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Creating on-brand communications April 2006 – issue 1.0

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Page 1: Papeleria de reuters

Creating on-brand communicationsApril 2006 – issue 1.0

Page 2: Papeleria de reuters

1Reuters Creating on-brand communications – April 2006 / issue 1.0

Contents

Page

Introduction 2

Logotype 3

Typeface 4

Colour palette 5

LetterheadsInternational A4 6International A4 continuation sheet 7US letter 8

Compliments slipsInternational DL 9

Business cardsExamples 10Picture selection 11

PostcardsExamples 16Picture selection 17

EnvelopesOverview 22DL 23DL window 24C4 – white 25C4 – window 26C5 – brown manila 27C4 – brown manila 28C5 – brown manila window 29C4 – brown manila window 30US Number 10 white 31US 9” x 12” white 32US 11 15/16” x 15 1/2” white 33

Contact Information 34

Page 3: Papeleria de reuters

2Reuters Creating on-brand communications – April 2006 / issue 1.0

Our logo is the single most importantelement of our brand identity. It is ourname, communicating who we are, and itrepresents what our brand stands for in the minds of the consumers.

Introduction

ArtworkThe artwork for all the following items are on a CD providedat the end of this document. The artwork has been locked,so please adhere to the set guidelines.

The artwork has been made up in QuarkXPress and is saveddown to version 5, also included are high resolution PDFs.

Page 4: Papeleria de reuters

1x

25mm

3Reuters Creating on-brand communications – April 2006 / issue 1.0

Logotype

Always print the logo at 300 dpi using vector artwork toavoid pixellation. Using vector logos will also allow you toprint to any size.

Exclusion zoneThe Reuters logo requires a set ratio of clear space around it to ensure that it is always distinct from othergraphic elements.

In print applications, the space is defined by the measureof X, equivalent to the height of the roundel.

Adhere to this rule, regardless of the size at which the logo is reproduced.

Minimum sizeThe logo must never be reproduced at sizes less than25mm in width. This is the absolute minimum necessary toensure that Reuters is readable and the dots of our logowill not fill in.

The logo must always be clearly visibleand positioned so as to endorse allprinted literature. In order to maintain itsintegrity, the logo must never be altered,distorted or adjusted in any way ,eitherdigitally or photomechanically.

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4Reuters Creating on-brand communications – April 2006 / issue 1.0

Typeface

ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz0123456789£©@%&?!.,:;‘’()*

Avenir Light

Within any single piece, try to minimise the number ofvariations in type size. Body copy should be reproducedranged left or justified.

The Reuters corporate typeface is Avenir,with weights of Light to Black inclusive (aswell as italic). It is a modern sans serif fontthat is both functional and versatile.

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5Reuters Creating on-brand communications – April 2006 / issue 1.0

Colour palette

Pantone, CMYK, RGB and HEX colour specification

CMYK

C.100 M.070 Y.000 K.000

C.000 M.070 Y.080 K.000

C.040 M.098 Y.000 K.000

C.070 M.098 Y.000 K.000

C.095 M.090 Y.000 K.000

C.100 M.037 Y.000 K.000

C.100 M.000 Y.030 K.030

C.100 M.000 Y.100 K.000

C.100 M.090 Y.010 K.030

C.080 M.025 Y.000 K.005

C.020 M.011 Y.010 K.021

C.010 M.008 Y.010 K.018

C.000 M.000 Y.000 K.060

Hex

004D9F

EB6531

A60486

721886

36308E

007AC4

007D91

009835

192169

1A91CE

B4BAC0

CCCBC9

807F84

RGB

R.000 G.077 B.159

R.235 G.101 B.049

R.166 G.004 B.134

R.144 G.024 B.134

R.054 G.048 B.142

R.000 G.122 B.196

R.000 G.125 B.145

R.000 G.152 B.053

R.025 G.033 B.105

R.026 G.145 B.206

R.180 G.186 B.192

R.204 G.203 B.201

R.128 G.127 B.132

Pantone

286

152

512

526

267

7461

3145

348

274

542

7543

C. grey 6

C. grey 10

Reuters Orange PMS 152

Secondary colour

PMS 512 PMS 526 PMS 267 PMS 3145

Tertiary palette - A

PMS 7543 C Grey 6 C Grey 10

Tertiary palette - Grey

PMS 286Reuters Blue

Tertiary palette - B

PMS 274 PMS 7461 PMS 542

PMS 7461 PMS 348PMS 286Reuters Blue

Primary colour

Reuters Blue PMS 286

Our primary colour is Reuters Blue, andit’s the colour consumers should associatewith our brand. But blue is just part of amuch broader palette that serves as aspectrum for creating marketingcommunications with impact.

Do not alter these colour values in any way, as they havebeen tested for printing in CMYK. Whenever possible,please print the colours as specials.

The secondary and tertiary palettes should be used asaccents of colour and should help support an overall bluefeel to the design piece.

Within any individual communication, do not use palettesA and B together. Use either palette in conjunction withthe grey palette.

When checking printed proofs, please use the Pantoneswatch book to be sure that the PMS colours arereproduced correctly. Expect variations of colour whenusing coated and uncoated paper stocks.

Page 7: Papeleria de reuters

6Reuters Creating on-brand communications – April 2006 / issue 1.0

Letterheads examplesinternational A4

Reuters LimitedThe Reuters Building 30 South Colonnade Canary Wharf London E14 5EP United Kingdom T +44 (0)20 7250 1122 reuters.com

A subsidiary of Reuters Group PLC. Registered Office as above. Registered Number 145516 England

As one of the fundamental expressions of our brand, letterhead should bestandardised across every office.

The embossed process will produce a series of raised dotsthat form our ordered property and make the letterheadmore tactile and distinctive.

To do it correctly, choose a paper that is recommended forembossing, with no watermarks or other effects.

Text and cover stocks can withstand, on average, anemboss that is 2.5 times the calliper (or thickness) of thepaper itself. Printers should run tests by first pushing theemboss to the paper's limit, and then reducing thepressure until the desired effect is achieved.

Specifications:

Size 210mm x 297mm or 8.3” 11.7”

Paper DCP250 white 100gsm

Colours 3 Litho – Pantone 286, Pantone 152 and Pantone Cool Grey 10

Extras Blind emboss (these are shown as green dots opposite).

Also a blind emboss should be used to raise the dots on the left-hand side of the letterhead.

The paper can withstand, on average, an embossthat is 2.5 times the calliper (or thickness) of thepaper itself. Printers should run tests by firstpushing the emboss to the paper's limit, andthen reducing the pressure until the desiredeffect is achieved.

Avenir 45 BookText: 6.5pt – Cool Grey 10Leading: Auto

Avenir 45 BookText: 8pt – Cool Grey 10Leading: 10pt

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7Reuters Creating on-brand communications – April 2006 / issue 1.0

Letterhead continuation paperinternational A4

As one of the fundamental expressions of our brand, letterhead should bestandardised across every office.

The embossed process will produce a series of raised dotsthat form our ordered property and make the letterheadmore tactile and distinctive.

To do it correctly, choose a paper that is recommended forembossing, with no watermarks or other effects.

Text and cover stocks can withstand, on average, anemboss that is 2.5 times the calliper (or thickness) of thepaper itself. Printers should run tests by first pushing theemboss to the paper's limit, and then reducing thepressure until the desired effect is achieved.

Specifications:

Size 210mm x 297mm or 8.3” 11.7”

Paper DCP250 white 100gsm

Colours 3 Litho – Pantone 286, Pantone 152

Extras Blind emboss (these are shown as green dots opposite).

Also a blind emboss should be used to raise the dots on the left-hand side of the letterhead.

The paper can withstand, on average, an embossthat is 2.5 times the calliper (or thickness) of thepaper itself. Printers should run tests by firstpushing the emboss to the paper's limit, andthen reducing the pressure until the desiredeffect is achieved.

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8Reuters Creating on-brand communications – April 2006 / issue 1.0

Letterheads examplesUS letter

The Reuters Building 3 Times Square New York NY 10036 United States T +1 646 223 4000 reuters.com

As one of the fundamental expressionsof our brand, letterhead should bestandardised across every office.

The embossed process will produce a series of raised dotsthat form our ordered property and make the letterheadmore tactile and distinctive.

To do it correctly, choose a paper that is recommended forembossing, with no watermarks or other effects.

Text and cover stocks can withstand, on average, anemboss that is 2.5 times the calliper (or thickness) of thepaper itself. Printers should run tests by first pushing theemboss to the paper's limit, and then reducing thepressure until the desired effect is achieved.

Specifications:

Size 215.9mm x 279.4mm or 8.5” 11”

Paper DCP250 white 100gsm

Colours 3 Litho – Pantone 286, Pantone 152 and PantoneCool Grey 10

Extras Blind emboss (these are shown as green dots opposite).

Also a blind emboss should be used to raise the dots on the left-hand side of the letterhead.

The paper can withstand, on average, an embossthat is 2.5 times the calliper (or thickness) of thepaper itself. Printers should run tests by firstpushing the emboss to the paper's limit, andthen reducing the pressure until the desiredeffect is achieved.

Avenir 45 BookText: 8pt – Cool Grey 10Leading: 10pt

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9Reuters Creating on-brand communications – April 2006 / issue 1.0

Compliment slips international DL

Reuters LimitedThe Reuters Building 30 South Colonnade Canary Wharf London E14 5EP United Kingdom T +44 (0)20 7250 1122 reuters.com

A subsidiary of Reuters Group PLC. Registered Office as above. Registered Number 145516 England

This is a scaled version of the compliment slip, the green dots are for visual purposes and these are to be blind embossed.

Specifications:

Size 210mm x 99mm or 8.3” x 3.9”

Paper DCP250 white 100gsm

Colours 3 Litho – Pantone 286, Pantone 152 and Pantone Cool Grey 10

Extras Blind emboss (these are shown as green dots opposite).

Also a blind emboss should be used to raise the dots on the left-hand side of the letterhead.

The paper can withstand, on average, an embossthat is 2.5 times the calliper (or thickness) of thepaper itself. Printers should run tests by firstpushing the emboss to the paper's limit, andthen reducing the pressure until the desiredeffect is achieved.

Avenir 45 BookText: 8pt – Cool Grey 10Leading: 10pt

Avenir 45 BookText: 6.5pt – Cool Grey 10Leading: Auto

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10Reuters Creating on-brand communications – April 2006 / issue 1.0

Business cardsexamples

Jeremy FallowsJob title can go on two linessecond line of job title if needed

[email protected]

The Reuters Building30 South ColonnadeCanary WharfLondon E14 5EP

reuters.com Reuters [email protected]

D +44 (0)20 7542 7149M +44 (0)7990 567 149F +44 (0)20 7519 1325T +44 (0)20 7250 1122

reuters.com

Text: PMS 286, Avenir 65 Medium 9.5pt

Reuters Logo

Avenir 35 LightText: Cool Grey 10, 6pt

Leading: 8pt

All copy in this area isAvenir 35 Light

Text: Cool Grey 10, 6ptLeading: 8pt

8 Dots spot UV, thesegreen dots are forvisual purposes and onthe artwork it is set toprint the clear Spot UV

Information section is lined up off theend edge of the Logo roundel.4.

5mm

4.5mm

Drop height 15mm

Example of front

Example of back

Drop height 31mm

Drop height 43mm

reuters.comThis domain name to gohere always printed white. 4.

5mm

This is an actual size of the Reuters businesscard with one of the 20 images showing howthe back of the card looks.

The Spot UV treatment is clear, but it isshown on the image as green dots. This isfor placement only and these are not tobe printed as a colour.

Captions our provided with the picturesfor reference only.

Specifications:

Size 88.9mm x 50.8mm or 3.5” x 2”

Paper Lumisilk 350gsm

Colours Text side3 Litho – Pantone 286, Pantone152 and Pantone Cool Grey 10,

Picture back4 colour process (CMYK) on theimage and SPOT UV (Special) forthe dots.

Drop height 45mm

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11Reuters Creating on-brand communications – April 2006 / issue 1.0

Business cardsmore examples

Jeremy FallowsJob title can go on two linessecond line of job title if needed

[email protected]

The Reuters Building30 South ColonnadeCanary WharfLondon E14 5EP

reuters.com

D +44 (0)20 7542 7149M +44 (0)7990 567 149F +44 (0)20 7519 1325T +44 (0)20 7250 1122

Jeremy FallowsJob title can go on two linessecond line of job title if needed

[email protected]

The Reuters Building30 South ColonnadeCanary WharfLondon E14 5EP

reuters.com Reuters [email protected]

D +44 (0)20 7542 7149M +44 (0)7990 567 149F +44 (0)20 7519 1325T +44 (0)20 7250 1122

Jeremy FallowsJob title can go on two linessecond line of job title if needed

[email protected]

The Reuters Building30 South ColonnadeCanary WharfLondon E14 5EP

reuters.com Training requestsT +44 (0)20 7542 5374

D +44 (0)20 7542 7149M +44 (0)7990 567 149F +44 (0)20 7519 1325T +44 (0)20 7250 1122

Jeremy FallowsJob title can go on two linessecond line of job title if needed

[email protected]

The Reuters Building30 South ColonnadeCanary WharfLondon E14 5EP

reuters.com

Reuters supportData & apps 0800 44 2000Transactions 0800 88 2000Technical 0800 44 3000

Training requestsT +44 (0)20 7542 5374

D +44 (0)20 7542 7149M +44 (0)7990 567 149F +44 (0)20 7519 1325T +44 (0)20 7250 1122

Example 1 Example 2

Example 3 Example 4

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12Reuters Creating on-brand communications – April 2006 / issue 1.0

Business cardsmore examples

Jeremy FallowsJob title can go on two linessecond line of job title if needed

[email protected]

The Reuters Building30 South ColonnadeCanary WharfLondon E14 5EP

reuters.com

Reuters supportData & apps 0800 44 2000Transactions 0800 88 2000Technical 0800 44 3000

Reuters [email protected]

D +44 (0)20 7542 7149M +44 (0)7990 567 149F +44 (0)20 7519 1325T +44 (0)20 7250 1122

Jeremy FallowsJob title can go on two linessecond line of job title if needed

[email protected]

The Reuters Building30 South ColonnadeCanary WharfLondon E14 5EP

reuters.com

Reuters supportData & apps 0800 44 2000Transactions 0800 88 2000Technical 0800 44 3000

Customer support reuters.com/customersProduct information reuters.com/productinfo

D +44 (0)20 7542 7149M +44 (0)7990 567 149F +44 (0)20 7519 1325T +44 (0)20 7250 1122

Example 5 Example 6

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13Reuters Creating on-brand communications – April 2006 / issue 1.0

Image 1A goalkeeper reaches to make a save during training session.

Image 2Haitian looks through hole in Citi-Soleil.

Image 3Young Afghan woman awaits food.

Business cardsphotographs (with captions for reference only)

reuters.com reuters.com reuters.com

Image 4"Night Crawler" at Comic Con.

Image 5Lunar eclipse over Washington.

Image 6A dancer performs during the closing ceremony of the World Social Forum.

reuters.com reuters.com reuters.com

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14Reuters Creating on-brand communications – April 2006 / issue 1.0

Business cardsphotographs (with captions for reference only)

Image 7Mt Fuji is seen at dusk from Yokohama.

Image 8Zambian man somersaults into Victoria falls.

Image 9Fans of Brenda Fassie Wave farewell.

reuters.com reuters.com reuters.com

Image 10Lantern release to commemorate Tsunami anniversary.

Image 11Germany's Timo Scheider qualifying Eurospeed Lausitz.

Image 12The Reuters screen Canary Wharf.

reuters.com reuters.com reuters.com

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15Reuters Creating on-brand communications – April 2006 / issue 1.0

Business cardsphotographs (with captions for reference only)

Image 13Chinese boy runs through Anhui field.

Image 14Bulgarian gypsy rides horse near Sofia.

Image 15People wave European flag Warsaw parade.

reuters.com reuters.com reuters.com

Image 16Sergio Garcia scored goal U21 Sarajevo.

Image 17Iraqi Sunni woman casting vote.

Image 18Reuters building Canary Wharf.

reuters.com reuters.com reuters.com

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16Reuters Creating on-brand communications – April 2006 / issue 1.0

Business cardsphotographs (with captions for reference only)

Image 19The Brooklyn Bridge and lower Manhattan at dusk.

Image 20Reuters Trading screen.

reuters.com reuters.com

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17Reuters Creating on-brand communications – April 2006 / issue 1.0

Postcardexamples

REUTERS/Photographer’s name

The Reuters Building 30 South Colonnade Canary Wharf London E14 5EP United Kingdom reuters.com

T +44 (0)20 7250 1122Lorem ipsum dolor sit amet, consectetuer adipiscing elitSeptember 19, 2005.

This is a example of a Reuters postcard withone of the 26 images showing how the backof the postcard looks.

The Spot UV treatment is clear, but it isshown on the image as green dots. This isfor placement only and these are no to beprinted as a colour.

Specifications:

Size 148.5mm x 105mm or 5.9” x 4.1”

Paper Lumisilk 350gsm - 400gsm

Colours Text side3 Litho – Pantone 286, Pantone 152and Pantone Cool Grey 10.

Picture back4 colour process (CMYK) on theimage and SPOT UV (Special) forthe dots.

Address areaAvenir 45 BookText: Cool Grey 10, 6ptLeading: 8pt

Line spacing is set to 1.5mm

Photographers nameAvenir 55 RomanText: White, 6pt

Photo caption areaAvenir 45 BookText: Cool Grey 10, 6ptLeading: 8pt

10m

m

9mm

Page 19: Papeleria de reuters

18Reuters Creating on-brand communications – April 2006 / issue 1.0

Postcards photographs (with captions to be printed on the cards)

REUTERS/Photographer’s name REUTERS/Photographer’s name REUTERS/Photographer’s name

Image 1A goalkeeper reaches to make a save during training session inAbidjan A goalkeeper reaches to make a save during a trainingsession for a youth soccer team in Ivory Coast's main city Abidjan.

REUTERS/Thierry Gouegnon

Image 2A Haitian looks through a hole at the new registration center asresidents wait to register their names for the next presidentialelections in the volatile neighborhood of Citi-Soleil, Haiti.

REUTERS/Eduardo Munoz

Image 3A young Afghan woman shows her face in public for the first timeafter 5 years of Taliban Sharia law as she waits at a fooddistribution centre in central Kabul.

REUTERS/Yannis Behrakis

REUTERS/Photographer’s name REUTERS/Photographer’s name REUTERS/Photographer’s name

Image 4A man dressed as 'Night Crawler' joins thousands of comic bookfans from around the world at the annual four-day Comic Conconvention in San Diego.

REUTERS/Mike Blake.

Image 5In a composite photo comprised of 6 separate photos, five of themoon and one of the U.S. Capitol, the moon is seen transitioningL to R from full to a state of full lunar eclipse in the evening skyover Washington.

REUTERS/Gary Hershorn

Image 6A dancer performs during the closing ceremony of the WorldSocial Forum in Bamako, Mal.

REUTERS/Juan Medina

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19Reuters Creating on-brand communications – April 2006 / issue 1.0

Postcards photographs (with captions to be printed on the cards)

REUTERS/Photographer’s name REUTERS/Photographer’s name REUTERS/Photographer’s name

Image 7Japan's highest peak of Mt Fuji is seen at dusk from Yokohama,south of Tokyo.

REUTERS/Kimimasa Mayama

Image 8A Zambian man somersaults into a pool at the edge of the 110metre high main falls of the Victoria Falls on the Zambezi River.

REUTERS/Howard Burditt

Image 9Fans of South African pop icon Brenda Fassie bid her a finalfarewell as they attend her funeral service in Langa township near Cape Town.

REUTERS/Mike Hutchings

REUTERS/Photographer’s name REUTERS/Photographer’s name REUTERS/Photographer’s name

Image 10Thais and tourists release lanterns during ceremony tocommemorate tsunami anniversary on Thailand's Phi Phi.

REUTERS/Bazuki Muhammad

Image 11Germany's Timo Scheider drives during a qualifying session atthe Eurospeedway Lausitz in the eastern German village ofKlettwitz.

REUTERS/Tobias Schwarz

Image 12The Reuters screen Canary Whar, London.

REUTERS/Jon Jones

Page 21: Papeleria de reuters

20Reuters Creating on-brand communications – April 2006 / issue 1.0

Postcards photographs (with captions to be printed on the cards)

REUTERS/Photographer’s name REUTERS/Photographer’s name REUTERS/Photographer’s name

Image 13A Chinese boy runs through a field in the countryside of Jinzhaicounty in China's central province of Anhui.

REUTERS/Wilson Chu

Image 14A Bulgarian gypsy rides his horse during the traditional holidayTodorov den, also known as the Horse Easter in the village ofSuhodol, near Sofia.

REUTERS/Stoyan Nenov

Image 15People wave an European Union flag in front of the Palace ofCulture during a EU parade in Warsaw.

REUTERS/Katarina Stoltz

REUTERS/Photographer’s name REUTERS/Photographer’s name REUTERS/Photographer’s name

Image 16Spain's Sergio Garcia celebrates scoring against Bosnia duringU21 European Championship 2006 qualifier in Sarajevo.

REUTERS/Damir Sagolj

Image 17An Iraqi Sunni woman, shows her ink-stained finger after castingher vote in Amman.

REUTERS/Ali Jarekji

Image 18Global Headquaters, The Reuters building, Canary Wharf, London.

REUTERS/Jon Jones

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21Reuters Creating on-brand communications – April 2006 / issue 1.0

Postcards photographs (with captions to be printed on the cards)

REUTERS/Photographer’s name REUTERS/Photographer’s name

Image 19The Brooklyn Bridge and lower Manhattan are seen from acrossthe East River at dusk.

REUTERS/Peter Morgan

Image 20Reuters Trading screen.

REUTERS/Jon Jones

Page 23: Papeleria de reuters

22Reuters Creating on-brand communications – April 2006 / issue 1.0

Envelopes overview

These envelope designs are based on the postalrequirements of UK postage. We understand thatthere will be country specific needs. If you require help to make up the artwork, please go to the contact section on page 30.

Use a white stock for business envelopes DL, US No.10 and C4 envelopes,weighted between 100gsm and 130gsm. Use manila envelopes for othersizes, at manufactured weights. These should be the only types of envelopethat you need on an everyday basis.

The US postal service demands clear zones, so use the envelope withoutthe dot property in the United States.

For manila or brown paper envelopes, use the black mono logo.

Page 24: Papeleria de reuters

23Reuters Creating on-brand communications – April 2006 / issue 1.0

Envelopes overviewDL envelope

The Reuters Building 30 South Colonnade Canary Wharf London E14 5EP United Kingdom

Specifications:

High quality – Tier 1

Size 110mm x 220mm or 4 1/4” x 8 3/4”

Paper DPC250 white 100gsm self seal

Colours 3 Litho – Pantone 286, Pantone 152and black printed at 60%

Low quality – Tier 2

Size 110mm x 220mm or 4 1/4” x 8 3/4”

Paper White 100gsm opaque self seal

Colours 3 Litho – Pantone 286, Pantone 152and black printed at 60%

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24Reuters Creating on-brand communications – April 2006 / issue 1.0

Envelopes overviewDL envelope with window

The Reuters Building 30 South Colonnade Canary Wharf London E14 5EP United Kingdom

Specifications:

High quality – Tier 1

Size 110mm x 220mm or 4 1/4” x 8 3/4”

Paper DPC250 white 100gsm self seal withwindow in standard UK position

Colours 3 Litho – Pantone 286, Pantone 152and black printed at 60%

Low quality – Tier 2

Size 110mm x 220mm or 4 1/4” x 8 3/4”

Paper White 100gsm opaque self seal withwindow in standard UK position

Colours 3 Litho – Pantone 286, Pantone 152and black printed at 60%

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25Reuters Creating on-brand communications – April 2006 / issue 1.0

EnvelopesC4 white

The Reuters Building 30 South Colonnade Canary Wharf London E14 5EP United Kingdom

Specifications:

High quality – Tier 1

Size 229mm x 324mm or 9” x 12 3/4”

Paper DPC250 white 100gsm self seal

Colours 3 Litho – Pantone 286, Pantone 152and black printed at 60%

Low quality – Tier 2

Size 229mm x 324mm or 9” x 12 3/4”

Paper White 100gsm opaque self seal

Colours 3 Litho – Pantone 286, Pantone 152and black printed at 60%

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26Reuters Creating on-brand communications – April 2006 / issue 1.0

EnvelopesC4 white – window

The Reuters Building 30 South Colonnade Canary Wharf London E14 5EP United Kingdom

Specifications:

High quality – Tier 1

Size 229mm x 324mm or 9” x 12 3/4”

Paper DPC250 white 100gsm self seal withwindow in standard UK position

Colours 3 Litho – Pantone 286, Pantone 152and black printed at 60%

Low quality – Tier 2

Size 229mm x 324mm or 9” x 12 3/4”

Paper White 100gsm opaque self seal withwindow in standard UK position

Colours 3 Litho – Pantone 286, Pantone 152and black printed at 60%

Page 28: Papeleria de reuters

27Reuters Creating on-brand communications – April 2006 / issue 1.0

EnvelopesC5 brown manila

The Reuters Building 30 South Colonnade Canary Wharf London E14 5EP United Kingdom

Specifications:

Low quality – Tier 2

Size 162mm x 229mm or 6 1/2” x 9”

Paper Manila 115gsm

Colours 1 Litho – Black mono

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28Reuters Creating on-brand communications – April 2006 / issue 1.0

EnvelopesC4 brown manila

The Reuters Building 30 South Colonnade Canary Wharf London E14 5EP United Kingdom

Specifications:

Low quality – Tier 2

Size 229mm x 324mm or 9” x 12 3/4”

Paper Manila 115gsm

Colours 1 Litho – Black mono

Page 30: Papeleria de reuters

29Reuters Creating on-brand communications – April 2006 / issue 1.0

EnvelopesC5 brown manila – window

The Reuters Building 30 South Colonnade Canary Wharf London E14 5EP United Kingdom

Specifications:

Low quality – Tier 2

Size 162mm x 229mm or 6 1/2” x 9”

Paper Manila 115gsm with window instandard UK position

Colours 1 Litho – Black mono

Page 31: Papeleria de reuters

30Reuters Creating on-brand communications – April 2006 / issue 1.0

EnvelopesC4 brown manila – window

The Reuters Building 30 South Colonnade Canary Wharf London E14 5EP United Kingdom

Specifications:

Low quality – Tier 2

Size 229mm x 324mm or 9” x 12 3/4”

Paper Manila 115gsm with window instandard UK position

Colours 1 Litho – Black mono

Page 32: Papeleria de reuters

31Reuters Creating on-brand communications – April 2006 / issue 1.0

Specifications:

High quality – Tier 1

Size 105mm x 225mm or 4 1/8” x 9 1/2”

Paper DPC250 white 100gsm self seal

Colours 3 Litho – Pantone 286, Pantone 152and black printed at 60%

Low quality – Tier 2

Size 105mm x 225mm or 4 1/8” x 9 1/2”

Paper White 100gsm opaque self seal

Colours 3 Litho – Pantone 286, Pantone 152and black printed at 60%

EnvelopesUS Number 10

The Reuters Building 3 Times Square New York NY 10036 United States

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32Reuters Creating on-brand communications – April 2006 / issue 1.0

Specifications:

High quality – Tier 1

Size 227mm x 305mm or 9” x 12”

Paper DPC250 white 100gsm self seal

Colours 3 Litho – Pantone 286, Pantone 152and black printed at 60%

Low quality – Tier 2

Size 227mm x 305mm or 9” x 12”

Paper White 100gsm opaque self seal

Colours 3 Litho – Pantone 286, Pantone 152and black printed at 60%

EnvelopesUS 9” x 12”

The Reuters Building 3 Times Square New York NY 10036 United States

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33Reuters Creating on-brand communications – April 2006 / issue 1.0

Specifications:

High quality – Tier 1

Size 303mm x 394mm or 11 15/16” x 15 1/2”

Paper DPC250 white 100gsm self seal

Colours 3 Litho – Pantone 286, Pantone 152 andblack printed at 60%

Low quality – Tier 2

Size 303mm x 394mm or 11 15/16” x 15 1/2”

Paper White 100gsm opaque self seal

Colours 3 Litho – Pantone 286, Pantone 152 andblack printed at 60%

EnvelopesUS 11 15/16” x 15 1/2”

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34Reuters Creating on-brand communications – April 2006 / issue 1.0

Contact details

Jeremy FallowsGlobal Head of Marketing Services

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Reuters messaging:[email protected]

Other contact details:T: +44 (0)20 7542 7149M: +44 (0)7990 567149F: +44 (0)20 7519 1325

Theo WiddupSenior Designer

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Please go to www.about.reuters.com/corpid for any issues you have with implementing the corporate guidelines.

Please find the artwork CD enclosed with this manual, if you have mislaid the artwork CD,please request a replacement, via the corporate guidelines site.

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