pl 4 black key major chords

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Piano Lession #4: “Black Key” Major Chords Major chords where the root is a sharp or at key are built the same as other major chords: the third is two  whole-steps above the roo t, and the fth is a step and a half above the third. These chords, at rst, feel strange to play because the root and fth are usually black keys so your hand position changes slightly. Go ahead and let your ngers slide deeper up into the keyboard. It is true that you usually play at the ends of the black keys - in order to keep your ngers curved to enable strong playing - but here it becomes awkward to do so. When you play a white key in these chords you’ll probab ly be playing the skinny part of the key between the black keys. On the following charts, the parallel chords are aligned horizontally. Remember, for example, that C # is the same key as Db. The C # chord and the Db chord, then, use the same keys, but they are named differently depending on which chord is called for. The same is true of the D # and E b chord, and on down the list. E #  /Fb and B#  /C b major chords were omitted because their notations are more complicated, and it’s highly unlikely that you’ll be called upon to use them anyway. Major Chord Root Third Fifth C # D# F# G# A# C # D# F# G#  A# F G  A# C D G#  A# C # D# F Major Chord Root Third Fifth Db E b Gb Ab Bb Db E b Gb  Ab Bb F G Bb C D  Ab Bb Db E b F    C             #     M   a    j   o   r      D             b    M   a    j   o   r

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Page 1: PL 4 Black Key Major Chords

8/14/2019 PL 4 Black Key Major Chords

http://slidepdf.com/reader/full/pl-4-black-key-major-chords 1/1

Piano Lession #4: “Black Key” Major Chords

Major chords where the root is a sharp or flat key are built the same as other major chords: the third is two whole-steps above the root, and the fifth is a step and a half above the third. These chords, at first, feelstrange to play because the root and fifth are usually black keys so your hand position changes slightly.

Go ahead and let your fingers slide deeper up into the keyboard. It is true that you usually play at the ends

of the black keys - in order to keep your fingers curved to enable strong playing - but here it becomesawkward to do so. When you play a white key in these chords you’ll probably be playing the skinny partof the key between the black keys.

On the following charts, the parallel chords are aligned horizontally. Remember, for example, that C # is the

same key as Db. The C # chord and the Db chord, then, use the same keys, but they are named differently

depending on which chord is called for. The same is true of the D# and E b chord, and on down the list.

E # /Fb and B# /C b major chords were omitted because their notations are more complicated, and it’s

highly unlikely that you’ll be called upon to use them anyway.

Major Chord Root Third Fifth

C # 

D#

F#

G#

A# 

C #

D#

F#

G#

 A#

F

G

 A#

D

G#

 A#

C #

D#

F

Major Chord Root Third Fifth

Db 

E b

Gb

Ab

Bb

Db

E b

Gb

 Ab

Bb

F

G

Bb

D

 Ab

Bb

Db

E b

F

   C            #    M  a   j  o  r

     D            b

   M  a   j  o  r