OUR LEGACYIM

PR

ES

SIO

NS

AU

TUM

N/W

INTE

R

2011

IMPRESSION

Our Legacy - 1-4

Impressions 4-8

Building a Legact- 8-10

Looks 10-14

Footwear - 14-18

Outerwear- 18 21

Looks - 21-15

Shirting - 25-26

Richard - 27-29

Suiting

Looks

Our Legacy & tres bein shop

Index

OURLEGACY

Bas

ed a

roun

d m

en’s

bas

ic

war

drob

e de

man

ds, O

ur

Lega

cy fo

unde

rs J

ocku

m H

allin

an

d C

hris

toph

er N

ying

hav

e,

in o

nly

six

year

s, p

erfe

ctly

m

anag

ed to

est

ablis

h a

rela

xed

but w

ell-d

ress

ed lo

ok. M

uch

of th

e br

and’

s fo

cus

is o

n th

e fa

bric

s an

d cu

ts, o

ften

not

just

thro

ugh

grea

t qua

lity

but

also

with

an

unco

nven

tiona

l ap

proa

ch s

omet

imes

resu

lting

in

ill-f

ittin

g pr

opor

tions

and

ru

gged

ly s

truc

ture

d m

ater

ials

, as

we’

ve s

een

in th

e la

st fe

w

colle

ctio

ns. W

ith ‘I

mpr

essi

ons’

fo

r thi

s A

utum

n W

inte

r and

la

st s

easo

n’s

‘Obs

erva

tions

’, th

ere’

s an

alm

ost a

cade

mic

and

ph

iloso

phic

app

roac

h to

clo

thes

; th

ese

piec

es w

ill n

ot g

o ou

t of

fash

ion

beca

use

they

nev

er

wer

e fa

shio

n. T

hey

mig

ht b

e pa

rt

of a

sty

le, b

ut it

’ll a

lway

s be

the

styl

e of

the

wea

rer,

not t

he b

rand

. In

men

swea

r esp

ecia

lly, i

t is

key

for b

rand

s to

find

the

bala

nce

betw

een

styl

e, a

fford

abili

ty, q

ualit

y an

d w

eara

bilit

y. A

sub

tle a

nd

eart

hy c

olou

r pal

ette

on

top

of

that

and

you

’re g

ood

to g

o. O

ur

Lega

cy d

eliv

ers

on a

ll ac

coun

ts,

crea

ting

a br

and

that

, if a

nyth

ing,

en

caps

ulat

es a

life

styl

e m

ore

than

just

a s

tyle

. The

des

ign

duo

and

art d

irect

or T

ony

Ced

erte

g’s

refe

renc

e po

ints

are

as

unex

pect

ed a

s th

ey m

ake

perfe

ct

sens

e; 8

0s v

inta

ge A

rman

i, H

elm

ut L

ang

thre

ads

from

the

90s,

Wu-

Tang

Cla

n, h

ardc

ore

punk

, pho

togr

aphy

boo

ks a

nd

art i

nsta

llatio

ns s

hape

the

Our

Le

gacy

look

.

Our

Leg

acy

[01]

Aut

umn

& W

inte

r

Impr

essi

ons

[02]

[03]

[04]

[05]

[06]

[07]

[08]

Aut

umn

& W

inte

r

Impr

essi

ons

[09]

[10][11]

[12]

[13]

[14]

[15]

[16]

in th

e m

ensw

ear w

orld

are

taki

ng

note

. Afte

r str

ingi

ng to

geth

er th

eir

first

col

lect

ion

only

five

yea

rs a

go,

Our

Leg

acy

has

defie

d od

ds a

nd

sold

iere

d fo

rwar

d.

Whe

n as

ked

abou

t Sw

edis

h ae

sthe

tics,

you

wou

ld c

onju

re

exam

ples

of t

heir

sign

atur

e el

emen

ts o

f des

ign:

min

imal

ist

form

s w

ith a

n ai

m a

t fu

nctio

nalit

y. Y

ou’d

be

hard

-pre

ssed

to

find

a fa

shio

n in

side

r who

wou

ld

rank

Sw

eden

am

ong

the

mos

t in

fluen

tial p

lace

s in

fash

ion,

but

O

ur L

egac

y’s

colle

ctio

ns h

ave

been

gro

win

g an

d th

eir p

rodu

cts

are

turn

ing

head

s, w

hich

may

be

enou

gh to

put

Sw

eden

on

the

wor

ld

stag

e fo

r mor

e th

an ju

st d

esig

n.

The

bran

d ha

s fre

quen

tly b

een

dubb

ed th

e A

.P.C

. of S

cand

inav

ia,

but a

fter s

peak

ing

to R

icha

rdos

K

laré

n, o

ne o

f the

cor

e m

embe

rs

of th

e fo

ur-h

eade

d te

am (t

hat a

lso

incl

udes

Cris

toph

er N

ying

, Joc

kum

H

allin

and

Oliv

er S

aund

ers)

that

co

ordi

nate

s th

e br

and,

we

get t

he

sens

e th

at O

ur L

egac

y is

far m

ore

com

plex

than

ano

ther

bra

nd ri

ding

a

ephe

mer

al tr

end.

On

a pa

ge o

n yo

ur w

ebsi

te, y

our

mis

sion

sta

tem

ent o

f sor

t say

s,

“Eve

ry g

arm

ent i

ndee

d ha

s a

soul

, bu

t nev

er u

ntil

you

have

fille

d it

In o

ur d

iscu

ssio

n w

ith O

ur L

egac

y,

we

pres

ent a

wel

l-rou

nded

por

trai

t of

a b

rand

who

se p

oten

tial i

s on

ly

part

ially

real

ized

. Man

y br

ands

ha

ve fl

oode

d th

e pr

ep s

cene

, and

w

ith to

day’

s se

emin

gly

fly-b

y-ni

ght

“ret

urn

to m

anlin

ess”

app

roac

h,

man

y br

ands

won

’t su

rviv

e th

e tr

end.

But

a le

gacy

is a

bout

the

stre

ngth

of i

nspi

ratio

n, a

nd in

the

case

of t

he th

ree

men

cra

fting

lin

e af

ter l

ine

of s

olid

gar

men

ts, a

le

gacy

is a

lso

abou

t mai

ntai

ning

a

repu

tatio

n.

The

garm

ents

are

mea

nt to

bec

ome

a pa

rt o

f the

wea

rer’s

trav

els

and

expe

rienc

es, a

s th

ey a

re

cons

truc

ted

to ta

ke o

n ch

arac

ter

elem

ents

of t

heir

wea

rers

. With

a

styl

e th

at’s

bot

h pr

ep a

nd u

tilita

rian,

th

e ga

rmen

ts d

on’t

scre

am to

be

notic

ed, b

ut o

nce

you

begi

n to

take

a

clos

er lo

ok, t

he c

rafts

man

ship

an

d un

com

prom

isin

g de

sign

sta

nd

out i

n th

eir o

wn

right

. Th

e co

st

of m

ater

ials

and

man

ufac

turin

g a

wel

l-exe

cute

d pi

ece,

eve

n if

the

latte

r is

done

ove

rsea

s, is

dau

ntin

g in

toda

y’s

frene

tic e

cono

mic

cl

imat

e. A

nd fo

r an

upst

art b

rand

–ev

en w

ith a

str

ong

repu

tatio

n an

d pl

acem

ent i

n fin

e re

tail

spac

es

like

Tres

Bie

n, th

e ch

alle

nges

are

ev

en g

reat

er. B

ut O

ur L

egac

y ke

eps

plod

ding

alo

ng, a

nd th

ose

“We

look

at a

gar

men

t as

a pr

oduc

t tha

t you

fill

with

cu

ltura

l and

per

sona

l val

ue to

bec

ome

muc

h m

ore

than

just

a p

rodu

ct.”

Pro

duc

ed b

y D

an H

wan

gW

ritt

en &

Inte

rvie

w b

y Je

sse

Car

r

Bui

ldin

g a

Lega

cy

An

Inte

rvie

w w

ith O

ur L

egac

y

wor

ld h

as o

pene

d its

eye

s to

it. I

ac

tual

ly th

ink

it’s

clos

ely

rela

ted

to

Sca

ndin

avia

n fu

rnitu

re d

esig

n; it

ha

s th

e sa

me

thou

ghts

, sam

e sp

irit.

Man

y lin

es, l

ike

your

s, h

ave

been

incr

easi

ngly

exp

ortin

g th

eir

man

ufac

turin

g to

Por

tuga

l. W

hat

are

som

e im

port

ant e

lem

ents

of

Por

tugu

ese

man

ufac

turin

g?

Ric

hard

os: T

he k

ey a

dvan

tage

s w

ith P

ortu

gal a

nd w

hy it

wor

ks s

o w

ell w

ith o

ur s

peci

fic p

rodu

ct a

re

mul

tiple

. Qua

lity-

wis

e, th

ey h

ave

a ve

ry h

igh

leve

l and

they

are

ve

ry fl

exib

le w

hen

it co

mes

to

tryi

ng n

ew id

eas

wor

king

with

low

m

inim

ums.

The

re a

re a

lot o

f sm

all

fam

ily-o

wne

d fa

ctor

ies

ther

e th

at

do w

hat t

hey

do o

ut o

f lov

e fo

r the

ga

rmen

ts, l

ike

we

do.

Wha

t are

som

e of

you

r art

istic

in

fluen

ces

from

the

othe

r art

istic

re

alm

s (fi

lms,

pai

ntin

g, s

culp

ture

, lit

erat

ure,

etc

…).

How

do

thes

e in

fluen

ces

find

thei

r way

into

you

r co

llect

ions

?

Ric

hard

os: T

he a

rtis

tic b

ranc

hes

that

you

men

tion

are

all v

ery

impo

rtan

t in

our w

ork.

Pai

ntin

g,

film

s, li

tera

ture

, and

scu

lptu

re

are

thin

gs th

at w

e lo

ve a

nd g

et

insp

ired

by. T

hey

are

wha

t get

ou

r tho

ught

s m

ovin

g fo

rwar

d. It

’s

hard

to b

e co

ncre

te h

ere,

but

it’s

lik

e it

is w

ith e

very

thin

g, y

ou s

ee

som

ethi

ng, g

et in

spire

d to

look

at

som

ethi

ng s

imila

r and

then

it m

oves

on

. I th

ink

we

have

the

need

to

crea

te w

hat w

e ar

e th

inki

ng a

bout

.

Des

crib

e th

e gr

owth

of y

our b

rand

si

nce

2005

, whe

n yo

u re

leas

ed

your

firs

t pie

ces?

Ric

hard

os: W

e w

ent f

rom

a

few

prin

ted

T-sh

irts

in 2

005

to

inco

rpor

atin

g in

200

7 an

d th

e fir

st c

ompl

ete

colle

ctio

n in

spr

ing

2008

. Fro

m 2

008,

the

grow

th h

as

been

fast

, yet

we

are

a ve

ry s

mal

l co

mpa

ny, c

onsi

stin

g of

six

peo

ple

who

wor

k in

the

offic

e, e

xclu

ding

th

e st

ores

.W

hat c

an a

con

sum

er e

xpec

t to

see

in F

all a

nd W

inte

r of 2

011?

Ric

hard

os: T

hat’s

stil

l a w

ell-k

ept

secr

et.

with

you

rs.”

Can

you

talk

abo

ut

the

cons

truc

tion

of y

our g

arm

ents

as

item

s th

at b

egin

to re

veal

ch

arac

teris

tics

of th

eir w

eare

rs?

Ric

hard

os: T

hat’s

a g

ood

form

ulat

ion.

We

look

at a

gar

men

t as

a p

rodu

ct th

at y

ou fi

ll w

ith

cultu

ral a

nd p

erso

nal v

alue

to

beco

me

muc

h m

ore

than

just

a

prod

uct.

To b

e ab

le to

do

that

, w

ear i

t in

and

mak

e it

into

you

r ow

n in

divi

dual

pro

duct

, it h

as to

be

very

w

ell-c

onst

ruct

ed a

nd m

ade

out o

f a

very

goo

d m

ater

ials

. Oth

erw

ise

it w

ould

bre

ak b

efor

e it

had

the

chan

ce to

get

uni

que.

Whi

le m

any

may

be

awar

e of

the

exce

llenc

e of

Sca

ndin

avia

n fu

rnitu

re

desi

gn, o

ur re

ader

s m

ay n

ot b

e fa

mili

ar w

ith th

e S

cand

inav

ian

trad

ition

in fa

shio

n. C

an y

ou g

ive

our r

eade

rs a

sim

ple

vers

ion

of y

our

wha

t’s g

oing

on

in c

onte

mpo

rary

m

ensw

ear i

n th

at re

gion

of t

he

wor

ld?

Ric

hard

os: H

ard

ques

tion.

I do

n’t

know

the

answ

er o

n th

at re

ally

. W

e do

n’t s

ee o

ur p

rodu

ct a

s so

met

hing

Sca

ndin

avia

n pr

imar

ily.

But

I gu

ess

it’s

som

ethi

ng ra

w

and

unpr

eten

tious

in S

cand

inav

ian

desi

gn in

gen

eral

that

’s a

lway

s be

en th

ere

and

now

the

rest

of t

he

Look

s

Aut

umn

& W

inte

r

Sha

w C

olla

r C

ard

i Gre

y C

amel

A g

reat

eve

ryda

y kn

itted

pie

ce. M

ade

from

the

softe

st It

alia

n vi

rgin

woo

l and

kni

tted

with

love

. Th

ick

colla

r, rib

bed

cuffs

and

hem

and

a s

lim fi

t. W

ear y

our r

egul

ar s

ize.

Dou

ble

Bre

aste

d B

laze

r G

rey

Twill

Slim

fitte

d, h

eavy

woo

l. M

ade

from

a h

eavy

Ital

ian

woo

l fab

ric a

nd is

but

tone

d w

ith m

etal

but

tons

. H

alf l

ined

with

nyl

on, s

light

ly b

uilt

shou

lder

s an

d do

uble

ven

t slit

in th

e ba

ck. T

he b

ig p

atch

poc

kets

gi

ves

the

jack

et a

rela

xed

feel

. Wor

ks a

lso

perfe

ct

as a

coa

t on

early

fall

days

. Fits

true

to s

ize.

Look

s

Aut

umn

& W

inte

r

Gen

erou

s F

it Ja

cket

Vul

cano

Bla

ck

A th

ree

butto

n, b

oxy

fitte

d ja

cket

that

is m

ade

from

a

was

hed

woo

l fab

ric. A

jack

et to

wea

r eve

ryda

y to

ev

eryt

hing

. Sof

t sho

ulde

rs, s

hirt

cuf

fs w

ith b

ig b

ut-

tons

and

roun

ded

lape

ls fo

r a m

ore

rela

xed

fit. B

ig

artis

t poc

kets

and

clo

sed

in th

e ba

ck fo

r a m

ore

oute

rwea

r fee

l.

Rol

ling

3 B

utto

n B

laze

r G

rey

Wee

d

Per

fect

100

% V

irgin

Woo

l rol

ling

thre

e bu

tton

blaz

er in

a m

ulti

colo

red

fleck

. “R

ollin

g 3B

” mea

ns

the

blaz

er h

as th

ree

butto

ns b

ut th

e la

pel i

s ro

lled

so th

at y

ou c

an w

ear i

t as

a 2

butto

ned

as w

ell.

Thre

e pa

tch

pock

ets.

Thi

s bl

azer

is u

ncon

stru

c-tu

red

and

unlin

ed in

bod

y w

ith fr

ench

tailo

red

seam

s an

d si

lk a

rm li

ning

. Fit

is ri

ght,

feel

ing

is

good

with

trou

sers

to m

atch

.

Foot

wea

r

[19]

[20]

[17]

[18]

[21]

Aut

umn

& W

inte

r

Out

ertw

ear

Aut

umn

& W

inte

r

[22]

[23]

[24]

[25]

Out

ertw

ear

Aut

umn

& W

inte

r

[26]

[27]

[28]

[29]

[30]

Look

s

Aut

umn

& W

inte

r

Vers

atile

Par

ka D

eep

For

est

Wax

A w

axy

piec

e of

out

erw

ear f

rom

the

Lega

cy. A

he

avy

cotto

n fa

bric

, all

soak

ed in

wax

that

giv

es

it a

wea

ther

pro

tect

ive

surfa

ce. A

big

det

acha

bke

hood

, wai

st b

and

on th

e in

side

and

big

flap

poc

k-et

s on

the

front

. Loo

k no

furt

her f

or th

e pe

rfect

fall

park

a. F

its tr

ue to

siz

e.

Shi

eld

Jac

ket

Oliv

e V

inta

ge

Oil

A w

arm

and

tech

nica

l pie

ce w

ith h

eavy

dut

y oi

led

Italia

n ca

nvas

cot

ton

that

’s w

ater

repe

llent

rem

ov-

able

lini

ng in

mel

ton

woo

l with

a s

hirli

ng lo

ok. T

his

one

can

be u

sed

sepa

rate

as

a co

ol w

ool j

acke

t. Th

e pa

rka

is p

erfe

ct fo

r ear

ly fa

ll w

ithou

t the

lin-

ing

as w

ell.

But

tone

d up

, big

hoo

d, s

lant

ed h

and

war

mer

s an

d bi

g fla

p fro

nt p

ocke

ts. F

its tr

ue to

si

ze.

Shi

rtin

g

Aut

umn/

Win

ter

[31]

[32]

[33]

[34]

[35]

[36]

Shi

rtin

g

Aut

umn

& W

inte

r

[01]

[37]

[38]

[39]

[40]

[41]

Look

s

Aut

umn/

Win

ter

1950

’s G

rey

Mel

ang

e C

heck

The

1950

’s s

hirt

is s

light

ly s

limm

er th

an it

’s

colle

ague

, the

194

0’s.

A s

mal

l che

st p

ocke

t an

d hi

gh v

ents

on

the

side

s th

at g

ives

it a

bit

of a

wor

kwea

r fee

l. B

utto

ned

up w

ith m

othe

r of

pea

rl an

d bu

tton

dow

n co

llar.

Her

e in

a th

ick

fall

flann

el c

heck

to w

ear a

nd te

ar.

Bas

ebal

l Ves

t G

rey

Wee

d

Gre

y tw

eed

‘Bas

ebal

l’ sh

irt fe

atur

ing

a ro

und

neck

, fro

nt b

utto

n fa

sten

ing,

sin

gle

ches

t pat

ch

pock

et, a

fine

kni

t with

spe

ckle

s of

col

our a

nd

shor

t sle

eves

.

Ric

hard

os K

laré

n is

one

third

of t

he

Our

Leg

acy

foun

datio

n an

d al

so

one

of th

e sh

arpe

st d

ress

ers

nort

h of

Cap

e To

wn.

We

calle

d ou

r goo

d fri

end

to h

ave

him

talk

a li

ttle

bit

abou

t his

per

sona

l tas

te a

s w

ell a

s fu

ture

pla

ns a

nd m

emor

able

fash

ion

purc

hase

s.

Rum

or h

as it

tha

t yo

u bo

ught

yo

ur v

ery

first

Mar

giel

a ga

rmen

t at

the

you

ng a

ge o

f 17

bac

k in

19

97. I

f th

at’s

rea

lly t

rue

and

wha

t di

d yo

u ge

t?

Wel

l, to

be

hone

st it

was

firs

t in

’98

whe

n I w

as 1

8 an

d, h

aha.

Of

cour

se, t

he o

nly

thin

g I c

ould

affo

rd

was

a w

hite

t-sh

irt. A

v-n

eck

one

with

whi

te p

rint.

You’

re n

otor

ious

ly k

now

n am

ongs

t fr

iend

s to

hav

e a

very

ve

rsat

ile w

ardr

obe

and

for

wea

ring

wha

t m

any

peop

le c

ould

on

ly d

ream

of

pulli

ng o

ff. C

ould

yo

u ex

plai

n on

e of

you

r m

ore

hard

er-t

o-pu

ll-of

f ou

tfits

?

[Lau

ghs]

Yea

h, I

tend

to e

njoy

m

ixin

g hi

gh a

nd lo

w. P

erha

ps O

ur

Lega

cy‘s

cam

el s

uede

shi

rt, a

pai

r of

dea

d st

ock

carg

o’s

and

a pa

ir of

bla

ck c

ordo

van’

s to

mat

ch, a

nd

then

a b

lack

cas

hmer

e co

at o

n to

p of

that

. Not

that

tric

ky, h

uh?

Whe

n w

e ta

lked

ove

r th

e ph

one

som

e tim

e ag

o, y

ou w

ere

at a

fa

bric

fai

r in

Par

is. W

hat

coul

d w

e ex

pect

fro

m O

ur L

egac

y’s

fabr

ic

choi

ces

for

Fall

/ W

inte

r 20

12?

In g

ener

al, w

e lo

oked

at m

any

nice

he

avy

woo

l fab

rics,

with

a lo

t of

stru

ctur

e. W

e’ve

alre

ady

mad

e a

coup

le o

f pat

tern

s pa

st s

easo

ns,

but w

e’ll

defin

itely

hav

e m

ore

of

that

, lot

s of

big

pat

tern

s if

ther

e’s

been

mor

e sm

all o

nes

befo

re.

We’

re a

lso

very

kee

n on

mix

ture

s in

co

mpo

sitio

n, w

ool,

cash

mer

e, h

emp

silk

, etc

. Tec

hnic

al fa

bric

s co

ntin

ues

to ta

ke p

lace

and

dev

elop

in b

oth

colo

r and

str

uctu

re. I

thin

k th

at

fabr

ics

that

are

str

uctu

red

are

muc

h m

ore

inte

rest

ing

that

flat

one

s.

Tupa

c or

Big

gie?

I’ve

alw

ays

liste

ned

to m

ore

Big

gie,

R

IP.

We

belie

ve t

hat

this

Our

Leg

acy

colle

ctio

n is

the

str

onge

st w

e’ve

ev

er s

een

sinc

e w

e fir

st s

tart

ed

wor

king

tog

ethe

r 5

year

s ag

o.

Whi

ch a

re y

our

5 fa

vori

te p

iece

s th

is s

easo

n?N

avy

pins

trip

e su

it –

If I

wan

t to

feel

lik

e a

dres

sed

up th

ug. F

ew p

iece

s gi

ves

me

the

sam

e fe

elin

g of

bei

ng

heav

y w

eigh

t.

An

Inte

rvie

ww

/ R

icha

rdos

Kla

rén

Bla

ck b

all c

ap in

woo

l – I’

ve s

ince

lo

ng a

dvoc

ated

the

snak

eski

n bo

ots,

blu

e de

nim

, bla

ck w

ashe

d te

e, lo

ng b

lack

coa

t top

ped

off w

ith

a bl

ack

ball

cap-

look

. Bla

ck w

ool

feel

s up

to d

ate

and

roug

h.

Gre

at s

wea

t cha

rcoa

l tow

el –

I’m

real

ly d

iggi

ng u

nexp

ecte

d st

ruct

ures

in c

lass

ic g

arm

ents

. Thi

s sw

eats

hirt

doe

s an

equ

al jo

b of

be

ing

your

sho

wer

tow

el a

s be

ing

wor

n.

Per

fect

tee

grey

mel

ange

– It

al

mos

t fee

ls a

s if

I don

’t ha

ve to

m

otiv

ate

this

cho

ice,

but

the

grey

m

el’ t

ee is

my

mos

t use

d pi

ece

of

clot

hing

, and

the

soft

and

alm

ost

pixe

l-lik

e qu

ality

of t

he fa

bric

giv

es it

a

mag

ical

dep

th.

ww

– T

his

coul

d be

my

abso

lute

fa

vorit

e fo

r thi

s se

ason

. A

min

imal

istic

duf

fel w

ith h

idde

n bu

ttoni

ng a

nd o

nly

one

clea

n ho

rn

butto

n at

the

neck

. Tw

o fa

bric

s gl

ued

toge

ther

to c

reat

e he

avin

ess

and

the

right

dro

p. A

rath

er

luxu

rious

coa

t con

side

ring

that

is

uses

Mel

ton

fabr

ic a

s lin

ing.

Sup

er

war

m!

Wri

tten

& In

terv

iew

by

Tres

Bei

n

New

eas

y sh

ape

with

a s

light

90’

s fe

el, f

inis

hed

in a

bla

ck fl

eck-

like

fabr

ic

New

eas

y sh

ape

with

a s

light

90’

s fe

el, f

inis

hed

in a

bla

ck fl

eck-

like

fabr

ic

Look

s

Aut

umn/

Win

ter

Su

ting

Aut

umn

& W

inte

r

[42]

[43]

[44]

[45]

[46]

[47]

Ou

terw

ear

Aut

umn

& W

inte

r

[47]

[48]

[49]

[50]

Our

Leg

acy

and

Tres

Bei

n S

hop

have

had

a lo

ng s

tand

ing

rela

tions

hip,

hav

ing

star

ted

out

at a

bout

the

sam

e tim

e, O

ur

Lega

cy a

nd T

res

bein

now

sha

re a

re

tail

spac

e th

e ‘W

elco

me’

sho

p.

Whi

ch is

loca

ted

in S

tock

holm

’s

Öst

erm

alm

are

a an

d ca

rrie

s pa

rts

of th

e O

ur L

egac

y co

llect

ion

and

sele

cted

item

s fro

m th

e Tr

ès B

ien

stoc

k, a

s w

ell a

s sp

ecia

l ite

ms

and

one-

offs

. Nyi

ng a

nd C

eder

teg

also

ru

n Li

brar

yman

, an

inde

pend

ent

publ

ishi

ng c

ompa

ny s

peci

alis

ing

in

art a

nd p

hoto

grap

hy b

ooks

, add

ing

to th

e id

ea o

f a b

rand

obs

esse

d w

ith th

e gr

eate

r im

age,

not

just

de

tails

.

The

appr

oach

was

to d

evel

op a

ge

neric

sto

re c

once

pt th

at c

an

be a

pplie

d in

difx

fere

nt lo

catio

ns

and

cont

exts

. The

arc

hite

ctur

al

conc

ept i

nvol

ves

a m

atrix

of

furn

iture

, a to

tal o

f 64

varia

nts

that

der

ives

from

an

anal

ysis

on

dim

ensi

ons

and

diffe

rent

way

s on

ho

w to

dis

play

the

colle

ctio

ns.

E

xpre

ssio

n an

d m

ater

ialit

y of

th

e fu

rnitu

re m

ay v

ary

from

sto

re

to s

tore

. On

Sib

ylle

gata

n, th

at

also

incl

udes

sho

wro

om a

nd

head

quar

ters

for O

ur L

egac

y, it

´s

a co

llage

of d

iffer

ent a

mbi

tions

–

cosm

opol

itan,

intim

ate,

flex

ible

, ch

eap,

exc

lusi

ve, l

ush

and

poet

ic.

A p

iece

of t

he c

ity.

Our

Leg

acy

& T

res

Bei

n W

elco

me.

Wel

com

e

Our

Leg

acy

& T

res

Bei

n

Our

Leg

acy

and

Tres

Bei

n S

hop

have

had

a lo

ng s

tand

ing

rela

tions

hip,

hav

ing

star

ted

out

at a

bout

the

sam

e tim

e, O

ur

Lega

cy a

nd T

res

bein

now

sha

re a

re

tail

spac

e th

e ‘W

elco

me’

sho

p.

Whi

ch is

loca

ted

in S

tock

holm

’s

Öst

erm

alm

are

a an

d ca

rrie

s pa

rts

of th

e O

ur L

egac

y co

llect

ion

and

sele

cted

item

s fro

m th

e Tr

ès B

ien

stoc

k, a

s w

ell a

s sp

ecia

l ite

ms

and

one-

offs

. Nyi

ng a

nd C

eder

teg

also

ru

n Li

brar

yman

, an

inde

pend

ent

publ

ishi

ng c

ompa

ny s

peci

alis

ing

in

art a

nd p

hoto

grap

hy b

ooks

, add

ing

to th

e id

ea o

f a b

rand

obs

esse

d w

ith th

e gr

eate

r im

age,

not

just

de

tails

.

The

appr

oach

was

to d

evel

op a

ge

neric

sto

re c

once

pt th

at c

an b

e ap

plie

d in

difx

fere

nt lo

catio

ns a

nd

cont

exts

. The

arc

hite

ctur

al c

once

pt

invo

lves

a m

atrix

of f

urni

ture

, a to

tal

of 6

4 va

riant

s th

at d

eriv

es fr

om

an a

naly

sis

on d

imen

sion

s an

d di

ffere

nt w

ays

on h

ow to

dis

play

the

colle

ctio

ns.

E

xpre

ssio

n an

d m

ater

ialit

y of

th

e fu

rnitu

re m

ay v

ary

from

sto

re

to s

tore

. On

Sib

ylle

gata

n, th

at

also

incl

udes

sho

wro

om a

nd

head

quar

ters

for O

ur L

egac

y, it

´s

a co

llage

of d

iffer

ent a

mbi

tions

–

cosm

opol

itan,

intim

ate,

flex

ible

, ch

eap,

exc

lusi

ve, l

ush

and

poet

ic.

A p

iece

of t

he c

ity.D

i im

inih

it

alic

tem

pore

, sed

ita c

orep

erum

qu

as u

t ess

it di

ctur

sin

vella

tes

prem

pore

num

qua

ti de

l min

vend

ae

am e

lit, s

i aud

it ha

ribus

der

ia

quas

si c

orru

mqu

ibus

ern

atio

es

t acc

aect

ur s

i que

vol

orru

m

dolo

resc

iti c

orer

sp e

rions

equa

m

reria

te p

rerc

iend

i aut

vit

ut h

ic te

int

estia

ta e

nt e

t fac

erna

m v

elic

id q

ui

unt,

nons

equa

m v

olup

ti um

quat

us

nobi

ssum

hita

te s

iti c

onse

dis

rest

e qu

id q

uid

max

imin

t hic

iis

arib

erci

mus

am

reru

m re

m e

t qua

m,

sinc

tia c

on n

i num

num

facc

um

este

mpe

rci n

onec

atur

? U

t mol

lupt

i di

ut e

t aut

har

cipi

cip

iend

uci

at.

Alic

ipic

tem

ess

unt e

t illa

bore

eic

ae

quis

sus

rerio

rem

qui

aspe

rupt

ae

velit

aqua

t eve

ndam

exp

latiu

s et

dol

enim

vel

es e

stem

. Tas

i om

mod

iore

vel

endi

gen

dand

iae

rest

ion

sedi

assu

m q

ui c

on p

ro id

ul

pa v

olum

ut a

tur,

quia

si ip

idel

e ni

hica

ti co

nseq

ui o

mni

s ex

eris

re

re n

ulla

bore

m q

uibe

rf er

ovid

i ci

anis

cius

end

itat v

erfe

rspe

non

e ei

cabo

. Om

nien

im q

ue re

odi

inve

rit

atas

perib

ust v

olup

tae

peliq

uo e

x et

et

ant

reni

si in

ctat

ur s

equa

e m

aion

re

m h

arum

qui

con

se v

enis

in ih

ilit,

sequ

e eu

m, c

us, v

olen

debi

si o

ffici

di

volu

pta

tiate

m e

turit

ant

, vol

orum

et

as p

laud

aest

vel

iaec

ti ne

m q

ui

ipis

vol

orro

es

aute

m fu

ga. I

tat

facc

usci

tios

essi

t vol

upta

tur s

amus

es

san

tions

equi

ipsa

ntib

us

Wel

com

e.

Inde

x

Aut

umn/

Win

ter

[21]

Cap

Toe

Der

by B

oot

Bla

ck V

ibra

m[2

2][2

3]A

lpac

a C

oat C

harc

oal

[24]

Men

s D

inne

r Coa

t Ti

lted

Rai

nM

ens

Din

ner C

oat

Bla

ck C

ash

[01]

1950

’S G

reat

Sw

eat

Gre

y O

rgan

ic M

elan

ge[0

2]G

ener

ous

Fit J

acke

t B

row

n[0

3]B

aipu

Rib

Cre

w N

eck

Cha

rcoa

l[0

4]B

all C

ap B

lack

Woo

[05]

Rol

ling

3 B

utto

n B

laze

r G

rey

Wee

d w

/ tr

ouse

rs[0

6]G

reat

Sw

eat R

ever

sed

Wea

ve H

ocke

y Tr

ophy

[07]

Turt

le N

eck

Cam

el[0

8]Tr

ouse

r Nav

y W

ashe

d

[09]

Mac

Mar

ine

[10]

[11]

Bal

l Cap

Gre

y W

ool

[12]

Bas

ebal

l Ves

t Gre

y W

eed

Shi

eld

Jack

et O

live

Vin

tage

Oil

[13]

Cla

ssic

2 B

utto

n B

laze

r P

lum

bago

Gre

y[1

4]19

50’s

Ice

Cre

am

Str

ipe

Red

& B

lue

[15]

[16]

Dou

ble

Bre

aste

d B

laze

r Bla

ck C

repe

[17]

Hea

vy O

xfor

d A

rmy

Gra

in B

lack

[18]

Zip

Boo

t Bro

wn

Sue

de

Dai

nite

[19]

Unk

now

n[2

0]Z

ip B

oot B

lack

Cal

f

Slim

Fit

Raw

Blu

e

[25]

Mac

Mar

ine

With

Pea

rl B

utto

ns[2

6]D

uffle

Coa

t Cha

rcoa

l Tw

eed

Ete

rnal

Glu

e[2

7]A

viat

or J

acke

t Hea

vy

Bla

ck S

uede

[28]

Dou

ble

Bre

aste

d C

oat

Bla

ck C

ash

[29]

Vers

atile

Par

ka D

eep

Fore

st W

ax[3

0]Th

ree

But

ton

Din

ner

Coa

t Mar

ble.

[31]

[32]

Gen

erat

ion

Shi

rt In

digo

In

dian

a S

trip

e

[33]

1950

’S H

eavy

Am

eri-

can

Oxf

ord

Whi

te

1950

’S P

olka

Dot

In

digo

[34]

[35]

[36]

[40]

[41]

1940

’S T

ruck

Driv

er

Che

ck[4

2]Tr

ouse

r Plu

mba

go

Gre

y

1950

’S G

rey

Top

Flan

nel

1940

’S C

ham

bray

1940

’S R

edsk

ins

Che

ck19

50’S

Jac

quel

ine

Prin

t

[43]

Rol

ling

3 B

utto

n B

laze

r N

avy

Pin

strip

e[4

4]D

oubl

e B

reas

ted

Bla

zer B

lack

Cre

pe

[45]

Trou

ser N

avy

Was

hed

[46]

[47]

Gen

ereo

us F

it Ja

cket

Vu

lcan

o B

lue

[48]

Mel

ton

Woo

l Bla

zer

Nav

yR

elax

ed C

lass

ic B

laze

r B

lack

She

ep

[37]

1950

’S G

rey

Mel

ange

C

heck

[38]

1940

’S R

inse

Was

h[3

9]19

40’S

Tru

ck D

river

C

heck

Stockists

Great Britainwww.endclothing.co.ukwww.my-wardrobe.com

www.oki-ni.comwww.coggles.comwww.kiosk78.co.uk

www.glassboutique.co.ukwww.aphrodite1994.com

www.psyche.co.ukwww.farfetch.com

www.goodstead.co.ukwww.oipolloi.com

www.thethreethreads.comwww.atoo.co.uk

www.indigoandcloth.comwww.pure-man.comwww.hubshop.co.uk

www.thegreat-divide.com

EUwww.yoox.com

www.super-market.sewww.fever.se

www.tresbienshop.netwww.zoovillage.com

www.aplace.comwww.stoy-munkholm.dkwww.novoidplus.comwww.frenchtrotters.fr

www.shop.fott.ruwww.kocksgatan17.se

www.selvage.sewww.pedestoffershop.com

www.lenouveaumagasin.comwww.magarderobe.com

www.volt.no

Americawww.needsupply.com

www.shopbird.comwww.shopfredsegalman.com

www.shoppenelopes.com

Switzerlandwww.rooneyshop.com

www.jonathanandolivia.comwww.fourhorsemen.ca

Australiawww.incuclothing.com

www.ourlegacy.se