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2019 Annual

TODAY'STODAY'S

InternationalInternational

MY Press Code of ethiCsGets Me into Most Events ... most of the timeMY Press Code of ethiCsGets Me into Most Events ... most of the time pg 34

CAPtUrE world Class winners CAPtUrE world Class winnersPAGE 1

sHootinG straight from thesiDELinEssHootinG straight from thesiDELinEs PAGE 23

insiDE Air shows pg 7

insiDEAir shows

How to EnvisiontHE UsE of YoUr PHotos

BEAt theMusic festival Challenge

BEAt theMusic festivalChallenge PAGE12

How to EnvisiontHE UsE of YoUr PHotos PAGE 19

www.ifpo.net Today's Photographer International 1

shOOtIng the 2019 WOmen’s FInAl FOur And the nAtIOnAl ChAmPIOnshIP In tAmPA WAs truly A dreAm COme truethAnKs tO lt WIllIs OF tg sPOrts In lOs Angeles, WhICh Is A PlAtFOrm thAt COVers the suPerbOWl, PrObOWl, nFl PlAyOFFs, rOse bOWl, nbA PlAyOFFs, WnbA All-stAr gAme And the nCAA ChAmPIOnshIPs. I WAsFIrst IntrOduCed tO mr. WIllIs tO POtentIAlly COVer the 2019 nCAA nAtIOnAl InVItAtIOn tOurnAment (nIA)beCAuse OF my exPerIenCe shOOtIng nAtIOnAl ChAmPIOnshIPs, PrO bOWls And the WAshIngtOn redsKIns FOrten yeArs (my FIrst AssIgnment FOr IFPO WAs In 1988). he KneW thAt I hAd the sKIll set And WAs mOre thAnreAdy. hOWeVer, thAt AssIgnment dId nOt WOrK Out. I deCIded tO FIll Out my brACKets And enjOy the tOurnA-ment At hOme WIth my FAmIly. then tWO dAys lAter I gOt A CAll AbOut the POssIbIlIty OF COVerIng the WOmen’snCAA FInAl FOur tOurnAment In tAmPA. tg sPOrts’ leAd PhOtOgrAPher COuldn’t mAKe It. shOrtly AFter, IbOOKed my FlIght And the rest Is hIstOry! my geAr COnsIsted OF (2) CAnOn 1dx2, (1) CAnOn 5dmK4 WIth 300 2.8l, 70-200 2.8l And24-70l CAnOn lens Photo ©2019 by Keith CePhus for tG sPorts

BAYLor woMEn CELEBrAtEwinninG tHE 2019 nCAA woMEn’s finAL foUr

MorE on PAGE 8

When I saW my seatIngassIgnment WIth the press on the

court I ecstatIc. I Would have beenhappy shootIng from the

press box overhead but the floor Isthe best!!

IFPO AmbAssAdOr KeIth CePhus, VIrgInIA beACh, VA

2 Today's Photographer International www.ifpo.net

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toDAY’s PHotoGrAPHEr intErnAtionAL 2019 AnnUAL Vol. 33, Number 1

Contents

FEATURES

1. BAYLor woMEn CELEBrAtE winninG tHE 2019 nCAA CHAMPionsHiP. ©2019 KeIth CePhus IFPO, tg sPOrts.

11. LAst onE stAnDinG PLAqUE On dIsPlAy At WOrld trAde Center museum. ©2016 curtis J. Quinn lsp, Ifpo, neW WIndsor, ny

19. nAPA team winner Alexander rossi Celebrates Winning the 2019 ntt IndyCar series. ©2019 KendAll Krebs

20. tHE kEY to CovErinG AnY EvEnt ©2018 CArrIe r. hullAr IFPO, gAInesVIlle, gA

25. tHE worLD CHAMPions 2018 Moto GP. CIrCuItO rICArdO tOrmO. ©2018 JulIo cano Ifpo avIla, spaIn

on tHE CovEr: IFPO member KeIth CePhus on assignment FOr tg sPOrts At the

sHootinG winnErs8 25

19

20

11

To say that therewere three days ofgreat jazz can’tbegin to describethe excitement fora jazz loving pho-tographer at New-port.

I have been therefor the last few

years on assignment for AI News. Eachyear I think this is absolutely the bestone ever. At the time that is certainlytrue until it is upended by the next yearwhich becomes the best ever.

Few musicians can compare with thepassion of the heart and soul of jazz. Asa photographer my challenge is to cap-ture the essence that passion. Each yearI almost do it but can’t wait for the nextyear to try again. Ω

AnDrA DAY (AbOVe) WOWed theAudIenCe As she ClOsed the 2018 neWPOrt jAzz

FestIVAl On the FOrt stAge.

CHArLEs LLoYD (rIght) bleW the CrOWd AWAy Ashe CelebrAted hIs 80th bIrthdAy On the lAst dAy

OF the 2018 neWPOrt jAzz FestIVAl.

PhOtOs ©2018 by mIChAel nArdellI, IFPO www.ifpo.net Today's Photographer International 5

by michael nardelli IFPO, mount Kisco, ny

insiDE: nEwPort JAzz fEstivAL


At LAst you CAnPUt A Link to YoUr HoMEPAGE on ifPo toP PHotoGrAPHErs sitEA Link to your Homepage from the IFPO’s Top Photographers Site guides potential clients in your area to click directly toyour Home Page to see your work, find your contact information, pricing and other important information. Your listing onTop Photographers includes Your Name or Business Name, City, State/Province, and Country. Go towww.ifpo.net/topphotographers for examples of listings. ONLY $19.95/year. Register for this valuable service at:http://ifpo.net/toplinks.html

With your Credit Card CALL 1-800-654-9557 with the URL (LINK ADDRESS) to your Web-Site.

7. norAD 60th AnnIVersAry brIAn teePell IFPO 12. shOOtIng musIC FestIVAls jOsePh jAmes IFPO, 14. shOts thAt set yOu APArt PAtrICK VAnCe, IFPO 17. PrOteCt yOur rIghts: ImAges hAVe VAlue

19. enVIsIOn the use OF yOur PhOtO KendAll Krebs, 23. On the sIdelInes Albert OnderKO IFPO 27. stOry behInd the sCenes mArC. mIrAnde-KetChum IFPO34. hOnOr the Press COde OF ethICs, henry smIth IFPO

tiPs AnD AwArDs

23 14

on AssiGnMEnt5. neWPOrt jAzz FestIVAl

17 ClAy COunty PAnthers WrestlIng teAm

24. mOtO gP suPerstAr

25. 2018 FIm mOtOgP WOrld ChAmPs

34. All AmerICAn PhOtOjOurnAlIsts

48. 2019 essenCe FestIVAl

BACk CovEr: hOng KOng rePOrts

GALLErY8. nCAA woMEn’s BAskEtBALL CHAMPs

7

13

34

www.ifpo.net Today's Photographer International 76 Today's Photographer International www.ifpo.net

froM tHE PUBLisHEr

Last year we announced a very differentformat for Today’s Photographer Interna-tional magazine. We have allocated morepages for editorial material which increasesthe publishing opportunities for more IFPOmembers.

IFPO programs and services, which havealways taken many pages in the magazine,will are listed in the IFPO Members Direc-tory of Services on page 37 with the inter-net links to complete information and howto join each program. Many other programsare still offered on pages listed below.

This new design appeals to IFPO mem-bers who are eager to get more of theirwork published.

Jack M. Gallimore

PublisherJack M. Gallimore

Editor in Chief Vonda H. Blackburn

Editorial Staff:Cass Kerrington

Editors at large:Dennis HodgesKeith Cephus

Operations Staff:Liz BloomDee Cass Northberg

toDAY’sPHotoGrAPHErintErnAtionAL

Today’s Photographer International Magazine

AmerICAn ImAge PressPO bOx 42, hAmPtOnVIlle, nC 27020(336) 468-1138 • FAx (336) 468-1899

Today’s Photographer International Magazine is published by American ImagePress in Hamptonville, NC 27020. Send advertising and editorial correspon-dence to: Today’s Photographer Magazine, P.O. Box 42, Hamptonville, NC27020-0042 USA. Subscription is free to IFPO members.

Please send change of address forms as well as subscription correspondence toToday’s Photographer Magazine, P.O. Box 42, Hamptonville, NC 27020-0042USA. Allow at least six weeks for the change of address to become effective.COPYRIGHT AMERICAN IMAGE, INC., ALL RIGHTS RESERVED.

Mail Preference: On occasion subscriber namesand addresses are made available to carefullyscreened companies whose products or serviceswe feel may be of interest to readers. to beexcluded from these mailings, contact us via oneof the following:

mail: PO box 42, hamptonville, nC 27020-0042FAx: 336-468-1899

Phone 336-468-1138

IFPO COrresPOndents jerome dorn, Atlanta, gAKeith Cephus, Virginia beach, VAbecky hullar, dothan, AlKendall Krebs, IAAlAn sIu muI lun IFPO, hOng KOng

henry smith, Warwick, nybrian teepel, dartmouth, ns

IFPO PHOTOGRAPHERS PUBLISHED IN THIS ISSUE

IgOr CAnAjulIO CAnAKeIth CePhusCArrIe hullArjOsePh jAmesKendAll KrebsAlAn sIu muI lunAArOn mArtens

mIChAel nArdellImArCellA-mIrAndA KetChAmAlbert OnderKOCurtIs j. QuInnChArles rOllInshenry smIthbrIAn teePelPAtrICK VAnCe

COntInued PAge 28

editorial submission guidelines 40IFPO Auto emblems & Freelance Field Kit 42IFPO business Cards 2IFPO Press hats and emblems 10IFPO business Forms 16IFPO directory of Complete member services 37IFPO distributor Program 43IFPO membership Information and specialty Certificates 38IFPO Press Programs 39IFPO Field Kit and Crew tag Id 26IFPO hall of Fame Information 36IFPO master Photographer Information 41IFPO membership update Cards 46IFPO Order Form 47stock gallery Program 18Press Correspondent’s Chase Kit 22

IFPO MEMBERS DIRECTORY OF SERVICES page 37

ChrIstIAn musIC stAr jeremyh CAmPIn PerFOrmAnCe.

©2018 aaron martens Ifpo

EVENTPHOTOGRAPHY

brIAn teePell IFPOdArtmOuth, ns, CAnAdA

2018 AtLAntiC CAnADA intEtnAtionAL Air sHow

Ibecame a member of IFPO in 1999 and enrolled in the Gold Press Program. Since that time I amno longer just another guy with a camera, but a serious photographer with the backing of a profes-sional editorial staff at Today’s Photographer International Magazine. My press credentials get

me through the doors. The editorial support provides officials with the verification which is required inthis age of heightened security. Over the years thanks to IFPO I have been able to cover breaking news events, concerts,trade shows, air shows and many other special events which has led to many publication opportunities and credits. Someof the major highlights have been covering Bruce Springsteen, the Beach Boys and Dropkick Murphys concerts. I havealso covered several Atlantic Canada International Air Show productions.

After having much success with the Gold Press Program, I also decided to enroll in the AI News Service (Universal)and the US PRESS CORPS programs.Having all three of the fully supported press programs has allowed me to meetmedia criteria for a broader range of the tougher events. This year 2019 I will celebrate my 20th year as a member ofIFPO with pride. I will continue to use my media credentials with confidence and professionalism for many years tocome.Thanks to IFPO! Brian Teepell

CF-18 hOrnet: PAInted In the nOrAd theme tO CelebrAte the 60th AnnIVersAry In 2018 of nortH AMEriCAn AErosPACECoMMAnD (norAD) WhICh Is the COmbIned OrgAnIzAtIOn OF the unIted stAtes And CAnAdA thAt PrOVIdes AerOsPACe WArn-Ing, AIr sOVereIgnty And PrOteCtIOn FOr nOrthern AmerICA. ©2018 Brian Teepell, IFPO

8 Today's Photographer International www.ifpo.net www.ifpo.net Today's Photographer International 9

GALLErY: BAYLor woMEn ArE tHE 2019 woMEn’s finAL foUr CHAMPionsPhoto ©2019 by ifPo MeMber/AMbAssAdor Keith CePhus for tG sPorts

www.ifpo.net Today’s Photographer International 1110 Today's Photographer International www.ifpo.net

PRESS PHOTOGRAPHERS’ SURVIVAL GEAR

Press hAt: solid black cotton twill cap with braid.One size fits all. One COlOr: Black (with whiteembroidered emblem) Order in quantity for yOur-selF And AssIstAnts and save.

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Idocumented the events of 9/11 from the earlydays to the dedication of the World Trade Center(WTC) in January 2016. I am the person in the

yellow hard hat below in midst of the rubble. That’salso me (right) 15 years later at the WTC Museumexhibit with my photo of The Last One Standing.

My photograph of that same beam shot in the rubblewith the American flag waving from it is featured onthe plaque at the base of the exhibit. It makes me very

MY PHoto wiLL BE on DisPLAY At tHE wtC MUsEUM PerMAnentLyI REMEMBER AND CHOOSE NOT TO FORGET

All PhOtOs And edItIng by CurtIs j.QuInn lsP, IFPO, neW WIndsOr, ny

LAst onE stAnDinG -the plaque at the base of the beam features my photo of this samebeam shot in the rubble at ground Zero. An American flag placedthere by the workers waved proudly. this photo will be in that samespot for the next 100 years per my agreement with WtC.

©2016 curtis J. Quinn lsp, Ifpo

www.ifpo.net Today's Photographer International 1312 Today’s Photographer International www.ifpo.net

Music Festival Photography can beboth rewarding and challenging on anygiven day.

Each year millions of people attendmusic festivals around the country.Some are small local events and someare monster events such as I-Heart orCochella Music Fest.

Photographic coverage can be excit-ing and overwhelming at the sametime. You must have a plan uponarrival or face total chaos. Ask your-self a few questions to get organized?What gear will you use? How do youovercome the logistic challenges withsecurity, media PR firms, performersand organizers?

For 25 years I've had the pleasure ofcovering the Essence Music Festival in

New Orleans. Each yearover 500,000 people trav-el to New Orleans to cele-brate African AmericanCulture, music, motiva-tional seminars and ofcourse the food. Entertain-ers perform at the Super-dome for 3 nights duringthe 4th of July weekend.Coverage of an event ofthis size takes a lot ofplanning, so I hope thefollowing tips will behelpful covering anyevent.Planning with a clear

idea of what you want toaccomplish before youarrive is critical to yoursuccess . Having a well

though out game plan will save youfrom lot of problems on the scene.Remember almost every news outletwill be there and press credentials areextremely limited as well as vantagepoints for shooting. To compete withthe other news agencies you’ll needproof that you are a working journalistor photographer. This is whereToday's Photographer Internationalmagazine backs you up. The value ofhaving your work published will notonly build your portfolio but willallow event planners, PR firms andpress organizers know that you areproviding news coverage that will ben-efit and promote their event or festivalvia American Image Press. It a win,win for everyone. So start early with

proof of your published work.Logistics can be a nightmare with-

out a plan. Essence is so huge, I like toarrive a day early. This allows me toget a feel for getting around, find park-ing and where the media center islocated. If you are flying to NewOrleans I highly suggest booking yourflight 6 month advance to get a goodrate -- 3 months minimum. Also rentalcars and hotels can disappear quickly.You don’t want to stay 50 miles aaway from the Superdome becauseyou didn’t book your reservationearly. Media staff and security are key to

your success. Essence Festival hasbeen around since 1995. I was fortu-nate to get in on the ground floor andmeet various PR teams, media staffand security. As a working photojour-nalist your reputation with these peo-ple is everything. It is very importantto be profession, polite and go with theflow when working with each of them.

This is a major event so they areunder pressure to deliver a successfulevent, which can cause stress and ten-sion among the publicists, entertainersand security team. Do not add to theirstress!

The goal is to get the story or photothat you need. Sometime this may nothappen due to performers, contractors,or agreements. If you are understand-ing and know the rules, your chancesof returning the next year increase.Your job is not to make theirs harder.which brings me to next point.Be on time. Essence requires media

EVENTPHOTOGRAPHY

the jIll sCOtt PerFOrmAnCe At 2018 essenCe musIC FestIVAl©2018 jOsePh jAmes PhOtOgrAPhy

LEGEnDArY rAPPEr AnD Host of JokEr’s wiLD PerFOrms hIs hIts At 2018 essenCe musIC FestIVAl. ©2018 jOsePh jAmes PhOtOgrAPhy

(thIs Is A dIFFICult shOt Where A 70-200 Or 300mm lens WOrKs Well)

to check in each night for security. Theworld can be dangerous so security atmajor events is very strict. My adviceis if check in time is 5 p.m., arrive anhour earlier. This is gives you time topark, get checked in, relax and prepare

for the work ahead. Trust me securitywill not be your friend if you are late.It’s time to shoot! There is nothing

more exciting than being in the photopit or in front of a stage preparing tocover a live concert or event. Erica

Badu, Lionel Richie,Stevie Wonder, GladysKnight. Mary J Bilge,Charlie Wilson and somany others I've pho-tographed over theyears. It never get old.

The roar of thecrowd and the lights godown. You have 3songs only to capturethe event if you arelucky. This is whereyour skills as a photog-rapher come in. I won’tgo into detail abouttechnical skill, howeverhaving a fast lens isrequired

I shoot with a Nikon70-200 mm f2.8. I carrya wide angle for crowdshots. You won’t need aflash for the perfor-

mance and no flash is allowed in thepress room which is usually filled withmedia and photographers from allover. So you want to respect eachother’s space while getting your shot. Iusually aim my flash at the ceiling somy light can bounce giving a niceeven light on the artist or performer. Ilike to travel light so I can be mobile.So a good camera bag that can be usedas a backpack will do the trick.

I hope some of the information pro-vided here will make your next assign-ment a smooth and successful experi-ence. My last advice is to have fun andenjoy the camaraderie and experience.

You'll meet people from numerousnews outlets that may turn into otherassignments, shooting opportunities orlife long friendships. At the next showI hope to see you there!Ω.

Editor’s note: Joseph James is aphotographer based in Dallas, Texas.He has been a member of IFPO andAmerican Image Press since 1995.Specializing in event, concert andnews photography, he has been pub-lished in Essence Magazine, DallasWeekly, Dallas Examiner and numer-ous public relation firms.

mAry j. blIge PerFOrms tO A sOld Out CrOWd. 2018 essenCe musIC FestIVAl.

©2018 jOsePh jAmes PhOtOgrAPhy


how to Capture the shot that sets you Apart

the #29 AudI (FrOm the PIrellI WOrld ChAllenge serIes) On It WAy tO A 1st PlACe FInIsh durIng the 2018 CAlIFOrnIA 8 hOurs At the.InterCOntInentAl gt ChAllenge CAlIFOrnIA 8 hOurs rACe. ©2018 PAtrICK VAnCe IFPO

Being a race photographer isnot just about getting toshoot fast cars up close. It’s

about telling a story. Trying to tell astory with just a couple of photos iswhat it will take to set you apart fromthe other photographers next to you. Iam lucky to be off to an amazingcareer in race photography, because Ibelieve I can bring the race to life formy viewers.This comes from myextensive interest and knowledge ofnot only photography, but also racing.

It takes a lot of research and dedica-tion to get the right shot at the righttime. Not only will you need the bestaccess, the fastest glass, or the physi-

cal ability to be everywhere at once,you must be able to see the shot beforeit happens. You must be able to takethe perfect shot at any time. There aremany tricks and techniques that can beused to get the perfect shot, but if youcan combine all your knowledge andresearch into the split second youcould be the difference from being onthe cover, to not getting published atall.

Racing photography is no walk inthe park. Just being a professionalphotographer isn’t enough. You mustunderstand racing. You need to knowwhat the cars are doing always andknow the drivers well enough to pre-

dict what they will do next. Beingable to decipher between a car onits racing line, and a car that is los-ing control, can be what sets youapart from the hobby photographer.Race photographers put their liveson the line in every race to get theperfect shot. You need to be able toget as close as possible whileensuring you stay safe at the sametime. Understanding where themost likely place a car will losecontrol, or placing safety barriersbetween you and the race, are

things that you will not learn in acamera class.

Safety aside, the next thing youneed to know is the sun angle. Everycar on the track has been polished toglisten in the sunlight. This means ifyou are at a spot where the son isreflecting into your lens, you need toeither move to a less appealing spot orfind a way to make the sun work forthe type of story you are trying to tell.The sun will be at different placesthroughout the race weekend, and youshould plan your shooting aroundwhere it will be during the day. ForLaguna Seca, early morning shots ofcars screaming down the corkscrew is

EDitor’s notE: PAtrICK VAnCe Is AnACCOmPlIshed rACe PhOtOgrAPher FrOmthe beAutIFul CAlIFOrnIA bAy AreA. he hAstrAVeled the WOrld tO COVer rACes FrOmthe Abu dhAbI grAnd PrIx In the unItedArAb emIrAtes tO the lOCAl rACe trACKsneAr hIs hOme. he hAs been On AssIgnmentAs An IFPO Press PhOtOgrAPher sInCe2011.sOmetImes sAId tO be,the Guy in the riGhtPLACe At the riGht tiMe mOst lIKely meAnshe Is PrePAred And reAdy FOr ACtIOn.

I use the three pppapproach: prepared,

professIonal, and proac-tIve. If you forget any

one of these p’s, you WIllbe left In the dust by

your competItors. Keepfocused, and stay tacK

sharp.KnoW your sport and

KnoW your camera.PAtrICK VAnCe

perfect, where as an afternoon showwill be bright and sunny.

Remember when out at the track

you always need the three PPP’s: Pre-pared, Professional, and Proactive. Ifyou leave out any one of these P’s,

you will be left in the dust by yourcompetitors. Keep focused, stay sharpand know your sport.Ω

the #911 POrsChe gtlm durIng the ImsA (InternAtIOnAl mOtOr sPOrts AssOCIAtIOn)WeAtherteCh sPOrtsCAr ChAmPIOnshIP, COntInentAl tIre mOnterey grAnd PrIx At lAgunAseCA, CAlIFOrnIA In 2018. ©2018 PAtrICK VAnCe IFPO

by PAtrICK VAnCe IFPO, gIlrAy, CAMOTORSPORTS:


Many times over the years aphotographer has called orwritten to report that his or

her photos have been used without permis-sion, or with permission but without pay-ment, photo credit or other related prob-lems. In ninety-nine percent of the reportsthe problems could have been avoided byusing a cover letter or a simple agreementin writing or using an IFPO BusinessForm.

The following steps should provide pro-tection for most situations. 1) Copyrights are inherent to the photogra-

pher. However, an inventory list ofimages with the copyright notice(Ex:©2014) is a friendly reminder thatthe work is protected by copyright laws.Also a short notice such as, “All rightsreserved” could be added.

2) Each time a photo or digital imageleaves your possession, it should beaccompanied by signed and dated per-mission for use with terms and condi-tions stated. This is the first step to acontract for use -- even if no payment isinvolved. KEEP A COPY FOR YOURFILES.

3) Digital images require even more pro-tection. NEVER send your originalfiles. Not even just for someone to con-sider. Send a copy of digital images invery low resolution along with text filesof the first two items above.

4) Follow up by phone or email within 5-8business days to see if your imagesarrived and if there is interest etc. Men-tion that complete information is in thepackage.

5) ALWAYS send a postage paid returnenvelope when submitting by mail ifyou expect your work to be returned.

6) Submissions by email are just “outthere” in an unknown domain. It ismuch safer to mail a disc with yourname and copyright notice on the disc.We are not suggesting that you neveremail an image but you should knowand trust the receiver and believe thatterms for an agreement can be made.

7) Once there is an agreement for how animage is to be used, the terms must beset before the use occurs. Example: Onephoto may be used once for $25 or anyamount that is satisfactory. You mayeven want the benefit of having yourphotos published without payment. Ifso, that should be agreed upon up front.

8) Others conditions must also be met.Will you get photo credit? Will you geta copy of the work published? Can youbuy extra copies if you need them?

9) When is payment made? Upon publica-tion? Within 30 days? At the end of thepublishing cycle? It really doesn’t mat-ter as long as you understand and agreeto it.

10) Finally, all terms and conditionsshould be confirmed in writing and signedby both parties. Sounds like too muchwork? Not so. Two copies of a simplecover letter can do the job for you. Simplebusiness forms can do the job for you evenbetter. (See the offer for a lifetime supplyof IFPO Business Forms on pages 2 and 3for $39.95)

What happens if you have released yourimages without an agreement for use and

learn they have been used? Contact theuser. Try to work through the steps listedhere. Most everyone understands thatcopyright infringement can be serious busi-ness. In most situations, something fair andequitable can be negotiated even after pho-tos have been used.

It’s much easier to take the simple stepsrequired to protect your work at the time itleaves your possession than to try to getcontrol of it after use.

Keeping a log of photo packages, digitalimages etc that are in the hands of potentialusers helps you track usage, payments andpackages that should be returned. It alsooften serves as a reminder of where yourbest work is located and where and whyyou should submit it elsewhere.

Using business forms designed especial-ly for photographers not only help protectyour work, it’s a short cut to learning aboutcopyrights, rights to use, terms and condi-tions. Just select the form that seems tomatch your job and complete it! Youshould never have to worry about protect-ing the use of your photos again.

Finally, posting photos on social net-working sites is not recommended. If youpost a photo of a logo or trademark (prosports uniforms etc) without permission ofthe owner of such, you are violating logoand trademark regulations which could getyou into trouble. Don’t do it -- even thoughyou own the copyright to the photo. Youcan submit such photos for editorial pur-poses to a recognized publisher, TV orbroadcast outlets as a news item or a fea-ture story. So always remember to protectyourself as well as your work. Ω

How To Protect Your Rights and Photos By Vonda H. Blackburn, Edi tor

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trACtF159 PhOtOgrAPher’s jOb InVOICeF160 PhOtOgrAPher’s jOb estImAte WOrKsheetF157 POrtrAIt PhOtOgrAPher’s jOb COntrACtF158 POrtrAIt PhOtOgrAPher’s InterVIeW FOrm F301 PhOtOgrAPher’s On-AssIgnment CheCKlIstF141 InsUrAnCE PHotoGrAPHEr’s InVentOry

reCOrdF169 wEDDinG PhOtOgrAPhy jOb COntrACtF170 WeddIng PhOtOgrAPhy CheCKlIstF171 Full Wedding: People and Places shooting Plan (1 of 4)F172 Full Wed.Pre-Ceremony, Ceremony shooting Plan (2 of

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FULL WEDDING PHOTOGRAPHY PLANP eo p l e an d P la ce s Sh o o t in g P la n , p ag e 1 o f 4

John Doe SmithWedding Photography Specialist

Home Town, USA Telephone: 000-111-2222

email: [email protected]

ClAy COunty PAnthershIgh sChOOl WrestlIng teAm,

ClAy WV Were PAIred WIthgreenbrIer West hIgh

sChOOl teAm In the stAteChAmPIOnshIPs.

eVen thOugh jOelCruICKshAnKs (r) OF ClAy

COunty PAnthers Only CAmeOut In 6th PlACe, eVeryOne

WAs PrOud OF hIm.

© 2109 ChArles rOllInsIFPO,

WInFIeld, WV

HiGH sCHooL wrEstinG is fUn to sHoot


I agree to the above terms and conditions. I enclose my photos:#ST31, 12 photos, set-up fee $29.00 and monthly fee: $9.95#ST32, 24 photos, set-up fee $49.00 and monthly fee: $9.95

STOCK GALLERYSTOCK GALLERYREGISTRATION FORM (IFPO MEMBERS ONLY)

PHoto inforMAtion(complete 1 for each photo)

Image #________-_________(your IFPO membership I.d.# followed by a 5-character

code provided by you that identifies your picture)photo title ____________________________________

subject _______________________________________

price (or print ”CAll”) ___________________________

Visa/MasterCard/American Express/Optima Card # expiration date

signature

business name (optional)

name IFPO Member #

address

city, state, zip, country

contact method: (phone, fax, or email)

mail to: IFPO Po BoX 42, HAMPtonviLLE, nC 27020-0042view the stock gallery on the internet at http://www.ifpo.net/stock.html

ImPOrtAnt: Allow 30 days for IFPO personnel to scan your images and post them for sale in the stockgallery. be sure to add the stock gallery url (www.ifpo.net/stock) to your business cards, letterhead andall your promotional material.

tErMs AnD ConDitionsCredit Card Orders: when you submit your stock gallery materials, yourcredit card will be billed for the set-up fee only. Then your credit card will bebilled monthly on the first of the month beginning with the first FULL monthyour photos are ON-LINE. Your first partial month is FREE! Minimum 12-month commitment required. After 12 months, monthly charges will continueuntil member cancels with a 30-day notice. Visa, Mastercard, AmericanExpress, Optima accepted.Checks or Money Orders: when you submit your stock gallery materials,enclose a check or money order for the amount of the set-up fee PLUS $59.70,the first six months of the monthly fee. You will then be billed at 6 month inter-vals.

FOr eACh PhOtO: (make as many copies as you need)

contact name:




subject _______________________________________





subject _______________________________________


IFPO’s Stock Listing ServiceThe following elements clearly distinguish the

differences in the IFPO Stock Listing Service anda stock agency:1. The service provided to IFPO members is a

STOCK PHOTO LISTING SERVICE andNOT an agency.

2. Each photographer manages his own sales.3. No commissions will be charged ever. 4. Image buyers will browse the IFPO image

bank on the internet, select the photos, get theprice, index number and contact information toorder directly from the photographer whoowns the images.

5. Members may set their own pricing for eachphoto sold.

6. Complete copyright standards will be avail-able at the site for image buyers and IFPOmember photographers (the sellers).

7. Image searches by buyers may be made bysubject.

8. The most important part of any Stock PhotoService is its indexing system that allows an

image buyer to identify a photo for purchase.Members are asked to identify their pictures bytheir 5 digit member number plus a 5 charactercode of their own choosing. Example: IFPOmember 99999 might use Index Codes of99999-KID01, 99999-KID02, etc.

ADvAntAGEs of tHEifPo stoCk GALLErY sErviCE

www.ifpo.net/stock.html• List only the number of quality images

you wish to list -- not 10,000 to 50,000 asrequired by agencies.

• You can add fresh images at your conve-nience. no minimums are required -- suchas the 1000 new images per year by manyagencies.

• there are no contracts, exclusive orotherwise -- to tie up your images foryears as with an agency.

• the price you set is what you get --could never happen with an agency.

• there are no commissions ever -- unlikeagencies who always take at least 50 per-cent of sales.

• income from sales is instant and allyours -- very different from agencieswhere payment usually follow sales by 6 to8 months.

• Model and other applicable releases arerequired for stock images listed with IFPO-- the same as with an agency.

• Current and new clients can see yourfresh images instantly and contact you tobuy -- which could never happen with astock agency.

• the more images you list with the IFPOPicture listing service the more likely youare to make money -- which is the same aswith an agency.

• the more sUBJECts you list with theifPo Picture Listing service, the morelikely you are to make money over the longhaul -- which is also true with an agency.

SELL PHOTOS YOU ALREADY HAVE!START SELLING YOUR PHOTOSSTART SELLING YOUR PHOTOS

Successful stock libraries contain HIGH QUALITY images of everyday life situations. IFPO members shoot such images everyday as a matter ofcourse. However, unless a photographer has hundreds or thousands of images, he may be shunned by the large stock houses. This could happen for tworeasons, he simply may not be recognized as a successful stock photographer or his stock of a few dozen images is too small for an agency to consider.The IFPO Stock Listing service removes these barriers totally and opens doors to the international sales market.

Spending sum-mers growing upin Sacramento

with my dad, who wasthe Chief Course Mar-shal for the SCCA SanFrancisco Region, Ideveloped a love of carsfor life! When I starteddoing photography, atabout the age of 10, pho-tographing cars seemedlike the natural thing todo since I spent a lottime around LagunaSeca and Sears PointRacetracks.

Growing up in NorthDakota the rest of theyear removed me fromthe constant racing scene of summers. Sowhen I was old enough to go on my own Iwould take my camera and go to BrainerdInternational Raceway (BIR) – since noone else in my ND family liked racingvery much!

When I moved to Iowa almost 30 yearsago, I finally was able to attend races atRoad America! American Image Presswas able to help me gain access as a PressPhotographer for about 15 years. I enjoyedalmost every minute of being able to getthat up close and personal to the majorrace series cars!

I don’t really remember when I got myfirst publication, but somewhere in “1980something” for the cover of the ND RECmagazine! I have also had a few thingspublished in Today’s Photographer Inter-national magazine over the years. I amvery grateful and proud to have been pub-lished internationally which led to publica-tion in other magazines as well! Andhopefully, I can get published more in thefuture! It takes a lot of experience in thefield and working with editors to under-

stand how to shoot for publication at thescene. You want to capture that shot thateditors can’t resist so you can’t wait forluck. You must plan it.

About 10 years ago I took a break fromgoing to races because it seemed like moreand more people associated with thoseevents were becoming rude or struck onthemselves or whatever. I just decided to

take a break from the frus-tration and spend my timephotographing other thingsthat make a lot of noise andgo fast such as the BlueAngels, Thunderbirds,Sprint Cars and more.

In 2018, I decided to goback to the races just for thelove of the cars and atmos-phere of the track -- thistime as a spectator. RoadAmerica is a great track forthe fans to get very goodshots. With the right equip-ment, a little luck andmaybe even a little bit oftalent, you can end up withsome great images! All thephotos in this story were

shot by me -- a spectator!I have had a project in mind to shoot for

a very long time. It seems that all racingphotos are similar cars going round andround at high speeds sometimes spinningout of control. Often the real interest andaction are behind the scenes -- in thepits!.When I was paying for my own slidefilm and

Envision the use of Your PhotoWhile you shoot

It tAKes A lOt OF exPerIenCe Inthe FIeld And WOrKIng WIth edI-

tOrs tO understAnd hOW tO shOOtFOr PublICAtIOn “On the sCene” ...

And A lIttle luCK AlWAys helPs.By Kendall Krebs IFPO, Pella, IA

nAPA in LeAd. ALEXAnDEr rossi tAkEs tHE LEAD.(shOOt All ‘In the leAd’ CArs. yOu dO nOt KnOW WhO WIll WIn the rACe ... sO just In CAse!)

©2018 KendAll Krebs

nAPA team Winner Alexander rossi Celebrates with his Crew at road America.(he WAs AlsO the WInner OF the 2016 Indy 500 In hIs rOOKIe yeAr!)


Continued on page 44


By Carrie R. Hullar, IFPO Accredited Master Photographer, Gainesville, GA


posing with fans for pictures. I waitedpatiently and then introduced myselfand was able to snap several candidshots. While E.G. and her band beganto set up their equipment, I surveyedthe room to determine my best vantagepoints once the concert began. After Idecided, I walked around the front ofthe VIP section to introduce myself to

the patrons already seated. I explainedto them I was doing a feature andwould be shooting a few pictures dur-ing the first couple of songs and then Iwould be out of their way so theycould enjoy the concert. Not onlydoes this assure that things will gomore smoothly, it was also an opportu-nity to market myself and hand out

business cards. (Often I get manyemails after an even or concertrequesting to purchase my photogra-phy or to shoot another event ... (chaching), preparation and organizationworks!!)

After E.G. and her band did a fewsound checks and made adjustments in

frAnCE’s sEBAstiAn BoUrDAis sCorED tHE 2015 inDYfEst win in His HYDroXYCUt CHEvY - 9 YEArs AftEr His LAst win At tHE MiLwAUkEE MiLECAnOn eOs-7/d, CAnOn 28-300mm telePhOtO lens. CreAtIVe mOde, 1/500, F/11

©2015 ellIOt dOerIng IFPO

Continued on page 32

tHE kEY to CovErinG AnY EvEnt

E.G. Kight, also known as TheGeorgia Songbird, is a top award win-ning female blues artist from DublinGA. She tours all over the country butparticularly frequents the jazz/bluestrail located in the southern states.When I learned this feisty little blondewould be belting out the blues in Tal-lahassee, Florida, I searched online forthe contact person and quickly sent anemail requesting media clearance.

It wasn’t long before I receivedmedia approval. I called immediatelyconfirm the address and to say thanks.I had no idea until then that this con-cert would be taking place in a quaintlittle setting nestled deep in the woods.I am accustomed to shooting in a largeconcert venue. My interest was mostdefinitely peaked!

Proper preparation, careful organiza-tion and planning are all key elementsin being successful regardless of thetype of photo shoot. I carry two cam-eras and two flash units. I use onecamera to hold a long lens and theother camera to hold a short lens. Ihave found rechargeable flash batterieswork best and is far more economical.I often pack a tripod and a monopod inthe trunk of my car in case I needthem. I find that packing the nightbefore keeps my stress level to a mini-mum and I feel more confident andprepared for the excitement that liesahead the next day. I always dressappropriately, similar to what I wouldwear if I were attending the event as aguest.

The day of the event I made my waywith anticipation to the venue. Thisevent location was down a dusty dirt

road winding through a dark moonlitpath that led to a huge open area withseveral large old oak trees. There weremany cars already parked beneath thetrees and along the rugged dirt road.

It was a beautiful night. As I lookedup, I noticed what seemed like a mil-lion little twinkling lights up in theSpanish moss that draped from thehuge limbs of the magnificent old oaktrees. I soon realized the lights werenot placed in the trees but were pro-jected into the trees with the use ofprojector. The twinkling light gave theappearance of walking into anenchanted forest! To the left was ahuge bonfire where large logs andfolding chairs were available to sit onwhile enjoying a cold brew and gazinginto the glow of a roaring fire. Directlyacross from the fire area was a smalllittle building where an older womanwas busy frying catfish, mullet andFrench fries for sale…mmm, I can stillsmell the aroma!

Directly ahead was the mainentrance to the quaint cinder blockbuilding that was covered with a whiteawning. Tables were set up to viewand purchase CD’s and a kind womannamed Ms. Penny was waiting atanother table to collect the entrancecharge from the customers.

I made my way to the entrance andintroduced myself. I politely asked forthe promoter. Within minutes hearrived with a warm handshake andhug. Oh yes, Southern hospitality at itsbest! He took me on a tour of thegrounds and explained the rich historyof this exquisite little blues club.

I was very astonished as he eagerly

shared the stories of the many legendsthat had performed there and the inter-esting reports of how many receivedtheir start in the music business there.A historical marker stands outside theclub with a short detail about the clubhistory. After a brief tour of thegrounds and a quick history lesson, Iwas led into the club.

To my surprise, the famous GeorgieSongbird herself, E.G. Kight was rightthere patiently signing autographs and

smAller Venues, eVen WIththe bIg stArs. Are mOre uPClOse And PersOnAl. I neVerAPPrOACh A PerFOrmer When IAm On AssIgnment unless I hAVebeen CleAred FOr An InterVIeW.

the georgIa songbIrdAPPrOAChed me And thAnKed meFOr COVerIng her PerFOr-mAnCe, henCe the PhOtO OFyOurs truly WIth the tAlentede.g. KIght. carrIe hullar

PLAnninG AnD CoUrtEsY:

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WHAT IS IT?The Breaking News Chase Kit is composed ofthree vital parts. The Pursuit Package gets youon the scene; the Action Package gives what youneed at the scene; the Instant Response Packagegets your news story to the right news outletinstantly. WHO CAN GET IT1. If you are an IFPO member with GOLD

PRESS or UNIVERSAL PRESS CREDEN-TIALS you QUALIFY and may order theBreaking News Chase Kit.

2. If you are an IFPO member, but not yet amember of a press program, TO QUALIFYyou must order one of the press programs(page 10 & 11) before or at the same time youorder the Chase Kit.

3 ID’s,FIELD kit &PURSUIT Guide!PLUS 14 Reporter's Forms Masters

Q & AI already have Press Credentials.Why do I have to buy the Chase Kit? You DO NOT. The Chase Kit was simplydesigned to make the breaking NEWS COR-RESPONDENT’S job easy. It gives youeverything you need on the spot to do thejob, do it right and get it to your nearest edi-tor. The Chase Kit actually serves as yourassistant to make sure you collect all thefacts and then get them to the right place. What is a Chase photographer; whatdo they chase?We consider any photographer who is insearch of breaking news events to be a“Chase Hound”. He chases sports, entertain-ment, fires, accidents, storms, natural disas-ters, plane crashes, train wrecks, press con-ferences and even goodwill tours. Will the Chase Kit be recognized? Police will recognize the Press Credentialswhich must be used with the NEWS COR-RESPONDENT accreditation part of theChase Kit. Will Today’s Photographer publishthese news stories?Today’s Photographer WILL publish storiesabout YOU covering these stories. Thebreaking news stories themselves need to goto daily newspapers and wire services. How do I find out if a newspaper orTV station can use my news photos? Let’s use an auto accident as an example.You have photographed the wreck and areleaving the scene without having seen anyother photographers or news teams. Pick upthe nearest phone (using the numbers listedin your Reporter’s Field Directory) to notifynews agencies that photos of the accident areavailable even though the film has not beenprocessed. Breaking news is HOT andshould be reported immediately.

PRESSPROGRAMOPTIONWHAT YOU GETThe Pursuit Package:

• Three (3) fully assembled laminated NEWSCORRESPONDENT’S accreditation ID’seach with your name and Assignment Veri-fication Code. They are custom made to usewith your current Press Passport, PressBadge and Press Wallet I.D. Card.

• The Pursuit Guide prepares you to gather,record and distribute breaking news stories.

The Action Package:• Action Scene Reporters Log• New Client Hot Sheets• Accident Report Forms• Quick Response Information Forms

The Instant Response Package:• A Field Directory of HOT contacts. • 3 Quick Step Releases• Instant Reporter’s Delivery Forms• Rights to Use Contract & Fee ContractsAll forms include reproduction rights so youalways have a permanent supply.

Accreditation Certificate

the following Correspondent Photographer hasmet all standards and requirements to receive fullaccreditation as a

NEWSCORRESPONDENT

John Q. SmithAssignment Verification

Code: 00001SMIAccredited:

January 14, 1998AMERICAN IMAGE PRESS

www.aipress.com/news.html

Accreditation Certificatethe following Correspondent Photographer has met all standards andrequirements to receive full accreditation as a

NEWS CORRESPONDENT

John Q. SmithAssignment Verification Code: 00001SMI

Accredited: January 14, 1998use

with

chain

or c

lips w

ith 4

02A

pres

s bad

ge ca

rd (p

g 21

).

Fits inside gold Press Passport. (pg 10).

Accreditation Certificate

the following Correspondent Photographer has met all stan-dards and requirements to receive full accreditation as a

NEWS CORRESPONDENT

John Q. SmithAssignment Verification Code: 00001SMI

Accredited: January 14, 1998

Fits in wallet with goldPress wallet card (page 10).

PURSUITPackage

CHASE kit ™

INSTANTRESPONSE

Package

CHASE kit ™

NOW WITH YOUR

NOW WI

TH YOUR ASSIGNM

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SURVIVAL GEARSURVIVAL GEARCHASE kit!

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ORDER TOL L FR EEORDER TOL L FR EE 7 days7 days 1-800-654-95571-800-654-9557 or useor use ORDER FORMORDER FORM on page 47on page 47


Forms Masters:reporter's log & evaluationAccident reportClient hot sheets & notificationQuick response news lognews event Checkpoint listdaily Action Plannerhot local ContactsQuick response labsField directory notesQuick step Publication releaseQuick step model releaseQuick step Property releaseInstant news reportrights to Publish Agreement

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PRESS

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ENT’’’’ S


strAiGHt froM tHEsiDELinEsbyAlbert OnderKO jr., IFPO,WOOdVIlle, Oh

James Connor #30 of the Steelers scores a touchdown against the Browns. After surviving a bout withcancer, he played 13 games this season and rushed for 973 yards on 215 attempts.

©2018 Albert Onderko Jr , IFPO

Pittsburg Steeler’s Momentum ChangersJames Connor #30 and Joe Haden of the Steelers were two of the many amazing

players to watch throughout the 2018 NFL season. Connor #30 (below) after anamazing recovery from cancer had an amazing season. Haden #23 (formerly of theCleveland Browns) intercepts a pass against his former teammate at the ClevelandBrowns. (See photo on page 4)


SHOOTINGTHE

CHAMPIONS

the WOrld ChAmPIOns 2018 mOtO gP mArC mArQuez (93) Center; mOtO 2 FrAnCesCO bAgnAIA (42) leFt; mOt O 3 jOrgemArtIn (88) rIght. grAn PremIO mOtul de lA COmunIdAd VAlenCIAnA 2018. CIrCuItO rICArdO tOrmO. ©2018 JulIo canoIfpo avIla, spaIn

GrAn PrEMio MotUL DELA CoMUniDAD vALEnCiAnA 2018

dAnI PedrOsA (26) FIghtIng tO the end In the lAst rACe OF hIs CAreer In mOtO gP grAn PremIO mOtul de lA COmunIdAdVAlenCIAnA 2018 At CIrCuItO rICArdI tOrmO. ©2018 IgOr CAnO IFPO mAdrId, sPAIn.

dAnI PedrOsA’s retIrement At the end OF the2018 seAsOn leFt hIs FAns And sPOrts

PhOtOgrAPhers WIth An emPty sPOt In OurheArts FOr the yOungest WOrld ChAmPIOn In

250 CC grAnds PrIx.Igor cano, aI neWs servIce

snAPsHotof A sUPEr stArDani Pedrosa is a sports photographers’s dream. His dedication and competitive racing skills always provide a challenge as he races

his way to the front of the pack. I learned to shoot sports action from my dad, IFPO member Julio Cano. We have been covering MotoGP World Championship events for many years with the help of AI New Service. All of the racers are exciting but few capture yourimagination and spirit such as Dani.

His retirement at the end of the 2018 season to become a development test rider for the KTM MotoGP team for 2019 and 2020 left hisfans and photographers with an empty spot in our hearts for the youngest world champion in 250 cc Grands Prix. In spite of never beinga MotoGP world champion, Pedrosa won races in twelve consecutive seasons in the championship (2006–2017). He has also finished aschampionship runner-up on three occasions (2007, 2010 and 2012). Pedrosa spent 13 seasons riding for Repsol Honda until the end of2018. He will be missed at many of the greatest European Racing Circuits. IGOR CANO IFPO MADRID, SPAIN.

there Is nOthIng thAt mAtChes the thrIll OF FOllOWIng these yOung rIders thrOughOut the seAsOn And then CAPturIngtheIr sAlute As “WOrld ChAmPs.” julIO CAnO, aI neWs servIce


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tOtAl enClOsed

Howto GEt BEHinD tHE sCEnE wHiLE sHootinG tHE BiG storYby marcella mirande-Ketcham IFPO, Wellington, Fl

GUn rUnnEr, HorsE of tHE YEAr wins tHE PEGAsUs in His finAL rACE. ©2018 mArCellA mIrAndA KetChum IFPO WellIngtOn, Fl

I had the privilege of obtaining press credentials for Pegasus, the world'srichest race, at Gulfstream Race Track in 2018. A line-up of 12 incrediblecontenders, including the top 5 finishers from the previous Breeders' CupClassic, plus the first filly ever, "Stellar Wind" ran in the Pegasus.

Gun Runner, a five year old, was one of the contenders. In 2017, he wonfour Grade 1 races, the Stephen Foster Handicap; Whitney Stakes; Wood-ward Stakes and Breeders' Cup Classic. In addition to winning the EclipseAward for Horse of the Year, he also won their award for 2017 Older DirtHorse. After winning the Pegasus, he will now be retired to stud, and onlyrun in green pastures. Ω

Do you ever wonder what goes onbehind the scenes with the majestichorses other than training? They arenot only skilled athletes, they are alsoamazingly sleek and well groomed.

I learned that massage for horses iscommon in and around the major rac-ing venues. Jean-Pierre Hourdebaigt(Hoo-Da-Bay), a native of France,has had a very successful career treat-ing many well-known athletes andanimals from around the world. Hisempathy and compassion for animalsallows him to communicate withthem to earn their trust.

This led him to develop the Mas-sage Awareness Method for animals.His holistic approach and expertise inhis field, has enabled animal lovers todevelop and enjoy healthier, happier,and more productive equine andcanine friends. This method allowshorses and other animals to developtrust and a loving rapport with him, soapparently he makes them feel better.

Hourdebaigt has written severalbooks on Equine Massage. He travelsthe world to provide practical trainingand classes to share the benefit of hisknowledge and love for animals. Thereal benefactors are his clients.Ω

GUn rUnnEr is tHE Most BEAUtifUL, stronG AnDfAntAstiC AtHLEtE i HAvE EvEr sEEn. i AM ECstAtiC tHAt i HAD tHE

oPPortUnitY to PHotoGrAPH His LAst rACE.

mOre PhOtOs On PAge 40

For aviation enthusiasts living in the Maritime Provinces, the Atlantic CanadaInternational Air Show has been the highlight of many summers. Since the early1980's there have been 35 air shows held at various airports throughout the region.The 2018 Atlantic Canada International Air Show was held at the former CanadianAir Force base in Summerside, Prince Edward Island.

Upon arrival one could not help but feel the excitement of the thousands of spec-tators who had gathered to witness heart pounding air displays and fascinatingground exhibits.The first thing the spectator saw upon arrival was the impressivestatic ground display which included military and civilian aircraft. This was theopportunity for the general public to have up close and personal access to aircraftthat would normally not be available to the average person. There were many planesthat could boarded and have a hands on tour. Such aircraft included a US Air ForceKC-135 Stratotanker, a Royal Canadian Air Force Polaris CC-150 transport planeand a Royal Canadian Air Force CH-149 Cormorant helicopter.


dh-115 "VAmPIre" "CAnAdA's FIrst jet FIghter AIrCrAFt©2018 Brian Teepell IFPO

CAnAdIAn FOrCes snOWbIrds dIsPlAy A stAtIC shOW OF FOrCe At the 2018 AtlAntIC CAnAdA InternAtIOnAl AIr shOWPhOtOs ©©2018 Brian Teepell IFPO

2018 AtlAntIC CAnAdA InternAtIOnAl AIr shOW: a looK bacKbrian teepell IFPO dartmouth ns, Canada

Continued from page 7

wHY ArE Air sHows so PoPULAr?

mOst AIr shOWs FeAture WArbIrds, AerO-bAtICs, And demOnstrAtIOns OF mOdern mIlI-tAry AIrCrAFt, And mAny OFFer A VArIety OF

Other AerOnAutICAl AttrACtIOns suCh AsWIng-WAlKIng, rAdIO-COntrOlled AIrCrAFt,

WAter/slurry drOPs FrOm FIreFIghtIngAIrCrAFt, sImulAted helICOPter resCues

And sKy dIVIng.

lArger AIrshOWs CAn be heAdlIned bymIlItAry jet demOnstrAtIOn teAms. In theunIted stAtes, thOse Are the u.s. nAVy

blue Angels And usAF thunderbIrds. theCAnAdIAn FOrCes snOWbIrds WIll heAdlIne

mAny AIrshOWs In CAnAdA And the unItedstAtes.

sOlO mIlItAry jet demOs, AlsO KnOWn AstACtICAl demO, FeAture One AIrCrAFt,

usuAlly A strIKe FIghter Or An AdVAnCedtrAIner. the demOnstrAtIOn FOCuses On the

CAPAbIlItIes OF mOdern AIrCrAFt used In COm-bAt OPerAtIOns. the dIsPlAy WIll usuAlly

demOnstrAte the AIrCrAFt's Very shOrt (AndOFten Very lOud) rOlls, FAst sPeeds, slOW

APPrOACh sPeeds, As Well As theIr AbIlIty tOQuICKly mAKe tIght turns, tO ClImb QuICKly,

And theIr AbIlIty tO be PreCIsely COntrOlledAt A lArge rAnge OF sPeeds And Very COm-

Plex mAneuVers.

tACtICAl demOs mAy InClude sImulAtedbOmb drOPs, sOmetImes WIth PyrOteChnICsOn the grOund FOr eFFeCt. AIrCrAFt WIth

sPeCIAl ChArACterIstICs Or hIstOrICAlsIgnIFICAte WIll AlsO APPeAr At AIr shOWs.

All ArOund greAt WAy tO mIx eduCAtIOnWIth entertAInment.

A member OF the CAnAdIAn Armed FOrCes PArAChute teAm "sKyhAWKs" jumPs WIth the CAnAdIAn And AmerICAn FlAgs In hOnOr OFnOrAd’s 60th AnnIVersAry. ©2018 Brian Teepell IFPO

There were various civilian air-craft with some of the highlightsbeing the Emergency Health Ser-vices Beechcraft Super King Airplane and the EHS Sikorsky S-76c+helicopter. Also there was an RCMPAS-350 helicopter along with the

RCMP PC-12 plane. Another fasci-nating part of the Ground Display isthe Performer's Hot Ramp. This areais not opened to the general public,but is fully visible from the specta-tor's area.This is the area wherebehind the scenes operations take

place and is a busy spot throughoutthe entire day. One could see aircraftmaintenance and fueling prior toperformance. Also aircraft could beseen taxing in and out of the areabefore and after their performance.It was a remarkable sight to see the


2018 AtlAntIC CAnAdA InternAtIOnAl AIr shOWFrOm PAge 29

Pitts s-2 BiPLAnE fLown BY BrEnt HAnDY/YEs tHE Pitts sPECiAL (CoMPAnY DEsiGnAtions s1 AnD s2) is A sEriEs of LiGHtAEroBAtiC BiPLAnE DEsiGnED BY CUrtis Pitts. it HAs ACCUMULAtED MAnY CoMPEtition wins sinCE its first fLiGHt in 1944. tHEPitts BiPLAnEs DoMinAtED worLD AEroBAtiC CoMPEtition in tHE 1960s AnD 1970s AnD, EvEn toDAY, rEMAins A PotEnt CoMPEti-tion AirCrAft in tHE LowEr CAtEGoriEs. ©2018 Brian Teepell IFPO

MX2 AirCrAft fLown BY 78 YEAr oLD PiLot GArY wArD

tHE MX2 is A CArBon fiBEr, two sEAt tAnDEM sPort AirCrAft. it HAs BEEn UsED BY CoMPEtitors in tHE AnnUAL rED BULL AirrACE worLD CHAMPionsHiP. oPtiMizED for AEroBAtiC sPEED AnD AGiLitY tHE MX2 CAn PULL A G-LoAD of PLUs AnD MinUs 12Gs, GivinG it tiGHt tUrns AnD LooPs AnD A rAnGE of AEroBAtiC MAnEUvErs tHAt ArE vErY PoPULAr At Air sHows.

©2018 Brian Teepell IFPO

entire Royal Canadian Air Force Snowbird Squadron and the CF-18 Demo parked side by side. The theme of theCF-18 Hornet demo for 2018 is the 60th Anniversary of NORAD and is flown by Captain Stefan "Porcelain" Porte-ous.

When the time came for the air display all eyes were looking to the sky for what would be exciting performancesof precision acrobatics, military power and historical military aircraft. Demonstrations included: The CanadianArmed Forces Parachute Team "Skyhawks", a Pitts S-2 Biplane, a DH-1 Vampire, a World War I Biplane replica, aRCAF CP-140 Aurora and a RCAF CH-146 Griffon Helicopter.

Other demonstrations included Gary Ward's MX2 aircraft performing gravity defying acrobatics. It should benoted that the Pilot, Gary Ward is 77 years old. If that was not enough there was also a heart pounding performanceby the iconic Canadian Forces "Snowbirds" and the 2018 CF-18 Hornet demo jet. The Snowbirds and the CF-18Hornet demo have become crowd favorites and never disappoint! For aviation fans, it does not get any better thanthis.

With the successful 2018 Atlantic Canada International Air Show now in the past, all eyes are on Greenwood,Nova Scotia where the 2019 air show will be held. The show will take place at 14 Wing CFB Greenwood onAugust 31st and September1st. Air Show Atlantic held a second air show in the region in 2019 featuring UnitedStates Navy's Blue Angels frequent along with the Canadian Forces Snowbirds in Debert, Nova Scotia on June 19,2019.

Air shows are unusually exciting and educational for all ages. We are reminded of our flying history especiallywith military aircraft. We also learn about some of our current military capabilities. Civilian aircraft which are alsoa vital part of our current public safety services are often overlooked or taken for granted. Capturing the speed andspirit of such an event is truly a challenge for me as a photographer. Ω

CAnADiAn forCEs snowBirDsin forMAtion.

vErY PoPULAr wHEn tHEY frE-qUEntLY APPEAr At frEqUEnt Air

sHows in tHE Us AnD CAnADA

©2018 Brian Teepell IFPO


wtCContinUED froM PAGE 11

proud that I captured an image that expresses the great American spirit in the midst ofone of the worst crisis our county has ever faced.

What makes me prouder is the (WTC) and I have agreed on the use rights for 100years which means it will remain in that spot for 100 years. That enforces my mission of

not to forget. This has beenmy journey from the time Iphotographed it as the lastbeam standing at GroundZero until its return

Throughout the many yearsof capturing the tragedies, there were many, manyheart warming moments. It is amazing to be a partof that spirit

Workers found three crosses in the rubble atGround Zero -- a reminder thatour country was built on Chris-tian faith. Many were heart-ened that these crosses weresymbolic of that faith andbelieved they were left there asan assurance that the victimswere in Heaven with Christ.First responders, familiesmembers and Americans atlarge often gathered there topray, leave flowers or personalitems and find comfort. Thusthe cross became the symbol ofhope and recovery for theWTC.

Twenty-five smaller crosses were craftedfrom the rubble (near right) and placedthroughout the city in remembrance and thanksto those that lost their lives there.

My Journey also included the last GroundZero cross which was removed from the rub-ble. It was placed in several different locationsnear the site before it was returned to its final restingplace for all time -- the WTC Museum.

In early July 2011, I received a call from a goodfriend Richie Sheirer to tell me that he had a latebirthday present for me -- the Ground Zero Crosswas being returned to WTC! He asked that I bethere to capture history in real time -- a thoughtfuland memorable birthday gift. It was a great day andhour, the Ground Zero Cross was home again. Justtwo weeks later Richie passed away.

It was also a good day in view of all that happenedafter the fall of the WTC. I have spent so manyhours, days and now years at this place known asGround Zero. It was wonderful to see so many posi-tive things going on all over the place. I wish I couldthank all of those who continued to keep me in theloop pertaining to everything Ground Zero. Duringthis most important photo project of my life I had thehonor of meeting a few good men, true heroes andmy new friends. The Iron Workers were among thebest -- job well done.Ω

CrOsses FOund In the rubble At grOund zerO AFter 9/11 beCAme the symbOl OF hOPe And reCOVeryOn july 23, 2011 the GroUnD zEro Cross (uPPer rIght) WAs returned tO

the WtC museum, It’s FInAl restIng PlACe FOr All tIme... ©2011 curtis J. Quinn lsp, Ifpo

my PhOtO OF the ACtUAL PLAqUE(uPPer leFt) As It APPeArs (lOWer leFt)WIth tHE LAst BEAM In Its FInAl hOme AtWtC museum.

WtC JAnuAry 21, 2016: thIs Is AWOnderFul mOment FOr me tO CAPturethe WOmAn In the PurPle And bluesWeAter reAdIng the InFOrmAtIOn Onthe PlAQue At the bAse OF the LAstBEAM stAnDinG. my PhOtO there WIllbe In thAt sPOt FOr the next 100 yeArsPer my Agreement WIth WtC.©2016 curtis J. Quinn lsp, Ifpo

JAnuAry 21, 2016: the FreedOm tOWer WhICh Is the hOme OFWOrld trAde Center museum gleAms In sPlendOr.

“i rEMEMBEr AnD i CHoosE not to forGEt.....”©2016 curtis J. Quinn lsp, Ifpo

An ALL-AMEriCAn (iMAGE PrEss) fAMiLY of PHotoJoUrnAListsby henry smIth IFPO, WArWICK,ny


It is fun and inspiring when I come across AmericanImage Press photographers in the field on assignment. Itis an absolute joy when two of them are my family mem-bers (a cousin and nephew both of whom I introduced tothis wonderful news organization), and were available tocover an event with me for the first time.

I particularly like the idea that we represent differentcamera manufacturers (Canon, Nikon, and Sony) -- ANDdifferent press programs within IFPO (American ImageGold Press, United States Press Corps, and AmericanInternational News Service (AINS).

Henry Smith AINS.

Now five years since my first “Making A Good Im-PRESS-ion” article was published in Today’sPhotographer International Magazine, I contin-

ue to have a great relationship with the NASCAR and othersports’ media officials. I mention this because while cover-ing this year’s race at the Pocono International Raceway, Ilearned of a photographer whose credentials were revoked!!

I like to think that I have a great moral standard. I followAINS’ and the venues’ Press Photographers’ Code of Ethicsfaithfully. Even when celebrities, managers, press officials,and law enforcement officers have been OUTRIGHTRUDE to me, I maintained my path on the moral highground. Wasn’t always easy but I did so anyway. I had, and

will continue to NEVER compro-mise my professionalism as a mem-ber of the working press by engagingin behaviors that would jeopardizemy credentials or on-assignment sta-tus. I digress. Anyway, about therace….

As I have done every year prior, Icompleted the NASCAR online presscredentials application with help andsupport from our editorial chief,Vonda Blackburn. They require it toinitially be submitted by an editor orsports editor.

A few weeks later, I received con-firmation that I was approved tocover the Green 250 and the Pocono400 Races on May 31 – June 2, 2019.

Veteran driver, Kyle Busch enteredthe 160th and final lap ahead of sec-ond-place winner Bradley Aaron

Keselowski and the other racers in thePocono 400 main event. He has now

AmerICAn ImAge Press PhOtOjOurnAlIsts henry smIth, (l) gIAnnAFICAlOrA And KeVIn rIChArdsOn, All FrOm the sAme FAmIly, gOttOgether FOr the FIrst tIme tO COVer the CHinEsE LUnAr nEwYEAr PArADE In neW yOrK CIty. won 55 races overall, and this

was his third at Pocono InternationalRaceway. He roared his brightly col-ored #18 Toyota M&M’s/Skittles autopast the third and final turn of theTricky Triangle (which this raceway isplayfully dubbed as). Known for it'sdifficult three turns causes drivers toquestion WHAT TURN 4?

Currently, Busch holds the topranking in the championship rankings

following four wins this season. Hesurpassed Joey Logano who was tiedwith him before this race.

I am happy to say that I have gonecompletely full frame / 42 megapixelsfor this and other major sportingevents up from two crop-sensor cam-eras at 24 megapixels just two yearsago. I also now own a 300m f2.8prime lens. With my two new Sony

Alpha A-99II professional cameras,covering thrilling motorsports andother events are easier and more fun.

With an American InternationalNews Service Press Credential andguided by a rigorous code of ethics,(my cameras and) I can get to whereneeded in order to provide first-ratecoverage of this and other newswor-thy events .Ω

DUrinG tHE finAL sCHEDULED rE-stArt kYLE BUsCH stArts in tHE nUMBEr onE PoLE Position(#18 front LEft) A LEAD tHAt HE woULD not rELinqUisH.

© 2019 henry smIth AIns

kYLE BUsCH EXECUtEs A CELEBrAtorY “BUrn oUt” As HE wAvEs to tHE CrowD foLLowinG His win in 2019.© 2019 henry smIth AIns

kYLE BUsCHCELEBrAtEs His3rD win At tHE

triCkY triAnGLE(PoCono intErnAtionAL

rACEwAY). © 2019 henry smIth AIns

to MAkE A GooD iM-PrEss-ion: Honor tHE PrEss PHotoGrAPHErs CoDE of EtHiCsby henry smIth AIns, WArWICK, neW yOrK


The International Freelance Photographers Organization (IFPO) was founded in 1984. Now, thirtyone years and more than 80,000 members later, the original mission of IFPO -- to be the primarysource of support for the universe of freelance photographers -- has stood the test of time and has sure-ly grown beyond the wildest imaginations of the original founders and charter members. Now by pop-ular demand freelance journalists and other media professionals are also taking advantage of IFPO'sunique programs. Membership is open to everyone.

Because of the broad range of services developed over the years to meet the extensive interests ofthe membership base, our programs and services are now fully explained on the internet along with theitems that are included in each program. In this Directory of Services we have listed each programwith a brief description and direct link to the internet. Optionally, you can go to http://www.ifpo.net/and click around to find the very same list of services.IFPO Lifetime Membership Information and application: http://www.ifpo.net/application.htmlIFPO Members Replacement cards: http://www.ifpo.net/membersonly/index.htmlPress Credentials (available to IFPO members only) http://www.aipress.com/press.html

Gold Press Credentials: http://ifpo.net/pressgold.htmlAI News Service Universal Credentials: http://www.ifpo.net/univ/index.htmlAI News Service Global Press Certification: http://www.ifpo.net/global/index.htmlAI News Service Sports Credentials: http://www.ifpo.net/aisports/index.htmlAI News Service Motor Sports Credentials: http://www.ifpo.net/motorsports/index.htmlUSPRESSCORPS Credentials: http://www.ifpo.net/uspressaa/index.htmlPress Renewals: http://www.ifpo.net/membersonly/pressren.html

Other Member programs:IFPO Assignment Data Bank: http://www.ifpo.net/assignment.htmlIFPO Business Forms and Contracts: http://www.ifpo.net/forms.htmlIFPO Distributor Program: http://www.ifpo.net/distr/distributorIFPO Glamour Elite: http://www.ifpo.net/glamourelite/index.htmlIFPO Group Memberships: http://www.ifpo.net/group/IFPO Hall of Fame: http://www.aipress.com/hof/index.htmlHats, Patches, Magnetic Signs: http://www.ifpo.net/hat/index.htmlIFPO Lifetime Distinction of Honor program: http://www.aipress.com/diploma/index.htmlIFPO Master Photographer Credentials: http://www.ifpo.net/pmaster.htmlIFPO Model Consulting/New Discoveries Program: http://www.ifpo.net/mc/index.htmlIFPO Stock Gallery: http://www.ifpo.net/stock.htmlIFPO Top Photographers: http://www.ifpo.net/toplinks.htmlGroup Affiliates List: http://www.ifpo.net/groups/index.htmlToday's Photographer International magazine: http://www.ifpo.net/tpmag.html

To verify a member in specific programs:AI News Service Press Verification: http://www.aipress.com/ainsIFPO Member verify: http://www.ifpo.net/indverify.htmlGold Press verification: http://www.aipress.com/verifyHall of Fame: http://www.aipress.com/halloffame/index.htmlMaster photographer: http://www.aipress.com/masterverifyNew Discoveries Verification: http://www.ifpo.net/discoveries/US PRESS verification page: http://www.uspresscorps.org/

IFPO Members ’ D i rectory of Serv ices

More than seven years agoto celebrate the 25thAnniversary of IFPO

many things were considered. Theintent was to commemorate our first25 years in a way to honor the contri-butions of the members who had beenthe driving force and heart of the orga-nization. After long deliberation it wasdetermined to induct those still activecharter members and other deservingmembers into a permanent FreelancePhotographer’s Hall of Fame and toaward each an Honorary Degree ofDistinction title.

When the International FreelancePhotographers Organization (IFPO)was founded in 1983, no one couldhave possibly foreseen 25 to 30 yearsinto the future. Now, 30 some yearslater, the original mission of IFPO --to be the primary source of support forthe universe of freelance photogra-phers -- has stood the test of time andhas surely grown beyond the wildestimaginations of the original foundersand members.

IFPO’s first member was actuallyenrolled on January 9, 1984. Fromthat day forward IFPO evolved into amember driven organization. Thatsimply means that members asked forservices and support and IFPOresponded with research and develop-ment. That process evolved over theyears to make IFPO what it is today,the longest continuing central sourceof support for freelance photographersaround the world.

Fortunately, it was easy to identifythe original Hall of Fame candidates.Since day one IFPO has maintained atransactional data base that recordsevery single activity of each IFPO

member. That includes program par-ticipation, editorial submissions, pressassignments, photo contest entrantsand other information such as publish-ing credits, internet home pages URLsand more. Many members have sharedtheir success stories outside IFPOwhich is also noted in our membershiprecords. The original process pinpoint-ed 3319 IFPO members (out of 78,656at that time) to be permanently induct-ed into the IFPO Hall of Fame.

The first Hall of Fame IFPO mem-bers were inducted on January 2,2008. Each one was notified by letteror e-mail. If you were not notified, butbelieve you may qualify, you maycheck to see if your name is listed as aHall of Fame member atwww.ifpo.net/halloffame. Enter yourmember number plus the first 3 char-acters of your last name (8 characterstotal). If you were inducted your namewill appear on the list.

It is possible that there are deserv-ing Hall of Fame Members that wewere not able to identify from ourextensive records and other researchwho should be honored. If you did notreceive notification of your inductionand feel that you should be considered,please call 336-468-1138 to updateyour records and discuss your poten-tial to be inducted.

To further honor and recognize theFreelance Photographers Hall of Famemembers, IFPO created a unique,definitive Hall of Fame Portfolioexclusively designed to share the Hon-orary Degree of Distinction withclients and the most discerning friendsand family. Each item in the portfoliois graced with the distinctive IFPOHall of Fame Logo.

T h eportfolio includes 1 Commemorative25th Anniversary IFPO Hall of FameLapel Pin of silver inlaid into a field ofblack, 1 IFPO Hall of Fame HonoraryDegree of Distinction Diploma andCharter in a Leatherette PresentationCase plus 1 IFPO Hall of Fame Mem-ber Passport distinctly marked.

The Freelance Photographer’s Hallof Fame will be permanently locatedon the IFPO internet site. Each Hall ofFame member’s record will be alsomarked permanently. But it is the Hallof Fame Portfolio -- The Lapel Pin,Honorary Degree of Distinction Diplo-ma, Charter and Passport ... that con-vey the prestige of being inducted intothe IFPO Freelance Photographer’sHall of Fame.

Congratulations to each of you. Itwas your lasting interest and ceaselesssuggestions that drove an organizationfrom its infancy in 1983 to more than82,000 plus members strong withinternational recognition in 2016 ...and still growing.

With your continued interest theIFPO Hall of Fame will continue toreview members’ qualifications andinduct even more members in the nexttwenty-five years. Ω

IFPOIFPOFREELANCE PHOTOGRAPHERS HALL OF FAME FREELANCE PHOTOGRAPHERS HALL OF FAME

ESTABLISHEd IN 2008 TO COMMEMORATE THE 25TH ANNIVERSARY OF IFPO 1983- 2015

IFPO Sponsors 3 Press Credential Programs for members only. All three press programs are FULLY SUPPORTED bythe editorial staff at American Image Press and Today's Photographer International Magazine. IFPO member photogra-phers, journalists, photojournalists, reporters, broadcasters, and others who need media access may participate in these pro-grams. FULLY SUPPORTED means that our editors (with more than 30 years of experience) are available to answer yourquestions about how to use your press credentials, approach an assignment or answer questions related to an assignment.For most events, you will simply show up early with your press card. For other more competitive events we provide morespecific instructions with your credentials.

IFPO Press photographers control their own assignments and the release of thier work:• Choose assignments that are convenient.• Retain all rights to their photos and are encouraged to also submit their work to multiple media outlets.• Are on assignment for Today's Photographer International magazine. • Submit their photos and articles to be considered for publication in Today’s Photographer International magazine• Photographers may join IFPO and enroll in one of the press programs at the same time. • IFPO membership fee is lifetime - you pay only once.On weekends and holidays assignments may be verified by calling 1-800-654-9557 or using the internet verification site

which is set up for you as one of the numerous support systems for your press credentials.GOLd PRESS PROGRAM: http://ifpo.net/pressgold.htmlThis was the first gain access program inaugurated in 1986. Thousands of IFPO members still swear by the this programand would never use anything else. The Gold Press Credentials will get you and your camera where you could never goalone - behind the scenes at sports, entertainment and breaking news events. The backbone of this unique program isToday's Photographer International magazine and American Image Press. Member photographers and journalists are onassignment for the magazine. If needed, the editorial staff will help you gain access to the events you choose.401-GP-II GOLD PRESS CREDENTIALS $109 plus $10 USA s&h (Issued for 3 years)

American International News Service UNIVERSAL Program (A.I. News): http://www.ifpo.net/univ/index.htmlHistorically, American International News Service and Universal Credentials were "birthed" from the Gold Press Programusers who had become so experienced in press photography that they were pushing the Gold Press Credentials to the "outerlimits." IFPO's veteran press members were pushing into global calamities and war zones from Hurricane Katrina, the Hait-ian Earthquake, Indonesian Tsunami, Iraq and Afghanistan Wars, Sudan Civil Strife and more. These members asked for acomplete program with more items and international recognition to get them into the biggest news events around the world.The AI News Universal is the most complete press program offered by IFPO. For veteran photographers and journalists.UNIV-M UNIVERSAL PRESS CREDENTIALS $199 plus $10 USA s&h (Issued for 3 years)

USPRESSCORPS.ORG: U.S. PRESSCORPS: http://www.ifpo.net/uspressaa/index.htmlDesigned for instant recognition and to open the toughest barriers, gates and doors. In addition, members report that wear-ing the hard card badge with lanyard while traveling can yield preferential treatment with airlines, hotels and restaurants.You are a member of a distinct and impressive group: the U.S. Press Corps. In many situations, these cards can carry moreclout than the other credentials because of their name appeal. Again, experienced members will come to know which worksbest in each situation. USPRESSCORPS.ORG is permanently limited to 1500 experienced IFPO press photographers and journalists.USPRESSCORPS.ORG CREDENTIALS $159 plus $10 USA s&h (Issued for 3 years)

Other Specialized Press Programs:AI News Service Global Press Credentials: http://www.ifpo.net/global/index.html

AI News Service Sports Credentials: http://www.ifpo.net/aisports/index.htmlAI News Service Motor Sports Credentials: http://www.ifpo.net/motorsports/index.html


INT

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TITLE Choices: Freelance Photographer, Photojournalist, Journalist, Professional Photographer, etc.

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• My membership packet willinclude details on how I can par-ticipate in IFPO's PROVENPROGRAMS for getting PUB-LISHED, making MONEY andgaining PRESS ACCESS withmy camera.

* Hard Card ID’s are similar to your driver’s license,your photo is manufactured into the card. Almost anyphoto will do. We can crop, size or mask out back-grounds. Email your photo to [email protected] with your name in the subject line or mail yourphoto to IFPO, PO Box 42, Hamptonville NC 27020.

Enroll me as an IFPO Lifetime Member and Send My Membership Packet including:• Hard Card Membership Photo I.D.* with Custom Title (Ex: Photographer, Journalist, Photojournalist etc)• Hard Card Badge Photo I.D.* with Lanyard with Custom Title• Membership Certificate and Charter in Handsome Portfolio Folder.• First issue of your subscription to Today’s Photographer magazine.• Member’s Guide to IFPO

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IFPO members who have beenactive for more than 10 years or havebeen published 5 or more times arequalified to participate in the IFPOMaster Photographer program. Otherswho can offer different validating crite-ria may also apply.

Photographers only apply once forMaster Photographer status. It is sug-gested that the actual credentials beupdated every 3 years for validationpurposes. (Images of the credentialsare not shown here for security rea-sons.) However, satisfaction uponarrival is guaranteed or a full refundwill be issued.

Master Photographers are assigned averification code which can be used toverify members’ status by anyone withthat code 24/7. Also, we provideinstructions for you to update your ownPlatinum Master verification site asoften as you wish.

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The Platinum Master PhotographerCredentials Portfolio (item #PMB for$99) includes a full set of badge andwallet ID’s plus internet verificationand a Master Photographer 3" Embroi-dered Patch. The credentials are issuedfor 3 years. A new set of credentialswith updated photos are issued witheach renewal.

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Become a Photographer for

Glamour Elite magazine

e d i t o r i a l e d i t o r i a l submission guidelines submission guidelines

Look At tHE MAGAzinE!! When you look at examples of what isactually published in the magazine, it's like looking at the testanswers before taking the test!!

How to sUCCEED is what we are all about! how to make money,gain access and get published. how did you get the celebrity to letyou get the picture. how did you get the model to pose for you. Whatsurprise barriers were you able to overcome? how did you get thosedeath defying pictures right from your car window?

insPirAtion is the word our readers use most to describe the mag-azine and it's content! have you had some success with your cameraor an idea that would inspire others?

sELDoM sHootErs: so you only picked up your camera once ortwice in the past few years, shot a lot of film for an afternoon or aweek, then let it get away from you. What was so important thatcaused you to pick your camera up? Family reunion? your kid's bigsoccer game? beach trip of a lifetime? Favorite group finally came totown in concert? house down the street caught fire? 2 weeks in yel-lowstone? big celebration at work?

DiffErEnt DrUMMErs: maybe you have a story with a differentslant — submit it. you may inspire us to expand our editorial range.Consider an editorial submission even if you have never made a onebefore. Publishing your story and/or photos is another way for us toreward our readers who share a special bond in their passion forsucceeding as photographers ... and making money. Again, our reso-lution is to support that effort in every issue and to make sure thattoday’s photographer “works” for you.

USE THIS FORM to submit ARTICLES, PHOTOS, and TIPS to be considered forpublication in Today's Photographer. USE THIS FORM and follow these guidelines tomake sure your submission package is complete.

IFPO Member# _____________Name: ______________________________________________________________________________❏ Keep this submission and make it AVAIlAble for publication in all future issues.❏ I hAVe inclosed a return mAIler with adequate POstAge.

Please consider this submission for publication for the next ______ issues Only, then return it to me.Address: ____________________________________________________________________________

City / State: _________________________________________________________________________

Zip Code/ Country ____________________________________________________________________

Phone: _____________________________________ Fax: ____________________________________Submission of my entry grants Today’s Photographer permission to publish my story or photos.

signature ______________________________________________________ date _______________________________Editorial Submissions, PO Box 42, Hamptonville, NC 27020-0042

Editorial SubmissionCHECKLIST❏ A photo of yOurselF (suggestions: with your cam-

era, at the scene, with someone important, etc.).❏ A text file or clearly hand-printed copy of your make

money Article, sidetrip, success story, tech tip orgain Access story.

❏ PrInts, trAnsPArenCIes or digital images (jpeg)that illustrate your story.

❏ A list of captions or titles for each photo. ❏ tell us about your past awards, publishing accom-

plishments, hobbies, or even a funny story that wouldinterest a reader. do you shoot part time or full time?

❏ your submission including all of the above items maybe mailed on disk to the address below.

A press photographer’s reputation is based on his own code ofethics. Although getting the story is the ultimate goal, ethical stan-dards can “make or break” a career. It is the duty of a press photog-rapher to document newsworthy happenings — never altering cir-cumstances or interfering with action to enhance your photographs.your photos should tell a story just as it happened. meeting the highstandards of press photography requires patience, determinationand strong ethics.

First, foremost and always remember that Press access is aprivilege not to be abused. use the following Code of ethics toguide you:• Arrive early — at least 45 minutes before an event is scheduled

to begin — to find the press area, check out the stage or facilitylay-out and choose a vantage point.

• never show up unprepared. not only should you have all theproper equipment, you should have a basic knowledge and under-standing of the event. do your homework!

• try to work with promoters and authorized officials not againstthem.

• Conduct yourself in a professional manner. Photographers whocomplain or cause problems aren’t likely to be admitted again.•Don’t just start shooting. think about what you’re covering.

• stay within the boundaries of the press area. never interfere

with the action, criticize a player or performer or interrupt an offi-cial.

• Exercise patience. resist the urge to inconvenience other pho-tographers by changing positions. your opportunity will come.

• Although it is necessary to get a good position, courtesypays. Other photographers are usually willing to share their space-- if you share yours. develop good relations with other membersof the press.

• Always live up to your obligations to promoters and publica-tions. Press photos are for editorial purposes only -- not to be soldcommercially nor to be posted on social media sites.

• Posting press photos on social media sites violates this code.• Always clean up after yourself -- snack wrappers, water bottles

etc.• never photograph anyone in a compromising situation (back-

stage, locker rooms) unless it’s a public figure in a public placewhich qualifies for news. never abuse the privileges of the press.

• remember you are a photographer on the job -- not a specta-tor.Finally, the nature of breaking news makes preparation impossi-

ble. however, you should use the same ethical standards as forscheduled media events. With practice and common sense, highethical standards should come as naturally as clicking the shutter. Ω

The American Image Press Photographer’Code of Ethics


Behind the sceneContinued from page 27

jeAn-PIerre hOurdebAIgt IllustrAtes hIs mAssAge AWAreness methOd On zIggy, A dutCh WArmblOOdhIgh-leVel dressAge hOrse (AbOVe And rIght). ©2018 .. IFPO

Jean-pIerre hourdebaIgt hasholIstIc approach and exper-tIse In hIs fIeld, has enabledanImal lovers to develop andenJoy healthIer, happIer, andmore productIve eQuIne andcanIne frIends.

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HOW IT WORKS1. DISTRIBUTOR DISCOUNT: You are enti-tled to order products and services from a cur-rent issue of Today's Photographer at a only50% of the listed standard price. For example:multiply list prices by 0.5 (a $68 membershipwould be $34.00). Half of $39.95 for example,would be $19.98 (rounded off to the nearestcent).2. QUANTITIES AND SHIPMENTS: Order inany quantity. IFPO will ship to you or your cus-tomer direct. No minimums or quotas.3. EXCLUSIONS: You CANNOT apply yourdistributor's discount to: USA or Foreign ship-ping • Workshop programs • Quantity discountpackages such as 3R0X, 3VVX, item numberscontaining “X”, or special offers with expirationdates • Classified and display a dvertising •Items in out-of-date issues may no longer bevalid • Items not sold by IFPO/American Imageare excluded. Items not sold in Today’s Photog-rapher magazine are excluded.

WHY YOU?•You may wish to purchase many IFPO pro-grams or services for yourself. A distributorshipwill save you 50%.•You may be associated with a group such as acamera club, family members or close associateswho may want to participate in IFPO productsand services at discount prices.•If you have a photography studio or similarbusiness may wish to arm all of your staff mem-bers with memberships and press program cre-dentials from IFPO to make them more competi-tive. An IFPO Distributorship would enablethem to do this at reduced costs to the studio orcompany.•You may want to start down the road of beingyour own boss with an IFPO distributorship. Youcan start small, order in any quantities, part timeor full time. Most of all, you may have a fewhours a week to invest in your financial future.

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developing, I did not want to waste awhole roll of film on ONE pit stop! So thistime with digital, I decided to take a shot atit -- the story of a pit stop!

Anatomy of a Pit Stop is a series of shotsfrom a single pit stop -- up close and per-sonal! I still only shot this on “C L” tomake sure the memory buffer did not stopin the middle of the action! I ended up with

around 36 shots of the last pit stop of theday by the Takuma Sato team. I think thatthey turned out well and am happy withhow it worked out. We will see if theymight have value to that team.

I shot with a Nikon D810 and a 70–200lens at about f/8. Since I was just a specta-tor and not able to be right on the pit wallwith the press I had to adjust. Having

enough “mega-pixels” with the D810 I wasable to blow up the images to make itappear as if I was right in front of theaction!

I could almost see the photos on a pageas I was shooting. It took many yearsworking as a press photographer to get tothis point -- as a spectator! It remains to beseen if an editor somewhere will make my


AnAtoMY of A Pit stoP

my entIre serIes OF shOts WAs 36 WhIChgAVe sPlIt seCOnd detAIls OF eACh ACtIOn.

A synOPsIs APPeArs In the PhOtOs here.

Hit YoUr MArk. tO helP the drIVer FInd the COrreCt PIt In

the CrOWded rush AmOng All the OtherCreWs On PIt rOW, the teAm hAngs Out APIt mArKer WIth the CAr CArd number On

It. thIs shOWs the reAdIness OF the teAmjust As sOOn As the CAr stOPs On Its mArK.

tirEs AnD fUELWIth the CAr uP On Its jACK stAnds And

the Fuel hOse AlreAdy COnneCted tO theFuel Cell, the tIre ChAngers Are hArd At

WOrK! my PersOnAl FAVOrIte shOt Is WhenyOu CAtCh the tIre ChAngers WIth thetIres In mId AIr. I thInK thIs shOWs the

mOst ACtIOn In A sIngle shOt.

DonE ... Go, Go, Go!WIth All 4 tIres ChAnged And FuelIng COm-

Plete All less thAn 15 seCOnds the CArgets thAt extrA Push Out OF PIt stAll by

the CreW tO gAIn extrA seCOnds OVer theCOmPetItIOn.

firE PrEvEntion. due tO the heAt OF the engIne And

exhAust, tO PreVent Any POtentIAl FuelsPIll FIre, A CreW member sPrAys WAter On

the Fuel CAP tO dIlute Any Fuel thAt mAyhAVe sPIlled durIng the stOP. I WAnted tO

CAPture the WAter sPrAy As the CAr leFttO rejOIn the rACe.


sHootinG witH A PLAnKendAll Krebs IFPO

There is a major difference in just tryingto get a good shot of a race or shootingwith a purpose. I choose purpose. Thatrequires more effort but better end results.My goal is to capture the race in it’s entire-ty -- not just on the track but behind thescenes -- especially in the pits. I want tocapture the whole story, including the spir-it of the event.

My goal is to capture photos that appealto publishers, the racing teams and spon-sors. To accomplish that one has to knowwhat kind of images appeal to each one.You also have to know where the vantagepoint is to capture each of these shots.

First I try to show up early for the week-end, Thursday evening if possible. Thatgives me a head start for Friday’s qualify-ing rounds and to get a feel for the vantagepoints for the actual race. I talk and listencarefully to learn who are the expectednewsmakers for this race. Then I plan andtry to get my ‘behind the scene’ shots.

For editorial purposes action and news-making shots are a must. Who takes thelead and goes on to win are the shots thateditors want. Traffic jams in the first fewlaps of a race are usually the best opportu-nity to capture large groups of cars inaction. These shots can challenge yourphotographic skills but do not have broadsales appeal or editorial use -- unlesssomeone totally unexpected breaks out ofthe pack and goes on to win. Winners Cir-cle shots are the trickiest (other than thepits) but are ‘must have’ for editors.

Teams are interested in shots that telltheir story. There is always a huge racegoing on in the pits. The action of theseprecision team members make the differ-ence in who crosses the finish line first!.Seconds make a difference here just asmuch as on the track.

When Team Cars are running closetogether, I try to capture them in the sameframe potentially for their publicity usage!

Driver shots are not that important exceptin the Winner’s Circle. Otherwise it is usu-ally easier to get shots of the newer dri-vers. Occasionally you get a shot of a pop-ular veteran driver but even those havevery little real value. I do not spend a lot oftime on drivers.

Sponsors want to see their names con-nected to the cars in action. I try to findgood backgrounds such a spot to shoot allcars running with a Chevy engine in frontof the Chevy wall. This ties the car directlyto the sponsor which may enhance itsvalue especially if it happens to win therace. Pit crew and human interest scenesalso appeal to sponsors.

This sounds like a lot of work and it is.But the end result is a body of work withvalue and a unique story. In addition tocompleting a job well done, there is poten-tial for sales and getting published. Most ofall is the satisfaction of knowing you haveaccomplished your mission. Ω

I FOund A PlACe tO shOOt All the CArs thAt Were runnIng CheVy engInes InCludIng ed jOnes!(POtentIAl APPeAl tO sPOnsOrs)


Envision tHE use of YoUr PHotoCOntInued FrOm PAge 19

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INFORMATION or CUSTOMER SERVICE: For GENERAL INFORMATION or tocheck ORDER STATUS or errors: 1-336-468-1138 weekdays 10:00 -5:00 Eastern time(except holidays) or use our 24 hr FAX 1-336-468-1899. Mail your requests or queries to: Cus-tomer Service, P.O. Box 42, Hamptonville, NC 27020-0042

C.O.D. ORDERS: C.O.D. orders will be accepted for the convenience of customers who wantquick service, but do not wish to use a credit card. C.O.D. orders will be accepted ONLY by callingCustomer Service, 1-336-468-1138. Customer Service is open 9 to 5 Eastern time weekdays.C.O.D. orders will NOT be accepted by MAIL, FAX, or on the 800 number order line.

You will be required to pay a fee to cover the shipping and C.O.D. fee charged by the carrier.For orders under $100.00, the C.O.D. handling and shipping charge is $15.00. For orders$100.00 or more, the charge is $20.00. When you place your order, our customer service repre-sentative will give you the total charges for the order. C.O.D. means “Cash On Delivery.” Whenyour package arrives, you must pay the carrier in cash or money order!

SHIPPING & HANDLING: Shipping & Handling charges must be added to each order.

SATISFACTION GUARANTEED: All of our merchandise is 100% guaranteed. If for anyreason you are not satisfied, we will refund your money or send a replacement, no questions asked.Call Customer Service at 1-336-468-1138 about RETURNS, EXCHANGES or REFUNDS. Ship-ping or C.O.D. charges will NOT be refunded under any circumstances. Refunds will not be madefor used merchandise or items held by the customer for more than 30 days. Video Cassette Returnsmay be subject to a restocking fee. To qualify for a refund, merchandise must be returned in thesame condition it was received with packing slip within 30 days. Postage due packages will not beaccepted. Send returns via US MAIL to Customer Service, P.O. Box 42, Hamptonville, NC27020-0042.

CHECK or MONEY ORDER Enclosed($15 service charge on all returned checks)

o Visa, o mastercard, o American express, o Optima

SHIPPING & HANDLINGdePendAble delIVery by the u.s. POstAl serVICe.(delivery by other carriers by special request only)

USAorder total 1st Class/Priority

$0 - 25.00................$7.00 (u.s. dollars)25.01 - 75.00................$9.00 (u.s. dollars)75.01 - 150.00..............$12.00 (u.s. dollars)

150.01 and up..............$17.00 (u.s. dollars)nEXt DAY nEXt DAY DELivErY:DELivErY: add $24 to above fees.add $24 to above fees.

INTERNATIONAL (including Canada/Mexico)order total international Priority$0 - 25.00..............$26.50 (u.s. dollars)

25.01 - 75.00..............$26.50 (u.s. dollars)75.01 - 150.00..............$38.00 (u.s. dollars)

150.01 and up..............$48.00 (u.s. dollars)

TOTAL ORdER AMOUNT

SHIP TO: ORDERED ITEMS

Credit Card orders phone: or fax:1-800-654-9557 1-336-468-1899

mAIl Orders: ifPo order Dept. P.O. box 42, hamptonville, nC 27020-0042 usAInformation or Customer service calls: 336-468-1138

Order tOll Free complete IFPO Programs and Catalog

www.ifpo.net 47ORDER FORM

CREDIT CARD ORDERS

Item# desCrIPtIOn PrICe

mAIl Orders: ifPo order Dept. P.O. box 42, hamptonville, nC 27020-0042 usA

IFPO member# (needed for “member Only” items or include dues, see page 17)

name

this is a new address, please update my records

business name

address

city/state

zip/country

phone/fax/email

o r D E r f o r M

❏ $9.00

Price eA.

TOTAL AMOUNT ENCLOSED

Cat# description

USA Shipping(All other foreign shipping $24.75 USD)

signature __________________________________________________________________


IFPO Member# ____________________name ___________________________________________address__________________________________________city/st/zip ________________________________________phone/fax________________________________________email ________________________________________________CUSTOM Title _______________________________________

❏ $39.95722A Membership Update Kit+ Wallet Hard Card with Custom Photo+ Badge Hard Card with Custom Photo+ Lanyard for Badge Card+ Membership Certificate + Charter+ Ready-To-Display Portfolio Folder forCertificate and Charter

+ Full Internet Verification

update your I.d. Card and Certificate to the neW IFPOmembership Kit with hard Cards and Portfolio.

722A ifPo Membership Update kitlong-time members Can get the new hard Card membership Kit!

made of hard Card stock just like your drivers license or creditcards. We WIll PlACe yOur PhOtO on the hard Cards for you!email your photo as an attachment to: [email protected] with your name in the subject line. no email? mail yourphoto to IFPO, PO box 42, hamptonville, nC 27020.


❏ $9.00

Price eA.

TOTAL AMOUNT ENCLOSED

Cat# description

USA Shipping(All other foreign shipping $24.75 USD)

signature __________________________________________________________________


5 Digit IFPO Member# ____________________name ___________________________________________address__________________________________________city/st/zip ________________________________________phone/fax________________________________________email ________________________________________________CUSTOM FLAG ______________________________________

❏ $39.95723A IFPO Passport Credential

+ Optional Contact Information+ Optional Flag of your choice (we have allnational flags, U.S. State flags, CanadaProvince flags, UN flag and EU flag in ourlibrary)

update your membership Credentials to include the newIFPO Passport-style Credential. (has nO expiration date)

723A ifPo Membership Passportlong-time and new members Can get the new IFPO Passport

by Popular demand following the recent IFPO update Kit offer-ing. We will place your photo for you! here's how: email yourphoto as an attachment to: [email protected] withyour name in the subject line. no email? mail your photo to IFPO,PO box 42, hamptonville, nC 27020. We may already have yourphoto on file!




DvD01 Digital Photography: the Camera 85 min $54.95

digital photography has changed the way photographers create images with anew sense of imagination that can be instantly changed and improved.

Digital Photography, the Camera is about teaching the fundamentals of thisnew creative tool. If you’re new to photography or an experienced film user youwill find this useful program full of practical information, creative ideas andinstruction on digital imaging. 14 educational Chapters: Introduction, f-stops, shutter speeds, digital history,how digital Works, how to Choose a digital Camera, using your digital Cam-era, Files & memory, bOnus - text Files: Key terms, digital glossary,teacher’s guide, Quick Quiz (30 Questions), using light, lenses, depth ofField, When to use digital, exposure Control, your digital Images, digitalPathways. $54.95

DvDLP4 Learn to Critique Photography, film & Digital60 minutes $54.95

to be successful, a photographer must learn to critique photography. this pro-gram examines over 100 images to understand why some pictures work and whyothers don't. If offers the critical skills needed to craft the most dynamic imagespossible.eleven educational lessons: Visual themes, light, Color, Focus, design, seeingimages, People Photography, Action Photography, travel Photography, naturePhotography and Candid Photography. 60 minutes, dVd format $54.95.

#DVD04 - $139.95(#DVD01,DvD02, DVDLP bundle of 3) 4 Hours

With Brian Ratty, world famous photographer and educator

Digital Photography Instructions on DVD

DvD02Digital Photography, Crafting images

98 minutes $54.95

teaches the fundamentals of the ‘art and craft’ of making, not taking, digital images.this 98 minute program includes 32 key photographic concepts and 56 specific digitalshooting tips. this interactive program will help develop good photographic tech-niques and provides inspiration on starting to ‘see’ photographic images that are allaround us. 10 educational Chapters: Introduction, the Camera (review), Properties of light,exposure Control, Photographic design, Critiquing Images, Visual themes, Visualsubjects, shooting Accessories, the gift of Photography. $54.95

ORDER TOL L FR EEORDER TOL L FR EE 7 days7 days 1-800-654-95571-800-654-9557 or useor use ORDER FORMORDER FORM on page 47on page 47

ESSENCE FESTIVAL 2019by jOsePh jAmes IFPO, dAllAs, tx

thIs yeAr’s PrOgrAm InCluded nOt Only the usuAl entertAIners but tWO OF the leAdIng COntenders In the 2020PresIdentIAl PrImAry rACes COrey bOOKer (Center l belOW) And KAmAlA hArrIs (Center r belOW) As Well As Otherguests FrOm the POlItICAl WOrld InCludIng the FOrmer FIrst lAdy mIChelle ObAmA (belOW r.).

jd mCCrAry the VOICe OF sImbA In the Current lIOn KIng mOVIe WAs A bIg hIt At 2019 essenCe FestIVAl (uPPer leFt). rbrm OF neW edItIOn (AbOVe) AnsWer QuestIOns regArdIng the Future OF neW edItIOn.

©2019 jOsePh jAmes IFPO

tOdAy’s PhOtOgrAPherP.O. bOx 42, hamptonville, nC 27020-0042

www.ifpo.netPrsrt std

us POstAgePAiD

bAngOr mePermIt nO 112

on AssiGnMEnt in AsiA sinCE 1995AlAn sIu muI lun IFPO, hOng KOng, ChInA

I hAVe COVered eVents OF InternAtIOnAlInterest WOrKIng As An AI neWs COrre-sPOndent In the FAr eAst sInCe 1995.thAt InCludes the us / nOrth KOreAnsummIt In hAnOI, VIetnAm On FebruAry27-28, 2019. u.s PresIdentAl OFFICIAl CAr (l) CArrIesPresIdent dOnAld trumP PAst the hOChI mInh mAusOleum In hAnOI WhIChserVes As the restIng PlACe OFVIetnAmese reVOlutIOnAry leAder hOChI mInh. ©2019 alan sIu muI lun Ifpo

tHE Uss BLUE riDGE, FlAgshIP OF the u.s. seVenth Fleet, durIng A POrt CAll In ChInA merChAnts WhArF,hOng KOng, sAturdAy, APrIl 20, 2019©AlAn sIu muI lun IFPO, hOng KOng, ChInA

With Brian Ratty, world famous photographer and educator

Credit Card orders phone:

1-800-654-95571-800-654-9557 or fax: 1-336-468-18991-336-468-1899mAIl Orders: IFPO, P.O. Box 42, Hamptonville, NC 27020-0042 USA

Information or customer service calls: 336-468-1138

GREAT FOR CLASSROOMSGREAT FOR CLASSROOMS

BUY!IFPO recommendsthis series

With the advent of inexpensive cameras the world of pho-tography has been opened to millions of new image makers.

This DVD is the starting point for any person wanting tolearn the fundamentals of photography. 16 EducationalLessons, Bonus Teacher Files, TRT 87 Minutes.

Learn Photography

#DVD-7#DVD-7

$99.95$99.95DVD-4, DVD-5 bundleDVD-4, DVD-5 bundle: : 2.75 Hours • 41 Chapters

#DVD-5 LEARN PHOTOGRAPHIC LIGHT Film & Digital $54.95

You know that you are serious about your photographywhen you start studying light.

This DVD is the starting point for any person wanting tolearn the fundamentals of photographic light. 13 Educa-tional Chapters, 28 Key Concepts, Bonus Teacher Files,

TRT 72 Minutes.

$54.95$54.95each

#DVD-4 LEARN PHOTOGRAPHYFilm & Digital $54.95

ph matke omonegy withr yoaur capmerah mageazine rifpo.net/2019.annual.pdf · today's...

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