perceived prominence and nuclear accent shape rachael-anne knight lagb 5 th september 2003
TRANSCRIPT
Outline
The perception of pitch Plateaux and contour shape The effect of shape on pitch perception Pitch and prominence The effect of shape on prominence perception Sound symbolism Plateau production Conclusions
The Perception of Pitch -F0
The perception of the pitch of a complex sound is related to the fundamental frequency
Sounds that have a higher fundamental frequency sound higher in pitch
The Perception of Pitch – Syllable Position
In an utterance the position of a syllable also affects the perception of pitch
If two syllables have identical F0, the one later in the utterance will sound higher in pitch Explained as the listener
‘normalising for declination’
Freq
uenc
y
Time
Contour Shape
Real contours are not stylised peaks and troughs
The majority of falling nuclear accents are realised as more of a flat stretch of contour
Peak Plateau
Definition of the Plateau
Plateaux are defined as being 4% down from any absolute peak in F0
4% is the range of perceptual equality
Peak
4% range
Plateau
Segmental and Prosodic Effects on the Production of the Plateau
Plateaux: Begin earlier in syllables with sonorant onsets Take up more of syllables that have sonorant
onsets and codas Are aligned later in the syllable in polysyllabic
than monosyllabic feet
The End of the Plateau
Some speakers align the end of the plateau earlier in the syllable before a word boundary
The end of the plateau is stably aligned within the syllable regardless of pitch span
More errors made with incorrect EP alignment in a true/false judgment task
The end of the plateau seems to be the real target (rather than the peak)
The Function of the Plateau
What is the plateau for? Why do speakers produce plateaux in nuclear
position? No physiological reason that requires them to
produce a plateaux
Perhaps the plateau affects the perception of the pitch (and the prominence) of the nuclear syllable
Pilot Experiment
How does the plateau affect the perception of pitch?
3 possible hypotheses No effect A longer plateau makes a syllable sound higher
in pitch A longer plateau makes a syllable sound lower
in pitch
Pilot Experiment – Stimuli
Test sentence “…came with Manny” taken from “Anna came
with Manny”
Resynthesised nuclear accent (12 versions) Frequency of contour
o 160, 180, 200, 210 Hz Shape of contour
o Peak, 50ms or 100 ms plateau
Pilot Experiment – Procedure
7 Subjects heard pairs of sentences ‘Manny’ differed only in shape never in pitch
Asked “In which version is ‘Manny’ higher in pitch?”
Responded by pressing 1 or 2 on a keyboard
160 Hz plateau, peak 210 Hz peak, plateau
Pilot Experiment – Results
73% of responses were for “plateau sounds higher” (p<0.05) This result held at each of the 4 frequencies
Both lengths of plateau sounded higher than the peak
There was no significant difference between the two lengths of plateau Suggesting a categorical rather than gradient effect
So, syllables sound higher in pitch with a plateau in the contour
Pitch and Prominence
There is a close association between pitch height and prominence
“Linguistically, the size of …F0 excursions … correlate[s] with the prominence of the accent Gussenhoven and Rietveld (1985:299)
BUT… “Perceived prominence is related in a complex
way to the range of F0 values employed” Terken (1990:1768)
Prominence Experiment
Prominence Ask about prominence in addition to height Relations within an utterance Test more subjects
Hypothesis Subjects will accept an accent as the most
prominent at a lower frequency when there is a plateau (rather than a peak) in the contour
Prominence Experiment – Stimuli
Test sentence“Anna came with Manny”
Resynthesised nuclear accent (14 versions) Frequency: 160, 170, 180, 190, 200, 210, 220
Hz Shape: peak or 100ms plateau
2 tokens of each version quasi-randomised together
Prominence Experiment – Procedure
24 subjects listened to each version over headphones 12 asked “Is ‘Anna’ or ‘Manny’ higher in pitch?” 12 asked “Is ‘Anna’ or ‘Manny’ more prominent?”
Responded by pressing buttons marked A and M on a keyboard
220 Hz. Plateau
Prominence Experiment-Statistics
Probit analysis To identify the cross-over point for each series
for each subject (where ‘Anna’ and ‘Manny’ are of equal prominence / pitch)
Paired Sample T-Test To see if the cross-over point occurs at a lower
frequency in the plateau series
Prominence Experiment – Height Results
The cross-over point occurs at 190 Hz for the plateau series and 200.6 Hz for the peak series
This difference is significant (p=0.000)
0102030405060708090
100
160 170 180 190 200 210 220
Frequency (Hz)
% o
f Man
ny r
espo
nses
Peak Plateau
Prominence Experiment – Prominence Results
The cross-over point occurs at 196.1 Hz for the plateau series and 209.0 Hz for the peak series
This difference is significant (p=0.000)
0102030405060708090
100
160 170 180 190 200 210 220
Frequency (Hz)
% o
f Man
ny r
espo
nses
Peak Plateau
Experiment Conclusions
The shape of the pitch contour does affect judgements of height and prominence
Perceived pitch is a close correlate of prominence
The function of the plateau may be to add to the prominence of the nuclear syllable
Sound Symbolism
Universal biological codes link the form of intonation to meaning
The frequency code Deference, politeness > interrogativity
The production code Higher accents at beginnings > initiality
The effort code More effort, higher pitch > emphasis
Substitute variables
The physiological mechanism behind each code do not have to be created
Only the perceptual effect has to be created
For example, late peaks can be substituted for high peaks as they create the same perceptual effect
Delayed peaks as substitute variable for pitch height
Production code (Wichmann and House 1999)
Peaks are later in more initial accents Effort code (Ladd and Morton 1997)
Peaks are later in more emphatic accents Stimuli with later accents sounds more emphatic
Frequency code (Gussenhoven and Chen 2000)
Peaks are later in questions in many languages Stimuli with accents timed later sound more like
questions
The plateau as a substitute variable
As the plateau’s effect is to increase the perceived height and prominence
It may be a substitute for increased peak height taking advantage of the effort code
Allowing speaker to increase the prominence of the nucleus
The Plateau in Production
Why should a speaker produce a plateau rather than simply a higher peak?
Answer may lie in the structure and function of the larynx
The Larynx
Contraction of cricothyroid muscle:Controls the movement of the cricothyroid joint
Rotates the thyroid cartilage downward and forward
Lengthens and stretches the vocal folds
Cricothyroid Activation
Higher peaks are associated with greater activityPlateaux are associated with sustained activity(Collier 1975)
The Plateau in Production (2)
Plateaux mainly occur in nuclear position in broad focus declaratives The nucleus is at the end of the utterance Subglottal pressure is low due to declination
Speaker has to work harder to produce higher peaks
More energy efficient to add prominence by producing a plateau
Conclusions
The plateau increases the perception of pitch height and prominence
The plateau is a substitute variable for peak height under the umbrella of the effort code
It allows the speaker to create the perceptual effect of added height and prominence
Without having to step outside the physiologically determined slope of declination