plein-air painting in lunenburg hangama amiri...onboard the ocean going, sail training ship, s.v....
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Plein-air Painting in LunenburgHangama Amiri
This five-day workshop is for students, both beginners and intermediate painters, working in acrylic. Each class will begin with a short introduction and presentation on Plein-air painting, including who were the artists working behind this art movement, and what were the main important keys of painting outdoors. Students will learn to enjoy exploring painting en plein-air, with the primary focus on how to capture the sense of sunlight in landscape, views of our harbour, and architectural buildings around Lunenburg County. This course is recommended for all levels.
July 4 - 8, 201610am – 4pm$400
Hangama Amiri graduated from NSCAD
University with a BFA (Major in Fine Arts)
in Halifax, Nova Scotia in 2012, and
currently is a Fulbright Scholarship
student at Yale University in New London,
Connecticut. Hangama has exhibited her
paintings nationally and internationally,
recently in New York, Toronto, and London.
Her collaborative project, "Dome of Secret
Desires" was shortlisted at 5th Passion For
Freedom Festival London (UK), 2013, and
at Arte Laguna, Prize in Venice Italy (2013),
and her recent collaborative video project,
"My Motherland" 2015 was premiered at
Aga Khan Museum in Toronto.
Amiri has won the 2011 Lieutenant
Governor's Community Voluntarism Award,
the 2013 Portia White Protege Award, and
in 2015 her painting "Island of Dreams"
was one of the two runners-up in the Royal
Bank of Canada’s national RBC Canadian
Painting Competition.
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Summer 2016
Shape and Surface Inspired by LunenburgJoan Bruneau
Using earthenware, slip and glazes, this workshop will explore form and surface relationships inspired by Lunenburg's unique architecture, material culture and marine environment. Architectural ornament, the objects, buildings and marine life unique to Lunenburg will serve as the muse for developing vessel forms and surface ornament. Using the wheel as primary forming tool, throwing and altering shapes will be demonstrated and explored. Slip decoration techniques will be demonstrated and explored. Demonstrations will be supplemented with illustrated lectures. Participants should have basic throwing skills.
July 4 - 8, 201610am – 4pm$400 + $50 materials fee
Joan Bruneau is a professional Studio
Potter and Regular Part-Time Ceramics
Faculty at NSCAD University, in Halifax,
Nova Scotia, since 1995. She has her
studio/showroom “Nova Terra Cotta” in
Lunenburg, Nova Scotia.
Joan was born in 1963 in Halifax. Her love
of travel and food sparked her desire to
become a potter after discovering the
authentic cuisines and pottery traditions of
Europe on a trip in 1983-84. She went on
to earn her BFA from NSCAD University in
1988, and MFA from the University of
Minnesota in 1993.
Joan teaches workshops across North
America and has taught in the Distance
Ceramics Diploma Programs at Red Deer
College, the Australia National University
and the Glasgow School of Art.
Joan’s work is exhibited throughout North
America and is in recognized private and
public collections, including the Art Gallery
of Nova Scotia (AGNS), Canada; Sykes
Gallery, USA and Jingdezhen Ceramics
Institute, China.
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Summer 2016
Bowl O RamaDouglas Bamford
Bowl O Rama is a workshop that focuses on ceramics skills intensification through the making of bowls mainly on the potter’s wheel. Students will be led through a series of exercises intended to further develop throwing technique as well as to encourage and promote the emergence of a personal style. Ongoing discussions on material choices such as clay and glaze pallet development are interwoven into daily demonstrations and exercises. Participants should have basic throwing skills.
July 11 - 15, 201610am – 4pm$400 + $50 materials fee
Douglas Bamford lives in “Old Town”,
Lunenburg, N.S. He splits his time between
a vibrant studio practice and his position
as Senior Ceramics Technician at NSCAD
University, in Halifax, Nova Scotia. Douglas
holds a diploma from Sheridan School of
Design, 1975, where he majored in both
furniture design and ceramics, and a BFA
in Ceramics and a B.ED (Art Education)
from NSCAD, 1995.
Douglas has a rich background as a
ceramic artist, a builder, furniture and
fixture designer, educator and public artist.
He recently completed a major
Architectural Ceramic commission, a
public installation entitled; “Steel Making”
in Sydney, Cape Breton.
His stated inspiration: “As an artist and
designer I have a love of useful and
beautiful objects. My art is an
investigation of the history and meaning of
ornamental language and it’s place in a
contemporary world. I attempt to make
meaningful provocative and accessible
objects and monuments using such stable
timeless icons as architectural ornament
and ceramic tile pattern.”
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Summer 2016
A Lunenburg Sketch-aboutEmma FitzGerald
This course is for any level of sketcher, o�ering a unique opportunity to be immersed in historic Lunenburg, which o�ers brightly coloured heritage buildings, a working harbor and vibrant boat-building culture for sketching. Our format will be both our personal sketchbooks, and some larger works on paper.Over the course of five days we will break down sketching into various parts: 3-hour morning workshops, which participants can then integrate into their own sketching practice in the afternoon. There will be ample time for feedback from the instructor and fellow participants. This course emphasizes finding new ways of seeing over specific techniques.
July 11 - 15, 201610am – 4pm$400 + $25 materials fee
Emma FitzGerald was born in Lesotho, Africa,
to Irish parents, and grew up in Vancouver,
Canada. She now calls Halifax, Nova Scotia,
home. There she works as an illustrator and
runs a house portraiture business.
Emma has worked in architecture o�ces
across Canada, and in Johannesburg, South
Africa, and has taught architecture in The
Gambia, West Africa. She completed her
studies in Fine Art at the University of
British Columbia, spending one year at
L’Ecole Nationale Superieure des Beaux Arts,
Paris, and completed her Master of
Architecture at Dalhouise University in
Halifax. Emma has taught sketching in
Paraty, Brazil, at the 5th Urban Sketchers
International Symposium, and will be
returning to give a workshop at the 7th
symposium in Manchester this summer. Her
first book, Hand Drawn Halifax, (Formac
Publishing, 2015) quickly became a
well-loved best seller, as it expresses
through drawings and words the essence of
her chosen home city. She is thrilled to be
returning to teach at LSA for a second time.
www.emmafitzgerald.ca
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Summer 2016
Beyond The Press: Print + PlaceCharley Young
In this week-long printmaking course, students will work to investigate the relationship between place and print through the creation of two woodcut projects. Using conventional and unconventional approaches to print, site-specific interactions will serve as the basis for printed imagery. Students will work independently to develop a series of handprinted woodcuts. Through demonstrations, personalized instruction and hands–on practice, students will explore plate preparation, wood block carving, inking and hand printing. This course is recommended for all levels.
July 18 - 22, 201610am – 4pm$400 + $50 materials fee
A native of Calgary, Alberta, Charley holds
an MFA from the Maine College of Art in
Portland, Maine and a BFA from NSCAD
University in Halifax, Nova Scotia. She is on
the faculty at NSCAD University and at
Mount Allison University, in Sackville, New
Brunswick, where she teaches traditional
and unconventional approaches to drawing
and printmaking. Charley has been an
Artist-in-Residence with the Arctic Circle
Program (2014); The Ban� Centre (2013);
The Vermont Studio Centre (2013); Spark
Box Studios (2013) and Klondike Institute
for Arts and Culture (2012).
As an interdisciplinary artist, Charley’s work
is primarily drawing, sculpture, and public
installation. To date her work includes
large-scale mono-prints of historic building
facades, intimate portraits of vanishing
mountains and portraits of ephemeral
icebergs. Ever interested in the
architectural and human marks that
become embedded within places, she is
interested in filling natural, architectural,
and emotional voids. An avid explorer, her
work desires a direct and sensory
experience within a location that becomes
transcribed indexically. Her studio is located
in the North End of Halifax.
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Summer 2016
Kids & Clay Summer CampAlexandra Moore
In this fun 5-day creative exploration, students ages 10 – 15 will learn several di�erent approaches to handling and working with clay and glazing. We will begin camp with learning the basics of “hand building” and then move on to the potter's wheel. Each class will begin with an open discussion involving books and related images, a brief drawing session and demonstration in preparation for making, so as to ensure that we all have a loose vision of what we want to make before we start building. Each student will have his/her own shelf in the Ceramics Studio where they may store their clay creations. This class will also include a visit to local galleries and art studios.
July 25 - 29, 201610am – 4pm$285 includes materials
Alexandra Moore is a multimedia artist, with
her studio in Lunenburg, Nova Scotia, where
she also lives. Alex’s postsecondary education
began with a program called Class Afloat - a
year of University level academia delivered
onboard the ocean going, sail training ship,
S.V. Concordia. She graduated from the Class
Afloat program with an interdisciplinary
certificate, awarded with a�liation from
Acadia University. It was during Alex’s time
abroad that she decided to pursue a degree
in the arts. In 2012, Alexandra graduated from
NSCAD with a BFA in Interdisciplinary Studies.
During her time of study at NSCAD she
completed a semester exchange program in
Lisbon, Portugal, where she studied Ceramics
at the Centre de Arte & Comunicacao Visual
in 2011.
In 2014 Alexandra opened her business
named Spearwater Studio, which showcases
her multimedia work and is based in
Lunenburg, a UNESCO World Heritage Site.
Whether it’s stone carving, sculpture, textiles,
painting, metalwork or ceramics, she feels her
work is successful when the simplicity of form
and the use of colour are in play.
alexandrajrmoore.wix.com/spearwaterstudio
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Summer 2016
Paints, Paper & Practice: The Art of Sketch BookingJason Skinner
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Summer 2016
This fun filled course is ideal for youth from the ages of 10 to 15 interested in learning and developing sketch booking skills. More than just sketching, course participants will have the opportunity to explore the Town of Lunenburg and gather inspiring materials, all the while learning fun mark-making techniques ranging from drawing, print, painting, and collage. The resulting books will form a unique and personal journal that could be used for future artwork or simply to enjoy as beautiful, stand-alone colour-filled works of art.
July 25 - 29, 201610am – 4pm$285 includes materials
Jason Skinner is a Halifax based artist and
illustrator working in collage, print and mixed
media. He graduated from Sheridan College’s
Illustration program in 2008, followed by a
BFA degree from NSCAD University in Halifax,
Nova Scotia in 2011. His work has appeared in
a variety of trade and commercial
publications such as, THIS magazine, Applied
Arts magazine, RPANO Journal and The
Chronicle Herald. In the fall of 2011, Jason
represented Canada as an international judge
for painting at the 8th International
Abilympics in Seoul, South Korea. As an Artist
in Residence in the NSCAD – Lunenburg
Community Residence/Studios Program, in
Lunenburg, from September 2011 through
August 2012, Jason focused on the
“Community” portion of this program and
devoted himself to creating a series of works
inspired by key features of the Town. The
Lunenburg painting series inspired his
involvement in Youth Arts Week where he led
a week long, child and youth art initiative
engaging with students at the Lunenburg
Academy, Bayview Community School, and
Parkview School in Bridgewater. He was also
invited to mentor a group of youth in a
place-making initiative by the Town on
Bridgewater to revitalize several public
benches. His most recent works can be seen
at jasonskinner.ca or tomorrow.is where he
frequently contributes as
Illustrator-in-Residence.
Building a Drawing – Drawing a BuildingRoger Mullin
In this workshop we will be drawing on large format paper, utilizing a portable lightweight drawing board, conte (charcoal) and india ink. The drawing period involves exploratory work in the historic town of Lunenburg. This session invites participants to draw views directly as a means to represent the urban context in detail at a variety of scales. Over several days participants will build and develop drawing skills. This course is recommended for all levels.
August 1 - 3, 201610am – 4pm$250 + $25 materials fee
Roger Mullin is an Assistant Professor of
Architecture at Dalhousie University. He
practiced Architecture in Canada, the USA
and Germany and has lectured in Canada,
the USA, Africa, Norway and Ireland. His
work has been published with OnSite
magazine, Building Magazine, the Journal
of Architectural Education and the Welsh
journal, MADE. He is currently a full-time
tenured faculty member at Dalhousie
University.
Roger continues to o�er drawing
workshops in Canada, Croatia and Europe.
He is especially excited and honoured to
be returning to Lunenburg to work with
the LSA and interested participants during
the summer of 2016.
rogermullin.wordpress.com
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Summer 2016
Colour and Pattern on ClayAdero Willard
Do you love colour and pattern, and want to expand your ceramics decoration techniques? Or just love new ways to work with clay? This workshop will reveal a variety of ways to achieve intricate surfaces on clay. I will share with you my approach to form and decoration, using techniques for layering surfaces borrowed from textile, painting, and ceramics traditions. Through demonstrations and hands-on practice the goal of this workshop is to stimulate curiosity and encourage exploration in order to generate new ways of working with form and surface. This course is recommended for all levels.
August 1 - 5, 201610am – 4pm$400 + $50 materials fee
Adero Willard currently lives in Western
Massachusetts where she is a studio potter
and instructor of ceramics at Holyoke
Community College. Adero received a
Bachelors in Fine Art at Alfred University
in 1995 and Masters of Fine Arts at Nova
Scotia College of Art and Design in 2006,
where she studied with Walter Ostrom and
Neil Forrest. She completed a year-long
residency in 2008 at Watershed Center for
Ceramic Arts in Maine, where she was the
Salad Days Artist. As a full time artist,
Adero has shown in a number of galleries
and craft shows nationally, including Ferrin
Gallery, Craft Boston and Smithsonian
Craft Show in DC. She has taught at a
number of universities and art centers
throughout her career. Adero’s work is
featured in a number of publications and
books on ceramics. Her interest in surface
decoration is lifelong, and is fueled by a
passion for textile design, painting, and
collage.
www.aderowillard.com
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Summer 2016
Spinnaker Seas: Silk Screen Printing on ClothNancy Price
This workshop utilizes the basic tools and materials found in silkscreen printing in combination with constructing image using stencil resist. This is a hands-on exploration that will familiarize us with the process and materials used in silkscreen printing. Drawing inspiration from the landscape, historical architecture, and boats of Lunenburg we shall translate these interests to create our own print designs. The first two days we shall explore colour, line and rhythm and the final three days we will design an independent print project which can take the form of an apron, placemats, or a bag. This course is recommended for all levels.
August 8 - 12, 201610am – 4pm$400 + $65 materials fee
Nancy Price was born in Sault Ste. Marie,
Ontario, and has resided in Nova Scotia for
most of the past twenty years. She taught
three consecutive years as sessional faculty
in the Fibre Department at the Alberta
College of Art and Design in Calgary,
Alberta and holds an adjunct faculty
position at NSCAD University, in Halifax,
Nova Scotia, where she has been teaching
for the past 10 years. She has a BFA degree
from the Ontario College of Art (1984) and
MFA degree from the NSCAD University
(2002). Most recently she studied at La
Chambre Syndicale de la Haute Couture
Parisienne in Paris. She has received
awards and award nominations for her
textile/fashion work. Her design and textile
experience includes working in Italy, Japan,
and at Canada’s legendary Stratford
Festival. Nancy’s distinctive accessory
designs have appeared in boutiques such
as ICCI and Holt Renfrew World Fashion
Lab in Toronto, alongside international
clothing designers, and in film. Her work
has appeared in several exhibitions.
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Summer 2016
Everything You Always Wanted to Know About PotsWalter Ostrom, CM
Pottery has always contained cultural, economic, technological, religious and aesthetic information. The goal of this training camp/workshop/clinic/class is to introduce the notion of historical context: contemporary practice. It is the basis of developing a strategy to make more personal and more informed work. Course format: slide presentations and group discussions each morning and meeting with individuals during the afternoon. This course is recommended for experienced potters.
August 8 - 12, 201610am – 4pm$400 + $50 materials fee
Walter Ostrom, CM was recently
appointed Professor Emeritus of Ceramics
at NSCAD University, Halifax, Nova Scotia,
Canada, recognizing and honouring nearly
40 years of teaching ceramics. In receiving
that designation, he said, “teaching has
been my main focus and really what gave
me my greatest challenge and reward.” In
1997, he was awarded an Honorary
Professorship at the Jingdezhen Ceramics
Institute in Jingdezhen, Jianxi Province,
People’s Republic of China. An
outstanding educator, he is committed to
Craft practice and theory.
Walter is regarded internationally and in
Canada as a technical and academic
expert in low-fire maiolica, an ancient
ceramic technique that he has personally
tailored through innovations and
decorative methods to reflect the
geography of the places where he has
lived, whether Nova Scotia or the Far East.
His body of work has developed across
many aspects of ceramics in the span of a
nearly 50-year career, from experiments in
high conceptualism in the 1970s to a
contemporary focus on the exploration of
the vast history, hybridization and social
foundation of ceramics. In 2007 Walter
was invested into the Order of Canada.
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Summer 2016
Bookbindingthrough the AgesJoe Landry
In this introductory course you will learn how to make book structures dating as far back as the second century. Over the five days of the course we will learn a variety of paper decorating techniques that you will later use in the books that you will make. The book structures will include limp paper bindings, a Coptic binding and a hard cover case binding among others. We will also be exploring several common book and paper repair techniques. This course is recommended for all levels.
August 15 - 19, 201610am – 4pm$400 + $50 materials fee
Joe Landry has been teaching Book Arts
at NSCAD University, in Halifax, Nova
Scotia, for the past 16 years. He
developed a love for bookbinding while
working at his uncle’s bindery on St.
Margaret’s Bay Road in Halifax. He has
extensive training as a Bookbinder and
has studied Binding and Printing from the
London College of Printing; additionally
he has a degree in the Conservation of
Rare Books and Manuscripts from West
Dean College, in West Sussex, UK. Joe
has also trained in Italy, and is an expert
in Byzantine and Medieval bindings.
During his career Joe has made books for
the Royal Family and has worked on
books from The Great Fire of London. He
owns and operates Leaf by Leaf, where
he specializes in book and paper
conservation and custom fine bindings.
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Summer 2016
Landscape Painting in Water ColourTom Ward
This five-day course will have a mixture of plein-air and studio painting. Each morning the students will paint at selected sites around the town of Lunenburg and bring these works into the studio during the afternoon. Any source material such as sketches, photos or even memory may be drawn upon to further develop a more finished painting. Concepts such as composition, brush work, colour etc. will be discussed in relation to the students work. During each day Tom will give a demonstration of his painting technique along with group and one on one instruction. This course is recommended for all levels.
August 15 - 19, 201610am – 4pm$400
Born in Halifax, Nova Scotia in 1959, Tom
studied geology at Dalhousie University
and worked for four years in the
oceanography department at the university.
In 1986, he pursued a combined degree in
Fine Arts and Art Education at NSCAD
University in Halifax, graduating in 1991. He
worked for a year as a teacher. Since 1993
he has been working full-time as a painter
in watercolour. Tom’s goal is to paint the
light and what that particular light evokes
in fact and mood. He is drawn to a
consideration of how we mark time in the
rhythms of daily rural life and how the
cyclical aspect of nature holds a quality of
the eternal. He is also drawn by the
relationship that exists between the
landscape, the ocean and the people. In
terms of composition, Tom tends toward
strong abstract patterns of light and
shadow within the realist images he paints.
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Summer 2016
Encouraging Your Photographic EyeChristopher Porter
This workshop won't be mired in the latest tech-talk, but instead, centre on your photographic intent and its interpretations. Time will be taken to further students expressions and develop how they see. Each day will begin with a talk, then we will move into the Town to confront unique assignments exploring techniques and how to expand vision. Time will be given to discuss any technical issues so that students can feel free to actually make the images they want. On the final day the group will select two images from each student for a show in the school. This course is recommended for all levels.
August 22 - 26, 201610am – 4pm$400
Christopher Porter began his career as a
stills photographer and lighting director
before becoming a cinematographer. His
photography has been presented
internationally in solo exhibitions,
publications, hotels and public spaces.
This past summer Christopher’s solo
exhibition ‘Urban Stillife’ opened at The
Ellis Gallery in Lunenburg, Nova Scotia.
This exhibition featured images from eight
months of travel in Beziers, Copenhagen,
Hong Kong, Hangshou and Marseilles. In
addition, he recently curated the
black-and-white photography show, ‘A
Shade of Grey’, at the Chester Arts Centre.
Porter has worked internationally with
directors and producers on feature films
including the Academy Award winning
‘Brokeback Mountain’, locally shot film ‘The
Disappeared’, ‘Shipping News’, and many
more. He is a graduate of Dalhousie
University, earned a M.A.A. from Ryerson
University and calls Lunenburg home.
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Summer 2016