parts of a ukulele
DESCRIPTION
Email: [email protected] Phone: 416 690-6597 Enquire about a very special hourly rate for Corktown Ukulele Jam members. Parts of a Ukulele. Neck. Body. Parts of a Ukulele. Nut. Fingerboard or Fretboard. Headstock. Parts of a Ukulele. Tuners. - PowerPoint PPT PresentationTRANSCRIPT
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Email: [email protected]: 416 690-6597Enquire about a very special hourly rate forCorktown Ukulele Jam members
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Parts of a UkuleleBodyNeck
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Parts of a UkuleleFingerboard or FretboardHeadstockNut
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Parts of a UkuleleTunersBetter known as Tuning Machines or Machines for short
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Tuners
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Parts of a UkuleleBridgeSaddle
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Parts of a UkuleleFrets
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Stringing a UkeTying at the bridgeSlotted BridgeClassical Bridge
Tying at the tuning machinesPost type machinesBarrel type machines
Winding the string
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Slotted Bridge
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Typical Slotted BridgeOne end of the string is knotted and slipped into slot in the bridgeKnots keep the string from pulling through the bridgeTwo types of knots commonly usedOverhand knotFigure Eight
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Overhand knotFigure Eight
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Classical Bridge
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OverUnderOver
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Behind Back of BridgeTail from this stringTucks into loopof this string
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String winds around post toward centre of headstockTurn machine this wayTurn machine this way
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Not Like This!
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TowardCentre
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OverTowardCentre
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Under
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Over
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Double-Locking Knot
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Winding starts hereAnd works DOWN the post
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String forms downward angle at nut
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Little or no angle at nutMay cause string to buzz in nut
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Two or three winds on the post
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UnderUnder
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More windings = more stretchingFewer winds = less stretching, stays in tune better
More winds may allow you to re-use string if it breaks at the bridgeMore vs Fewer Windings
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NameName of businessSpecializing in
Ukulele enthusiast brought me back after many years away from instrument
Special rates for Corktown participants
Usual rates: $75/hr
Todays topic: Stringing a Ukulele
Before we begin, quickly review the parts of a ukulele so we can talk about it properly and not get confused by terms
Dont mean to insult anyones intelligence, I found that its always better when we can communicate clearly. It can be a bit difficult when someone says the string makes a buzzing sound where it goes over the white thing.We should refer to the tuners as Tuning Machines, or machines for short
These are NOT Tuners!THESE are TunersThe saddle is part of the bridge
Many times I have heard the saddle called the nut and vice-versa.
Heres how to remember. If you are crazy, which you must be to play ukulele, , you are a little NUTS in the HEAD(the nuts in the head-stock)Heres what we will cover in this Clinic
Tying the string at the bridgeWill learn how to do it on 2 bridge types, Slotted and Classical
Tying at the tuning machinesYes you should be TYING your strings at the machines
Winding the stringWhats to learn you may askFour common bridge types
Most common are slotted and classical bridges shown on the left
First is slotted where strings sit in slots
Next is classical, where strings are tied onto the end block of the bridge
Some instruments use variation on the slotted bridge where strings go into holes in the bridge and are tied off inside the ukulele ANYONE here got one?
Last is pegged bridge. Any HERE?
Not going to deal with the last twoSimplest of all bridges
Say no moreThe end of the string is knotted and the string is slid into the slot
Knot fits into a little pocket in the bridge
Generally one of these two knots is used at the end of the string
The common overhand knot is usually sufficient for most strings
However, if the string needs a heavier knot to keep it from pulling through the slot in the bridge, the Figure Eight can be used.End of string is pushed through hole in the end block of the bridge
Loop the string up towards the headstock and under the main part of the string
Bring the end back down over the bridge and pass the end over the loop created
Pass the end of the string UNDER the loop
On finer strings you may want to wind the free end one more time around the loop but its not really necessary if you string properly.
Be sure to leave a little extra at the end of the string Heres the knot all snugged up.
Two things are VERY important here.
The tail end of the string must be bound at the back edge of the bridge
ADVANCE SLIDE
The loose end of the string must be long enough that it can be tucked into the loop of the next string
ADVANCE SLIDE
The last string is wound backwards to the others so that the tail can be slipped into the loop of the previous stringA few things to note here
The string is bound at the back of the bridge properly
However two problems
Some strings have no twistsFree ends are not tucked inConsequentlyString ends may mark top of instrumentString ends may vibrate against top and cause some buzzingLooks bad!At the Headstock
Each string to the correct post please
Each string wound the right way on the postHow not to wind the stringsPhotograph of Headstock of Guitar as it arrived in repair shop
Only one string is wound the right way on the post
Only 2 of six strings are going to the right postHeres how to tie to the Tuning machine
First, line up the hole in the tuning post to be in line with the string
Slip string through the hole
Loop the string toward the CENTRE of the headstockDont loop it the other way like thisLoop it toward the CENTRE of the headstock
The tail end passes OVER the string
Loop the tail end UNDER the string on the nut side of the tuning post
Pass the end of the string OVER the loop you just formedAll snugged up
This is a DOUBLE-LOCKING knot
The free end of the string is bound to the post at two points
ADVANCE SLIDECloser view
String is bound to post by tension of the string at this point
CLICK
And this point
No slippageNow we just wind the string
The winding starts here
CLICK
And proceeds DOWN the post
Dont just wind the string any which way. It must go DOWN the post
Heres why ADVANCE SLIDEWhen wound down the post, the string forms a downward angle at the nut
This is called the Break Angle
Sufficient Break Angle ensures that the string seats in the nut properly and doesnt vibrate there
ADVANCEIf the string is wound UP the post, there is very little or no Break Angle at the nut
The string may not seat properly and consequently may buzz in the nut
Two or three winds on the post are sufficient
More winds are superfluous and may cause difficulty in tuning or maintaining tuning. WHY??
As you tighten string add tension. Tension is evenly distributed along length of string. By nature the tension will even out
But it may not do so easily where the strring wraps around the post because of friction between string and post. Or friction in the layers of string windings on post.
Eventually over time the increased tension on the main part of the string will tighten the windings on the post. When it does the string will go flat
So, fewer windings on post = less tesion distribution problem = better in-tunenessOn Roller or Barrel type tuning machines
Line up the hole with the string path
Run string through hole
Loop back OVER the barrel
Loop free end under string, back up
And UNDER the loop createdAll snugged up
Be sure to tune so that the barrel rolls in the direction shown (string passes over top of barrel, not under itBack to number of windings
Only one disadvantage to having fewer windings on post
IF you break a string at the bridge, you have some more length stored at the machine
Maybe enough to let out some string and tie another bridge knot
Then again, if you routinely break strings at the bridge, you should find out why and correct the problem