photography for beginners - issue 33, 2014
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WELCOMEIssue 32
Photography for Beginners 3Share your shots at.. . photoforbeginners.com
For more great photo tips, head to photoforbeginners.comGet in touch with us Ask questions, leave feedback on the magazine or share your shots via the following social sites
For more great photo tips, head to photoforbeginners.com
@PFBMag PFBMag PFB Magazine [email protected] photoforbeginners.com
Welcome5 essential skillsyou will learnin this issue01 LIGHTING SKILLSLearn to manipulate the lightfor great shots on p18
02 GROUP PORTRAITSDiscover the best settingsand composition tips on p38
03 USING FILTERSTurn to p44 to see how an NDgrad can improve landscapes
04 CONTROL APERTUREOn p52 we show you how toblur backgrounds and more
05 ELEMENTS 12Master the latest version ofPhotoshop Elements on p58
Photography is all about light. Its so important toget this fundamental element right if you want tocapture stunning shots, so this issue werebringing you a fantastic Beginners Guide tolighting on p18. Weve also got a guide to group
portraits on p38 to help you get great shots offamily events and more and a 5 minute project onusing lters to improve landscapes on p44.
Once youve perfected your shots, read our guideto Photoshop Elements 12 on p58 to enhancephotos even more. Dont forget to post yourcreations on the PFB gallery at www.photoforbeginners.com and you might justget to see it in the mag! Enjoy the issue.
Amy Squibb Editor
Follow us at @PFBMag
WELCOMEIssue 33
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SUBSCRIBE TO...
48 GET MONEYOFF ISSUES!SHOOT18 Tricks for perfect lighting
Techniques, skills and DIY methodsfor beautifully lit shots of any subject
29 Unlock essentialphoto secrets todayTips for composing, focusing, settingsand more for amazing photos every time
38 Great group portraitsTake your best ever group shots withadvice on poses, modes and more
44 Use ND grad lters forbetter landscapesCapture all the tones in your scenewith this essential accessory
46 Fantastic reworksLearn how to recreate this amazingrework capture with simple tips
50 Share a photo a daywith the Blipfoto appShoot and share only your very bestshots on this image-based app
52 Why control your aperture?Understand the key to creating softbackgrounds and sharp landscapes
EDIT58 Master Elements 12The great new features of the software
made easy in simple to follow guides
64 Selectively colour changeAlter hues completely in just four steps
66 Easily correct exposuresusing DxO Optics ProSteps for adding a bit of punch tophotos with simple edits
SHARE70 Make a website to
showcase your shotsA step-by-step guide to usingSmugMugs online photo service
72 Create a photobook fromyour Facebook accountUse Blurb to make a stylish albumfrom your social network shots
74 Design a collageusing PictureCollage MakerA great way todisplay yourphotos
S h a r e y
o u r s h
o t s
p h o t o
f o r b e g i
n n e r s
O r s e a r c
h f o r P F
B M
CONTENTSIssue 33
29Tricks revealed for pro-looking images
Unlock essentialphoto secrets
Turn to p32 to master manual
Get balanced exposures on p33
For back issues & more go to
52 Easily create soft backgroundsMaster aperture
Learn all about RAW over on p36
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6 Photography for Beginners
Your photosWe love seeing the fantastic photos ourreaders send us each month, so wethought wed print our favourites right here! W I N!A S am sung 16G B memor y c ardE ve r y is s ue , on
e w inner w i l l rece i ve a
Samsung 16 GB SDHC me mor y
ca rd
or a pr i ze o f equa l va lue
w w w. s am s ung.com/u k
Fu l l te rm s a nd cond i t ion s
a v a i l a b le on l ine
6 Photography for Beginners
READERS GALLERY
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photoforbeginners.com Photography for Beginners 7
YOUR PHOTOSReaders gallery
Tyne BridgeThis is the Tyne Bridge readyfor the Great North Run. I useda polariser and tried stickingan ND8 over the top.Shot on: Canon EOS 550D, ISO200, f22, 40secSent in via: Email
Reader: Andy Dodds
YOUR PHOTOSReaders gallery
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YOUR PHOTOSReaders gallery
8 Photography for Beginners8 Photography for Beginners8 Photography for Beginners
YOUR PHOTOSReaders gallery
Reader: Silvia LiMirror SunriseI have just moved to a new area andwas glad to nd this lake close tohome for a peaceful sunrise."Shot on: Canon EOS 650D, 8-16mmlens at 16mm, ISO 100, f22, 0.3sec
Reader: Derek DonnellyArch Bridge"This is the spectacular thirteen-archviaduct at Haltwhistle. I had to walkalong the riverside to get the photo."Shot on: Canon EOS 60D, ISO 100,f22, 1/3sec with 4x ND lter
Reader: Telina WillisButtery
This macro photograph wastaken in a tropical buttery house
in Seaford, Ireland.Shot on: Fujilm FinePix S4400,
ISO 200, f12, 1/160sec
Reader: Jamie AkhurstDawn On The HeathThis was taken at Hotheld Heathlandsin Kent. We arrived half an hour beforesunrise to scout out the best position.Shot on: Canon EOS 60D, 10-20mm lensat 10mm, ISO 100, f13, 8sec
Reader: Dave FlynnBut I Dont Want A BathThe setup was quite simple. It was ina conservatory that had light comingthrough the windows from the left andabove through the skylights. Thebackground is a simple bed sheet andthe props were purchased from anearby shop.Shot on: Nikon D90, 18-70mm lens at31mm, ISO 200, f4, 1/100sec
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Buildings, bridges, landmarks and statues all makefantastic photography subjects, and best of all,they are so easy to nd. Whether you explore yourlocal area or travel a little further away, you willnever run out of fascinating structures to shoot. Itis also possible to get stunning shots with anycamera, as even your cameraphone can producegreat architectural images. Of course, it helps if youknow exactly how to photograph buildings in orderto get the most striking and dramatic shots, as thecomposition, lighting and even the focal length you
use can play a big part in the nal look of yourphoto. In Issue 32, we took you through ouressential tips and tricks for taking great photos ofbuildings, and thenwe challenged youto send in your bestshots. Here is aselection of some ofthe excellentarchitecture shotswe received.
ArchitectureOur Beginners Guide to shootingarchitecture can be found in PFB Issue 32. Get back issues from
WE CHALLENGED, YOU DELIVERED
Your nextphoto challengePerfectly lit photography
After reading this issues guide to great lighting, send usyour best well-lit shots that show you have been creativewith light. Enter by 27 December 2013 for a chance to win
a MAGIX PhotoStory on DVD 2013 Deluxe.Prize may be substituted for an item of equal value.
Full T&Cs available online.
W IN!P hot oSt or y on DV D sof t w ar e Sendus y our shots for a chance to wina copyofMAGIX P hotoStory onDV D,cour tesyof w ww .mag ix.com.T hissof tware, which allows
y ou to turnyourphotos into f antasticslideshows, iswor th70 / $7 0.
St PaulsFor this shot, it was important to nd a
vantage point that provided a frame. Iwas fortunate enough to nd some
suitably positioned trees.Shot on: Nikon D90, 18-105mm lens at
18mm, ISO 200, f10, 1/400sec
Reader: Kevin Thornton
10 Photography for Beginners
READERS CHALLENGEArchitecture
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Reader: Kathy OwnbeyTitle: Chapel In The Woods
Reader: Amy-Lee WineldTitle: Warm Mill
Reader: Tony WoodwardTitle: Gherkin
Reader: Joe TylerTitle: Crazy Stairs
Shar e y o ur s ho t s a t p ho t o f o r b e g i nne r s .c o mo r s ear c h P F B Mag o n
REA DERS CHALLENGEArchitecture
Reader: Janet GordonTitle: View From Platform 5
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Share on our social sites Join the Facebook, Twitter and Flickr communities @PFBMag
Click the Compose New Tweet box and selectAdd An Image. Find your shot and click Open.Write some text, include @PFBMag, then clickTweet and we will see your photo!
PFB MagazineHit Upload to add images. Click on the imageyou want to share, then click Share>Grab thelink. Email it to [email protected] or post it to us on Facebook or Twitter.
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Also share on our website Head to www.photoforbeginners.com nowBecome our favourite!We pick our favourite shots tohighlight in our Featured Imagesection. This could be you soon,so get uploading!
Create a galleryYou can showcase your favouriteimages by creating your owngallery page on our website. Itsquick and simple to set up.
The best of the reston our great website
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Enter theFace-Off Your shots areentered into ourFace-Offsection andpitted againstother peoples have funwatching yourscore rise!
Be inspiredBrowse through all the differentcategories to be inspired byother readers photos and getideas of your own.
Tips and tutorialsOur website is piled high with step-by-steptutorials and useful tips to help you takebetter photos of any subject.
News and debateWe help you keep up-to-date with the latestindustry news and releases. You can alsoget stuck into hot topics with our debates!
CompetitionsHead to www.photoforbeginners.com andenter our weekly competitions to win somereally fantastic prizes!
12 Photography for Beginners
SHARE YOUR SHOTSHeres how to show us your stunning snaps
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14 Photography for Beginners
NEED TO KNOWA snapshot of whats exciting us this month
Olympus has launched a new camera to join thearmy of compacts with advanced features hitting
the market. The STYLUS 1 has a large 12MP CMOSsensor on hand to produce high-resolution photosand a mode dial that contains manual modes toexplore for creative shooting. The lens alsofeatures a 10.7x optical zoom with versatile28-300mm focal range for shooting wide-anglelandscapes and zooming in on detail, plus itsconstant aperture of f2.8 is ideal for blurringbackgrounds and shooting in low light.
As well as an LCD touch screen, the STYLUS 1also has the same 1.44 million dot electronicviewnder found on the OM-D E-M5, which can
preview images with the cameras creative ltereffects so you can clearly see the effect before
you shoot. A built-in ND lter will allow you to useslower shutter speeds than you typically would inbright conditions, and you can shoot in RAW tohave more control over your photo editing.
Beginners taking their rst steps intophotography will be able to use iAuto to producegood shots quickly and the Olympus Live Guide tolearn more about their cameras other functions.All of this is packed into a pocketable body withdimensions of just 116 x 87 x 56.5mm, so you cankeep it on you wherever you go. The OlympusSTYLUS 1 is available with an RRP of 550/$700.
Reasons why we cantwait to get our handson this camera
01 We want to see if theimage quality produced bythe 12MP sensor is up to scratch
02 Well test the handlingand the Hybrid ControlRing to see if it speeds things up
03 Well inspect the buildquality to determine if itcan stand the test of time
THE TOP 3
Quick adjustmentsAdjusting exposure settings isquick and easy with the HybridControl Ring, or use it to controlzoom and focus in analogue
Creative anglesYou can tilt the LCD touchscreen to frame your shotsfrom high or low angles, thentap to focus and shoot
Easy framingThe electronic viewnder isuseful for framing shots inbright light and switches onwhen it senses your eye
Creative control11 art lters and ve frame andart effects are on hand forproducing creative captures,and Photo Story+ lets youcreate instant collages
Shoot and shareWirelessly transfer shots toyour smartphone by scanningthe QR code on the screen toconnect the two devices
New compact comeswith premium specsDiscover advanced features with the Olympus STYLUS 1
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Photography for Beginners 15Share your shots at: photoforbeginners.com
NEED TO KNOWNews
Get Capture One Express 6 for freeTo get your hands on a copy ofCapture One Express 6 image editingsoftware, free for every reader, allyou have to do is head to our post onwww.photoforbeginners.com anduse the voucher code PFB2013.
This month on photoforbeginners.comHow to avoid blurry photos
Fixing blurry shots is very difcult tocorrect once theyve been taken, soits best to get it right in-camera.There are lots of tricks for keepingyour shots sharp using any camera,from a compact to a DSLR.
PLUS ALL THIS How to fake asunset glow
Top photo sharingwebsites
The latest news andgreat competitions
Learn skills at the AdventureTravel Show
Discover more about your wildlifesubjects with World Of Animals
Animals are fascinating subjects, and not just forphotography. With thousands of species all over theworld, there is so much to learn about the wildlife wewalk amongst. A brand new wildlife magazine fromImagine Publishing provides awe-inspiring imagesand engaging articles about creatures from acrossthe globe, and even gives you some advice on howto capture them on camera too. World Of Animals isavailable from all good retailers and online from
www.imagineshop.co.uk. You can also get the digitaledition on your Android or iOS device from www.greatdigitalmags.com and check out the magazineswebsite at www.animalanswers.co.uk .
Also be sure to follow the magazine on Twitter bysearching @worldanimalmag, and like the World OfAnimals Facebook page. Let us know what aspectsof wildlife youd like to know more about and you may
just see it in the next issue!
The Adventure Travel Show is returningto London in 2014, ready to inspirethose who enjoy visiting new andexciting places with their camera. As
well as providing help and advice forbooking new adventures, the event willalso feature two travel photographyseminars, with tips for brushing up onyour photo skills and coming homefrom your trip with great shots. Youcan get an insight into the world oftravel photography from the
professionals and nd out how to takeaward-winning photos.
The Adventure Travel Show will takeplace at Londons Olympia on 25-26
January. Tickets are available from 8,with entry to the seminars costingfrom 55. For more information, visitwww.adventureshow.com . We haveone seminar ticket and three showtickets to give away; just head towww.photoforbeginners.com to ndout how you can win.
Uncover stunning animal images and helpful photo tips with thisexciting new magazine from Imagine Publishing
Improve your technique with photographyseminars for adventurous shooters
W in t ic k e t s !
K
e v i n R a b e r
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Samsungs new SMART CameraWB250F puts great photo power atyour ngertips. You can shoot
fantastic images for larger printswith its 14MP sensor, plus instantlyshare them with built-in Wi-Fioptions. Send shots when youre outand about or back up images to yourphone with MobileLink. You can evencontrol the camera from yoursmartphone, which is handy foravoiding camera shake.
The WB250F boasts a slim andsleek body, which houses a great
touch screen interface, full auto ormanual controls and full HD video.The 18x optical zoom will allow you
to get in close, while its 24mm lensis great for framing wide vistas. Plustheres Low Light Shot mode, whichselects the best settings andmerges three shots for greatperformance in dim conditions.
To nd out more about this newSMART camera, simply visit www.samsung.com/uk . For a chance toget your hands on this fantasticcamera, enter our competition now!
TERMS AND CONDITIONSThis competition is open to residents of the United Kingdom and Ireland.Imagine Publishing has the right to substitu te the prize for a similar itemof equal or higher value. Camera colours may vary. Employees of ImaginePublishing (including freelancers), Samsung, their relatives or any agentsare not eligible to enter. The editors decision is nal and nocorrespondence will be entered into. Prizes can not be exchanged forcash. Full terms and conditions are available on request. From time totime, Imagine Publishing or its agents may send you related material orspecial offers. If you do not wish to receive this, please state clearly onyour competition entry.
HOW TO ENTER:Send your name, contact details and your bestshot to us by 9 January 2014.
Email: [email protected]: www.photoforbeginners.com
A SamsungWB250F Plus three lucky runners-up will eachget a Samsung 8GB SDHC memory card
W I N !
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Good lighting is often the secret to professional-looking shots, whetherits natural or articial
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Gear guide Camera accessories to improve your lighting
FlashgunGet powerful light with a ashgun suchas Nikons SB-300 (140/$150, www.nikon.co.uk ), which can be tilted up.
Flash gelsColoured gels like Rogues UniversalFlash Gels Kit (30/$30) let youchange the colour of the ash light.
Flash diffuserDiffusers like the Sto-Fen Omni-Bouncediffuser (approx 12/$20) soften ashlight, and are available in various sizes.
ReectorA reector like Lastolites 30-inchcircular reector (42/$52) lets youbounce light back into the shadows.
Photography is essentially the recording oflight to produce an image, so good lightingis particularly important if you want toproduce great shots. Mastering yourcameras exposure settings, such asaperture, shutter speed and ISO, will allowyou to adjust how your camera reads thelight, but for the best results you really needto get the light right to begin with. Of
course, you cant have much control overthe natural light from the sun, but in thisfeature we will reveal a few secrets forusing it to your advantage. Controllingindoor lighting is much easier, but it canalso be quite easy to get wrong. A goodlighting setup takes careful consideration,but by reading on you can discover simpleadvice for getting it right every time.
Its important to remember that yourcamera comes with its own light source aswell. Using flash is very useful for a numberof situations, but knowing which flash modeto pick for each scenario is vital. Over thecourse of this feature, we will show youeverything you need to know to masterperfect lighting, using equipment and kit tosuit any budget.
TrickslightingUse our tips and techniques for perfectly lit shots
for great
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Position your light source for the best resultsIndoor lightingCreating your own light setup means thatyou can have plenty of control over thelighting for your indoor shots. You dontneed to splash out on expensive studiolights though, as a simple desk lamp or
bright window will still allow you to get greatresults for your images.
Whether you are using artificial or naturallight, considering the position of your lightsource can have a big effect on how your
subject looks in your photographs. It can abe little daunting knowing where to startwhen creating your lighting setup, but hereare a few secrets to help you on your way toproducing beautifully lit photos.
01 Change the angleLighting your subject from above orfront-on will suppress any texture inyour shot, so is useful if you want tosmooth wrinkles in a portrait.
Lighting your subject from the sidewill help to emphasise texture andalso create shadows that can adddepth to your shot.
03 Control the distanceThe shorter the distance between yourlight source and subject, the softer thelight will be. Moving the light closer will
make it broader and create a more subtle
effect (although bear in mind it will bebrighter). Moving it further away willcreate a narrow light source for deeper
shadows and contrast.
02 Size mattersA broad light source, such as alarge, bright window, will createsofter light, as the rays will hityour subject from more directionsto fill in shadows and reducecontrast. If you want harder light
that increases shadows andtexture, use a direct, narrowsource such as a desk lamp.
04 Background lightingPlacing your light source close to yoursubject will produce a greater falloff of lightin the background, making it dark. Movingthe light source further away will meanyour subject and backdrop are keptrelatively bright.
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Move your subject orlight source to controlhow your shot is lit. Theangle, distance andsize of the light can allhave an effect
06 Adjust thelights strengthIt may seem obvious, but it is
important to remember that thefurther away your light source,
the dimmer the light hitting yoursubjects will be. For brighter
lighting, move it closer orintroduce an additional light
source to the scene.
05 Reect the lightUsing a matte surface to bounce light back into theshadows will also diffuse the light for a softer effect. Ashiny reflector will focus the light into a narrower area, so itwill therefore be a little stronger and harsher.
Lightingyour subjectfrom theside will
emphasisetexture
and create
shadows toadd depth
Photography for Beginners 21
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Make the most of natural lightand use the sun to your advantage
Natural lightNatural lighting is of course the only sourceof light for daytime landscape shots, but itis also useful for lots of other types ofphotography. It can still come with its ownset of problems though, as both the time ofday and weather can affect the look of yourphotos. Knowing when to shoot will helpyou achieve the best results, but you canstill produce fantastic outdoor images at
any point in the day. There are a few simpletricks for making the most of differentlighting conditions, and although you cantcontrol the position of the sun, moving yoursubject or your own position could meanthe difference between producing a goodshot and a great one. Read our guide on theright to learn how to make the most ofnatural light.
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The timeof day
Just after sunrise and just before sunset are thebest times of day to shoot outdoors. At thistime, the sun is low in the sky so it will create asofter, warmer light and project longer shadowsacross your scene for more depth and contrast.
01
Backlitsubjects
If the sun is positioned behind your subject, itwill leave them in shadow. To combat this, use areector to bounce the light back into the darkareas. Alternatively, leave your subjectunderexposed to create a striking silhouette.
04
Use the shadeThe midday sun is positioned directly overhead and so
could cause your shots to look a little at. The light can also bevery bright and harsh at this time, leaving your portrait subjectssquinting and overexposed. If this is the case, move into theshade for softer and more even light.
02
Cloudy skiesDont ignore overcast days, as clouds can help
to diffuse the light from the sun for a softer and more even
coverage of light. Slow your shutter speed down if your shotsare coming out a little underexposed.
03
Combat lens areShooting into the sun will create lens are. This cangive your shots a dreamy look, but if your want a more naturaleffect, use a lens hood or shade your lens with your hand toprevent it.
05
Low-light shootingAs the natural light fades, you will need to adjust your
exposure to prevent dark shots. Use a wider aperture (smallerf-number) or slow down your shutter speed and use a tripod.Only raise your ISO as a last resort.
06
Use Mother Natures light for well-litshots outdoors. Here weve chosenthe golden hour for a warm effect
You cant controlthe sun, but movingyour subject or yourown position couldmean the differencebetween a good shotand a great oneWhen shooting at sunrise or sunset, use a tripod and shutter priority modeset to around 1/10sec or slower to ensure enough light is let in
Photography for Beginners 23
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Fire the ash to illuminate your subjectUsing ashWhen there just isnt enough light availablefor your shot, your cameras flash is thereto help. Its a great tool for shooting inlow-light and indoor situations, such astaking portraits at parties and events.However, that bright burst of lightfrom your camera cansometimes have an unwantedand unflattering effect, soknowing the best flash modeto use is vital for if you wantto create natural-lookingphotos. Its also important
to remember that your flashisnt just for illuminating yourshots in low light, as it canalso come in useful forpreventing underexposeddaytime images too. Read onto discover how to master yourflash and combat some of thecommon problems it can create.
Switch to slow-sync ashFiring your ash in low lightcan cause your subject to
appear well lit, but leave theirsurroundings shrouded in
darkness. To illuminate both theforeground and background of your
shot, use slow-sync ash to teamyour ash with a slow shutter
speed to let in more light.
Flash isn't just forlow-light shooting
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Unattering ashWhen ash is red at your subjects dilated pupils in the dark, the lightreects off of their retina to make the pupils appear red. It can also create
unwanted highlights and make skin appear shiny.
Combat red-eyeRed-eye is a common problem caused by using ash in low light. To prevent it,use your cameras red-eye reduction ash mode, which res a pre-ash that
causes your subjects pupils to contract.
Use ll-in ashIf your subject is backlit,it can mean that when
you take a shot the backdropof your shot is well lit, but thesubject is underexposed.Switching on your ash will llin the shadows to ensureyour entire shot is lit fromfront to back.
Knowing thebest ash mode
to use is vitalif you want tocreate natural
looking photos
Photography for Beginners 25
In associat ion with
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Use everyday itemsfor perfect lighting
DIYlightingsetupsPhotography can be an expensive hobby, aseven after youve emptied your pockets for anew camera, there are plenty of gadgets and
accessories to buy too. When it comes tolighting, you could splash out on expensivestudio lighting setups and flash accessories toensure your photos have a professional look.However, there are cheaper alternatives tothese expensive pieces of kit. With just a fewitems that are available on the high street or inyour cupboards at home, you can transformyour dull shots into bright works of art.
Create a light tentA light tent will allow you to take still-lifephotos with a soft, even light cast overyour subject. You could buy one, but it isvery easy to create your own for a fractionof the price. All you need are three clearplastic folders. Tape two of the folderstogether to form the back and sides ofyour light tent, and then cut the thirdfolder in half and place it on top to formthe roof. Use it outside to diffuse the lightfrom the sun, or put lamps on either side.
Bounceyour ash
Firing your ash directlyat your subject can
produce a harsh andunattering light. A simple
trick for softening it is tobounce it off a reective
surface. If you have aashgun with a tilting head,then point it at a bright wallor ceiling to diffuse the light
before it bounces backtowards your subject. If you
have a pop-up ash, thenplacing a piece of white paper in front of it
at an angle will have the same effect.
Softenthe lightThe simplest way to diffuse andsoften the light for your shot is topass it through some translucentmaterial that will scatter the rays. Tosoften the light from your ash, youcould cut the bottom off an empty milk
carton and use it as a makeshiftashgun diffuser, or simply place a pieceof tracing paper in front of your pop-upash. You could also use tracing paper ortranslucent plastic to soften the lightfrom a desk lamp. When illuminating yourshot with natural light through a brightwindow, you can diffuse the light bytaping a piece of plain white paper or awhite bed sheet over the window.
SHOOTINGBeginners guide
26 Photography for Beginners W o r l d M a g s . n e t W o r l d M a g s . n e t
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Not just fordummies
A clear, comprehensive series for people who want to start learningabout iPhone, iPad, Mac, Photoshop, photography and more
BUY YOUR COPY TODAYPrint edition available at www.imagineshop.co.uk
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Discover vital tips for taking great shots andavoiding common photo problems
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30 Photography for Beginners30 Photography for Beginners
Control depth of eldOne of the most important settings in a photographers toolkit isaperture. It can be used to brighten shots, as well as control howmuch of the image is in focus. Your aperture determines the size ofthe opening in your camera lens, and therefore how much lightreaches your sensor. It is measured in f-numbers, with a small
f-number (wide aperture) creating a large opening in your lens thatlets in lots of light, and a large f-number (narrow aperture) creating asmall opening that lets in a little bit of light. See p52 for a full guide,but for now, switch your camera to Aperture Priority mode (you setthe aperture but the camera sets the rest) and have a play.
When shooting portraits and still life, using a wideaperture (small f-number) will create a shallowdepth of eld. This will blur the background of
your shot but keep your main subject sharp sothat it stands out in the frame and attracts the
viewers attention. Use f5.6 or lower for a wideaperture and focus your shot carefully to makesure your subject is not blurry too.
Blur the background
Controlling your aperture allows you to adjustthe depth of eld of your image. If you are
shooting architecture or a landscape and wantthe entire scene, from front to back, to be in
focus, use a narrow aperture(large f-number) to create lots of
depth of eld and keepeverything sharp. Anything
above f5.6 is usuallyconsidered to be narrow.
Keep everything in focus front to back
30 Photography for Beginners
Aperture can be used tobrighten shots, as well as control how
much of the image is in focus
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Photography for Beginners 31Photography for Beginners 31
Capture movementYour shutter speed determines the length of time your shutter staysopen for when you press the shutter button, and it is measured inseconds and fractions of seconds. The slower it is, the longer theshutter is left open for and the more light is recorded, brightening upyour shots. To keep your shutter open for a shorter period of time
and record less light, use a faster shutter speed. You need tobalance ISO and aperture with shutter speed to get great exposures,but use Shutter Priority mode and your camera will do this. Shutterspeed is also used to freeze or blur movement,so experiment to see what results you get.
Shutter speed controls how you recordmovement in your shots. A fast shutter speed willallow you to freeze your subject in the frame forsharp, blur-free shots, allowing you to capture
split-second moments in time. Use 1/100sec or faster to freeze the action.
Freeze action
Slowing your shutterspeed will record any
motion in your scene asblur. This can help to showthe direction and speed oftravel of moving subjects.
Anything slower than1/100sec should work.
Capturesome blur
Photography for Beginners 31
F or por t r a it s , us e a f as t s hut t e r s pe e d s o t he came r a w ill s e t a w ide ape r t ur e f or blur r e d back g r ounds . W he n s hoot ing w ildlif e or spor t , a f as t spe e d is ide a l t o av oid blur . F or lands cape s , a s low s hut t e r spe e d w ill pr oduce nice blur in w a t e r and clouds
W hat s hut t e r s p e e d s ho ul d I us e?
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32 Photography for Beginners
Get creative in manualYou can use Shutter and Aperture Priority modes to concentrate onone setting at a time, but to fully take control and get more creativeresults, switch to manual. In this mode, you also need to set the ISO.This determines how sensitive your cameras sensor is to the light.Raising the ISO will make your sensor more sensitive and brighten up
shots, but it can create digital noise that reduces the quality. If youare shooting in bright conditions, keep your ISO on its lowest setting.When shooting in low light, try using a wider aperture (smallerf-number) and slower shutter speed to brighten up your shotsinstead, and only increase your ISO as a last resort.
Manual modes not only let you ne-tuneexposures, but they also let you produce creative
effects. Try capturing motion blur using a slowshutter speed, or creating a blurry backgroundwith a wide aperture. Get to know your camera
and you'll produce much more pleasing images.
Why use manual?
32 Photography for Beginners
Although mastering manual controls is great for producing creative effects, Auto mode
has its uses. If an unexpected photoopportunity arises, you may not have time to pick your settings, so switching to Auto will
mean you wont miss out on the shot.
Auto has its place
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34 Photography for Beginners34 Photography for Beginners
Keep it sharpYour cameras standard autofocus mode will perform well most ofthe time, but to ensure the most accurate results, it's a goodidea to explore your other focusing options. Selective autofocuslets you pick a specic part of your shot to keep in focus. Manualfocus is particularly useful for macro photography, when yourcameras autofocus can sometimes struggle to lock onto your
subject up close. Continuous autofocus will track a movingsubject to keep it sharp in the frame. You can also try pre-focusing your camera for an action shot. Half-press the shutter inautofocus or focus manually on the area you know your subjectwill move into, then fully press it to take the shot when thesubject is in the frame.
Secure your camera onto a tripod or rest it on asturdy surface when using a slow shutterspeed to prevent blur. If you want to shoothandheld, keep the shutter speed above
1/60sec, hold the camera with both hands andkeep your elbows tucked into your sides.
Stay steady
This focus mode is one of the mostoverlooked modes by beginners, andits often the secret to getting sharp
shots of moving subjects. Select itand the camera will continuallyhunt for focus, meaning moving
subjects remain pin-sharp.
Continuous focus
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Photography for Beginners
Get a bettercompositionHow you frame your shot is reallydown to your own personal style, butthere are a few commonly usedguidelines that can help you if yourestruggling. Look for some foregroundinterest in your shot to avoid boring,
open expanses and look for lines thatwill draw the eye through the image.Natural frames also work well. Whenshooting, think about what aspectratio you are using (square format,panorama etc), as this can dictatehow you compose. You can often setthis in-camera, or you can crop inafterwards in editing software.
Photography for Beginners
For landscapes, zoom outto give the viewer a senseof the entire scene. When
shooting portraits andarchitecture, zooming in a
little will help you avoidlens distortion, which can
exaggerate features.
Focal
lengths
The rule of thirds involvesimagining a nine-section grid
over your image and positioning the main focal
point over one of theintersections for a balanced
photo. You can even bring upgridlines on most cameras
to help with this.
Go off-centre
It is often a case of less is morewhen it comes to photography.Make sure that the main focal point really stands out in the
frame and that there areno distracting elements
surrounding it. Alsotry to include no
more than threemain colours
within thescene.
Keep it simple
Ge t int o t he habit of t ak ing y our came r a w it h y ou w he r e v e r y ou g o, as y ou ne v e r k now w he n a phot o oppor t unit y may a r is e . T ak e y our t ime g e t t ing t he s hot r ig ht and t hink about y our compos it ion be f or e y ou r e t he shut t e r
R ememb e r t o t ak ey o ur c ame r a w i t h y o u
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SHOOTINGGroup portraits
38 Photography for Beginners
Great group portraitsEssential tips for takingperfect group shotsWHAT YOULL NEED Digital camera TripodWE USEDNikon D3200Adobe PhotoshopElements 11
YOU COULD USEAny cameraGIMP
WHAT YOULL LEARN How to take a great
group portrait
How to perfect andenhance your photoHow to create apersonalised card
T hi nk abo ut t he c o l o ur s i n t he s c e ne . T r y t o g e t y o ur s ub j e c t s t o c o o r d i na t e t he i r c l o t hi ng and mak e s ur e t ha t t he bac k d r o p d o e s n t c l as h e i t he r
Mat c h c o l o u r s f o r a p e r f e c t s ho t
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SHOOTINGGroup portraits
Photography for Beginners 39Share your shots at: photoforbeginners.com
Position your subjects
01 Find a suitable location, consideringyour backdrop, and then get everyoneinto position. Try getting your subjects to sit orstand at different levels to avoid a dull shotwith everyone in a straight line.
Control your aperture
02 Set your camera to Aperture Prioritymode and choose f8. This should benarrow enough to keep everyone in focus, butwide enough to create some background blur.Keep the ISO low to avoid noise.
Use the zoom
04 To ensure everyone is in the frame,you may need to zoom your lens out.This may also capture some of the scenery toadd context. If you can, though, take a fewsteps back and zoom in to avoid distortion.
Light the shot
05 Try to make use of natural light byshooting outside or by a bright window.If you cant or any of your subjects faces arein shadow, re your ash to ll in these areas,or use a reector to bounce light back in.
Getting the whole family or an entire group of friends together is agreat excuse to practise your group portrait skills, and is particularlyimportant for preserving precious memories if these occasions arerare. Group portraits can be trickier to get right than single portraitshots, as you need to pay attention to several subjects instead of
just one. This can increase the chances of mistakes, such as peopleblinking or looking away from the camera in your photos.
Luckily, there are some foolproof tricks that you can use toguarantee great photos quickly and easily, which is very useful whentrying to keep the attention of small children. Using blink detection orBurst mode will help you to get a photo where everyone is looking atthe camera, and some cameras even have a smile detectionfunction. It is also important to make your shoot fun for everyone, soyou could try out whacky poses and introduce humorous props tokeep everyone entertained. This will also help you to evoke natural
smiles and facial expressions that convey your subjects personalityinstead of forced and cheesy grins. You could even give your shot atheme, maybe getting everyone to wear festive jumpers to give theshot a winter feel.
In the rst part of our guide, we will show you how to set up yourgroup portrait shot and get yourself in the picture too. Then discoverhow to edit your photo for attering results, learning how to whitenteeth, remove blemishes and smooth problem skin. You can thennd out how to turn your photo into a great card to send to yourloved ones and give your message a personal touch.
Alternatively, you could turn your shot into a canvas print to placeabove the mantelpiece or simply print it out for your photo album. Sowhether you are shooting a family portrait in the living room, orphotographing your best mates at the local park, follow our step-by-step guide to producing fantastic shots.
Shoot! Get everyone together for a group portrait
Get into the frame
06 If you want to be part of the shot, setthe camera up on a tripod or sturdysurface and then switch on the self-timer.Once you press the shutter, quickly get intoposition before the shot is taken.
Use Burst mode
03 If your camera has a blink detectionfunction, use this to prevent the risk ofblinking eyes in your shot. Alternatively, useBurst mode to take a series of shots andincrease your chances of getting a good one.
You could try out whacky poses and introduce props
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SHOOTINGGroup portraits
40 Photography for Beginners
Items of kitfor portraits
Camera with articulated LCDIf you want to get yourself in the shot, a camerawith an LCD that ips out or tilts up is great forframing. If your camera doesnt have this feature,set it up on a tripod and use the self-timer.
FlashgunSometimes the ash on your camera can bequite harsh. External ashguns usually have tiltingheads that are perfect for bouncing the light off ofthe ceiling, for softer results.
ReectorFill in any unattering shadows in your shot bybouncing the light back into the dark areas with areector. Dif ferent colours create differenteffects gold, for example, will cast a warm light.
Portrait editingapplications
3 OF THE BEST
Facetune From 1.99/$2.99 (iOS)This app lets you make basic editssuch as teeth whitening and skinsmoothing, as well as enhancementslike reshaping facial features.
PhotoWonder Free (Android & iOS)PhotoWonder has a Beauticationsection for specically enhancingportraits. Remove blemishes and evenenlarge eyes with a tap of your nger.
Photo Editor FotolrFree (Android & iOS)This app has options for face and bodytrimming, wrinkle removing and haircolouring on top of the usual lters.
Bring out the detail08 You may need to sharpen it up a bit.Go to Enhance>Unsharp Mask andincrease the Amount slider to sharpen, theRadius slider to determine the area and the
Threshold slider to set the amount of contrast.
Edit! Perfect your portrait using Photoshop Elements
Brighten it up07 If your shot looks a little dark, go toEnhance>Adjust Lighting>Brightness/ Contrast and boost the Brightness slider. Youcan tweak the exposure further by going to
Enhance>Adjust Color>Adjust Color Curves.
Whiten the teeth10 Select the Dodge tool and set theRange to Midtones. Set the Exposurevalue to 50% and then brush over the teeth towhiten them. The longer you hold down thecursor, the whiter they will get.
Remove imperfections09 To remove blemishes or stray hairs,select the Spot Healing Brush tool.Make sure the Content Aware option is on,adjust your brush size and then click or dragyour cursor over the problem area.
Smooth the skin12 To smooth out areas of skin, select theBlur tool, set the Mode to Normal andset the Strength to around 40%, but itdepends on how smooth you want to go. Nowbrush over the skin to get it looking perfect.
Brighten the eyes11 You can use the same technique tobrighten the whites of the eyes. Justmake sure that you use a small brush size toavoid brightening the iris and pupils of the eyetoo for an unnatural effect.
3 OF THE BEST
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SHOOTINGGroup portraits
Photography for Beginners 41Share your shots at: photoforbeginners.com
Upload your photo
14 Click the Upload button and create analbum to upload your photo into andpick an upload speed. There is an automaticphoto correction box you can tick if you want
Snapsh to make basic edits to your shot.
Share! Create a card with Snapsh
Choose a template
13 Go to www.snapsh.co.uk , click on theCards tab and choose the style of card we chose Greeting Cards then select thecard template. We went with Full Photo. Select
an orientation and then click Create Card.
Add some text
16 Click on the Text button and positionthe text box where you want it on yourcard. Select the Edit Text icon and type yourmessage, choosing the font, size, colour andalignment of the text. Now click Done.
Position your shot
15 After you have uploaded your photo,click on the Front tab and drag anddrop the photo onto the front of your card.Click in the centre of your photo to drag it into
a position you are happy with.
Order your card
17 Select the Inside and Back tabs to editthe rest of your card. You can even addmore photos inside. Finally, go to the Reviewtab and choose where you want your card tobe posted, then click Add To Cart.
Extra spaceMake sure youleave enough roomfor the message onyour card when youtake the shot
NaturalsmilesInteract with yoursubjects to helpthem relax and getnatural smiles
Simple
backdropFind a simple yetcolourful backdropto complement yourgroup of subjects
Get togetherMake sure everyoneis close together toclose up any gapsand create anintimate photo
Take your s ho t from a hig h
ang le or a t e ye le ve l for the
mos t a t te ring res ul ts . A
lo w ang le will a ccen tua te
chins and nos e s
Cons ider yours hoo t ing ang le
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create and to capture your vision.
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25
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Before
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Before
After
After
After
Achieve amazing colors through selective coloradjustments.COLOR EDITOR
before. Capture One Pro 7 will produce a crisp andnoise-free image.NOISE REDUCTION
Adjust color channels and create beautiful Black &White images.BLACK & WHITE CONVERSION
TOP 3 BENEFITSTOP 3 FEATURES
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SHOOTING5 minute project
Photography for Beginners 45Share your shots at: photoforbeginners.com
Get set up
01 Set your lowest ISO to get maximumimage quality with minimum noise. Setyour exposure mode to Aperture Priority (A or
Av). Choose a small aperture such as f16 toget maximum depth of eld and the camerawill set the shutter speed.
Compose your shot
02 Use a tripod to prevent camera shakeand allow small adjustments toframing. Position the horizon a third of the wayup, with strong foreground interest and anobvious focal point in the background. Focus athird of the way in, to maximise depth of eld.
Take a test shot
03 Once you have composed your shot,shoot a test frame and check theresults. As well as checking composition andsharpness, check the histogram for any overor underexposed areas (they are shown byblinking). Here the sky is overexposed.
Attach the lter
04 Screw the adaptor ring into the lterthread. Different lenses have differentlter sizes, so look for the symbol on yourlens to nd out what you need. Clip the holderonto the ring; it should be able to rotate freelyaround it.
When we look at a scene with the nakedeye, we see detail in the full tonal range,from the deep shadows right through to thebright highlights. Unfortunately, cameras arenot as sophisticated as the eye, and cantcope with the same range of contrast. Inlandscape shots, for example, they will oftenoverexpose bright skies.
One simple solution is to use a graduatedneutral density lter to balance the lightin-camera. These lters have a neutral greyhalf and a clear half, with a transition zonewhere the two halves meet. By placing thedark half over a bright sky, you can reducethe contrast in the scene to the point whereyour detail is retained in both the bright anddark parts.
There are two types of lter: screw-inlters, which screw into the lter thread atthe front of the lens, and square orrectangular lters, which slot into adedicated lter holder attached to the lensvia an adaptor ring. The advantage of theslot-in lters is that its easier to combinetwo or more. In the case of graduated lters,placing the transition zone accurately on thehorizon is essential for good results. If thetransition line is too low, the dark half of thelter will cut into the land, and if it is toohigh, there will be a bright band of sky abovethe horizon. Slot-in lters can be moved upand down in the holder, allowing you toposition the transition zone precisely whereyou want it, and so are the best choice.
Perfect skies Use graduated lters for great shots
Align the lter to the horizon
05 The transition line of the lter shouldsit on the horizon. Its not always easyto see this through the viewnder; if you havedifculty, try wiggling the lter up and down inthe holder. Review your shot, and if necessary,re-position the lter and re-shoot.
Landscapeaccessories
Wide-angle lensWith a wide-angle lens (focal length between12-18mm) you can get in close to foregroundsand create a dramatic perspective.
TripodA tripod keeps everything steady and preventscamera shake when using long exposures, andalso slows you down to help you achieve a moreconsidered composition.
Polarising lterA polarising lter reduces surface reections,which helps to boost colour saturation inlandscape photos and reduce the glare off waterin seascapes.
3 OF THE BEST
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SHOOTINGCreate this shot
46 Photography for Beginners
Capture a night full of celebration01 PositioningIts tempting to get up close to fireworkdisplays and enjoy the vibe of the show, butyour job is to capture exciting and vibrant skiesbursting with light. Step back from the actionand fill the frame with lots of sky.
Fantastic fireworks
SHOOTINGCreate this shot
Use a sturdytripod. One withindependentmoving legsmeans you canangle it betterto include thesky in the shot
Setting a high ISO will make your camera more sensitive tolight, but it will cause noise to appear. Its better to select anISO from 50-200 and a use a tripod and slow shutter speed
02 CompositionCapturing spectacular reworks is half thebattle. What you also need to consider is theenvironment you are in. Look for interestinglandmarks or elements that will add anotherpoint of interest to your nal image.
APERTURE: F8 ISO: 100 SHUTTER SPEED: 10SECOUR SETTINGS:
WHAT YOULL NEED
CameraTripod Torch for nding camerasettings in the dark
WE USED
Canon EOS 50D
YOU COULD USE
Gorillapod or at surfaceCable release to prevent
camera shake
WHAT YOULL LEARN
How to capturereworks
46 Photography for Beginners
03 PeopleFirework displays attract a lot of people. Setup where you know you wont be interruptedby passing foot flow. People will be lookingskywards, and wont necessarily be looking outfor your camera equipment in the dark.
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SHOOTINGCreate this shot
Photography for Beginners 47Share your shots at: photoforbeginners.com
SHOOTINGCreate this shot
06 SettingsChoose an aperture of f5.6-f8 and
a shutter speed of 3-10sec. Ifyoure not confident in Manual, try
Shutter Priority mode where you just need to set the shutter
speed. Use a torch to do this.
05 FocusSwitch to manual focus and use
zoom to the maximum. Find a
point on the ground close towhere the fireworks will be set off
and use the focus ring tofine-tune the point of focus.
04 Set yourwhite balance
To ensure the colours in your shotare accurate, try setting a white
balance of white fluorescent. Thisshould produce warm firework
colours yet retain a cool hue forthe night sky.
Have a go with Manual or Shutter Priority mode, but if youre not sure ofthese yet, your camera may have a Fireworks mode. Its worth using this if
youre worried about missing the moment when hunting for settings
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By narrowing the aperture, you will start to see more ofthe image come into focus
Using a wide aperture willcreate a narrow area of focusand blur any background detailor light, for artistic shots
52 Photography for Beginners
SHOOTINGAperture
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aperture?Why take control of
The word aperture might not mean all thatmuch to you as a beginner, but we are hereto tell you why you should care about andeven treasure this vital setting. There aremany settings you have to learn about inorder to master your camera, but useaperture as a starting point and youll seean instant improvement in your shots rightaway. Choosing the right aperture value canmean the difference between a bad and a
good shot, so well tell you how to pick thebest one every time.
Over the next few issues, we will beshowing you how to get to grips with someof the other vital settings in photography,such as shutter speed and ISO, and howthese alongside aperture help to formperfect exposures. In this feature, though,we will concentrate on aperture and howthis affects how much of your image is in
focus, as well as controlling how much lightis let into the lens. Read on to find out justwhat an f-stop is and which one to use incertain shooting scenarios, as well as howAperture Priority mode can help you to getout of Auto in a much easier way than divingheadfirst into Manual. With our help, youllsoon be able to put this skill to good use,resulting in artistically blurred backgroundsor pin-sharp shots from front to back.
Find out how this setting can affect your images and
learn how to use it to take professional-looking shots
SHOOTINGAperture
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In Aperture Prioritymode, you can set a
wider aperture to geta shallow depth of
eld, while thecamera does the rest
In Auto mode your
creative options arelimited, as thecamera will focuson setting theaperture andshutter speedevenly foran exposure
Your rst steps into manual controlAperture PriorityIf youre keen to get out of Auto mode andwant to explore the creative possibilitiesthat aperture control has to offer, switch toAperture Priority, which is marked as A onNikon and other mode dials or Av on Canon.This mode is only available on higher endcamera models, however, so check yourcamera manual to see if its available to you.
Aperture Priority mode is a great startingpoint for those who are keen to experiment
with manual settings. Using this mode, youcan select your desired aperture settingwhile the camera takes care of the otherexposure settings. The camera will do thisby metering the light in the scene and takinginto account the aperture settings youveselected, so that it can then set anappropriate shutter speed for an evenexposure. Before long, youll be able toexplore full Manual mode.
What is meant by
an f-number?F-numbers determine how wide ornarrow your lens aperture is. Wideapertures are represented by smallf-numbers (f1.2-f8) and create anarrow depth of field. Narrowapertures are represented by highf-numbers (f8-f22), which keepeverything in focus. This can beconfusing, but with a little practiceyoull soon get the hang of it.
Once youve selected AperturePriority mode, you can adjust yourf-number setting. However, not alllenses offer extremely wideaperture settings, such as f1.2, butmost kit lenses will enable you toshoot as wide as f4. You canpurchase whats known as fasterlenses that have wider apertures,but they can be pricey.
SHOOTINGAperture
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Discover which setting to use for different subjects
Choosing apertures
Close-up captures of your subject are idealif you want to show more detail and texture.Using a macro lens, youll be able to focusin closer to your subject and create ashallow depth of field effect by using a wideaperture (small f-number). Experiment withyour aperture settings in Manual orAperture Priority mode, but start with thelowest f-number youve got to let in morelight and blur out the background. Youllneed a tripod for steady shots, andalways ensure youre using the correctfocus settings.
Challenging low-light conditions make itdifficult to shoot without your camerasflash automatically firing. This isnt alwaysideal, as your on-camera flash can be harshand drown out nice, warm tones fromnatural light. To overcome this, turn yourflash off manually and select AperturePriority mode. Work with wider apertures(low f-numbers) in order to get a brighterexposure. You could also up your ISOsettings if necessary to avoid slow shutterspeeds that can create shaky shotswithout a tripod.
A good portrait should always highlight yourmodel as the focus of the frame. Wideapertures (low f-numbers) are ideal for thisas they blur out distracting elements in thebackground. F4 is a good aperture startingpoint as its wide enough to create ashallow depth of field effect, but not toowide that the focus area is greatly reduced,which means more of their features willappear sharp within the image. For groupportraits you may need to use a narroweraperture, as you need a wider point offocus. Start at around f5.6 in this case.
Macro (f1.8) Low light (f3) Portraits (f4)
56 Photography for Beginners
SHOOTINGAperture
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Ne x t is s uShut t e r s p
mas t e r e
When youre photographing architecture,youll need a relatively narrow aperture (highf-number) to ensure that most of thestructure appears sharp in your image.Work in Aperture Priority mode with thef-stop set to around f11 or higher. Thecamera will determine the shutter speed,but you may need to increase your ISOsettings if youre not using a tripod. As arule, only shoot handheld when the shutterspeed is above 1/60sec to avoid camerashake. If you havent got a tripod, rest yourcamera on a wall or other nearby structure.
A good landscape should appear sharpfrom one end of the frame to the other.Youll need to increase the depth of field toensure this by using a narrow aperture ofaround f16. If youre planning to photographa landscape, always use a tripod, especiallywhen shooting in Aperture Priority mode, asthe camera will compensate for less lightby setting a slower shutter speed. Toensure optimum sharpness, focus a third ofthe way through the scene and turn offimage stabilisation if your camera or lenshas this option.
Capturing movement is a great way toillustrate time or motion in your images, andyou dont always have to work in ShutterPriority mode to do this. By setting a narrowaperture in Aperture Priority mode, thecamera will automatically slow down theshutter speed for you. Ensure your camerais set up on a tripod, however, so that therest of the image appears sharp. Nextissue, we tell you all about how you can useshutter speed to capture motion anotherway, but for now, using Aperture Prioritymode can be effective.
Buildings (f11) Scenery (f16) Motion (f22)
SHOOTINGAperture
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58 Photography for Beginners
EDITING
Learn to use the great features in Elements 12, makingediting and viewing snaps on the move easier than ever
Intuitive interface
01 The Elements interface is split intothree key modes: Quick, for simpletouch-ups; Guided, for step-by-step tutorialson common edits or creating cool effects; andExpert, which unleashes the full editing powerof the program into your hands.
Elements 12s best bits The top features in this latest version
Master PhotoshopElements 12 today
WHAT YOULL NEEDStart images Adobe PhotoshopElements 12
WHAT YOULL LEARN How to use Content-
Aware Move
How to easily create a jigsaw effectA simple way to correctthe colour of pets eyes
How to share albumswith your smartphoneor tabletHow to create simpleone-click effects
Every time Adobe releasesa new version ofPhotoshop Elements,were impressed with thescope of features that thecompany has managed to
pack in. Far from being alighter version ofPhotoshop, Elements is aphoto-editing powerhousein its own right. It takes themost cutting-edgetechnology introduced in
Photoshop and repackages it to make it more user-friendly for beginner and advanced shooters alike.
Elements 12 is no exception. In this version, theStraighten tool has been enhanced, now automaticallylling in backgrounds left bare by the straighteningprocess. Also, the new Content-Aware Move tool lets youroughly select any object in a scene and then move it to anew location Elements lls the gap and blends in theobject without any input from the user.
And this is another thing that Elements does well; ittakes all of the legwork out of actually doing long-windededits and effects. Guided Edits has been around for along time, but there are new ones in each and everyversion. For Elements 12, this includes Zoom Burst,Puzzle Effect, and the ability to restore old photographs
to look like new. For any Guided Edit, all the user needs todo is follow the instructions on the screen.
Elements 12 retains the interface that weve got usedto, which is good as it is so user-friendly. There are subtlechanges though, such as the addition of a Share optiondirectly from the Editor, and there is further integrationwith Camera Raw, meaning that snappers can shoot RAWles and edit them in this one software. Sharing isbecoming more a part of the Elements experience,something that is helped with the new Mobile Albumsfunction, which uses the Adobe Revel app to view sharedalbums from Elements on the move. There is also thecapacity to share an image on Twitter.
Photoshop Elements 12 is available now from www.adobe.com for 78/$100; owners of previous versionscan upgrade from 63/$80.
New Guided Edits
02 One of Elements best features hasalways been the Guided Edits, whichenable you to make complex-looking creationswithout a vast knowledge of Photoshop tools.New edits have been added to the oldfavourites, including Puzzle and Zoom Burst.
Rescue old images
03 Restore Old Photo is a Guided Edit thatenables you to scan in old photos andmake them look as good as new. This includesremoving scratches and blemishes and evendust removal! There will be a full tutorial onhow to do this in a future issue.
EDITING
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EDITINGPhotos hop Elements 12
Photography for Beginners 59Share your shots at: photoforbeginners.com
JARGON BUSTERContent Aware
Content Aware was introduced toPhotoshop a few versions back. Its atechnology that analyses a scene andpredicts what should ll a gap to makeit blend in with the rest of the image.
Camera Raw integration
06 If you prefer to shoot in RAW format,then you can still open and edit yourimages in Photoshop Elements. This isbecause it works with Adobe Camera Raw,enabling you to make edits and bring theminto Elements for further work.
Frames, Effects & Textures
04 In Quick mode, if you look in thebottom-right of the screen you will seeoptions to access Frames, Effects andTextures. These can be easily applied to yourphotographs to add a personal touch to themin seconds.
View photo locations
05 In the Elements Organizer, you can seea map view that shows you whereeach of your images has been taken, as longas the information is available in the metadatafrom your camera. You can also manually dragand drop your photos onto the map.
Expert modeTo access the Content Aware Moveand Red Eye Removal tools, youneed to be in Expert mode. The RedEye tool has been enhanced withthe addition of a Pet Eye checkbox
The organizerHit this icon at any time to accessthe Organizer features, like the mapview and Mobile Albums. This helps
you to manage your photos andhow you view them
Photo effectsIn Guided mode you can click here for some fantastic creative effectsto be applied to your image. We
particularly like the Old FashionedPhoto option for a quick retro look
Guided EditsThe Photo Play section in Guidedmode is where you can accessPuzzle Effect. Elements will talk youthrough the process, and weve gota full guide on p61 its so easy!
The Elements 12 interface Locate all of the softwares key features
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EDITING
Photoshop Element s 12
60 Photography for Beginners
Adjust if needed
03 You may nd that the whole of theeye isnt recoloured. If so, hit Undo,adjust the Pupil Radius and try again. Youmight need to alter where you click aswell. When youre happy, do the other eye.
Correct yellowpet eyes
Find the tool
01 Open an image of a pet that hasyellow eyes. Zoom in so that youcan see the eyes clearly. Make sure youare in Expert mode, and then go down tothe Red Eye Removal tool in the toolbar.
How to use Content-Aware Move
Make a selection
02 Zoom in and draw around the objectthat you want to move. The selectiondoesnt have to be very accurate, but it doesneed to include everything you want to move,including the smoke trail in this image.
Find the tool
01 Open up the image that you want toedit in Elements and make sure thatyou are in Expert mode. Select the newContent-Aware Move tool, located in theModify section of the left-hand toolbar.
Adjustments needed
04 There may be some areas that stillneed tidying up. We used the CloneStamp tool and covered over any patches.Some images will need more editing thanothers, but it saves a lot of time.
Move into position
03 You can now drag the object to thenew position. Once you let go of themouse, Elements will analyse the scene andreplace the background, then integrate theobject into its new position.
Pet Eye mode
02 You will see a box in the toolOptions panel labelled Pet Eye. Tickthis and set the Pupil Radius to around70%. Click on the rst eye and Elementswill attempt to correct the discolouration.
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EDITING
Photos hop Elements 12
Photography for Beginners 61Share your shots at: photoforbeginners.com
Create a fantastic puzzle effect
Pick your puzzle
02 Guided Edits walk you through thewhole process step by step. The rstthing that you need to do is pick the size ofthe jigsaw pieces you want to use. If you applyone and want to change it, just undo it.
Open the edit
01 Open the image that you want to addthe effect to and make sure that youare in Guided mode. Scroll down the panel onthe right-hand side to nd Puzzle Effect. Clickon it to open the Edit interface.
Finish the effect
04 Reposition the piece where you want it.You can repeat the last step to removemore pieces. If you remove two pieces next toeach other, a line will remain between them,so use the Eraser tool to remove it.
Select and Extract
03 The next two steps let you take outpieces from the puzzle and stackthem on top. Click on the Select Puzzle Piecebutton, then click on a piece in your image.Click Extract Piece and it will be removed.
Add effects inElements 12
Old Fashioned Photo
03 Choose from the Old Fashionedpresets, add a tint and texture toage it further, and nally adjust the hueand saturation. Lots of customisationleads to great effects.
Picture Stack
01 This Guided Edit slices up yourphoto to make it look like lots ofphotos that piece together to form awhole image. You can adjust the borderand the background to suit.
Lomo Camera Effect
02 Give your image a twist by makingit look like it was taken with aLomo camera. Click once to apply theeffect and then you can choose to add avignette, which we have done here.
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EDITING
Photoshop Element s 12
62 Photography for Beginners
Set up Mobile Albums View albums on your smart device with Organizer
Activate your account
02 Click on the i icon next to MobileAlbums and you will be asked to signinto your Adobe account. You would have setthis up when you bought the software. It
might take a moment to verify your details.
Open the Organizer
01 Open the Elements Organizer. Makesure that you have some photos inthere to start off with you can import froman existing library or just drag and drop from
your desktop. Click the Mobile Albums option.
Add pictures
04 Back in the Organizer, you can nowdrag photos into your Mobile Album.Once they are in here, they are available to anyof your mobile devices. You can create newMobile Albums using the + icon.
Access on the move
05 If you have an iPhone or iPad, thendownload the Adobe Revel app. Openit and then sign in again with your Adobe ID.Your Mobile Albums are ready to view and youcan make simple edits on the move.
Mobile options
03 Elements will ask you whether youwant all of your albums in ElementsOrganizer to be available to your mobiledevices, or whether you want to select them
individually. Make your choice and hit Next.
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EDITINGColour change
64 Photography for Beginners
Color Touch Effects Free (Android)Create dramatic images with thisAndroid app by removing colours,bringing colour back into selected areasor changing them entirely.
Color Splash Photo Free (Android)Create awesome images by convertingphotos to monochrome and applyingcolour. You can also apply fun effectslike sepia and vignettes.
ColorChange 0.60/$0.99 (iOS)ColorChange allows you to take anyimage and manipulate the colours, andfeatures a magic selection tool whichautomatically selects a coloured area.
Colour is one of the mostimportant elements we have inimage making to engage theviewers eye, and choosingcolours that complement eachother is the key to success. Butoften its not until youve seteverything up that you realise
that somethings not quiteright. Even if colours dontclash, you might have beengoing for a particular feel thatthe colour choice just doesntconvey. Fortunately, the beautyof digital photography is that
you can easily modify blocks of colour to better suityour message or their surroundings. The cake here,for example, has a much more striking feel with bluerather than brown icing. Follow our tutorials to learnhow to selectively colour chang