open architecture. comment et pourquoi rendre l’architecture plus accessible ? par maxime cunin|...
DESCRIPTION
La pratique de l’architecture n’a jamais cessé d’évoluer influençant également le dialogue entre l'architecte et ses utilisateurs. Néanmoins, le procédé créatif en architecture reste relativement obscur au grand public qui exprime, à cet égard, une demande croissante de transparence. Face à ce constat, on voit émerger, depuis peu, un ensemble de modèles alternatifs à la pratique traditionnelle : user-centered design, opensourcing ou encore crowdfunding. Leur point commun est d’impliquer l’utilisateur final d’une manière ou d’une autre, que ce soit dans le processus créatif en tant que tel ou encore dans le financement du projet architectural.TRANSCRIPT
Mercredi 12 novembre
Open Architecture. Comment et pourquoi rendre l’architecture plus accessible ?
Maxime CUNIN, Massachusetts Institute of Technology - Ideation Lab | ULg
Avec le soutien de :
Open _ ArchitectureWHY AND HOW TO OPEN ARCHITECTURE ?
M Cunin _ 12 nov. 2014
Open _ ArchitectureWHY AND HOW TO OPEN ARCHITECTURE ?
M Cunin _ 12 nov. 2014
MC
MC
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€100,000 €12,000
12%
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€150,000 €18,000
12%
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Open _ architecture
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_ funding
Open _ architecture
_ sourcing
_ communication
OPEN SOURCING
1 /
Alastair Parvin00:/ Architecture
The Fountainhead (1949)
$ £ € ¥+/- GDP
2001 2002 2003 2004 2005 2006 2007 2008 2009 2010
Source ONS, Architects’ Journal
UNEMPLOYMENT IN ARCHITECTURE
€36k
€24k
€0k1bn 2bn 3bn 4bn 5bn 6bn 7bn
€12k
€36k
€24k
€0k1bn 2bn 3bn 4bn 5bn 6bn 7bn
€12k
1%
CITE OUVRIERE, MULHOUSESource Wikipedia
HOUSING, KRAKOW (1968)Source Kamil Powalisz, Flickr
€36k
€24k
€0k1bn 2bn 3bn 4bn 5bn 6bn 7bn
€12k
1%
€36k
€24k
€0k1bn 2bn 3bn 4bn 5bn 6bn 7bn
€12k
100%
1
DON’T BUILD
CROWDED SCHOOL HALLWAYSSource Times Ledger
2
GO SMALL
What if cities can be made not only by the few with a lot, but also by the many with a bit
_ Alastair Parvin
€ € € € €€ € € €€ € € €=
3
GO AMATEUR
€36k
€24k
€0k1bn 2bn 3bn 4bn 5bn 6bn 7bn
€12k
€
ARCHITECTURE BY EVERYONE ELSESOCIAL ECONOMY
ARCHITECTURE BY ARCHITECTSMONETARY ECONOMY
3D PRINTERSource Airwolfd
CNC ROUTERSource Plastigage
We are moving to a future where the factory is everywhere, that also means that the design team is everyone
_ Alastair Parvin
WikiHouse v1.0Source Wikihouse
Liverpool buildingSource Wikipedia
Liverpool buildingSource Wikipedia
DESIGN TEAM
Favela, Rio de JaneroSource Pulsa Merica
Favela, Rio de JaneroSource Pulsa Merica
DESIGN TEAM
Wikihouse v3.0 LondonSource Dezeen
Eddie Stool / David & Joni SteinerSource Opendesk
Eddie Stool / David & Joni SteinerSource Opendesk
Open Desk / Ierodiaconou & SteinerSource Opendesk
If the 20th century was the democratisation of consumption,I believe that the designers’ great project is the democratisation of production
_ Alastair Parvin
OPEN FUNDING
2 /
Elam van Boxel & Kristian KoremanZUS [Zones Urbaines Sensibles]
Luchtsingel / ZUS + Hofbogen BVSource Archdaily
Luchtsingel / ZUS + Hofbogen BVSource Archdaily
3 months
Luchtsingel / ZUS + Hofbogen BVSource Archdaily
3 months130 persons
Luchtsingel / ZUS + Hofbogen BVSource Archdaily
3 months130 persons
€100,000
Luchtsingel / ZUS + Hofbogen BVSource Archdaily
Luchtsingel / ZUS + Hofbogen BVSource Archdaily
Luchtsingel / ZUS + Hofbogen BVSource Archdaily
Lee Coates, Jeffrey Franklin & Dong-Ping WongPlayLab & Family New York
$25 $199 $249
+ Pool Source Archdaily
4378 persons
4378 persons
$356,000
Alejandro AravenaElemental
100 families x 40 m² x $10,0000.5 ha
What if instead of thinking a 40 m² house as a small house,why don’t we consider it as half of a good one
_ Alejandro Aravena
80 m² 40 m²
80 m² 40 m²
80 m² 40 m²
Quita Monroy/ ELEMENTALSource Archdaily
Quita Monroy/ ELEMENTALSource Archdaily
Quita Monroy/ ELEMENTALSource Archdaily
Quita Monroy/ ELEMENTALSource Archdaily
OPEN COMMUNICATION
3 /
Maxime CuninArchitectural Engineer student
Outside a seduction relationship, results show that low quality computer model tend to constitute the best balance between the success of conveying an intent and the time commitment
_ Me
Ira WinderMedia Lab, MIT
The Fountainhead (1949)
City ScopeSource CityScope Project
City ScopeSource CityScope Project
City ScopeSource CityScope Project
City ScopeSource CityScope Project
City ScopeSource CityScope Project
City ScopeSource CityScope Project
City ScopeSource CityScope Project
MERCI !
MERCI !
Maxime Cunin
12 nov. 2014
Credits
Icons credits Jens Tarning, James Zamyslianskyj
and SuperAttic Labs via The Noun Project
Typeface Akkurat