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TRANSCRIPT
OPEN HEMA WOLF
2017
1st Trial
Monday 6 November 2017
OPEN HEMA WOLF 2017 – 1st Trial
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Presentation This 1st Trial is part of the OPEN HEMA WOLF.
The Open HEMA Wolf is a ludic tournament which goal is to allow the participants to try the
basics of many disciplines while leaving their comfort zone.
The trials are made so that all participants practice technics and practices from historical
sources, combined with sport exercises.
The participants will have to be able to quickly get the technics and exercises they may not
be used to practice, in a context combining time limit, effort, rhythm and precision.
Participation Only registered people can participate
The registration is opened until Sunday 12 November 2017 at 10pm (France time).
Registration must be made here.
People who did not registered can, of course, do the trials, but their performance cannot be
communicated to the organizers for the final ranking.
Sources
This trial uses two different disciplines with a precise source for each, which you can
download the full version here (in French):
❖ The art of long sword fighting according to LICHTENAUER;
❖ The dagger according to FIORI DE LIBERI: translated from Latin to French by Paul
GETTY.
Results
To make the grading easier during the trial, an evaluation sheet to print will be available.
However, the results will have to be reported online to be taken in account for the raking.
Ranking The overall ranking and the one for this trial only will be communicated on Thursday 16
November 2017.
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Community During the entire duration of the trials, feel free to share with us photos and videos of your
performances so we can live those Opens all together, with the hashtag #OHW2017.
Contact You can contact us directly on our networks:
❖ Website
Or by email at the following address: [email protected]
Difficulty For each exercise, the participants can choose the level of difficulty among those two:
❖ RX: maximum difficulty.
❖ SQUALED: minimum difficulty.
Once the difficulty level chosen for an exercise, the participant cannot change it during the
trial.
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Trial This first trial is composed of two different parts, which must be made one right after the
other, as described below.
Total duration : 10 minutes.
First part
EMOM – 6' Every Minute On Minute
The first part lasts 6 minutes. It is composed of an alternation of 3 series of M1 exercise and
3 series of M2 exercise.
The participant must perform during the odd minutes (1, 3 & 5) the M1 exercise, and during
the even minutes (2, 4 & 6) the M2 exercise. The M1 and M2 exercises are described below.
The participant has precisely one minute to make a M1 or M2 exercise.
If the participant finishes the exercises before the end of the minute, the remaining time is
recuperation time.
If the participant does not finish the exercise within one minute, he immediately moves to
the exercise of the new minute.
❖ M1 – Perform twice Meyer’s Diagram completely, with a thrust in the center at the
end of each series of hits at the 4 openings (see the following page)
♦ RX : the moves are made with the false edge
♦ SCALED : the moves are made with the true edge
❖ M2 – Perform a serie of Burpees
♦ RX : 10 Burpees.
♦ SCALED : 6 Burpees.
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MEYER’s Diagram
Meyer’s diagram is a tool used to work on the chaining of hits.
It is composed of 4 series of hits, which direction and order are numbered from 1 to 4.
You must start by the exterior series by hitting along the 1st axis (up right), then the 2nd axis (below
left), then the 3rd axis (bottom right), and finally the 4th axis (up left).
Once this first series fulfilled, you must do a thrust in the center of the diagram, then make the second
hitting series. The axis of this one corresponds to the 2nd numbers (starting for the exterior), the 1st
being at the bottom right.
Once the first part finished, immediately move to the second part.
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Second part
AMRAP – 4' As Many Rep' As Possible
For 4 minutes, the participant must perform in this order the exercises described below, and
do them again as many times as he can.
1 - Parry 3 dagger assaults
Source: Dague de FIORE - Fior di Battaglia, MS Ludwig.XV.13, J.Paul Getty Museum, Los
Angeles – GETTY
The participant must parry 3 dagger assaults choosing for each assault the technic among
those listed.
❖ Assault 1 – Dagger attack from the up left of the unarmed participant.
♦ RX: First Master technic [11r-a].
♦ SCALED: First Master technic [10v-a].
❖ Assault 2 – Dagger attack from up left of the participant, who has a dagger.
♦ RX: Sixth Master technic [16r-d].
♦ SCALED: Sixth Master technic [16v-a].
❖ Assault 3 – Dagger attack from the bottom left of the unarmed participant.
♦ RX: Ninth Master technic [18r-c].
♦ SCALED: Ninth Master technic [17v-d].
The different technics are detailed in the following pages.
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Assault 1
♦ RX: First Master technic [11r-a].
Well covered to take your dagger off your hand, with this posture, I could also link you. If I
put my right hand under your right knee, I will make you fall, for I am good at this art.
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♦ SCALED: First Master technic [10v-a].
I am the first master and I am called remedy, because remedy means I know how to remedy,
which means you don’t get hit, and on the contrary you can hit and hurt your enemy. And
thus, I have nothing better to do than throwing your dagger on the ground by turning my
hand on the left.
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Assault 2
The Sixth Master that I am says that this cover is fine in armor and without armor. And with
such a cover, I can cover all sides, and enter in all keys and do all the grips and, to finish, hit
as will my students do. And each of my students does this cover, then does the plays he can
do.
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♦ RX: Sixth Master technic [16r-d].
I did not leave the Sixth Master cover. My left arm turned above your right. And by according
the right foot with the left arm while turning on the left side, you are now linked in medium
key, and you can say you quickly lost your dagger. And I do this play so fast that you certainly
do not have the time to counter.
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♦ SCALED: Sixth Master technic [16v-a].
By doing the cover of my Master, I made this grip. In armor and without armor, I can hit you.
I can also put you in the superior key of the first student of the Fourth Master remedy of the
dagger.
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Assault 3
I am the Ninth King, and I do not have my dagger any longer. And the grip I make from below,
is the grip made by the Fourth King from above, which I make from below.
But my plays are not made the same way as his. This grip has value with armor and without,
for I can make many strong plays. And with an armor as well as without, I certainly do not
have doubt about those who follow me.
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♦ RX : Ninth Master technic [18r-c].
From my Master’s grip, I move to this one. And from this grip, it will not be long before I put
you in a below key, which is the strong key, because it gives me very little issues. It is good
that I can have your dagger without fatigue.
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♦ SCALED: Ninth Master technic [17v-d].
I followed my ninth Master with the grip he made. By releasing my right hand from the grip,
I took your dagger and I will make it turn to the top, close to your elbow. I will certainly put
the tip in the face, as did the student who is after me. I will do it this way, as I believe.
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2- Perform a series of squats The participant must perform a serie of squats.
❖ RX: 12 Squats.
❖ SCALED: 8 Squats.
3- Perform the 5 master cuts
Source: The art of long sword fighting according to LICHTENAUER
The participant must break, with the appropriated coup de maître, the various guards or
assaults. The technics are described in the next pages.
The guards or assaults will be performed in a random order. The participant only has one try
for each coup de maître.
Guards/Assaults Master Cuts
German name German name Vom tag Zwerchhau Pflugk Schielhau Ochs Krumphau
Oberhau Zornhau Alber Scheitelhau
Once the 4 minutes of repetition of those exercises are over, the trial is finished.
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Guard : Ochs (Ox)
Guard : Pflugk (Plow)
Guard : Alber (Fool)
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Guard : Vom Tag (From the day)
Master cut : Schielhau
Master cut : Zwerchhau
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Master cut : Krumphau
Master cut : Zornhau
Master cut : Scheitelhau
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Evaluation sheet To make easier the evaluation of the participant during the trial, it is possible to use this sheet.
After the trial, the evaluation must be written online here.
Participant presentation
Last name:
First name:
Birthdate (DD/MM/YYYY):
HEMA club:
First trial grading: How many M1 and M2 series did the participant finished in the due time?
M1 exercise What is the chosen level of difficulty? RX or SCALED?
How many times did the participant make a mistake?
For all the M1 series:
❖ Grade his/her footwork, between 0 and 10:
❖ Grade his/her chaining, between 0 and 10:
❖ Grade his/her precision, between 0 and 10:
❖ How many thrust touched the center of the target?
M2 exercise What is the chosen level of difficulty? RX or SCALED?
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Second trial grading: How many full series of the 3 exercises did the candidate perform?
In which exercise did the candidate finish the trial?
Exercise 1 Did the participant already practice this source?
If yes, for how many years (roughly)?
– First assault
What is the chosen level of difficulty? RX or SCALED?
Grade his/her overall execution quality (good technic, right tempo, precision), between 0 and
10, 10 being a flawless performance:
– Second assault
What is the chosen level of difficulty? RX or SCALED?
Grade his/her overall execution quality (good technic, right tempo, precision), between 0 and
10, 10 being a flawless performance:
– Third assault
What is the chosen level of difficulty? RX or SCALED?
Grade his/her overall execution quality (good technic, right tempo, precision), between 0 and
10, 10 being a flawless performance:
Exercise 2 What is the chosen level of difficulty? RX or SCALED?
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Exercise 3 Did the participant already practice this source?
If yes, for how many years (roughly)?
– Zwerchhau
Grade his/her overall execution quality (good technic, right tempo, precision), between 0 and
10, 10 being a flawless performance:
– Schielhau
Grade his/her overall execution quality (good technic, right tempo, precision), between 0 and
10, 10 being a flawless performance:
– Krumphau
Grade his/her overall execution quality (good technic, right tempo, precision), between 0 and
10, 10 being a flawless performance:
– Zornhau
Grade his/her overall execution quality (good technic, right tempo, precision), between 0 and
10, 10 being a flawless performance:
– Scheitelhau
Grade his/her overall execution quality (good technic, right tempo, precision), between 0 and
10, 10 being a flawless performance:
Once the trial finished Name the best quality of the participant among the following:
❖ Precision
❖ Technic
❖ Tempo
❖ Mobility
❖ Posture
❖ Other
Name the best fault of the participant among the following:
❖ Precision
❖ Technic
❖ Tempo
❖ Mobility
❖ Posture
❖ Any
❖ Other