photographize magazine | issue 26 may 2015

E | MAGAZINE

MAY 2015

Photographize is an independent electronic magazine, downloadable FREE, that involves any kind of art regardless of technique or period such as illustra-tion, painting, digital art, photography, sculpture, graphics. Wants to be a virtual place based on the immediacy, where the images are presented in their pure beauty have the ability to capture and capti-vate the viewer

web: www.photographize.org

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.

No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner.

Editor,founder,publisher and Art Director : Andrea Costantini

Follow me:

email: [email protected]

Cover : © Antonio Mora

MAY 2015

3Laurent Chehere

Martin Rak

Antonio Mora

Francesco Romoli

Jeremy Clausse

Vincent Bourilhon

Josephine Cardin

Photographize is an independent electronic magazine, downloadable FREE, that involves any kind of art regardless of technique or period such as illustra-tion, painting, digital art, photography, sculpture, graphics. Wants to be a virtual place based on the immediacy, where the images are presented in their pure beauty have the ability to capture and capti-vate the viewer

web: www.photographize.org

Editor,founder,publisher and Art Director : Andrea Costantini

Follow me:

email: [email protected]

Cover : © Antonio Mora

MAY 2015

3Laurent Chehere

Martin Rak

Antonio Mora

Francesco Romoli

Jeremy Clausse

Vincent Bourilhon

Josephine Cardin

The linen which dries © Laurent Chehere

For his series 'Flying Houses', photographer Laurent Chehere turns mundane suburban residences into fantastical, aerial still lifes. The images instantly remind us on Pixar’s film Up, just take away the balloons and swap animation for some seriously believable photo manipulation.

Sporting washing lines, window flowers and even one burning building, the inspiration for the suburban town houses comes straight from the homes he came across in poorer neighborhoods in Paris. So whimsical and imaginative, if only they were real.

The linen which dries © Laurent Chehere

For his series 'Flying Houses', photographer Laurent Chehere turns mundane suburban residences into fantastical, aerial still lifes. The images instantly remind us on Pixar’s film Up, just take away the balloons and swap animation for some seriously believable photo manipulation.

Sporting washing lines, window flowers and even one burning building, the inspiration for the suburban town houses comes straight from the homes he came across in poorer neighborhoods in Paris. So whimsical and imaginative, if only they were real.

5 6All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.

Mc Do © Laurent Chehere Missing Street © Laurent Chehere

Who are you? © Laurent ChehereRed © Laurent Chehere

Circus © Laurent ChehereCaravan © Laurent Chehere

Still Life © Laurent ChehereLe Petit Journal © Laurent Chehere

13All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.

Gainsbourg © Laurent Chehere

14w w w. a n d r e a c o s t a n t i n i . o r g

My name is Martin Rak. I was born in 1984 in Prague, and have been living

there all my life. I got my first camera from my grandfather when I was

six and I have been interested in photography since then. However, I have

only been photographing seriously since 2007, when I bought my first

digital SLR camera.

I enjoy traveling and being outside, therefore I mostly do fine art

landscape photography. My favorite place is the Saxon-Bohemian Switzerland

which lies on the boarder between the Czech Republic and Germany.

Most of my images are from there.

It is a beautiful feeling to stand on a cliff in the morning silence,

above the endless sea of clouds and to be there when the first light

touches the landscape. I try to capture this atmosphere with my camera and

share it with you.

I have recently been more attracted to black and white photography, which

especially together with long exposures allow me to drift away from the

real world and realize my creative intention.

Šachovnice © Martin Rak

My name is Martin Rak. I was born in 1984 in Prague, and have been living

there all my life. I got my first camera from my grandfather when I was

six and I have been interested in photography since then. However, I have

only been photographing seriously since 2007, when I bought my first

digital SLR camera.

I enjoy traveling and being outside, therefore I mostly do fine art

landscape photography. My favorite place is the Saxon-Bohemian Switzerland

which lies on the boarder between the Czech Republic and Germany.

Most of my images are from there.

It is a beautiful feeling to stand on a cliff in the morning silence,

above the endless sea of clouds and to be there when the first light

touches the landscape. I try to capture this atmosphere with my camera and

share it with you.

I have recently been more attracted to black and white photography, which

especially together with long exposures allow me to drift away from the

real world and realize my creative intention.

Šachovnice © Martin Rak

Město duchů © Martin Rak

Moritzburg © Martin Rak

Město duchů © Martin Rak

Moritzburg © Martin Rak

Kmeny © Martin Rak

Les © Martin Rak

Kmeny © Martin Rak

Les © Martin Rak

Crab © Martin Rak Runaway © Martin Rak

Lapeny © Martin Rak Cyklista © Martin Rak

Gondolas & Santa Maria della Salute© Martin Rak

http://silastheintruder.tumblr.com

Gondolas & Santa Maria della Salute© Martin Rak

http://silastheintruder.tumblr.com

Central Park © Antonio Mora

Antonio Mora is an experienced creative Spanish who after an extensive

career like designer and art director, ends finally in the art to give

free rein to his inexhaustible fantasy, to his eager expressive needs.

He describes himself as someone who makes cockails, realizes from images

found in blogs, magazines, and fusing them together, works of great

forcefulness and expressive force that do not leave anybody indiffer-

ent. They disturb.

His originality takes root in the merger, in finding combinations that

leave in the palate of our conscience flavors of evocation and mystery.

Images that open a crack in our collective memory allowing us to watch,

though only it is an instant the hybrid beings who populate our deepest

dreams.

Central Park © Antonio Mora

Antonio Mora is an experienced creative Spanish who after an extensive

career like designer and art director, ends finally in the art to give

free rein to his inexhaustible fantasy, to his eager expressive needs.

He describes himself as someone who makes cockails, realizes from images

found in blogs, magazines, and fusing them together, works of great

forcefulness and expressive force that do not leave anybody indiffer-

ent. They disturb.

His originality takes root in the merger, in finding combinations that

leave in the palate of our conscience flavors of evocation and mystery.

Images that open a crack in our collective memory allowing us to watch,

though only it is an instant the hybrid beings who populate our deepest

dreams.

The Door © Antonio Mora The Queen © Antonio Mora

Arquitectures © Antonio Mora

Man in Venetia © Antonio Mora

Arquitectures © Antonio Mora

Man in Venetia © Antonio Mora

The Bridge © Antonio Mora

Arboleda © Antonio Mora

The Bridge © Antonio Mora

Arboleda © Antonio Mora

The Bridge © Antonio MoraAfrican Cyclops © Antonio Mora Magic Bridge © Antonio Mora

Champ Wave © Antonio Mora

Francesco Romoli was born in Pisa in 1977. Always interested in expressive

forms of any type at age 14 he began to study guitar and music theory.

He falls in love in computers in 1998 and started to work on hacking and

net-art. He graduated in 2004 in Pisa in computer science. In 2010 begins

to use photoshop for his creations, halfway between graphic design and

photography. In 2012 he began studying at the center of contemporary

photography Fondazione Studio Marangoni, Florence. His other passions

include skydiving and travel.

Postcards from the future

The Three Laws of Robotics:

1: A robot may not injure a human being or, through inaction, allow a

human being to come to harm;

2: A robot must obey the orders given it by human beings except where such

orders would conflict with the First Law;

3: A robot must protect its own existence as long as such protection does

not conflict with the First or Second Law;

The Zeroth Law: A robot may not harm humanity, or, by inaction, allow

humanity to come to harm.

― Isaac Asimov, I, Robot

Francesco Romoli was born in Pisa in 1977. Always interested in expressive

forms of any type at age 14 he began to study guitar and music theory.

He falls in love in computers in 1998 and started to work on hacking and

net-art. He graduated in 2004 in Pisa in computer science. In 2010 begins

to use photoshop for his creations, halfway between graphic design and

photography. In 2012 he began studying at the center of contemporary

photography Fondazione Studio Marangoni, Florence. His other passions

include skydiving and travel.

Postcards from the future

The Three Laws of Robotics:

1: A robot may not injure a human being or, through inaction, allow a

human being to come to harm;

2: A robot must obey the orders given it by human beings except where such

orders would conflict with the First Law;

3: A robot must protect its own existence as long as such protection does

not conflict with the First or Second Law;

The Zeroth Law: A robot may not harm humanity, or, by inaction, allow

humanity to come to harm.

― Isaac Asimov, I, Robot

Imaginary towns

Ruined buildings, lost in some desert beyond reality.

Reflections of what was. Characters living in houses that no longer exist.

A world cast beyond the frontiers of our own, where the adventures of

fragile beings,

who ignore why they were born, are shared. Beings for whom two thousand

years will not be enough time to grow.

Imaginary towns

Ruined buildings, lost in some desert beyond reality.

Reflections of what was. Characters living in houses that no longer exist.

A world cast beyond the frontiers of our own, where the adventures of

fragile beings,

who ignore why they were born, are shared. Beings for whom two thousand

years will not be enough time to grow.

WELCOME IN THE GEOGRAPHY OF THE VARI-ABLE-GEOMETRY EXILE. HE WILL NOT TELL YOU WHERE FROM HE GOES, HE WILL NOT TELL YOU WHERE HE GOES… DIFFICULT IN THESE CASES THERE TO PRESENT HE.

LA TERRE NE TOURNE PAS ROND © Jeremy Clausse

To present him would give him an outline, a shape, a limit, a

partition…collision! Release itself, here is the quest of this

dreamer in the intuitions – unrealistic – infractions!

His practice builds itself around mirages, around appearances,

which get married label fusion. The idea: explore the potential

of the dark camera. Of his trip in the heart of an illusion, a

pilgrimage in his fiction, in the fatal breast, the penetration,

he sees the beautiful of his passion… the fault to whom ? Fault

in the written forms.

Author French photographer, feet on Earth and the head in stars,

the three eyes are opened to seize the Beauty which surrounds

us. His photography – tinged with ecstasy and with fury – of

dreams, falls, the truth of a found essence…its truth aims to be

to create a footbridge, a link in the Other one.

Born in the North of France in 1977, I'm a young fine art

photographer. The camera began to accompany my journeys in 2001

but it is only in 2008 when I was interested in the power of the

photo, what she can convey and allows to share. Anaïs Nin said ”

the internal rooms of the soul are as the darkroom of the

photographer. We cannot stay there for a long time, otherwise it

becomes the cell of the neurotic. ” I enough agree with this

quotation.

WELCOME IN THE GEOGRAPHY OF THE VARI-ABLE-GEOMETRY EXILE. HE WILL NOT TELL YOU WHERE FROM HE GOES, HE WILL NOT TELL YOU WHERE HE GOES… DIFFICULT IN THESE CASES THERE TO PRESENT HE.

LA TERRE NE TOURNE PAS ROND © Jeremy Clausse

To present him would give him an outline, a shape, a limit, a

partition…collision! Release itself, here is the quest of this

dreamer in the intuitions – unrealistic – infractions!

His practice builds itself around mirages, around appearances,

which get married label fusion. The idea: explore the potential

of the dark camera. Of his trip in the heart of an illusion, a

pilgrimage in his fiction, in the fatal breast, the penetration,

he sees the beautiful of his passion… the fault to whom ? Fault

in the written forms.

Author French photographer, feet on Earth and the head in stars,

the three eyes are opened to seize the Beauty which surrounds

us. His photography – tinged with ecstasy and with fury – of

dreams, falls, the truth of a found essence…its truth aims to be

to create a footbridge, a link in the Other one.

Born in the North of France in 1977, I'm a young fine art

photographer. The camera began to accompany my journeys in 2001

but it is only in 2008 when I was interested in the power of the

photo, what she can convey and allows to share. Anaïs Nin said ”

the internal rooms of the soul are as the darkroom of the

photographer. We cannot stay there for a long time, otherwise it

becomes the cell of the neurotic. ” I enough agree with this

quotation.

PLEASE CONNECT ME © Jeremy Clausse

The alchemy which allows this one to be born. Once again several

quotations express better my relationship in the photo than me

could not make him :

- ” A photography, it is a cardiac arrest of a fraction of a

second. ”(Pierre Movila)

- ” A photography, it is the fragment of time that will not

return. ” (Martine Franck)

- ” Any photo is an intelligence which exhausts a light. ”

And finally because a frame is certainly necessary for all this

and because i needs to honor masters : ” To photograph it is to

put on the same line of sight the head, the eye and the heart. ”

(Henri Cartier-Bresson).

The camera just like the human mind possesses secret one

thousand which it is necessary to learn to tame.

What I appreciate in this way of expression, it is the

possibility that allows the photography to take the imagination

and the spirit “somewhere else” beyond some centimeters of the

support of exit.

(Denis Roche)

THE WHOLE WORLD IS A CACTUS © Jeremy Clausse

PLEASE CONNECT ME © Jeremy Clausse

The alchemy which allows this one to be born. Once again several

quotations express better my relationship in the photo than me

could not make him :

- ” A photography, it is a cardiac arrest of a fraction of a

second. ”(Pierre Movila)

- ” A photography, it is the fragment of time that will not

return. ” (Martine Franck)

- ” Any photo is an intelligence which exhausts a light. ”

And finally because a frame is certainly necessary for all this

and because i needs to honor masters : ” To photograph it is to

put on the same line of sight the head, the eye and the heart. ”

(Henri Cartier-Bresson).

The camera just like the human mind possesses secret one

thousand which it is necessary to learn to tame.

What I appreciate in this way of expression, it is the

possibility that allows the photography to take the imagination

and the spirit “somewhere else” beyond some centimeters of the

support of exit.

(Denis Roche)

THE WHOLE WORLD IS A CACTUS © Jeremy Clausse

PEACE 9 POINTS, WAR 6 POINTS SO STOP © Jeremy ClausseRATIONALITY LESS IS MORE © Jeremy Clausse

I used photo manipulation to create another world of image

which shows the human being and of his report to the world.

At present, I work on several projects of which an entitled

series “GAIA”. Gaia is the personification of the Earth in the

cosmogony of Hésiode – She is the maternal ancestor of the

divine races and the monsters. To Latin we find the equivalent

Was in hiding there to Terra Mater or Tellus.

The only one is Gaia, the earth. According to the narrative of

Hésiode, it seems good that Gaia, who is a goddess in the well

defined lines, the principle where from any things went out, was

the big divinity of the primitive Greeks. As the Aegean, as the

peoples of Asia, the Greeks doubtless had to adore originally

the Earth-mother, in whom they saw the goddess-mother. Gaia ”

goddess in the wide breast “, was a time the supreme goddess, of

whom the majesty was not only imperative upon the men, but upon

the gods.

As first divinity, Gaïa is, in a way, the guard of the divine

power: it is her who causes the rebellion of Cronos against

Ouranos and that of his grandson Zeus against Cronos, in a

certain quest of the perfect sovereign; but she also raises her

monstrous sons, the Giants and Typhoon, against Zeus, doomed to

failure mutinies.