pocahontas : comic operetta in two acts, for chorus of...
TRANSCRIPT
M1503 ^^J655P644
^RSITY OF'- ..IS LIBRARY
AT yrtBMrM-CHAMPAJGMMUSIC
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Sole proprietorsfor all countries
J. FISCHER & BRO., 7, S and ll. Bible House, NEW YORK.f. FIsCIIKi; A BRO., W. H. PALING & CO., Ltd.
311 New St., Birniinghain, England .Brisbane and Sydney
Agents for Australia, New Zealand and Tasmania
Affectionately Inscribed to Mildred and Olive Bruckheimer
Pocahontas
COMIC OPERETTAIn Two Acts
FOR CHORUS OF MIXED VOICES
With Piano or Orchestra
Book and Lyrics by
Fred Edmonds
Music by
Edward Johnston
Vocal Score (with full dialogue) "... Jr.oo net
Stage Manager's Book (containing also sketches
of characters and costumes) $i.oo net
Orchestral Parts in Manuscript
The Book of Words of "Pocahontas" sold separately only in quantities of
one hundred or more copies
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J. FISCHER & BRO^ NEW YORKBirmiosHam, England
J. HSCHER & BRO^ 111, New Street
Copyright. 191 6. by J. Fischer & Bro.
Britiah Copyright Secured, Public Performance and all other Rights reserved
Sydney and Briabane
W. H. PALING & CO.
"POCAHONTAS"Fred Edmonds Edward Johnston
ARGUMENTACT I.—Pow-hat-on, Chief of the Chuck-dollah Indians, and father of Pocahontas, has called together
members of his tribe, to help him decide what sort of a celebration shall be given the Princess, on this, her
birthday. Pow-hat-on is under the dominion of his mother-in-law, Ah-Meek, an old squaw of dignity
ridiculous, and an irritable disposition, and he, having forgotten to notify her of the pow-wow, finds some
difficulty in pacifying her. A most important matter to him, since Ah-Meek rules him through his stomach,
she being a cook of unparalleled ability. Pocahontas, she rules likewise, but with great eiffection and indul-
gence. Suddenly discovering that the attire of the Princess is not in keeping with her ideas of propriety,
she hurries Pocahontas out, accompanied by her attendant maidens. Ejiter Ah-Hum the great Medicine
Man, with the announcement that hidden in the adjacent woods is a paleface. Warriors sent out to cap-
ture him, soon return with Captain Smith, a prisoner. They are followed by other braves, squaws, maidens,
and the rag-tail of an Indian camp. Without trial Smith is condemned to death by Pow-hat-on, but Smith
insists upon his right to a trial by jury, and his plea is supported by the pleas of Indian maidens. Trial is
granted, but he is again condemned to death—this time, by braves. Pow-hat-on sentences him to be tom-
ahawked, and this judgment is about to be carried out by the appointed Elxecutioner, Ah-Hum, when Poca-
hontas enters. Upon discovering how matters stand, she rushes forward and throws herself on the breast
of Smith, claiming the fulfillment of her Father's promise, to the effect that cmything for which she might
ask should be given her. She asks for Captain Smith's life. Pow-hat-on is non-plussed—Ah-Hum vin-
dictive—Pocahontas courageously insistent upon the pron^ise given by Pow-hat-on.
Here enters Ah-Meek, an ancient foe of Ah-Hum. To complicate matters she falls in love with Cap-
tain Smith, and wants to marry him, and likewise pleads for the life of the paleface. All retire, to give
Ah-Meek an opportunity of talking to Smith—she proposes marriage. Poccihontas is recalled, and they talk
over the matter, she promising to find some way out of the difficulty by an appeal to Ah-Meek They retire
for this purpose, when enters a white man with magnifying glass, with which he examines the ground. Fol-
lowing him stealthily are a number of Indian maidens. Suddenly they pounce out, and ask, "Who are
you?" They are told that he is looking for a paleface friend, who has been lost, and they, in return, tell
him of the capture of Smith, and of the saving of his life by their Princess. Here enters Pocahontas. The
white man makes known that his name is John Rolfe, and they discuss plans for the liberation of Captain
Smith. Pocahontas advises that he disguise himself as a Medicine Man, and enter into rivalry with Ah-
Hum, thus winning the good will of Ah-Meek. Maidens find a disguise. Ejiter Ah-Meek with Smith.
Rolfe pretends to divination for Ah-Meek, and conveys by this means, a warning to Smith. Enter Ah-Hum,
and a battle of wits is fought between him cmd Rolfe. It ends through the interference of Pow-hat-on, who
enters and summons his braves to listen to the new prophet It is agreed that Smith may depart, and that
all will meet at the court of the white man's Chief, King James, over the big water.
ACT II.—Opens at Whitehall. The good Queen Anne enters, followed by Captain Smith to whomthe Queen is talking.
She is seeking further information concerning his experiences with Pocahontas, and the Chuck-dollah
Indians, when, to Smith's surprise, Ah-Meek is announced. She enters; alone. Then follows some mirth
producing business on her part, which is interrupted by the jmnouncement of Ah-Hum, also alone. The
Medicine-Man is seeking the life of Captain Smith, which object is tactfully set aside by the Queen in time
to receive Pow-hat-on, Pocahontas and fheir Indian attendants. After some Indian dancing and other
interesting work, John Rolfe is announced, and his marriage with Pocahontas sanctioned by her father and
the Queen. '
Pocahontas
Fred Edmonds Edward Johnston
Cast of Characters
POCAHONTAS Soprano
POW- HAT-ON Bass or Baritone
JOHN ROLPE A Tenor or high Baritone
ENOES-IT-ALL (John Rolfe) as a "Prophet of the Hot-Pots")
JOHN SMITH . Baritone
AH-HUM (Medicine Man) Baritone
AN USHER Baritone
•AH-MEEK (The Indian Mother- in -Law) . Alto
LADY BIRD Mezzo Soprano
WAH -WAH-TAY-SEE Mezzo Soprano
QUEEN ANNE , Speaker's role
Act I.
Scene.- "In America"
CAorus: Indians, Girls, and Squaws
Act II.
Scene: Court of King James
CAorus: Ladies, Yeomen of the Guards tBeefeaters), Indians
Dances for Children and Indians ad lib.
* The role of Ah -Meek can very effectively also be taken by a man (Baritone). See Stage Manager's book.
J. F. &B. 4050-109 m
PocahontasFred Edmonds Edward Johnston
Act I.NO Page
J O^'^erture Instrumental 3
2 "This is a Gay and Happy Day". • . Braves, Indians, GirlS, Squaws,
Powhaton and Ah-Meek 11
3 "Rejoice, Rejoice" Chorus and Pocahontas 21
4a ''Oh, Life is Worth the Living" Pocahontas 27
4b "This is a Gay and Happy Day". . Chorus 29
49 "Hoppety-Kick" Braves 30
5 "A Lady I Know" . , Ah-Hum and Powhaton 31
6 "This is a Mighty Land'' Smith and Chorus 56"
7 "I Grant Your Appeal" Powhaton, Smith and Girls 39
8 "You are so Brave" Pocahontas and Smith 40
9 "We Will Go and Seek Ah-Meek" . . Pocahontas, Smith and Ah-Hum 43
10 "Alas! flas! IVe Lost My Friend" Rolfe 47
n "Pray Ask Us" Wah-Wah-tay-see and Girls 49
12 "Hi-yah! Bow-Wow!" Rolfe and Chorus 34
J3 "lam a Prophet" Rolfe and Chorus 55
Vi "I Shall Sail Across the Water". (Finale Act I.) Principals and Chqrus 58
Act II.
15 Introduction and Opening Chorus . • Lady Bird, An Usher, Ladies-in-
Waiting and Yeomen of the Guard 64
16 Dance -"Pocahontas" Gavotte Children or Court Ladies 78
n^ Recitative -"The Indian Mother-in-Law" Usher 82
J7b Recitative - "Great Queen" Ah-Meek 82
18 "Once I gave a Dinner Party" ....... Ah-Meek and Chorus 83
m Recitative- "Ah-Hum certificated Wizard" Usher 88
J9b Recitative - "Powhaton, Pocahontas". Usher 88
199 "Sailing from Far-Away Lands" Indians 88
20 "Oracles" Usher 93
21 "Enter, Enter Chosen Bridegroom" Usher and Chorus 95
22a "Say have I Won" Rolfe and Pocahontas 101
22b "I Thank You'' Rolfe 100
23 Finale Principals and full Chorus 104
J.F. & B. 4050-109 IV
PocahontasA Comic Operetta .
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J.F. &B. 4050-109
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P0W-HA'^5n (Appearing at entrance of wigjvam) ENTIRECHORUS
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^ msquaw, squaw, with - out a flaw, The best we ev - er saw, Is his
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Chorus and Pocahontas
Vivace
'Rejoice, Rejoice"
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laugh a - loud with
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"JHt J" J i^J
^fiJ tfi-
£i^t
mv^=w ^^M-^ ^^ i i *
J.F.&B. 4050-109
22
JH (J-)
^ha!
^W^ gAnd laugh a- loud with glee. Ha na ha ha
£ha ha!
E£
Or
J' J' ; > J'I r" g£ £ £ r ^
glee. Ha ha ha ha ha ha And laugh a-loudwithglee. Ha
g B C gI
^' ^I . K ^m ^ f p
'p
^I
f ^*(t tt
h^«#
PI
iti-c ^i^» ^S
^ J iJ
a i =i 1: i^^t^ /
i "ff m-^
SOPR. AND ALTO
P I P- F P g I B > i^ J'g>' T *'
F Pwe shall tor-tured be. Re - joice, re-joice with heart and voice, Or
fr-^-i^ha ha ha ha ha!
'y-r^ M P ^
i^ ^ -I—r^i^B ^^^ $ f
It*
/^ J' ^ i'
we shall tor-tured be;
p I r p M I Hw- ^^
Let joy andrap-ture be our choice, And
m f, f if ^ f f |F p p g
f=^. ^ ^^f rI ^^ I F=«
rJ.F.&B. 4050-109
2S
$ , . j-iI
j'i j-i j-i jiI
j'l ji ji j'iI^^a
Ha ha ha ha ha ha ha ha ha ha ha ha ha
#laugh a - loud with glee,
^)'tt rJt>
i^ £55jy^ '
ir
ha ha ha,
Vrii iiji^^l i> l^ i)
retard
p I P F "p pI
J' IH '
p"p^ES * ' *
ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha!
•n ] ,F i p p ppIp p
pf|
fl^¥p |p»p P^^Fis
* :sii>r hr ^^^ «Lgfzr JTi^fP
^^ l»-^E « 1 retard
%
CHORUS (UNISON)i' a tempo
p N'- J^ i f^ ^iZ.This is a gay And hap -py day.. Say!
J.F. &B. 4050-109
24
*=^ ^ Jv J^ 1^ S i
#What is the way To romp and play.- This
ff=¥^ ^^si
/E J' > j: I
h. ttJh^,/
slap-py day,This a gay And hap-py day, This is a gay And hap-py day, This
L tt^ ft^
M -.
rr * * *
3 :^ :M13:
«!?!:g^,/
a gay And hap-p:
iiJ J'I P- fi n P I P P£
da5
B
^is a gay And hap - py day, This is a gay And hap - py day, This^^ ^
^¥ T T
>-"» "f- !i2.
I ^5^
- :, ^ > > > ^J^ retard
n^ a tempo
^I
J-
is a gay and hap - py day, A gay and hap - py day.
/7\ a temporetard
EM-f4J^ ^ ^^is a gay and hap - py day, A gay and hap - py day.
g*it MM p I p rpp M r
'P P g^ m
J.F.&B. 4050-109
25
CHORUS
m ^ £ ^ ^Hoo - ray! Hoo - ray! Hoo - ray! We give three cheer - ful
m rr T'•V.i tm £ z
h^g^ j' jj i ^j'.jj J' f2]^i \r^
cheers, Hoo - ray! Hbo-ray! Hoo - ray! Hoo -ray! This is no time for
*i I est ^^§p S^
r* rV
m
n i p^nn n ^?==i s ptears, Hoo - ray! Hoo-ray! Hoo - ray! A glo - rious day ap -
^
(Spoken:) POW-HAT-ON (looking offJ_My daughter ap»roacheth, prepare to receive her
JIy ^
^say! Hoo-ray! Hoo - ray!
:*
pears, Hoo - ray! Hoo-ray! Hoo - ray! Hoo-ray! Hoo-ray!
"^E ^
P P I " 
26
CHORUg (Enter Pocahontas) POCAHONTAS
^ ^H«^^- ray! Hoo-ray! Hoo - ray! Good- day, goodfriends,good-day! Good
^^r r
£
9 P-
E
f^
CHORUS
^^^ >J. I'f ii J' I f ^day, good-day, good grand - mam-ma, good - day re - spect-ed Pa. Hoo-
i i tt^ V ir
iljt "''^IHI *)^ ^E s ^^ ^
ray! Hoo-ray! Hoo- ray! Good-day, good-day, good- day! All
^yr^
£ ^j
—
ih
? ^^
r«Y. a/ fine II
I J JI
^ /r\
1
irns of the daj
^o-ca-hon-tas. We wish you ten thousand re - turns of the day. _,^
^Ji' ii J-M J'ff/iJi np p I
^1i
r r I r I
'i'
'o-ca-hon-tas,We wish you ten thousand re - turns of the day.
rit. al fine ^ -»- M- ^hail, Po-ca-hon-tas,We wish you ten thousand re - turns of the
rit. al finerit. al fine ^ ^ .^
p--^p
lipp P p P I P "P P '^ ^ ^ ^tyr ^
i feiai U t4 Ov
irj#. al fine
-^ p g «J. P.&B. 4050-109
37
Pocahontas
'Oh, Life is Worth the Living-"
Song
Modera^ poco rubato
S
(#,. ni.F]
1. Oh, life is worth the liv - ing when the
2. Oh, life is worth the liv- ing when the
t/T
^>^rr^ f-m- 1^
m^m
^il^P f ^\f J t l j J I
]
co//a t'oce^ i
i ;£^5 ^E=i=g e«;*
sun shines bright. When the sky is blue and the woods are fair; Whenheart is free, When the thought of care is an i - die thought; And
m J J J r^
7 f—
f
—«i J i. ^ J J.
-o-
^" M P M pJ'
^•'
i
^ ^^but - ter - flies are danc- ing in the
tri - fles light as gos - sam - er are
morn - ing light, And a
calls for glee, And
i 1^s- jHir«-ir '.z
^^
^ --<2
t^i—
«
t-»'—fi-
^rt £ S i ^P
'
I
P P P Pt-
p P-^^bird- song drops thro' the ra-diant air. 'Tis joy to wan-der id- ly by a
won-der-ful vis- ions are seen un-sought. There is noth-inghalf so hap-py as the
i^H-44 ],J U J
^rrf^J
iijJ un-
piu mosso
i ^JL<^
t'l
—
f^ f^
J.F.&B. 4050 - 109
28
r^' T
r
i
|jr^ J-' 'Tr ijj> N J' p r^j- nJ^
stream-let cool Where the fish - es play and the peb-bles gleam; Where the
gay young life That has learnt to love but_ not to hate; So it's^M ^^i i Q=^
i|j. 1^r r r rrSSFIIS !.
^J ^ J iE^^y M;^ T Y ^=^
J^|| '
I
'II 'i^ij ^^ ^
bea - ver finds a home witnhail to gen - tie peace, and a
in a si - lent pool, And the
way with strife. May our
i ^ =^= ^^-rr—w
m Sh:
F#^ ritard.a tempo
te ^ f p I F "i ##^1^^-^^ FTwhile
^rush-es nod ivhile all things dream!)
qj^^^j^^ jg^^j.^^ the liv-ing when thelife be long, and our joy be great! t
^ ^
^^ ^g^ '^ -^ tt^^
ritard.a tempo
m -pz m ^^rti ^5
ritard.
;£
i.
^sun shines bright. When the sky is blue and the woods are fair.
im «.
i^ir r/ ^: ^Nr
3t ^=4=4 i J j.
itard.
J.F.& B. 40r)n - 109
This_Ls_a Gay and Happy Day"
Chorus
4'
29
is a gay Andhap-py day, Say!This is a gay Andhap-py day,.
r^ rtm «
*
1^m^ s ^ ^^s 5^ 5
This is the way To romp and play. This is a gay And hap-py day, This
m r^ irf ^^rt* *
m V •? m m^±^^E±=±±.?^ i
is a srav And happy day, This is a gayAnd happy day, This is a gayAnd happy da;
£
yMrtitgJ~: :
i pet3=l S» » ^I I I »r=*nTf
sfc=i«j:
i I E
/
j^^^-CN
i ^:JW:
gay andhap-py day.VaA. hap-py day, Ais a gay And
is a gay And hap -py day, A gay and hap-py day
.
rit. -^ <T\
^irf^H-r^p p i r'' P P Pip ^
^a i§: i
a tempo
w pt
4<s^
r«/.
J. F.&B. 4050 - 109^
//
w—
a
:51=^
3;
30
'Hoppety-Kick"
Chorus
Braves
Allegretto
Tr-fT^E
.^^(Prancing around stage)
% softly
^ ^ ^J,
fe«—# m %Hop-pe-ty-kick, hop-pe-ty-kick,
s/
):i i>
, ^tt£ ^
^ ^J=^J* sempre staccato^m
^==t
#—
^
:f—
g
^
\ J' 1 ' > J-'E
i 7I
J ^ J^ ^ ^-1^—
^
^^Kick - e - ty, kick - e - ty - kick. This is the way we
P^-^^h^^^ fe S ^1 lit• f ^ ^^^ f ^
^^^Repeat from %till off stage
(shouted)
1s ss ^m*—
*
do the trick, Kick - e - ty, kick - e - ty - kick.
^^ fE
1*
?^^h, r g- i5^A^^ fe
fJ. F.& B. 40.50 - 109
"A Lady I Know"Duet
31
Ah-Hnm and Pow-hat-on
Con moto AH-HUM
f sempre staccato ^ "f
P^iif ^ij^j[jj
*«ff4 g^ 7r^fr>P^P^ ^ *==¥ #*==*: ^ <r
.t
la - dy I know, to me is a foe Ah me! her name is Ah-
m w^ w^* «
mi'-";jiSIi:
I -Y-m :
-0 w -m *
^ 1,1
J.. }\J, J-^g MP P p
Meek. It seems pret-tycool to call me a fool, Ah
Jfct m ttj* ^ -#-
* * * * T * ^
-^tt^ rri
,
a==t -^?—
n
*—
*
^SE
POW-HAT-ON
me! she calls me a sneak! My moth - er in law ha
w^upi^ s* **W^f
-^—
^
^^>%4rii^f;iwIfii ^^p«l ' tfL. ^2:^
J. F.&B.4O0O - 109
32
m (ft
H'l.^ r p rp i
r p M' lpir ^ ^t^^-M3=it:imany a flaw Ah me! her name is Ah- Meek; But such is her skill she may
*'\l\ JTjVj jp J
I
^E ^m m jT]3^^
nV.feno1» —!»• ^m
' '^ ^' c^ ^^
*?to i^ p fi r r^^^^^^ V ^ I ^^' 9
do what she will, Ah me! her cook-ing's u-nique!
kkm •/ ^ j^ j)I'?
i=i«*
—
9-^g:
M m.
* * ^ y# »•
S P Pe ii^ f f
(POW-HAT-ON) AH-HIIM
•n'tK i u\A\»i \
^^ ^ip- g p r i'l
p- g Fe^ ^fe^;|^^^=r» tel*
She fric - as-sees snails and pup - py dogsHails. Ah
JBe^ ^ •' iiti''-jJ i^ i^i't
^^aa r^:'^"^^ * 9W 9
POW-HAT-ON
*i.1 1
" J J^ h \\r .r>-^j) \
f'j n p ^ \
r=fF=m
AH-HITM
£m m
me! hername isAh-Meek. So I dont care a snap whatshesays tothischap. Ah
f" f^i ^#^-^^J 7 TJ 7 a:
* ** :* r=iF */ *~
* *
w^^^^ ^g ^^ azj 7 JZ« *—
r
J.P.&B. 40o0 - 109
z'- /,-»
J!^
"A Lady I Know"Duet
Ah-Hr.m and Pow-hat-on
Con moto^ AH-HUM
*S3^ ^^^ ^SEatg
f sempre staccato
-Hiitiji afn^^s^^S
f^ Mjivv^ k'
^"<<
-^n^
i^»(/•
f
^^*4t i. i^ 1' J
J,I J). J^ J-' J
J,I J~ J^ J', i^
^'
*^la - dy I know, to mc is a foe Ah me! her name Is Ah
t r^ i«i"^ i * *^ ^*« M J'- ii i.r-r—^^ pip P P
E
Meek. It seems pret-tycool to call me a fool, Ah
ii»j-^ J
-113« * « «
^iN ^-'^^ m ^
POW-HAT-ON
me! she calls me a sneak! My moth - er in law has
W^ ^im^;(IF
j^tt* ##^ ^ ^
-^?-^^ ^ ^J. F.&B.4O0O - 109
IS
32
'y-i% ^ P ^ p\^ p H'lp i rw h^' ^ F ^^g
many a flaw Ah me! her name is Ah- Meek; But such is her skill she may
k^ rrr^ji ^ ^^ ^g ^^
^^^ M p r p i r P M'^i^77i 7
do what she will, Ah me! hercook-ing's u-nique!
kkm P^i r^ i ^^5*—"""^ S—r
^f
-:^ ;e» ^ •?^ f
|:
(POW-HAT-ON) AH-HUM
'->% t uk\\¥ J'l
p- g P r i'lp- g P r 4j.
1*=^'^i'
j''"''' fcft
She fric - as-sees snails and pup - py dogs'tails. Ah
^m ^ ^W f ^^V^¥ '
^''^^ :±± ±=a: ^^^ POW-HAT- ON AH-
HUM
f'h ii-i'^ir ^r^^h^' Fpr Mirpp rpw me! hername isAh-Meek. So I dont care a snap whatshesays tothischap. Ah
m I tt-^^ ^i^ia *? a zjirS j -T-ajzSzi a=5znfT * ** * * *
gffl^^ft ^M y m—a 1 m : ^mw w -m—-0-
J.P.&B. 4050 - 109
33
feta(AH -HUM)
I'J'iJ't. I fM
|Vrt>i
r i f n i^mi
ife«
me! I per-ish from pique!^
She says loud and clear, "Ah,
s ^2% ^ #i ' il^i it
mM. ^ ste^*—'—•—
#
POW- HAT- ON
feAH- HUM
pM ^
P ^^s '^ r p^r;M ^ r -'T^ •?
hum-bug, yow here?" Ah me! his name is Ah - Hum. I could
m j ^ < pV J .«=^
:*fcfct
POW- HAT-ON
b ff > ii i^^p ^'f!•' ^'^'
i f pj>
rb r ?'P r P ^
tell her out-right she's a frump and a fright. Ah me! but still he is
mmm2=^ T
AH- HUM
^Ab^ '' .^-hfJ^ IJ.
P p pJ-i
p I p , , ^
dumb, I dare not and so I am dumb.
J.E&B.40i50 - 109
34
^p P H'' p i
r•' •'
^ ^'>-^ ^
qui - et - ly have to sue - cumb. She has us both un-der, she
i^ ^ £'y ^ , 5 ±=t=i5 ^-^M^ -'^-^^ -"^—
^
•y ^
s •? •/ 3 •/ •? ^SSf^ •/ •/ TT^*? P 7 7 "7—7-
TOGETHER
t J^. J^ J'^J^n^I J'- Jl
p p p p I ^^ . / J--
has us both un-der, she has us both un-der her thumb. (Ah Hum) ( I
(Poiv-hat-on) ' He
i^ ^ S E ^f.% 7 ? J 7 7 . ^ -^f—
^
-^ 7- 7 7 ^7—7-
IF
a 7 7 J 7 7 ^7 7 ^ 77#7 7
K.7 *?¥z:^
fe=^ ^5 ^p M ^'P I
P7 7^ ^2=^ at==M
1^dare not and so I am dumb,
dares not and so he is dumb,
I qui - et - ly have to sue
He qui - et - ly has to sue
M^ A. M.
wm ^ t
^ 7 7
7 7^ h > i' j> }i ri) i^ J^ J^ i' s^ I^
cumb,
cumb,
he has us both un-der, she has us both un-der, she
She has us both un-der, she has us both un-der, she
^ ii-k^\> t 7 i n rjezre
m ^ -^t—^ £J.E&B.4O0O - 109
35
JjK })^H Jr- ^'
P p p [.'
\ Q 1' >J'
l r'T^^has us bothun-der her thumb.
has us both un-der her thumb.
I dare not and so I amHe dares not and so he is
P ^^ * ^ W^^'W i=^ mffi "^T
)* ^L; •^•'^ p I f p M p ml> ^^
dumb,dumb,
I qui - et - ly have to sue - cumb.
He qui - et - ly has to sue - cumb.
SheShe
fe rr^%
i ^ n• 4 •
f r- ^MB %
eU^ Ip
i*iii' r J^ >^ •> V 'p V
pI
J'- J' J-' i'p pfa^ ^ ^
has us both un-der her thumb,
has us both un-der her thumb.
Come! I'm feel - ing un-com-mon-lyCome! You do look un-com-mon-ly
W^ •> vr ^Is E^^^JZM 1^
» # p-
n ^f-^T=^ ^ fV
g1^P -^ -/ ^ £ -^'r—
r
glum,glum,
un-com-mon-ly glum. Glum,un-com-mon-ly glum, Glum.
StF=ii SSE=5 i^ ^ t^<^^^^^ f^==± '
) 7 7 -7—T-
"W^ ":i:
J
ffi;^^«to »o/ retard.
^^ -T-r '^ •? ^" £
•/
±=± ^=3t:
l>lr^
J.E&B.40.50 - 109
/
36
Smith and Chorus
Andante maestoso
"This is a Mighty Land"
Song
64WS ^ m P g P
»>f
BS m
i» gjt.^^
i
trtif
^^
'tr'tf
mTB«—
»
ff^7^-r^ S^SF
f-
i
SMITH
^^ ^ ^^ ^i1. This-
2. Far-is a might - y land!
in tlie fu - ture see
Have
.
Mil-you sub
lions are
m iii ii a—
i
% ^ ^ ^ ^mf
m ^IE
idued
throng
TTT-
it? OrBoast
has your ti
of lib
ny band,
er-ty
4 4-
# * * m ^T^^ ^
s -fi-^
J. F. &B. 4050 - 109
37
^ /
mnot e - ven viewedcher - ished be - long
^it? Room there is here for all;
ing. Oer them a ban -ner waves
^Pf
2=rar«=a:f w^ u ii iii
si jsi
i i—*-r-
ed-ryNot-
should be- ed in
greet
sto-
WithHat-
an-ed
tP am 1^ 1 # ^al
by
1^ 9^5^
g -s-=-
-fi-
M retard
£ TJ ff^ E^lur - ing call
cow - ard knaves,LoudPla
ly re - peat
of our glo-
ed.
ry- _ -
iBroad and slow
S3S ^t>
" T' -J ^Might - y land! might - y land! Thou art A -
•^- ^ ms r*^Broad and
JLslow
i oil ^ I J ? t
^J. F. 4 B. 4050 - 109
in.sea.
*
itr
—
r-
raer
^m1 - ca!
mHome of
^m ithe Xorth - ern - er,
« ^^=* W""'1 *
^^ i m i ^?r *
'Sa.
r *
^ ^#^=^ ^Home of
^mthe South - ern - er, East - ern - er,
m tawm u mr=t
*—
^
'Sa. 4*5.
i ^ i i iWest ern - er. Lay -man and eler - ic a
t i=^ ^ i ^
m e1 ^d HN^f
5).sa.
0^
J i
I
J- J:' J,^zzr
i£
Land that is tru - ly grand, Hail we A -
^m u ^ ^ mer - i - ca;
*rt4i* fgs ^ ^ Ov
4*£&.
f^r r r rJ. F. & B. 'tor.o - ins
«• .^»"
Chorus repeats from J* *« second verse only
39
Pow-hat-on, Smithand Girls
"I Grant Your Appeal'
DcajnaLtic Interlude
7
POW-HAT-ON (recUJ -^'^^1.'1><* - ^ H ^ I If^ ^ ^
I granty^ffi" ap-peal, So kneel and feel the
#r. J ^-^ $
5T^^
senipre^
rw-(^ J *- s
* ^3a«s
SMITH GIRLS
^^T^
GIRLS
SMITH (covering their eyes)
"^W. ti-^^ s
-parpir ^ ^ ^i' l i.
£fcir 7* W » *
steel.
ife^
1 kneel. No, no, don't kneell
^m i
I kneel. No, no, don't^mmagitato
trem.s ^ a^^ ,N ,^ ^^=^"W-©- -©-
kfe
SMITH (kneeling) POW-HAT-ONTTB—
y
'>I ^ IP P' P ^tT-T-K^
kneel! 1 kneel.
ffi ^ iEx - e - cu-tion-er,
-m d - 4 —-
aep—
^
f^Q rrr f^rTS iw
m\y - j f,i j^^ r i
g tr
g ff g i
J? r P- ^you beau-ty! A - rise and do your du - ty.
r^5^ 1fr
^
Efci
^4
J. F.&B. 4050 - 109
40
Pocahontas and Smith
/,I
Andante con moto
'You Are So Brave"
Duet
POCAHONTAS
t 7:/JU'-iM|J^-p
p' plJ\ J^^^Wf
^ 1. You are so brave, I ought to love you
r/rTp^^ p ^fi £ i8
*^E» #^ f=^^ t ^3
F?
a tempo
slowly (aside) SMITH
p jv J' ^ •' > I r p r ^^^'^IF^ M^-M^dear - ly, (But I don't!) For you I ought to long, I see that
tt iJ i' i ^
r??. a tempo
Sslowly
a tempoCasideJ POCAHONTASE^=i
p''
pI>• ^'ii^''- p
p-pi^^ ^
clear - ly, (But I won't!) The thought of so much rap - ture thrills my
^ 1s i^ ^^i^
r^Y. a tempo
-^ PI?
J3i-
f
s^SMITH^^^ ;^5
(spoken aside)
^5?= ? fsoul. CTis n't true.) The life long bliss of mar-riage is my goal, (Notwith you!)
i S ^i \is ^^_^ c
aEE DCC
J.F.&B. 4050 - 109
PQCAHON.Refrain 41
quickly
ti J) hj^' pj^'
i> J' r J^'I
J' j^ i' j^ ?S
SMITH3
Oh how hap-py, hap-py, hap-py we real - ly ought to be, I'm
n\ /Tsm ^ ;e"P P I
P P P P P r M ^' ^-^-^Oh how hap-py, hap-py, hap-py we real - ly ought to be, Im
^S ^^ 5fcl ^ P \>t \\i I ^^
/^ ^i^
g^
quicklyM C. #- (ft
S £
I. ii ]i J^ > l i
iJ^ J)J^
I
J'iiJ''
J' J'^ J J^
Pall in all to you, and you are all in all to me. Oh how
^^^5 ^P F P P P P^^*
all in all to you, and you are all in all to me. Oh how
^ i i i 1 \,i i iij j J J r^?P^r??.
^gp^a tempo
"i . i .i' P J'' j> m i>I
>
,. h J' I) ^5« -
*hap-py, hap-py, hap-py we real- ly ought to be, You are
^P M M r P Ii' JW' ^5#"
—
* *—
*
hap-py, hap-py, tiap-py we real - ly ought to be. You are
^'^''l P F ^_^
^'E
itj i i ^=ta tempo
^>hj^i T ^
^ /^ (aside) (spoken, turning to each other)
p P. P P P^^ ^ ^=^all m all to me (But you're not.) What?
/7\Fine
^ J' > J''
p p p p rI ^ ^' ^ ^
all in- all to me (But you're not.) _ What? _ _^
* E
gn.1
'1. f J f
very quickly pine^^^ P-i#-^s>
J. F.&B. 4050 - 109
42
J^s
Tempo primo SMITH
i ^^JmJ'- > ii>-^h^- p J'- J'^^k4-Ti^r^
3. Be-causeyousavedmy life, I claim your
tilll^''^^^ * i
^ ^fe
f-^-S-^^
POCAHONTAS
mp p p p-^"^
bcau-ty (No, I don't.) To be your wife will be my pleas - ing
S ^^ i i ^ t
^^ f^--^ p
i(aside) SMITH
' J'l J^ i|
J'-p [^—^-J^P=tr ^^^3E^
fedu - ty, (No, it won't!) The sun is shin - ing and the sky IS
i «*1**e:
^ ^oi IS
r
(aside) POCAHONTAS (spoken aside)
fiJv JO W' H^ J' J'
f!p > J'
p I rI' I' a
::iTl5
blue. (So am I!) The on-Iy one that I can love is you.(That'sa lie!)
Refrain as before
i ^^^m aE 3^i^ 1 ^3*M
17 «> ^ *
J.F.&B. 4050 - 109
43
Pocahontas, Smithand Ah -Hum
'We will Go and Seek Ah- meek'
Trio
mVivace POCAHONTAS
9
^i v'J J
^^ SMITH^
I
^m We will go and seek Ah- Meek, Seek Ah
-
.-/ Pfm
mff-fi^^r^
^^1^7 PIJLm
^f f^mt^rt iv t ^^^
AH-HUMi^
POCAHONTAS SMITH^^^ =^E ^ ^
tMeek, Seek Ah -Meek, With this en - er-get - ic freak, -get - ic
in j'^ 'J- i'ii' i ^^ r^i^^^'
J
>
P mf
t^ % t *^ t % ^ t %^ %
AH -HUM SMITH AH-HUM^^ -Wj» ^1 Ep r p 1^ T^—V » ^*"
freak, I m a freak! We will say, how do you do? do you
S ^^ wm-fn^n^VfWf^ « 1 »
i
«y ft "y ft
#POCAHONTAS SMITH
^rr^^ ^ E ^^AH-HUM^P^
do? do you do? We have come to call on you, Call on
S £^^ ^ •? ^ ^ ^ V P
^^^7-T-f-r-Tt' ^J.F. &B. 4050 - 109
44
POCAHONTAS TOGETHER
^ £^ ^ ^=t=^ ^ 4
you, Call on you. We will say, how do you do?
i J 7^ -n\\m W iiJ i' J i'
J
n\ uS^^^ Sr^ ffei
I %8^2
i J li h. J'' ii s£
#Do you do? Do you do? We have come to call on you. To
S % ^r^f- r
•Mil
r F J P ^^ i i ^h
AH-HUM (pointing to Smith)
E £*5E^ ^^^^
She will sure - ly slap this
ih
call on you.
ft=1: ^^ ^^^ S i£ £
^i^ ^
/ ^^ ^m. ^ ^^POCAHONTAS (pointing to AkHumJ
SMITH (pointing to himselfJ
E £J
-^^ ^'i r p
£chap, Slap this chap, Slap this chap. But 1 do not care a
a^3i-> ^> l^-'l^^ 3 7 7 J. j :^ -7 9
h^^ii gjjr^F*^ LUL-i^' p
•?
p p ^¥=4=
J.E&B. 4050 - 109
45
PAH-HUM POCAHONTAS AH -HUM
J' l j P r P^rap! Not a rap? Not a rap! She will sure - ly slap this
^POCAHONTAS SMITH ^^^ w ?^ I 7 ^ =t=¥
chap, Slap this chap, Slap this chap. But I do not care a
m ^ ^^^E
J 1 s
^^msr
i^^
AH-HUM POCAHONTASTOGETHERrather sloirly and staccato
rpN 7 pN -^ ^ ^ ii'i^ > j) j'-^ii^^^^
rap! Not a rap? Not a rap! If that's so, let us go,m m ^^ ^ ^sffi;i ^^ ^ ^
mpsempre staccato
gcS ^ F
£pT^p M ^-1 r i' p I p p p ''IP jgOh so slow, just to show We have no thought of woe, Fear of foe,
I" LLT ^
m ^^ ^
i
^ i
IsI
J.F.&B. 4050 - 109
46
? ^Oh, oh, oh! If that's so,
^ ^ ^5^7 1]) J' J^^ ;, J-, i
fe
let us go. Oh so slow, just to show,
P^ 1 ^=» > f
^ ^^ :*=* ^ # «.
*^p M I t^ P
/S T S H J^=F^
That we have no thought of woe, Here we go!
m ^ i f^=i—*
^ ^
s(Exeu7it to this Coda, one behind the other, in the following order.- Pow-hat-on, Smith and^ ^n\f
^^
S I^ ^
Ah -hum, with a quaint dance, taking one step backward to every ttvo forward.)
±m ^ ^2=3zz^=J=r^*—*
—
w 0—•—
•
gradually softer
m :E ^ ^ ^fe f=t
J. F. & B. 40.tO - 109
47
Rolfe
"Alas! Alas! I've Lost My Friend'
Song
«/ante moderato
10
f ^t'\r p
rtr—
-
9 " ^ ^^ •?
1. A- las!
2. He was
A -las! I've
so much to
gsp^'f ^-0- - -0-
i Sfc£ fe
h iJ' i' J'' j i
^lost
me,
my friend— He's some
be-cause He had
where in the des-ert wild;,
a wis -er head than mine,.
He
And^t»p »
m p^ ^
i ^ 1^ j^ ^ i '
E ^^mayof
have met a tra
such ster - ling worth
gic end, By ruth
he was, That he
less sav- a - ges be-
would life it -self re-
i \> *l
I * i * ^^v^ ^
W^ WS-
i ^i ^^i
guiled.
sign,
I trace his foot -steps on
Be - fore he'd do a das
the soil, But
tard deed, Or
^ *>
_-^7 *2 * *5*
^ s^^ ^J.P.&B. 4050 - 109
48
\l>\.l. i^-J^f.
M--ri-r- ^
can - not read the tale they tell,
aught that meant a sense of shame.
Oh ! cru - el fate s , whyHe was a lea - der
iIj=s
^^—
^
^ri^ /
^ E=ZJC
PW- W
5 £is/ fime
?^^^^^ s e^ ?^will ye foil My search, as if with pur - pose fell?
who could lead; His heart was bold, And
mlit.^ t
t2nd time
:c=l
FT ^ FI r
high his aim. A - las! A -^ ^ i-V^ « V
^5^^2-?- ^l-p f } f-^^p-f
?J
retard
5?? > JH f p r
I
'r
/^ mwlas! A - las! I've lost my friend.
-^l ^i E -^
S»y._Lji_g *f *tj^*retiird
tM=a mf.T. F.A B 40.50 - 109
49
Wah- wah-tay- see
and Chorus of Girls
11
'Pray Ask Us"
, Song
ik^.
Allegro vivac-e
& ±:
WAH-WAH-TAY-SEE3C
^ ^^1. Pray ask us if we're
tk=^&
/
ma.
;5_
^£*^
g^la
f:^=t
^ ^ S^SEE^S ^ 1^r pi^' P p
-m—^
i
kind In or - der al - pha - bet - i - eal, I fan - cy you will
(2.> joints, And cool and en - er - get- i - cal; On grave do-raes-tic
kIfck
1 ^'I ii J) ji j'^^ fe ^
r r>I
ii^' p^'^
find We're kind and sym - pa - that - i - cal. Tho' phy - si - cal - ly
points There's none of us her - et - i-cal. We dote up- on our
i 1^'
1
^'f! M P [? r p
I
'
l
*^' ^^E
tough In spite of dain - ty slcn-der-ncss, We hate what -ev- er's
dads, For we arc ve - ry du - ti - ful, And few of us have
fe^ m^ r^^ w^?—^*
m ^J.F.&B. 4050 - 109
5
g fe ^ ^' M I P P#9^
rough, And weep for ve - ry ten - der-ness.
fads, But all of us are beau - ti - ful.
CHORUS OF GIRLS
^^4^^ ^1. If cru - el - ty We2. At an - y rate We're
i Wi VM
PI
;*?
^nif^ ^?
iWAH-WAH-TAY-SEE
^ ^ p IP' P F^'il
wo//o ritard-
2. We're lithe, with sup-pie
3. Red In - dian to the
#^"{' ^ "^^•''^^^^H1^ |
,
^^- ^^^chance to see, We weep for ve - ry
up - todate. And beau - ti - ful - ly
^m i
ten - der - ness.
beau - ti - ful.
§ ^3 VUq
w • b J
molto ritard.^ fe ^/r\
tempo
i ^ ^^'r p
IP" P i;s ^* «
'3.) core, We're noth - ing if not na-tion-al. But don't de-light in
^^^m brt
-nh. JT] .
J.E&B. 40o0 - 109
51
S ^ ^^ ^P^^ M^^-^Pgore, Be - cause it is not ra-tion-al. The chil-dren of the
^i=^=i i^=4"* »•
9?^ ?=--^—^
i
i
^' M I P P r p 1
"^' P ^'p
EE
Wild, You can -not call us ci - ty-made , Though rea- son- ab - ly
j ''''''
' i'H ^?==rIf*
*hJT-1"-tTs ^ ^
^J'^ll
j'p p 1^^
mild, And ev - 'ry one a pret-tymaid.
CHORUS OF GIRLS
ifcfcP'
'
p'p p f
Yes, ev - 'ry one May
^ ^ -^•
h *
^—^^tl^
»(/"
^ P ^
J. F.&B. 4050 - 109
52
I A J'-li^^ ^E^
friinrd.
^J' ^^' ^' ^liJ ,u
r^p p 'p p p p rpret - ty.take the cake, For ev - 'ry one's a
: J j i 6 ^i-r-+ i stt g^ritnrd.
f^=f
^^ ^
WAH-WAH-TAY-SEEnot sofastmp
fcSE ^^^ £ ^ ^For ev 'ry one's a pret - ty maid.
^^''1, ;, f % iYes,
^^ -r«o/ sofast
i
i 3^^ * *ran^=zi V '^ V ^
Ev - 'rj' ono's a
^ 4:
^ ^^t^
^^ 4V.
^r: S ^^
ev 'ry ono's a pret-ty maid. Ev - "rv on«^"s a
J. R&B. 4n.io - 109
53
^ ^pret - ty, pret - ty maid, Ev - 'ry one's a pret- ty, pret-ty maid. Yes,
'
i
'
I
i 'i ii
' I
{ m^^pret ty maid, Ev - 'ry one's a pret ty maid, Yes,
ritard.^ M- ^ I^T^-M P I^T^^^^^ev - Ty one's a pret-ty, pret-ty maid, a pret-ty, pret-ty, pret-ty^ £
fev - 'ry one's a pret-ty, pret-ty maid, a pret-ty, pret-ty, pret-ty
m^m M
^^mritard.
^^^^4 ^-^ /r^
? ^^ F=^^^=^^
J. F.&B. 4050 - ion
54
Rolfe and Chorus
• <<
Hi -yah! Bow-wow!"
Solo and Chorus
12
^ s f I f U'lJ^•wow, chit-chat, sing - song, Ta - ta, moo - cow, warn-
ik^ ^^ m iK==S m i^ tij p j j£^
« ^H^^i ^ ^iitaK f f^
tet^p H F'Tir p ^J-i'T p ^
fcfe ^ fr^9pum, ping - pong. Flip-per-ty,flop-per-ty, wah,wah,wah! Chick-a-bid-dy, hoo-
)#^ ^19-*
^ ^fis^ F3 «P-
^^^t^H^^ mi g Ja
i
pf f ,
1. 1 trJ^J' J'fl'ir >Fepeat for Chorus
doo, bah! Flip-per- ty, flop-per-ty, wah,wah,wah! hoo - doo, bah!
^^S1^^^^AiHtf^
gj Jm<9-=- e
J=5t;=1=^*=^ ^^^HJ ^p
J. F. & B. 40oO - 109
55
Rolfe and Chorus
'I Am a Prophet"
Song
13
iAllegretto
3^E±3
ROLFE
r^
t^"/^
^-T-0-
i s
staccati\.
3!=n 7 7nT V=^s
rt f
i2=3l
r=^Jti
^S1. Oh,3. Oh,
^^-^IV: ii
^^r 1^
»/
1.
p p p J' J'l iJ 'i p p p i^ J' \\'
pi p f! p p F p I
I am a proph-et, a ve - ry ^eat proph-et, And if you've a hat you will
yowV/make a prof- it, a ve - ry great prof- it! If you stick to mytipsand be
S 3S p=^ i*=ca
^ I i' > V ! < > >^^^^i^ 7 » -l^-^ -^^—r-
^'l. J' J^' > h i'^ 1-' J' J^ I -f^ J^ £ ^^mcer-tain-ly doff it On hear-ing I al - ways score bull's-eyes or "in-ners','Whensure not to scoff, it Will add to your wealth in a man-ner a-maz-ing. And
fe ^*—1^ d o
.V'bh, J' 7 ^ :? 7 7 %A 77 I ^7 7 7 7
Sp f! p
J^ J'J'
l J) J' j) J^ J' JMJ' E S i^5
i
act-ing as proph-et, I'm spot-ting the win-ners. Po - lit - i-calproph-e - cybust an - y trust that is out for scalp-rais-ing. I proph-e - sy earth-quakes and
^
a % ^ V 7 I *\ ^ ^
r—
^
iirt-7—
^
-^^—
^
grfc
J. F.&B. 4050 - 109
56
a^^ Ji J'P p i p
^p'> J'p p-t-Tf^ipiipzg
caus - es heart-btirn-ings, But still it sub-stant-ial-ly adds to ray earn -ings. I
mur-ders and bat -ties; They say of me "lis -ten, he pret-ti-ly prat - ties Of
^ ^^ ^n-f^ ^mf f^ fr
m ife #=^
''MM F tM-M p P P F I P p^'' ^''^
rec-og-nize geese if you show me a feath-er, I of- ten can proph-e -^ymon-ey and men, so he can't be a no o- die." Sure, I am the proph-et for
)^J?^m -^^a * m
^ f T rm, #^^^^B
^ }) h J^ J'l-i J'}-fy \ l y ) })
\ J' J' J'ffi
yes-ter-day's weath-er. And all of the time,
all the ca - boo-dle! The whole of the time,
j^m JU
with cour-age sublime,
I
with cour- age sublime.
i ^W^r f»{a!-p^^^#^
4- M-^ —m —rTTf p pip p ^'-p
And all of the time,with cour.age sublime, I sum-mon up ghosts by this
JAnd all of the time,with cour.age sublime, I sum-mon up ghosts by this
E^ i^^^ 5fe^^ t -^—
^
f^ r rm i I
J.F.& B. 4050 - 109
57
^mys-ti-cal rhyme,
mys-ti-cal rhyme.
^ *
(2nd time CHORUSJ
fefeK^§s 5 ^mI ^* • * j> • • <
Hi - yah, bow-wow, chit-chat, sing - song, Ta - ta, moo-
^S 1 :>j~g^^ ^^ ^/ slower
^mluivct
I
:t=fcfc rt £ ^-^^7±:
T s ^ ^^
j^ znE^ MM^-Mp^^fclj ^*• *
cow, Wam-pura,ping - pong.
/ 1©-*
Flip-per-ty, flop-per-ty wah, wah, wah!
^m ^ g^
'hhyx^ i m i ^
'l>ir Bff ff lif IIJ' iiJ^'J'.^
r PF p Jjr- j. i ^iJ'J'J^ir J'r- i r^jH^ ^^^Chick-a-bid-(iy,hoo-doo,bah! Flipperty,fIopperty, wah,wah,wah,hoo-doo, bah!
k^ m '± ^y^^: » ^
i ? 2:: TI
7t fJ.F.&B. 4050 - 109
58
Finale of Act I
Principals and Chorus
Vivace
"I Shall Sail Across the Water"
POW-HAT-ON
r^l^|
l'4^#]
14
I shall sail a- cross the
CHORUS (unison)
'r^ r r I i
T' r MI
PI'iJ' h I i, tij. ^
wa-ter, With ^ fas - ci - na -ting daugh-ter, It may save' a lot of
i'' i'i
m
^^^ i=T^^* P r J^ji'iJ^ £ S }' i. ji J'
P P P P
i
slaugh-ter If we sail a - cross the wa-ter, With his fas - ci-na-ting
^=^ r^ta ^ ^
AH -MEEK
rp J'' l i p- ^H^^' I
^' ^•'J^ jyi j '.
^-^w*daugh-ter. When to Eng - land I have brought her, She'll re - mem -ber what I've
4' ^ ^ i mr^^ f=^f ^
^^^J.P.& B.N4050 - 109
59
CHORUS
NI j ^ J^
AH -MEEK ^fe=5 ^^^=1 £^^ ^taught her, WTiatyowV^ taught her? What /^tj« taught her, When to Eng-land I haven i ,r^ i ^i=E ?^
-r r^^ i *i^:
^fQ=
^CHORUS
S^AH - MEEK POW-HAT-ON
MiiJ^ J'^^^'B .p^^£ E ^5 ^brought her. Vihen you've brought her. When I've brought her. There have sun - dry suit-ors
ifJ-
-f i i
^ ^r
^^^
g *T f
^^CT r
^E# H-H^-Mr» ft ^^ I g I
p.-P Ps
sought her, But have not ex-act-ly caught her, So we'll sail a- cross, we'll
i^' i ' i ^:a*z at: r^S ^
^ ^ f^ ^ ^ ^! c
/I
CHORUS
^^5 pip P P P I P P5
*sail a- cross the wa - - ter. See-ing sun - dry suit-ors sought her. Though they've
f=^^
^=J:
^
J. F.& B. 4050 - 109
60
ji. i^ J' J^ I J^ ^E ^T r J' ill1^
»
not ex- act - ly caught her, We will fol - low up his dangh-ter, When she
tt ^ ^mJ •w3^
M i' J ^^5 ^^^g— PF F^^sails a - cross the wa - ter. It may save a lot of slaugh-ter When +o
^m ^mi ss
J'. }\ j' j)I
J'^ / AH- MEEK
£ ^^5 fe#^^—
»
Eng - land we have brought her, If she thinks of what we've taught her. What I've
^ CHORUS
^AH -MEEK
^5J> >l||J'-.-j1-Jr^ m
t.1 • "^ • ^ "Ti » w ^ n 0-
taught her, WhsAwe'i-e taueht her, When to Eng- land we have brought her, When I're
J.P.& B. 4050 - 109
i i^ CHORUS/ 61
h J'yJ'J'l>-'^'^J'
pi p p > I
brought hg r, When we've brought her. It may save a lot of slaugh-ter When toought ne
fm
^^ 1*—3:
r ^/
b. J^ J' J'I p p
''i' 1 1 Ji J'
^'' ^^-+^^H^Eng- land we have brought her, If she thinks of what we've taught her; So we'll
i* ^ ^ ^^ 3P=^ f
?;
S 3;
ris:
-(S>-
2=
,^=4 -/> Ji J)|
J
./
^,.i^'> ^M^ i^
f "p p p ' r^_ a - cross the wasail
sailp p p P
I r_ a - cross the wa -
ter With his fas -. ci
2
fH?-f-P- ter With hiter With his fas - ci
na - ting daugh-ter, We wiwill sail, -^^^ we wi.ill sail
:^zc ^na - ting daugh-ter, We will sail, we will sail
^g^ ^i:'f 1 1) i
f=ii=# ^A
P M .^ I
-0 9
J.F.& B. 4050 - 10.9
62
$k^ A.
Tempo diValse
5i 3E^fr^ f r
ia - cross the wa - - - - - ter.
p p r F r nn I
a - cross the wa - - ^^ - - ter
^^^^ znz 2T
Ife« ^5-
Tempo diValse
/
i i ^^-A^r-
i i1 ^
^^ 1 /Tn ^ ^1 «S
PocahontasRepeated by CHORUS^
P
^11 If^Strange and
I irr_w£
TTm / *%^g 3^ ?^ *^ *gE^
iP ^^^weird be fore ns lies
Iit
P
Eng - land, un - der
• *oth er
t9 ^
S ^ ^4 * ^
V ' U
J. F.& B. 4050 - 109
-^I J J J IJ J J:|.l J
I
J =i:
63
peo - pies throng her shores. Our Old WorWorld we leave
m^^^ m ^
peo - pies throng her shores— Our Old World we leave to
# i ^m ^m m)
m t |
tlg i^ P- -0-
^^E^l^
lt^ 4J$
It *!=: ^ *m
J. ' u-I J I J
Far a - way a World that's new. Firm in Will, andview,
^-&
view, Far a - way a World that's new Firm in will, and
P)
bLMM i^>—
g
9Ei tt tfc
IM i
*^ ^^-^9 g
|^^J"JJ
|
J.I
-J JI J~J J l/'^^
^MpI
1-f f
I f- If r 'i ^c r 'ir r '/strong in soul, Eng - land, Eng-land is 'our goal.
i ^ fEn r Mr. '
strong in soul,
S ?z^
Eng - land, Eng -land is our goal.o — - ^ ZZI
r
Si a^ -rit ^'
w=^^^tm^
*^
t
#p#
itf
it*j
•^ -i»- 1S»-
^E
ia:
^^*
19-
^ I
rifard.
r J. ..
{Curtain}a. -•-
a tempo ^#
a»
I/TsS
Sfrrt^^^
J. F.& B. 4050 - 109 End of Act I
' » «« ^ «• \-'» «
64
Act II
Introduction and Opening ChorusLady Bird, An Usher,
Ladies in Waiting,and Yeomen of the Guard
Allegro vivace
15If I
' H: g f
//
m m—x P—»-•—
^
rti
przE==:S
Mt £
m
3# * #
pp =«=F
^;^i
'?-' ^gs -^ -^
^fc i^ fe ii#i»-
iiw ^
^^^ ij^j jjgi^^ ni ^ ^^S
^**(Curtain)
i >•;• Kfi t
iJ. P.& B.40o0 - 109
iYEOMEN OP THE GUARD LADIES
p P p* J i
itjJ
''I
F ^W' ^''f r
we, are we. Yeo-men 01 the Guard are we, are we. An-y one with half an
i M^-L-^^ mf St
S »
—
f-Sr s^
m ^YEOMENm ^^* »i—*^
eye can see Our strain of pure no - bil-i-tee. For loy - al - ty you'll
T^ ir
.. 5-
hUJ?^r -J-
•
aT r r 'T • * ^ ^^
find it hard To beat the Yeo-men of the Guard, For loy- al-ty you'll
1 W^ 1- ^ J^-o-
i.T.k B. 40.50 - 109
66
hiL } J JI
J.^p r r 1^ LADIES
-»ta^find it hard To beat the Yeo-men of the Guard
P^f^l -J
M. M.
iS i"
9^
m^ « ^
-#-No -
s-
—w
''if
s-s z:21
ft >• ff • » •
ft ^* ?= ^bil- i -ty
'8 J-i'J
Gen -til - i - ty, No - bil - 1 - ty Gen-
^^ ,hM$
ff^F^f= f= ^ f=f^^r* r
s u1^
YEOMEN^ 3 r [i r i^til - i - ty Are stamped up - on our brows. Our loy - al - ty
it J- i'
J
$^ ^^^n
$BT f TF^^bi
?^
^^^^ ^ F=iS?
Ourloy-al-ty To Roy-al-ty, TheTo Roy-al-ty,
i f=^ ^^a^-*-i^ 7f P f= f=T^^f f^^ r
tt ^ iJ. F.& B. 4050 - 109
67LADIES
i P^^^ m h^p^^-0-^
u - ni -verse al - lows. La-dies of the Court are we, are we.
"J ilJ n^ ^ mf w-
^^/
'-W
m f
^ ^r
YEOMEN LADIESS te^pEfE^ ^ ^Ye -men of the Guard are we, are we. An - y - one with half an
m 3 m i^mf^ T
^ 4—^
YEOMEN
^^ ^ J r M r ^\i^^ ^^ ^eye can see Our strain of pure no - bil - i -tee. An -y- one with half an^^ ^^^ ir=^« ac:
68 LADY BIRD
MAndantino (slower)
m nit1©-=-
U^ i^ iH^fci a^One la - dy fair our
*iS \
f^^^ *^1?xe:
f1?retard
-w y^p
^^r i ^i ^^ i ^ i^ © ^
^ser - - vice claims, The roy - al spouse of good King James, The
^^ % ::+=]
f * fe^EEi 5: i
!ii^'i. r < J ^ *^^ J J /
CHORUS (unison)
1 ^ ^4 t ^^^mspouse of good King James.
P' ^ 'li > i
One la - dy fair our
^m p/
s m H-^ u=±=i^ ^Mtt ^m. Han i
i Qi I jm
i^ser - - vice claims, The roy - al spouse, The roy- al spouse, Thf
i• »
^ ^ser - - vice claims. The roy - al spouse, The roy - al spouse, The
t^i^ s:^^^.^UU^^^^^
.nt^-^^i-^i^ ^J=ti^ ^ :r :e
f"
J.F. &B. 4050 - 109
69
ff^^-^t Pspouse of good King James.
Pbp§fcfe
Sspouse of good King James.
m •_
^
P^' P'}ta
-s-
&
uf
1=
lip-
%
^te-
li
-o-
a
^AN USHER
< J N. J' J J i
r
t^^^ Her Ma - jes - ty the Queenl
March
^^P^ :affz^ £^ ^^
j5^ /
m v^^ til '^^ncr
i=^ {» ^t-^^t'-
^ s:nc
S $ m i fe-EL * t «
j^j J^tJ-^j i i'
j* U ^
(Enter the Queen, her train borne by fivo little pnges, and
followed by Captain Smith, Queen ascends throne.)
SSm^
w— '— '"^T
4 z:
m I— ^ ^
—
i ^^^J. F. & B. 40.'50 - 109
70
i
n j ff
si
Iis
ihr''^ ^^r-
ii
t=p.
A.
St
I
^^pm
fcf=5=:r "tTt-S
^
P=jE * )5=f=i=r=3=r=tir
^-^i*^ jT '^ r*^
i/
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JS"!/ 1 t=t=t=fc:t=a
a i>i r-^
^ic ^^i*-" j"! i"' ^
i I
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^ ^^
^i-''i. 1 ii^ 1^
''^^ 1 i 1 i 1 t 1_jt<:;-«
Tiyg* i*i* *? i* *? i*-
^ V r r ^=^ f > r f
[ Vi 1;. m m m m —w ^^=^^^j* •/ j*
[ I*
5=r=r=t=i=i=!t=t
^^ # r^^ m m -j-mmS 1 jh^ ^ jifVf^i>-y a^Tgi^ ±:f=3=^±«zt^ ^fii^ i iS^p
^):^i>,jyp r ^ ^r r r r f r ^ r cr ^-^
J. F. & B. 40oO - 109
^V\ 1?fc3= f-r4 iEiJhiii''j'fj'|
i i vty
^Bs r iir < ^=h ^ ^ffi
f
i=ip ^/ ^—t
ii* :?
1=^ i=«-* i iPz=2ftJ" f J^ Jt J^ T
S £=!=£ j_t 1 ^ i!z:
P-—<s- ^m i=t=r==eI ^ , t
g ^
r=^r
:iiiyuJf F
^ «tt
9 ^& ^fy\i' { ^
Ail
7?"""^^
—
^ -v
t^«-J^
2i ^J.
F^=fJ. F.& B. 4050 - 109
72 CHORUS
-J J J J it ^-o- ^f r r r
- ble Queen, A]no All hail!-
Voi ^ ±IEr I
-ii
^''"!!Ano - ble Queen, All hail!
Anne of Den-naark, Gra-cious Queen, Let all men mark How se-rene
S ^^N^ ^^* f-
^mAnne of Den-mark, Gra-cious Queen, Let all men mark How se-rene
sr r r- p If r #r
ffi ^^ ?^ r=^=* i^^^ "f-^ ^ f^
J. F.& B. 4050 - 109
//
p ^r f ' r i
'
rr r^ i P
78
Is thy most an - gust demean- or, Noth-ing could be seen se-ren - er
j'" J ^r Mri H I
ij J ^^ ^Is thy most au - gust demean- or, Noth-ing could be seen se-ren - er.
r
mv^— r r
i
rr rr r i,^ pr nr r i
^i^-:^
mp ^m ^z±^z^t=i:±=iz
* * * *^^ ^W-J- E' -* - -^ * =! ^^ ^^ ^v 3 ^^ * =;
' ^d J J-1f^=rm ^>i f
I >'lumf. 'i''''
''
^Anne of Denmai*, Gracious Queen, Thee ourglowlng song proclaims, Roy-al spouse of
It r f J. J^ I J J J ^? pi r r r ^
Anne of Denmark,Gracious Queen, Thee our glowing song proclaims, Roy-al spouseof.
' ^^-J IJ J J -Ik'J- J- l ^?
^*r r r r r r
' ^r- t rroy - al James Anne of Denmark, Hail! all hail!^n=f= 0- ^ c ^§roy - al James Anne of Denmark, Hail! all hail!^ t^Sr r r
all hail!
^ntt^^ isy* i
^:)fi: M.
io gi
.. ^ Ih*^
Ip? if
^SS:fu t*
a /;^ ^
J. F.& B. 4050-109-«• -9-
74
LADIES
g^fc ^BeBe - nig - ni - ty And dig - ni - ty,
*4=iU
$J=J^
*f ff" r^ffJJO
55Fi?g 1^ tt
^ ^YEOMEN
^ ^Urnig - ni - ty And dig - ni - ty Thy no - ble fea-tures grace.^ -^--^
^ wr f fr If
m i^ ??
^=^ ^^ ^^ban - i - ty And san - i - ty,^^ ^ ^^.^
^
Ur -
f^ r^m m mr
i E i #^ ^mban - i - ty And san - i - ty Re- fleet- ed from thy face.
^SX4^^ J- ^ J J
?n J n
p f T -G
T ~w.
^? 5>-
^ rJ. F. & B. 4050 - lOS
CHORUSere
75seen Hail! do
-e^--o-3i:-o-
ii
Hail!- Hail!.
rrr: jCC =^-»-
Hail!_
^ -o-
Hail!.
Tr351
i ^w==^
W 9 ^seen
a A:rfo
Anne of Den-mark, Gra-cious Queen, Let all men mark How se - rene
l ! J J J. J^1^
p ir r rAnne of Den-mark, Gra-cious Queen, Let all men mark How se-rene
m 5r r r- p t r ^
.^**j^
—(»-
! &
arui^f-#« »r>i»
—
—(©
V 9-
»=* I-^ ^
Jijifflria^» »
J. F. & B. 4050 - 109
76
I J I
^I ff
y ^
Is thy most au - gust demean-or, Noth-ing could be seen se-ren- er.
*^^^ fde ^
i ^ ^r r i pr pr rlost au - ffust demean-oi
E^* *
Is thy most au - gust demean-or, Noth-ing could be seen se-ren - er
Si r\n n m^^^ ifci^
i I i I II i i:! * * *
J. =: ^^ :?: ^ijt
-^—
<
-V 7 J^3^5tf|l J J J- i=^
r r r ruU r ' r r r r&^/f^Anne of Den-mark, Gra-cious Queen, Thee our glow-ing song pro-claims.
l\ j J J Ni-t—^p
I f r rAnne of Den-mark, Qra-cious Queen, Thee our glow-ing song pro-claims,
S £" r r r ma-^^)
% m mum iUi i'Ut=s i i i *
m !• P ^ Ji r>
mmm ^ ^ j-j ij J J =^
^^^ ^^—
^
Roy - al spouse of roy - al James Anne of Denmark, Hail
!
r r r
M r i r r
#—-—»^
Roy - al spouse of roy - al James Anne of Denmark, Hail!^m r r \ ^ ifrittFlgjLf#—#•
ffi::?=:ft
* i 3i: ^^J. F. & B. 4050 - 109
8^ ^f r r r
77
ir
he-i
(Anne of Den -mark, Hail! Anne
fof Den -mark,
-n- 1©-=- is> (»
Anne of Den- mark, Hail! Anne of Den- mark,
J. h-^ i4
? ^f fAnne of Den -mark, Anne. of
1SI &
Anne
^gof Den -mark, Anne.
-&-of
m =&Den
IEi^mark,
njHi f riip^ ^
-^i
—
i ^nf
~n- d.=^ if r
' fDen - mark, Hail!.
> o
^Den mark. Hail!.
X^
*F^ * P ^vr
S §= ^Sn^^
V ^>
p" ="P"
J. F. & B. 4050 - 109^^ r
78"Pocahontas'
Gavotte
16
li^'l^.^f"
»/ia*Ti.h.
"J ^'\k <*
r. h.
S^X
^mmp leggiero
^^P
5feH S r^.^rrrr'nf ^^?ri
rrrf^
^^^^ J U t^4i^
"!/•
ife.=±^
*fe*> #Se^±=i
42.
^ J ^, 4-•n'v^ f r
^^ !.#• -
Mmp
rt
crr rr r
^^
l.f;i>i>^ JTTIPTJ r^rrrrrr>-^ ?E qc*^
s f j i^ l^^X^
"f^
* ii^
<^^''i>k j:^^^ i-^U-4
J2.
^^^ l.^
t»
.i^s^
grazioao
m* iiHip i
iM 4^^^^g^ ^J. P.& B. 4050 - 109
79
mw
^4 J
\' r ^X^ ^^L #- ^
~p~"g:
fi^tHIm£
\Mrf~^ ^^ ^=^=^ m P
mp leggiero ^ ^ J i J: ^. ^ i UP
fc=^ >.=te ^ i2. »Kp ^ s?^ =i=*
'"/
s 1^-^ *=^^ 1^
Vi^ -
^l^^
i r^^ i I^f^_ii C
— is-^^ legato -Q-
r, ^21.
/«J»^ — -^
P
legato -s-
21 i^ i?21
I ^ fss^»/^ t:
id p^
— iSi-
i^, ^21-
21^ \ i i^^X
J. F. & B. 4050 - 109
80
^ 1^ ^f
te
/ -/ -/
i ^i^ 1^
i s^ m^ r ^r r r TiH'fe
^^P leggiero
^ » o — t^-^p
J.F.& B. 4050 - 109
81
$^^"•/
^^-m-i^
^i^ -*-#
r^ * P i :tf:
^^m
y grazioso
*a g
lAiiA J H. ^
82Recitative
An Usher"The Indian Mother-in-Law"
J' i' J^ f ^^m d ^ =5=The In - dian Moth-er - in - law, Ah - Meek
/.I
^ ^ ^17^
^^^g^^ ^^^-»-
'Great Queen"Ah-Meek
(Spoken) "Ah, there you are, John" (approaching the queen)
Recit.
S =/s/T^
\ I'l'I r- J' ji J'i J' J'l
I I mi ^ M' i' i I^ ' *
17'^ Great Queen, be-hold a great Prin - cess, Who's much af
^^'if
m^/^^
W^*-v^^^^^^
^ J'I J J V J' J' J' I J) J'm' m ^
flic - ted by this dress
;
But see - ing fash -ion makes me
i ~TVWs s
I Sim - ply have to grin and bear it.
twear it.
* i^FT^XT
^= /Tv
J.F.& B. 4050 - 109
Ah-Meek and Chorns ', '
,,. AUearro' nioderato
^'Once I Gave a Dinner Party"
Song
8-
8a
18
* AH-MEEK,
^^If—
#
^5To a
Was a
1. Onco I gave a din-ner - par-ty
2. The . fish up - on the ta - ble
hifih and might - ytub of pic - kled
fe*
'/
n\ Ji ^ ^^
tIt-
I
J. >i^ ^^ «=:»^ ^j
^chief With an ap-pe-tite so heart-y It would beg-gar your be
shad, And he cer-tain-ly was a - ble To dis - pose of a;ll_ I
^mi 1 ^r^ *r=f w!-Hi
i U li m J M ji ^ f
ih ]ni<i< \^m E ^ Efe^ I**- It
lief. He had snails and mice an-l liz-ards, Chunks of bi - son off the
had. Then he died of in - di - ges-tion! As he calm - ly passed a-
P~^V1 m»-rf « » ^ti*'- ii' * i *^* *
"^w \in ^ P P
J.F. & B. 4050 - 109
84
il J M J' J^f l lJ' f J'
I
^^^^ ^m- jj
nump,
way
^Toast-ed duck and tur - key gizzards Roasted liv - er in the
He re - vert - ed to the question Of the fish, to my dis-
p i. ,P£ P^^sr it^' J
-0 —
r
^ m3S ^
fj: ^ jJ''
p iJ^T r r r-a ^' •
lump. But he grunt-ed, grunt-ed, grunt-ed, in a crank-y sort of
may. For he grunt-ed, grunt-ed, grunt-ed, in a crank-y sort of« i^:===4 ^ « 4-
f* S^
^'1 1 r J
fr W f ^ t $
^^ retard
i ^^ -* "^—
—
^ —Q-^
front-ed, say-ing sad-ly all the while:
front-ed, say-ing sad-ly all the while.-
style, As if
style, As if
griev-ous-ly af
griev-ous-ly af
i I ^S^'—
«
1^
Lsretard
B *= H ^mT
^retard
^/C\^ E
Oh no, oh no, no, no, no, no. Oh no, no, no, no, no.^ m m Oh! The
^9-i-m £^^-*a tempo
colla voce
W^^^
^XT
J.F. & B.4050 - 109
85
a tempoK .
r r r r-H I i \y Ji
irir
^ f p~p j^ij ^ ^fish is not suf - fi - cient, There is not suf-fi-cient fish._ You are
^m • ' d)^^r-d * i \ • ±
fr r*• s*
a tempo
'):itI
tt l^^ ^ ^FP t-=t
f I If I I
I
iJ- JN J'ij jiJi)p-^pir^tEfea
per-fect-ly pro - fi-cient At pre-par-ing an - y dish, But the fish is not suf-
i ^ • •|?#^E ^=a-f5^
?^^ ^ kM^ M *-
ftE=l^?1ET
l^l^.l^ j i IV M h h I'' h h I K h b. h h h. b. h
ficient there is not suf-fi-cient fish, Oh the fishis notsuf-fi-cient,Thereis
^^ JJ O^ ^ aG=*^^ f ^.«^—
f
p=fS ^ * iSi
I"b. h h h. I l\ h s^^^ »^^^^
not suf-fi -cient fish, There is not suf-fi - cient fish-
%j-1
\
y—-JT^ s^r"^ f Hi^f
—
}
g«5P:? * fei-ESf
The words from here on should be recited in a humorous mannerJ. F. & B. 4050 - 109
86
iCHORUS (MEN)
^GIRLS
i^^ tOh no, oh no, no, no, no, no. Oh no, no, no, no,« ^^ P^ ^^mw^ 5~*
-o-
TT
iALL 61A ^igejt- reciting the words as before)
^ ^^^^ ^no,
i
Oh! the fish is not suf - fi - hi - hi - hi - cient, There is
— r-
£J g=4 ii*r^
^ #a=it ^
#^ ^ P Tf J;lJ ' ^ >• P pnot suf - fi - cient_ fisHT You are per- feet - ly pro
mrt
^ ^a 1—:
^
J.E& B.4050 - 103
87
* i=^ ^P^ ^! STfisTrr Oh!not suf - fi - cient.
tm^ :^:
^^ =^
*
> J^. Ji ii h. > ^I J'- Ji
p p- ^Efish is not suf-fi - cient, There is
- .. .. #^- ^^^^ nI
^;
not suf - fi - cient fish, There is
^- -m- M.
f
Si:
=^f^M^
^^ rr
^-^^-f-p I J ? ^ Inot suf - fi - cient fish. fish.
O^ ^ ^s ot
J.F.&B. 4050 - 109
88
An UsherRecitative
19^
(looking at card)^Z\f\
{looking at car
^-^ ppp pp rp ^sm Ah-hum,^^ cer- tif-i -cat-ed wiz-ard and medicineman.
^^^ f7\
i
1(for Ah-hum's entrance)
Allegro
Recitative
USHER
19b
i * ^^J-ilp p7 ^J'O'^ Ipp^ #
Pow-hat-on, Po-ca - hon-tas Braves and Squaws.
iSIndians "Sailing from Far Away Lands"
19'
(entrance of Indians)
L , Andante moderatemw^/
'>#^j:j1j:ja-i~Ti
• • •
s0-
5
fi^a?
5
ir
-rr *
Sr
*-= m
^ma
f^
wH 5
^Sf
i
sfa • *0-- "*
5
^m^ s ^
*• *•
^^^5
^^s fct ;e
*
5:S- :* ^'
s^retard
£ Cn
-/?N
m^E
J.F. & B. 4050 - 109
Tempo di Valse
UNISON {all Indianssinging)
i^ ^
89
g —
*
cean,Sail - ing from far a - way lands o'er the^ ^*~TF
^m -fi-le:
~f7
i ^^ ?2:^
d *
We are the sons of the West, of the West;
4' ^ i i $ ^^ 1$=^
^ 3
* i Ef P r * w —•
—
tion,Hail ing the ban-ner which claims our de ,- vo^ m mm i 1
^^
^ :j
r r ri^ *
all that is
ff r rstand -ing for bright- est and best.^W • ?Stand-ing for
*>^j, J J
aU that is bright -est and best.
l9-^
i j"j i\t i imm ^
v=^ fJ. F. &B.4050 - 109
r r
90
jg^ ENTIRE CHORUS
^^^ *=* £* d * S i( our
Hail - ing the ban-ner which claims (their de -
^TTTi ''^r F r N ^
vo - tion, Stand-ing for
Hail - ing the ban-ner which claims (their de
#^=^ r^rrvo - tion, Stand-ing for
^ ^)
« m ^ ^f n "F=?
.>e^^^^ ^ f
—
t jb=t
J j J|
j J
^
INDIANS
? E * d
r r r T r f
iall that is bright -est and best- Sing - ing our cho-rus we^^?^ * •
all that is bright -est and best.
i):I
=====J \^ d d d
Sing ing our^ cho-rus we
)
piV i
^ f r
Vi a: f j I f
y I?r.
^^i
I i i r ' r-sr:
^mus -ter be - fore thee, Loved of thjr na-tion,the Queen, the Queen;
i p f^ mtm f d—
*
f*=*
==^«T-
J. F. &B.4050 -109
91
i ^ff—p- ^
^Proud are tln^ chiefs and the braves who watch o'er
^thee Swords to dito de
^=F35 EProud are the chiefe and the braves who watch o'er thee Swords to de
S ^EE^ m. ^^^
i TO^^ »=i
^r r *
3:
li^^^d^
r r r ' r r r^^^rend thee are man-y and keen
•ST.
ENTIRE CHORUS^^ ^ * W
^y and keen; Proud are the
ichiefs and the
T^r^r^ ^^» • 22
fend thee are man-y and keen-, Proud are the chiefs and the
i r um m
^rt W I t* IE i^ ±^=M* 5F
^-J7-: ^*
i J J J:J J
?^ ff'
r r r'r r
^ braves who watch o'er thee Swords to de -fend thee are man-y and keen.
i ^^*=¥ m m
braves who watch o'er thee, Swordsto de - fend thee are man-y and keen.
S E ^ * m -» m m
i m mSEf
"—4- i=tr r *
^ I Iis:
St-
J. F. & B. 40.nO - 109
92
im f :!e;
Proud. are the chiefs
.
m fi
and the braves
S 19-=-f m • ^
P* w.5^
^ ia f^ kSMi ^=?
^ M ^ i *p fi.
i J. -^ ly g I
J
f^i^ J JI.T4
Swords. to de - fend.
who -watch o'er thee Swords to de
S ^
i * ^ ±i^ ^*£
r
Pr# 4i4i ±s «==^
"^^^
,^UJ r i ^:iH J.
f ' r r' f^ =F f
thee_ are man - y and keen.
^1r r l
y-I t r tss
fend Ihee are man - y and keen-
^^ i9-=- 19-^rJ g
^^ ^ ^ E^ |4 is:
S^^ >«_
"2:
5o r:
T w je. n AHsn «no >^« I'>d'->n Daiice//wy6tf //(it^r/e^ff -t/fer;/^/.; w<OT^«r. *-
J. YI.& a. 4UoU-10,y^^^s>tegeslio,i s<je both the tibntto and Stage Managers book
93
"Oracles"
Quasi Recitativo
An Usher
|(^-
i J'iOJ-^rjTr [?if^J'>i-i.j ij]^-afe
20
Or-a- clcs from the mouths of the Lions ofthe Towerof London.
^kS
*—y5
*
?
*^jfe^a
e
i#
-* -»-
Andante maestoso
Fl!=
j r-i^J't^M- MJ J'.i'J-'.Ji.hJ'^^^^ ^stTo all whom it maycon-cern, This is the time to live and learn.
4Hii^i '
lUm ^m «^
f
M.\ J J..;.U-_J^.>J^^I J J i >.J' l r<- Dj^
Ah-Meekand Ah - Hum To an a-greement soonmustcome. Ah-Hum^ m p ii ^|e£ ^ i^«gTW i> a ^s ^gte ^ Ir- J'
J
PP sa^i^E^ *5? ^ ^andAh-Meok Re-con-ci-li - a - tion seek. Ah-
^-j! 1- ^ I ^ P^w^^^m ^^^ :^
^ ^ -: ;it i: ;it ^J. F. & B. 40.'50 - 109
94
^^Meek
J J J i IJ J ¥takes Ah -Hum Un - der
^ m 4 ±L
her pro-tect-ing thumb.^^ ^ I^S ^T^^ ^ p|
fet ^^1'"-I J J^. j^ i EfeS* P* ^fAh - Hum finds Ah - Meek Good as gold and tough as teak.^ u^ *i^
s9—6 3
te
"zr -jr
Repeated by the Chorusslowly
st U
m p
§ rjL^ \ ^ p j^ li j.j,j Mij^If these twain of mar-riage are shy, Cer-tain it is that both will die.
feS f 3 fT^*
sgpp misterioso
—;
—zr
^^ /J - J^ J i i\^¥=*
Cap -tain Smith must still be free, Nei-ther killed nor mar-ried be.
i ^ mm 3 ^n^
/
^2i^
J.F.& B. 4050 - 109
95
'Enter, Enter, Chosen Brideg-room"
Recitative and Chorus
Usher and Chorus
'
21
John Rolfe!.
Sop. & AltoCHORUS
:5c: 4Ki^^-jt-
15c:
P P P PEn - ter, en - ter.
Ten or
y
II
J' J' J^ J^
\
BassEn - ter, en - ter,
£
Con Spirito
FAllegro
f £
i^^^/
izp:t^-^
Nl» !•
^^^//
;3:sra:
^
-j/'
^
^rt
^' >\ \ \ i
'
i f'^f fcho - sen bride -groom of the cho - sen bride,.
J^ J^ J' ^^cho - sen bride -ffroom of.
m f
the- cho - sen bride,
1^=s fc ^ijsr
$ i id i
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"I Thank You"
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Andante
22'
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Andante maestoso
23
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iALL VOICES
iw E :?=#77This is a gay And hap-py day. Say! What is the
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J.F. & B. iOoO - 109 End of Act II
/3i H
For Soprano, Alio and Baritone;^2'High-School Use
N9 Price
3293 ,15 PAUL.S. T.
3297 .12 SULLIVAN -RHYS -HERBERT3298 .15 WATSON-PAUL3313 .15 BUCHANAN -RHYS-HERBERT3314 .15 WIEGAND - RHYS-HERBERT3315 .15 PAUL, S.T.3316 .10 PAIT., S. T.
3317 .20 WIEGAND -RHYS-HERBERT3318 .15 FORMAN -RHYS-HERBERT3382 .12 RHYStHERBERT.W.3^01 .15 WILSON, R.H.3428 .12 HERMES -RHYS -HERBERT3431 .12 OFFENBACH-RHYS-HERBERT34a« .15 WILSON -RHYS -HERBERT3475 .15 SILVER, ALFRED J.
3544 .15 SILVER, ALFRED J.
3548 .15 BROWNE-SILVER
3614 .15 RHYS-HERBERT, W.
3648 .15
3753 .15
3754 .12
3757 .15
3758 .15
3829 .15
3892 .1.5
3893 .15
3913 .15
3946 .15
3956 .15
3958 .15
4008 .12
4014 .15
4013 .12
4020 .15
SILVER, ALFRED J.
MEYERBEER- SILVERHUNGARIAN - SILVERWAGNER- PAULGOUNOD - RHYS -HERBERTTHOMPSON -PAULGOUNOD - RHYS-HERBERTD.WIES, E. T.
SINNHOLD, R.
COWEN - RHYS-HERBERTDVORAK-SILVERGRIEG-SILVERRODNEY-HERBERTDONIZETTI-HERBERTYRADIER-HERBERTBERLIOZ-SILVER
The. RaUyWith Hearts of HopeAnchored
Land of Beauty, Fair SavoyInvitat'on to the DanceMedley of American Patriotic SongsGreeting
Graduates' Farewell Song'Tis Our Festal DaySchooldays are O'er
Tramp, Tramp. ''Vacation Song)The Lonely RoseFairest Evening (Barcarolle)
CarmenaAll on a. Summer's DayA Night in MayIndian Dance(See the Harvest Moon is Shining
» A Water Lily
A- Hunting We Will GoWith Courage and Faith
Dance of the Feiiries
SummerSoldiers' Chorus
Come WTiere the Lilies BloomThe DanceFlower Song (Vocal Waltz)
Month of Roses
Bridal Chorus
Caledonian Cradle Song (Humoresque)
Anitra's Dance
Clang of the Forge
Springtime
A Southern Dream (La Paloma)
The Regimental Song
^
.
(^
J'-
Chorus—
Ah-Meek and Ah-IiuiiiTo an agreement soon must come.Ah-Mum and Ah-.McckReconciliation seek.
Ah-.Meek takes Ah-HumUnder her protecting thuml.i.
Ah-Hum finds .\h-MeekGood as gold and tough as teak.
If tliese twain of marriage are shy,
Certain it is that lioth will die.
Captain Smith must still be free,
Neither killed nor married he.
If these twain, etc.
Queen— I think tliat'.s pretty plain. Ah-Meek, you will ha\e to marry the medicine manand give up Captain John Smith.
Ah-Meek—So it seems, but I can't say' I like the idea. Marry that humbug indeed! Youare sure I shall die if I don't?
Queen—Quite sure.
Ah-Meek—Then, as I don't wish to die, it is farewell to Joim.
Ah-Hum-—I could do a better Oracle than that myself. It is rank folly and pififle. Of course
if we are shy of marriage we shall both die, and .so we shall if we are not shy of marriage.Any idiot can see that.
Queen—I'm glad you see so plainly, Ah-Hum.Ah-Meek—It's a nuisance, but I'm not taking any risks, so you'll just behave yourself and
marry me. It will give me something to keep in order.
PowHATON—\\'hat of my cooking?
Ah-Meek—I can cook for you, and manage him as well.
{All-Hunt groans.)
{All-Hum groans again.)
PowHATON—Stop that noise, your fate is sealed.
Ah-Meek—I will make the best of a bad job.
Ah-Hum—So will I.
Smith—For this relief, much thanks.
PowHATON—Now that is settled, we will talk business. Oh Queen, I have come from the land
of the Setting Sun for a purpose. What I say is, give rne gtms.
Queen—You shall have guns.
PowHATON—Do you agree with the Monroe doctrine of "America for the Americans?"
Queen— I don't mind in the least.
PowHATON—Is the young man, John Rolfe. of sufficient importance to marry my daughter Re-becca Pocahontas? If he is, she is his.
Queen—He is indeed, for I shall give him all the rank and importance that is in my power.Behold, he comes.
21. "ENTER, ENTER, CHOSEN BRIDEGROOM."
Recitative and ChorusUsher and Chorus
Usher— John Rolfe!
{Enter Rolfc)Chorus—
Hnter, enter, chosen bridegroom of the chosen bride.
That you're a lucky, lucky man camiot be denied.
Lucky, lucky, lucky man. lucky, ducky maid !
That she's a lucky, ducky duck cannot be gainsaid.
22a. "SAY, HAVE I WON?"
Duet.
Rolfe and PocahontasRolfe—
Say. have I won thy love, O -rarest maiden?Then am I blest beyond all other men
!
Witli songs of peace and joy the air is laden.
And paradise on earth appears again.
J. F. & B, 4050 XXIII
st';r£^/!>i'-'-i"^'^:
POCAIIONTAS-
ROLFE—
Pocahontas-
Together—
Vfs. thou hast won my love, my prince transcendent,I hou reignest in the heart of thy princess.
What happiness is mine! What jojs attendantSing to my .soul and 'round my footsteps press.
Now is the lime when true love is rewarded.
Oil. blessed moment that will make ns one!
.\ fair\land with golden treasures hoardedIs ours forever 'neath a brighter sun.
22b. RECITATIVE.
"I Thank You."'
ROLFE
—
I thank you for your kind reception.
1 hope, yoiir majesty, there's no deception?
Queen—None whatever. Pow-liat-on consents to your marriage. As you are entering the
united state, I create you, in the King's name. President of our new United States of
America.All—Hooray
!
RoLFE (Bozviitg lozc)—Our heartfelt thanks. The United States of America have a glorious
future before them.
.\ll—Hoorav
!
Principals .\nd ChorusSmith—
23. FINALE.
l'"ar in the future see
Millions are thronging.Boasting of liberty,
Cherished belonging.O'er them a banner waves
Noted in story.
Hated by coward knaves.Flag of our glory !
Mighty land! Mighty land!Thou art .America
!
Home of the Northerner.Home of the Soutlierner,
Easterner, Westerner,Layman and cleric, aLand that is truly grand,Hail we j^merica
!
ChorusMighty land!
etc.
Might v land!
Noted in story,1' lag of our glory.
We hail thee .America!
This is a gayAnd happy dav.
Say!'
What is the wavTo romp and play.
Eh?
Hail the bridegroom, hail tlic bride!
(Curlain)
Mossr-i. ,T. Fischer & Bro., 7, 8, 10 ,ind 11, Bililo Ilnnsc New York, will appreciate themailing to thein of programmes, etc, referring to performances of their operettas. All suchix'rformances w ill be entered on their records.
Posters, announcing intended performance, for window display.
The puhlishcr< liav(> iireparcd an attractive poster wliicli they offer for sale at a lowprice. Specimen copy will be mailed and prices quoted upon request. Other attractiveadvertising matter is also available.
J. F. & r.. 40.=i0 XXIV
{/
FISCHER EDITION SUCCt5SES
Operettas by
W. RHYS-HERBERT
NEW!TheWild Rose
THEDRUM-MAJOR
OFENET7/7
Book and Lyrics by MAUDE ELIZABETH INCH Music by EDWARD F. JOHNSTON
IN' The Drum-Major" the author, lias drawn uiiou the Ei?l)teonth CenUiry for iiispiriitiou, ami has produci"*! avery iittraciive scory of the J-'irst Empire in Frances The tone is distinctly military. Seifieaiit Lerous hasarrivixl in Passy, near Paris, for the purpose of enlisting recruits for the army. Unfortiinau'ly his visit hasfallen upon the Nilhige fete-day, and the young men are inililf'rent tT the charms of military glory. lu ad(ii-
tion to this, Clarice Dupre, a general's daughter, is the innocent cause of the Sergeant being left severely alone.On di-scovering this she offers her .ser\ices, and in a short time all the young men of the place, catching her entlm-siasm, join the colors. Jean, the village musical genius, is completely enthrallpd by the beauty of Clarice and thedream of writing a march that will inflame the soldiers to unheard-of feats of bravery. His sweetheart, Babette,mourns his departure, while Leroux, deeply in love with Clarice, marches away with no less than flfty-eix futurefield marshals.
Act Two opens up with the celebrations which follow the fall of the Bastile, two years later. Clarice,
hoping to have news of Leroux, comes back to Passy, hut nothing is known save that .Jean's march-song has be-come famous. Suddenly the weary soldiers are seen limping back painfully to their native town. Babette joyfully
forgives Jean and Clarice is gladdenwl by the arrival of the brave .Sergeant, who forgets in the arms of his dearlady-love all the toils and tribulations o" the cainpaign.
Of the twenty-eight nuinbers in this ojieretta there are so many worthy of prai.se that we scarcely knowwhich to select for special commendation. The song of I>>roux in the First Act, ' AVhat ^ound is that WhichBreaks the Air?" with the chorus, "Tramp, tramp, tramp!" and the chorus in the Second Act, "Fretichmen Upand On to Glory I" are particularly strong and martial.
Vocal Score, net $1.00 Stage Manager's Book, net $1.00 Vocal Score, with French Libretto, net $1.00
J. FISCHER & BRO. NEW YORKPublishers of "Pylvi,
7, 8, 10 & 11 Bible House. Eighth Street and Fourth Avenue", "r.i-T.nii ', ''A Nai-thai, K.\-ot" and ' TuE Bo'sn's Bkide" by W. Rnv.j-H«RBBRT.
•Kixt) Hal" Opera by H. J. &;"ewart.
M1503J655P644
POCAHONTAS
Comic Operetta
Illustrations of
Characters, Etc.
DRAWINGS BY ARTHUR J. ELDER
Clolk wound o| SKirt-
WillllillHIIKtlM'
AH-nEE.K
Kindly fill in this blank and mail to
J. Fischer & Bro., 7, 8, to& ii. Bible House, New York, for their tile.
rerformancp-^v/
TqgahoWtas
Oiiii/iiizui/ii/ii
Date (i)"
( itv
CHARACTERS
POCAHONTAS
POW-HAT-ON
JOHN ROLFE
ENOES-IT-ALL
JOHN SMITH
AH-HUM
AN USHER
AH-MEEK
LADY BIRD
WAH-WAH-TAY-SEE
QUEEN ANNE"^For Signalute of Cast
Musical Director
Stage Manager _
Orchestra consisted of players. Chorus.
Approximate attendance.
CAST
Cu-Um a ^a'sl"
(?,dm^ OrccckeS
Go. iters
T\A Tcct
Cc
sUr^J:!liSubst.Utc.
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skirl k/il-k
hi l.,«^ t if
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Ciotk Ztnh
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vJoKh Rolfc. '^ ^1
Cchioiir, SV>(^^^
Ho-ir ji^fffi
Uadiei o\ courl- <xrc
a.r\iL Train.
Queen wcar^ ^raln or clofl."
Kc^^cj^^,^ from sU-ldfrs
Qi/ce rv.
UsKer cJr Court
Ma.1- Blo-ok
Red. I^OJcflci
u/k,ic sunColkr
CoaJ- ^fa.ck
or Crim S«n
•gloves bjLtt.
U/liil't i'/itiunct
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Ca,n lit ma.iit_
]j Vvimdino srnhs
OJ do.rK tyiaJeriitL'
a.rou.r\d. loeY t lee.
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Ca.r\ be rn^Jc.
Sboj^r ry\tLde. en bd-nt boo bijL-rn /^licUtlu to C/uc Color
"''n<i oyer v- haJtnt rou.tjhlk
Over 6. ^'S-^ Po ^
fou^l, I^ u/ill '"a^-e «. oou^<.
r,kc lorn f«»vi '7 ^'' -'^'' '"^^
fob * Pou-ci) burltb VA/ow-nd. rau-Aoi
oj- Ca.vcL
Published by
J. FISCHER & BRO.NEW YORK