not see me stopping hereTo watch his woods fill up with snow.

My little horse must think it queerTo stop without a farmhouse nearBetween the woods and frozen lakeThe darkest evening of the year.

He gives his harness bells a shakeTo ask if there is some mistake.The only other sound's the sweepOf easy wind and downy flake.

The woods are lovely, dark, and deep.But I have promises to keep,And miles to go before I sleep,And miles to go before I sleep.

Poetry

How NOT to Read a Poem

ENGL 2030—Summer 2013 | Lavery

Page 39: Poetry

Poetry

Mrs. D. was an imperious, white-haired woman who not only gave extra credit for every symbol we could find in The House of the Seven Gables (the chickens in the back yard = repressed sexuality, etc.) but concocted a humiliating scheme in which 11-A students would tutor 11-Bers, including me, thereby allowing close acquaintances to be more than ordinarily supercilious and condescending to their about-to-become-former-friend. The highlight of the year, however, was our discussion of Frost's "Stopping by Woods on a Snowy Evening." The poem, we were told, and we had to regurgitate what we "learned" on a subsequent test, is about Santa Claus; indeed Kris Kringle is the speaker, taking a break "without a farm house near" to contemplate the work that yet lies ahead in delivering all those presents. (The "little horse" is, of course, really a reindeer; he thinks it odd to pause in an empty field because there is no house to deliver presents to; the speaker has "miles to go before [he] sleeps" because he has "promises to keep" to all those little boys and girls, etc.--you get the idea.) Though not yet literary, not yet even a reader, I smelled a rat. Such an approach seemed silly.

How NOT to Read a PoemENGL 2030—Summer 2013 | Lavery

Page 40: Poetry

Poetry

How silly I realized only recently, while teaching introduction to literature at Middle Tennessee State University. In the required text, Michael Meyer's comprehensive Bedford Introduction to Literature, I was surprised to find an excerpt from Herbert R. Coursen, Jr.'s "The Ghost of Christmas Past: 'Stopping by Woods on a Snowy Evening,'" an essay, originally published in College English in 1962, four years before I suffered through Mrs. D's class. A parody of poetic interpretation, a "how not to do it" guide, Coursen's essay had evidently been misread by Mrs. D. with all the literalism of the British audience of Swift's "Modest Proposal." She didn't get the joke, and she passed on her lack of discernment to us. All over Western Pennsylvania there are probably hundreds of people now in their fifties who think the poem is about Santa Claus.

How NOT to Read a Poem

Page 41: Poetry

PoetryCollege English

(December 1962).

How NOT to Read a Poem

ENGL 2030—Summer 2013 | Lavery

Page 42: Poetry

I ask them to take a poemand hold it up to the lightlike a color slide

or press an ear against its hive.

I say drop a mouse into a poemand watch him probe his way out,

or walk inside the poem's roomand feel the walls for a light switch.

I want them to waterskiacross the surface of a poemwaving at the author's name on the shore.

But all they want to dois tie the poem to a chair with ropeand torture a confession out of it.

They begin beating it with a hoseto find out what it really means.

Billy CollinsIntroduction to Poetry

from The Apple that Astonished Paris (Fayetteville, Ark: University of Arkansas Press, 1996).

How NOT to Read a Poem

ENGL 2030—Summer 2013 | Lavery

Page 43: Poetry

My husband gives me an Afor last night's supper,

Linda PastanMarks (1978)

ENGL 2030—Summer 2013 | Lavery

Page 44: Poetry

My husband gives me an Afor last night's supper,an incomplete for my ironing,

Linda PastanMarks (1978)

ENGL 2030—Summer 2013 | Lavery

Page 45: Poetry

My husband gives me an Afor last night's supper,an incomplete for my ironing,a B plus in bed.

Linda PastanMarks (1978)

ENGL 2030—Summer 2013 | Lavery

Page 46: Poetry

My husband gives me an Afor last night's supper,an incomplete for my ironing,a B plus in bed.My son says I am average,an average mother, but ifI put my mind to itI could improve.

Linda PastanMarks (1978)

ENGL 2030—Summer 2013 | Lavery

Page 47: Poetry

My husband gives me an Afor last night's supper,an incomplete for my ironing,a B plus in bed.My son says I am average,an average mother, but ifI put my mind to itI could improve.My daughter believesin Pass/Fail and tells meI pass.

Linda PastanMarks (1978)

ENGL 2030—Summer 2013 | Lavery

Page 48: Poetry

My husband gives me an Afor last night's supper,an incomplete for my ironing,a B plus in bed.My son says I am average,an average mother, but ifI put my mind to itI could improve.My daughter believesin Pass/Fail and tells meI pass. Wait 'til they learnI'm dropping out.

Linda PastanMarks (1978)

ENGL 2030—Summer 2013 | Lavery

Page 49: Poetry

Gestalt Shift

ENGL 2030—Summer 2013 | Lavery

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Gestalt Shift

ENGL 2030—Summer 2013 | Lavery

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Gestalt Shift

Necker’s Cube

ENGL 2030—Summer 2013 | Lavery

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Gestalt Shift

ENGL 2030—Summer 2013 | Lavery

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Gestalt Shift

ENGL 2030—Summer 2013 | Lavery

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Gestalt Shift

ENGL 2030—Summer 2013 | Lavery

Page 55: Poetry

Gestalt Shift

ENGL 2030—Summer 2013 | Lavery