pavia workshop 28 february 2013 michael forstrom modern literary fonds: split by principle...
TRANSCRIPT
Pavia Workshop
28 February 2013
Michael Forstrom
Modern Literary Fonds: Split by Principle
Manuscript Unit, Beinecke Library
Principles
The principle of respect des fonds is the basis of
archival arrangement and description (Describing
Archives: A Content Standard, 2004):
"The records created, assembled, accumulated, and/or
maintained and used by an organization or individual
must be kept together... in their original order, if such
order exists or has been maintained... This dictum is the
natural and logical consequence of the organic nature of
archival materials" (DACS, xii).
History
• Early formulation of respect des fonds, Natalis de
Wailly, "Circulaire du 16 April 1841"
• Refinement of the principle by German archivists (1881)
• Dutch Manual of Arrangement and Description of
Archives (1898)
• International congress of librarians and archivists in
Brussels in 1910
• Dissemination of Dutch Manual through translation
• Developments in the U.S.
• Rediscovery of idea of fonds in 1970s-80s
Challenges
• Defining the fonds in modern archives
• Provenance versus original order
• Applying original order to the fonds of individuals and
to electronic/digital records
• Principles or methodologies?
• Alternatives to the fonds: record groups, archival
groups, collections, etc.
Types of split fonds
• Split between different collecting repositories
• Split between fonds and what survives
• Split by collecting strategy or agreement
• Split between early portion of papers and creator
• Split by relocation and change in custody
• Split between portion of papers and component in
private hands
• Split by provenance: papers versus artificial collection
Types of split fonds (continued)
• Split by accession(s)
• Split within institutions
• Split between personal, professional, and family papers
• Split between papers and media
• Split between papers and born-digital
• Split by reproduction
• Split between collection(s) and national interest
Description Standards
• Data content:
DACS
RAD2
ISAD(G)
ISAAR(CPF)
• Data structure
EAD
EAC(CPF)
Associated Materials
Printed material received with the collection was
removed for separate cataloging and can be accessed by
searching the library's online catalog.
The Lockwood Memorial Library at the State University
of New York at Buffalo also houses Williams papers.
Associated Materials (continued)
Yale University's Beinecke Library holds a major deposit of
William Carlos Williams' papers. Among its ninety-four-box
Williams collection are three boxes of John Thirlwall's research
materials for The Selected Letters of William Carlos Williams.
A second major collection of Williams' manuscripts and
correspondence is housed in the Poetry Collection at the
University at Buffalo, The State University of New York. Drafts
of Williams' Paterson are split between these two collections,
with materials for Books I and II at Buffalo, and materials for
Books III-V at Yale. Smaller Williams collections are held at the
University of Delaware, the University of Virginia, and Indiana
University's Lilly Library.
Discovery
• Description
Local/institutional finding aid databases
Regional databases
ArchiveGrid
Social Networks and Archival Context (SNAC)
• Projects
Location registers
Digitization
Digital Humanities projects
Scholarly editing projects
References
• Becker, Devin and Collier Nogues. "Saving-Over, Over-
Saving, and the Future Mess of Writers' Digital
Archives..." American Archivist 75 (Fall/Winter 2012)
• Cook, Terry. "The Concept of the Archival Fonds:
Theory, Description and Provenance in the Post-
Custodial Era," in Terry Eastwood (eds.) The Archival
Fonds (1992)
• Duchein, Michel. "Theoretical Principles and Practical
Problems of Respect des Fonds in Archival Science."
Archivaria 16 (Summer 1983)
• Horsman, Peter. "The Last Dance of the Phoenix, or the
Re-Discovery of the Archival Fonds." Archivaria 54 (Fall
2002)
References (continued)
• Lee, Cal. "Collecting the Externalized Me: Appraisal of
Materials in the Social Web," in Cal Lee (ed.) I, Digital
(2011)
• Millar, Laura. "The Death of the Fonds and the
Resurrection of Provenance: Archival Context in Space
and Time." Archivaria 53 (Spring 2002)
• Schellenberg, Theodore. Modern Archives: Principles
and Techniques (1956)
• Yeo, Geoffrey. "The Conceptual Fonds and the Physical
Collection," Archivaria 73 (Spring 2012)
• Yeo, Geoffrey. "Bringing This Together: Aggregate
Records in a Digital Age," Archivaria 74 (Fall 2012)