ozone mag bcr 2007 special edition

8/7/2019 Ozone Mag BCR 2007 special edition

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That ' s whe rE th e biggest ' p l a ye rs , r om e f ro m . T hebiggest hustlers, the m ost ge tti If -mnney niggil:Si n t h e , 'w o r l d .G P '~ I I l b tth M I A I r J'I : 'I I, ,-", .' ' ,- " ; , ,,'__u n ! I I B , Y . , t5 a a o u t, _ e . e r e p t ewhO ' e city of IM i'am i. W e most d efini tely rep, (a.rol(~ty,bu t the W h O l . E ]05, w e i ridin ' w ith t h e m , Thisis the I C i l y o f do pe . That ' s where W 'E I c om e from .

h , a , P D V ' lend i n g . B u t w h y a re y o u t a lk ing abou t ,m yprob em s aga in ? T ha t's a t w ' h ( ] I e d i f f e r e n t i ss u e. . .

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d ru g d riv en n l e i g h b o r h Q J o d ~ A {,o t o ]f b u s m e s sgoes on dow n the re ,; n o t n e - 'C e s sa . r U : y t : e 'g la lb 'F " I u sm es s. .' or m e l g ro w'In g u p In a n a r e aUke t ha t w a s a b t e s s , i n g . , The t ru th l o f them atter is tha t you learn a (Jo tfrom the druIgg am 'e ., Y o u le a rn a to t a b o u t m on ey : H o'wto [ountyour mo ne y . . h ow ' tO I keep yourm o n 1 e ' v , h , o w to m a k e m a n e 'y " How to beconsdous abou t \ , I 'ho to loo k ou t for. A ndY 'o u c a n a lw a , y ,s apply that i n t o d l i f f e r e l n tb us in es s a sp ec ts , a r-o un d H f]e ~I took: it a ndappl ied it to m usic . I 'm n ot sa 'y ing I w as adrug d e a t l e r ~ bu t I w as ,abl,e to w atch som eo f t n ' e th ing s th at w ere , "go in 'g o n l a r o u n d meand apply it tO I 'o the r a re as [o f my hfe lW h at m ad e you ge t into musiic?I sta r ted D Jin g a t 13 yea rs old, M y ' m'ombou ght. m e a D J s ys.tem ~ I t w asn 't thegrea tes t , I t w a s a little b elt drnte, t u r n -t ables , the b ' o l o t - I e g m i x le r " an d this is rightb l e f o " e she p a s s r e d , a W ' a Y 5 I n e v e ' r g r e , w upwi th my fa th er~ H e U ved d ow 'n 'th e b lockf d I tt ~ "t h' t'rom me }, a n, "w 'en " 0 1 V I SL . . ~ tm o ne n mea round 9 yea rs o ld ., H e , passed aWi'y wh 'enI w a s ! e le v e n . A r o u n d ! 9 y e " a r s old 1 w'entto 'v is it h im a nd . I sa w these tu rn tab les;h e h ,a d th e 12 11 ' T e (h n i( ,s ~ th e m lx e r's ,a n de V 1 e r y t h i n g , . F ro rn the age o f U k l e 9 to 13 , Ita n re me mb er b e'g gin g m 'y mom to ] ge t mesome D J 'e qu ipm en t. , A n d r ig 'h t befo re , sh epassed a ' w a y ' [w il'en I w as] 13 , s h e , b,oughtit fo r mel fo r my l . " ~ birthday~T ha t's howI go . t i n t r o d u t ' e d in 0 ...'U i c . . A n d then It O Q , k t h a t into en g i n ee . r ~ . , ' B y tbe a g e o f15 1 b uilt a stu dio , a t i t t t :@ , ' ; '. . ' pr'oductions tu dio " a nd a l it: " bit o f I~~ , i men t he rea n d t h e r ' e ~ I 'w a s - en '~ ' inee, r in ~ ' . n d p r o d u c i n 'g. . . . . .d e v e n t u ~ t l V j I go t ' g o ; o d : & 1 ' ~tt o 'where'" a nte d ". 0 io 'v es f a to t rns ," m on ey In' to,

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~ , w m R L " ! 1 J ' i l l n l io n m e n ta ry .. .Y ou h a ve a busv ' W i 'W s t hedu t e , Do ~ I 'OU have amanage r o r b q c k in " a gen t t h a t he ,' _ p s ,you gets h o w s ? 'H era M a s'o n' fro m g lO M ' t l s o n & . A s s , ( u : J i r a t e s i s , m l yman a g e r,D o v ' c u t h i' n k it's n e r s s s a 'Y ' to .'a v e , a , ' g ' O D dm ' an ':i, , o . ' e r ' a s a , n : : I i i rti s t 7. - '~5' , u i : _ ~ t ; m I , I _ . I think i t ~s ' ve ry important to h a ve a good man-ager bu t yO I J gotta a t least be a go-getter for'y ou rs et, ' a n d h a ve some k n ow - h ow B ut: to h avea g re at: m an ag e m en t te am , a s w elli l a s b e able to .s ta n d o n vo u r ow n twe ts e t a nd g rin d, ~tmakesit e v e n b ig g ; ' l e r.W h a . t a r e s o m e o f th e' p ros a n d [0[15 o f b 1 e i ' n g a nin d ie a r tis t?' T h e . p ro s o f b e i n g a rm ii n d e p e n d e n t artist i s ,y o u get to be the bo ss , Y ou w , a , t c h t in e Imo ne ycome ii n a n d y o u w'at(h the m lo n , e y ' g 'o o ut, T ned is ad va n ta g e to b e . i i n g a n in d e pe nd e n t a rt is t is. 1 , 1 . ; , ~ I"s o m e t " I 'm iC i S 'U ' OU . . 4 1 a n't h ':Ii v e th a c a p " 1 + - : 1 1 11 1 t" 0[ ! l . ' 1 1 1 u l Il . , ", " . ' .1 1 . " . I t: ' 'i,.1 U Iu I U y' . 1 't; ~.IU\~ i L IUj , II , '1', 5 U p p t y th e d , e . m [ a t n d i ,a,nd yo u n e e , d I t h a t : majo rbar k i i n g ' fo r P E ' o p i l e t o . t ake y O l J l s , e ' r i C U . J I s , ~ It 's j u s ta h ard 'e r a .nd ~ o n ' g ; ' er s tru gg h:! to ge t to wh e r eyouJ' l fe t l ry i ing t o i g o ~ B e ! ' " n g ~ndep,e 'nd len t . , ' youb~'irn a lo t m on~ '~r 'ml than lkfu l l : r v e b le en ,a b~e tod o t h l E ! t h ' " n i g " s ]\ie d o n e and to h a v e gO ' RE ! tO i t tU I~p ' ( a c e s r V l e gun e \+J'i thou t, b e~n g a tta ch e d to ,a ,m l i 8 1 j o r , s i t l ~ J a t t ~ o n "r'd tove t o t u ~ s i i ' g n , e , d t o a m i a j o rb u t if l " m n e'v e r ' . s l i g n e d r it d O I 2 : sn ' ' t : m l a t te r ' , ! ' , c : a , I U i , s i 2I k n o w h o w to g o a nd g e . t it,If a t m la j o f ' l ,abe,~w l e r e to o ff'e lf y o u a, dea , wha tw o u L d y o u b e l o o k in g f ' - o r ?r'd defi n , " l e ~ 'Y w an t to ' h a J J , e the iP u l b lI sh~ng~ i, j u s t'want t h , E best s,~tuat ion tha t's go ln g to be,ne'f i t :every 'L lody in m y c a m i ll i " , t o h ,e ~ p , u s a d iV ' a n l( l ef i l n a n c ' i , a . l . l l y '. M d o n r t w a n t any t h i i n g ' s ; t n ~ n U IO I J JS " Ig o t t , i3 J h a V ! 2 [I r IE a f t iI v e l ( 0 n t 1 " 0 L I r ~ J I I ~'e ' d t : o r i E l ,ally ' 0 W t r 1 Ial l l m y p l l Jb 1~s t h in g b u t ' t h ~ n g s d o n J ' t a llw a y s ! ~[Odown t h l 2 wa y y Q iU w an t ~ , e m l t o g o " lh e r e " ' s r r U : ! 'V E ' f, s u , c h a t h i i n g ' a s ; th e I P ' E ! ' r f e c : t dezd " b u t [ " "m l ! a { c e p t =iln g i;t~ ,A s ~ o ng la ,s il l g e t b~g 'money w i i t i l n g , a , n d, . I h i I ! : I i f r i O o'~I,om ' I ' " t ' nl i l - o , i l O ' J : : I j j irU'iA I ! " ' I " I ' ~ 1 I 1 l ! 1 ' m enlO AUIII!;' . i ii ;. I! .: 'U . .. . I u I i J . ! - I I j ; " I gil ' I i ! ' UII ~jI! . ! ! l I I 5,u ..liI.,

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W hen d id you ge t VOl i r b ig b reak in ra d io '?I d li d a n in te rn sb ip a t ' V 1 0 : 3 . DinA t [ an t a ] l ~ Afr i e n d ot m I n e th a t w a , : $ a l r e a d v In te m I n g t h e r e,b ro u gh t m e ln . ,I w a s , l in , c o l l , e ig > e a t the t im e a tM orr is I B r u w n C o U e g e IIn A t a n t a , I : r n a ] o r e d I ng raph i c design. I gu t the, i in t ,e rn ,sh~p a nd it wa s ,m l y ch a n ce to e a rn e ' v e rythi l l l l g " I I l e a . ! r n e d I P ro ='d u c t l ~ d . ' I, u c t ~ O I 1 l J 1p r o m o t io n s a n C p lio gra m lm ln g ., 'g u t t omee t a lot o f b il g name ' s 'that a re I n ra d I 0 : t n d a V '" ~D o you th in k it 's hard ie r fo r a woman 0 m ake it'in th e [] J g ame l?No ~ n ot If yo u"re persistent a nd s ihow that ' VDU~ l r e 's erln us a bo ut: it, ,A,tfirst ~tse em ed k in d o f in tlm -i da ti n g be cau 519 i9 Vl2 r y ' , o n lE I 010 k s a t " i t ' as a m alett l in 'g~It d o e s ta ke , $ , Om I2 t ime t o p 'I i'( )'v e yout r '5 ,e~fb ut o nce you g et: e sta btis h ed a nd p l90p e k no w''you~te n o t f a : k , l r w g l i t : . it's n o t h a r d a t alt.Y ou h ave seve ra l D J aff i la tio ns . H ow do t h e f Yhelp ' y OU J career?T he f irst a ff il ia tio n tha t il l eve r ' go t d ( lWn 'w' i th' w a . s ,the l !e[h"INi't i ions,. F r o m t h e r e M met u p wiithth e M l U l r d a I M . a . m l ! a nd th e [O R E I]]s ~ P ure P ainR e c o r d s , l i n 1 6 e o : r g ; ' ~ a h a v e rea l 'y h!e~ped m e a lo t .'lhey have a te t o f n J i affiliations.What are ' some of yo u r a vn r ite re ro rd s to sp in?R , ~ ! g h t n o w " i t ' s th e ' T ~ P a in r e c o rd . I : l . O \ f i e a n y t h i l l n ' gb y R ic h B o ya n d th e Swi, lz B ! i e a t z I R , iE ! '( o r d i _ , I U kesp l inn ing that r e co rd .

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D e ' f i n i i t e 1 l y , . ,I ik e 1 ~ . J e ' , s , F if a nd H,ai t ian F resh ,P reac h e i r Is a n o th e r on e th a t's [0 m m n g II p , S tk k3 0UD seem s to be do iing h ~s t hing " too.Y o u ' v e l ived in a lo t o f c i t ies , W h e n a nd why d i dy o u m ove to O rla nd o?T he s itu atio n E w ,a s hll pr ior to . that didn ' t u l l ' o r l k ,o u t s o I m o v E I d ! to ,A t l . an ta a n d i n t ended t o ge i tmy g r in d o n a n d d o the mix tape thing, : I w a s n ' t,e'\I,e'nt h ' ln k , i im g a bou t ra dla la t that po in t . I h a ds en t: a c ou ple o f n ~ ' 5 IL 1 m e ,S ,l ou t before ImO( \H~d lto A t~a nt81 50 t h e y ca t ted me up a bou t a mon thla te r o u t o f the ' b l u e . ' T 1 h , e ' y sa i d the'y t l k e d ' w h a tt h e l y he a rd. I ' d idn't e " H ~ ' 1 1 1 k n o w anvone 0 u t he r e ~I t wa : s , r e l a 1 ~ ( y l uck .Y ou s eem to have a v e r y strong opin ion abou tth e "H ip Hop is d e a d " movement . (are toe labora te?I: don' t th in k H ip H op is dead. Just 'G3JJ5 ,e i t 's no tpo pu la r In one par t e l f : the coun t ry a n ymo r e , thatd oe sn 't m ea n I l t ' : 5 d e a d . I " t " ' 5 ' j us t transforming(g "h t n ow . T h at's w h at HII IPHop , ha s a J w ' a y s beena b l e t o d 0 since I ts, li n c . eptio n I' It' 5 , c h a n g i i I l l g andp eople gu tta lea rn to c h a nge w'ith it,A lot ofp eo ple a re g ;e 'ttlin g' o ld er a nd aren ' t learning toada pt, T h e ' y ' n : ~ h o ld i ng 0n to wm , a J t th e y thoughtH ip H op W a t :s . H l i p H op Is , s t ' i i l l l l do i n g th e sameth l l !n '~ 'it w a s d ,o ~ in gb ac k th en " It's f're eln g m in dsa nd g " v l i n g peop le a n opportunitv to do s ome -th l i n l g ' b ig 'g ,e 'r than wha t t i h ' E ' Y 'E ' \U~ ' r cou ld h a veImag i n e d d o~n g l tJ~th th e i r ~ ve :s .I t edu ratesp e o p l e . I - t m ig ht, s o un d a Utth~ d i i f f e . ' r ' E n t, bu t it'sdn in g the , sam e thin g.W h a t p r o j e c t s a re you l i j ' o rk ing o n ?I 'm d oin g some R ' [ ' _ B m "-- t ' : i ' POC d o -tri he re l'm, 't iL '_:'_3 ;~ I ' t : ' ~ 'U ' IIX' II~' 1:' ;1 , ,uiW I I I , 'I 11:;" r "d o ~ n g a m ix ta p e that's Ig oln g 'to f e a t u r e a lo tof 0 rlan do artists. I 'm g.o l n'g to pu t th em o nfro n t ic au se O rla nd 0 h a s a lo t o f tale nt alndt h ey ha ' le i i " [ { t h a . d th E ' c h a n c e t o s h owc a s e i ~ ,tYl~t.,I: w a n t to ptllt th e m l on blast 5,0 p e e p ~e ta n s e ewhat ' s g o~ ng o n d o w n h e r e .


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i n s t e ad o .f being in th e d u b get -~n -gt h e i r h e a dc h o pp e d o ff at th e en d o f the nigh 't , I t's I g ' o C I d toge t that respo n se off a ny recordHa s B fa 'tin ' D ow n ~D Block live d up to you rexpe ttati en s l'M y a lb u m is in cr ea s in g w ' e ' E , k l y l n ' s a le s " It 'sd ~ dolln~ gOIIO', '~,H a s p rom otin g you r a lb um , b ee n ha rde r than youexpec t ed it to be?P ro mo tio ns is a l l w a , y s h ard ~ Yo u a ~W ' d Y ', S go t toge t O l J J t a nd do ~tr r lg h t ~ r ad io s ta tio n s, inter-v e 'w '5 ,~mess i n~ w ' ith D l s. , P r o rn c tio ns j $ , a , b ig, S : t E [ P ' a s 'fa r a s , a lbum sa E [ $ . .H ow many shows do ' y o u do in a w ' e e k ?I ' d : s a y c lo s e ' t o f if teen : 0 r t .w ien ty 5 h O ' W 'S , . I : have~ I k , r e tw o or three s h o w ' S ' a night.S in ce y ou tn ~ t o u r i n g a n d promot ing th e a lbum,h a v e y o u had t o put D J i ' n g nn hold?I f ' i l l l -I I ' " , . L .. '-"I ...-" . i t ; " , I " ':: f,- ." 'I n it's ,-,' h , . . 4 1~1~~a ,n iP,v e ille e n peril n r rn I ng 5 n m l l J C , 1 ,_ S so _Iarer i g h t n , C H N '_I w i' s , h I to u t d f i ~nda w'ay ' to . get b a c kon the on e's a n d th:JInif!;E' I 'm do in s sho '1,,,11'5' eve rvI, - . I : 'I[;;' I '1 II1 II ; !b ; ;, tI . -!!IV f lU !! ~ ~ . ! I I . 1 _ , I I' , 1 _ '~ , ,;j, ,-n ~.,1(;; sd . a , Y j S (]I I 'm J u s t : try~n . ~ ' t o t ake it 0 n e da y at atime. I t ain't n o t h i l l n l ' ! ~ :though ,W h h : h d o y ou U t e better , l J ] i n g o r p e r fo rm i n g ?I like p er fo rm in g b e tte r ' cause it's more interar-tive w iith th e t r nwd . 'W h e n y ou J re O J ing ' , y o [ u ,might n o t even get ,(1 chance to se e the rro wd ~T h e y 'gut y o u h i d l d E n..1 1 0 es th e P E rio rm in g a n d t r ia v e U ng eve r ge texhaust ing?Y e a 'h _ : ~ I t -d : ~ltl'l:', b- : I r t it , ~ I In Wlti nr r th r n' rl II IU ' ~ ' 1 1 - k , . ID r na k i no , !f f' !G " . I I Y b;;] , UI, II. ~[ _' I I I~ U 1 1 - 1 1 I I III ~ [ I[ _ _ ,b a;J,I, ~i' m l o [ n ! E Y e ' V ' , f ; ! ' r y d , a , y . Y o u ] ust got t : I O s t a y h eal thyan d s t ! a . y ' 0 nit . It a ~ ,w o r k s QUit fn r the be st atthe end ,Is ther2 anyth~ng' els2 besid,e s m c rn e.y that k ,eeps'you mothJa ted?Mus i c , fans" M l y s p ' , B , C f , s h o 'w s i! a t O l t o f sluff k,eeps, m ' E [ mo ti:v ate d .. l P ' e o p h ~ [ [ l im e up and teU I m e ' t h e ~ 1 'II n u ~ m lJ ~nn ac ' T i L , ' : ! i t ' tf ': 'hi II' I h ':Iii;' ( ] " ' I 'UIfJ(" m I ir iI ' t l h r;t u - r -a~Iiu - ' U ' I~ I ' J : ~ ,u ~.;jil J m ~ u I " .iJ"n g,l ~ i '~ ' ~ ' ~ j ' ~ : ' I~' l ';;) I~* '" 0' [f,n, b ' :! II I[ I k / ' 1 II fr i; t, , I l k . , L'Ii ! E ' t , IIIII..JI"I'I' I i i 9 I i . : ! I i n d m ' : ! i I k ' ~ , m il , f ' I I , ra aF U 9 j ; . . . I It'. '~u _.[ 1 1 : . " I _ ~ l~ ~ , W l ~ fb d! UlJ _v. g .- _I " L. l , U! _ ~ ~,Ui Y IJ

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