odeon application note calibration of impulse response … · theory the diffuse field calibration...

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Application note – Diffuse Field Calibration 1 ODEON APPLICATION NOTE Calibration of Impulse Response Measurements Part 1 – Diffuse Field Method GK, CLC - November 2013 Scope In this application note we explain how to use the Diffuse-field calibration tool in ODEON in order to derive level-depending room acoustic parameters, such as Sound Strength (G) or STI. It should be emphasized that all other parameters provided by ODEON do not require calibration since they depend only on the shape of impulse response and the relative energy decay (see more about the measuring system and calibration in the ODEON 13 manual [1] ). The calibration in this application note was done using the Large Reverberation Chamber at the Technical University of Denmark. The volume of the chamber is 245 m 3 and provides a reverberation time of about 8 sec at low frequencies. Reflective panels are placed near the walls at various angles in order to distribute reflections evenly and enhance the diffusivity of the sound field. Even when another type of room is used for the calibration, a diffuse sound field should be achieved, utilizing some scattering surfaces or objects. A perfect, rectangular room with hard walls would lead to flutter echoes (visible at the impulse response) that would violate the assumptions of linear decay, taken for the diffuse-field calibration. Equipment A highly reverberant and diffuse field room is needed for the calibration. The ideal type of room is a reverberation chamber. If such is not available, a room with hard walls could be acceptable (eg. a big bathroom). However the chosen room should be as diffuse as possible meaning that highly symmetric shapes (eg. rectangular) must be avoided and some extra treatment might be required: placing of hard, scattering objects around the walls or the floor. It is a good practice to check always for the degree of linearity of the decay curve in each octave band through one of the XI parameters. If XI exceeds 10 o / oo this is an indication that the decay is strongly non-linear, because of flutter echo or due to impulsive noise during the measurement. You can read more about the XI parameter in the ODEON help file, which can be

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Page 1: ODEON APPLICATION NOTE Calibration of Impulse Response … · Theory The diffuse field calibration is explained in the ISO standard 3382-1, for performance spaces[2]. By definition

Application note – Diffuse Field Calibration

1

ODEON APPLICATION NOTE

Calibration of Impulse Response Measurements

Part 1 – Diffuse Field Method

GK, CLC - November 2013

Scope In this application note we explain how to use the Diffuse-field calibration tool in ODEON in order to

derive level-depending room acoustic parameters, such as Sound Strength (G) or STI. It should be

emphasized that all other parameters provided by ODEON do not require calibration since they depend

only on the shape of impulse response and the relative energy decay (see more about the measuring

system and calibration in the ODEON 13 manual[1]).

The calibration in this application note

was done using the Large Reverberation

Chamber at the Technical University of

Denmark. The volume of the chamber is

245 m3 and provides a reverberation

time of about 8 sec at low frequencies.

Reflective panels are placed near the

walls at various angles in order to

distribute reflections evenly and

enhance the diffusivity of the sound field.

Even when another type of room is used

for the calibration, a diffuse sound field

should be achieved, utilizing some

scattering surfaces or objects. A perfect,

rectangular room with hard walls would

lead to flutter echoes (visible at the

impulse response) that would violate the

assumptions of linear decay, taken for

the diffuse-field calibration.

Equipment A highly reverberant and diffuse field room is needed for the calibration. The ideal type of room is a

reverberation chamber. If such is not available, a room with hard walls could be acceptable (eg. a big

bathroom). However the chosen room should be as diffuse as possible meaning that highly symmetric

shapes (eg. rectangular) must be avoided and some extra treatment might be required: placing of hard,

scattering objects around the walls or the floor. It is a good practice to check always for the degree of

linearity of the decay curve in each octave band through one of the XI parameters. If XI exceeds 10 o/oo

this is an indication that the decay is strongly non-linear, because of flutter echo or due to impulsive noise

during the measurement. You can read more about the XI parameter in the ODEON help file, which can be

Page 2: ODEON APPLICATION NOTE Calibration of Impulse Response … · Theory The diffuse field calibration is explained in the ISO standard 3382-1, for performance spaces[2]. By definition

Application note – Diffuse Field Calibration

2

easily accessed by pressing F1 while working with the measuring system. Apart from this requirement, the

hardware needed for calibration is exactly the same as for the sweep-signal measurement:

1) An omni-directional loudspeaker. 2) An omni-directional microphone. 3) Amplifiers for the speaker (if not an active one is used) and microphone. 4) Audio interface. 5) Lap-top PC. 6) ODEON 12, any edition. 7) Ear protectors.

Theory The diffuse field calibration is explained in the ISO standard 3382-1, for performance spaces[2]. By

definition the sound strength 𝐺 of an omni-directional source, for a specific frequency, is given as the

logarithmic ratio of the sound energy (squared and integrated sound pressure) of the measured impulse

response to that of the impulse response measured in a free field at 10 m distance from the source:

𝐺 = 10log10

∫ 𝑝2(𝑡)𝑑𝑡∞

0

∫ 𝑝102 (𝑡)𝑑𝑡

0

dB (1)

or

𝐺 = 𝐿𝑝𝐸 − 𝐿𝑝𝐸,10 dB (2)

where 𝐿𝑝𝐸 = 10log10 [1

𝑇0∫

𝑝2 (𝑡)𝑑𝑡

𝑝02

0] and 𝐿𝑝𝐸,10 = 10log10 [

1

𝑇0∫

𝑝102 (𝑡)𝑑𝑡

𝑝02

0] is the sound pressure

exposure level of 𝑝(𝑡) and 𝑝10(𝑡) respectively.

The variables in these equations are as follows:

𝑝(𝑡): Instantaneous sound pressure of the impulse response at the receiver’s position. 𝑝10(𝑡): Instantaneous sound pressure of the impulse response at 10 meters distance from the source

in free field. 𝑝0: Reference sound pressure, 20μPa. 𝑇0: 1 sec.

The value of 𝐿𝑝𝐸,10 can be evaluated inside a reverberation chamber, using the diffuse field

approximation:

𝐿𝑝𝐸,10 = 10log10𝐴

𝑆0− 37 + 𝐿𝑝𝐸

𝑅𝑒𝑣𝐶ℎ dB (3)

Page 3: ODEON APPLICATION NOTE Calibration of Impulse Response … · Theory The diffuse field calibration is explained in the ISO standard 3382-1, for performance spaces[2]. By definition

Application note – Diffuse Field Calibration

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Where 𝐴 is the equivalent absorption area in the room that is calculated from the Sabine’s formula

(diffuse field assumption): 𝐴 = 0.16𝑉/𝑇, with 𝑉 being the volume (m2) and 𝑇 the reverberation time

(sec). In addition, 𝑆0 = 1 m2.

𝐿𝑝𝐸𝑅𝑒𝑣𝐶ℎ is the spatial- averaged sound pressure exposure level as measured in the reverberation chamber.

If we subtract both sides of the equation from the term 𝐿𝑝𝐸 we get:

𝐿𝑝𝐸 − 𝐿𝑝𝐸,10 = −10log10𝐴

𝑆0+ 37 + 𝐿𝑝𝐸 − 𝐿𝑝𝐸

𝑅𝑒𝑣𝐶ℎ dB

which is equivalent to

𝐺 = 37 − 10log10𝐴

𝑆0+ 𝐿𝑝𝐸 − 𝐿𝑝𝐸

𝑅𝑒𝑣𝐶ℎ dB (4)

So 𝐺 can be calculated just by knowing the relative sound pressure levels at the reverberation chamber

𝐿𝑝𝐸𝑅𝑒𝑣𝐶ℎ and the room under measurement, 𝐿𝑝𝐸. The term relative is used to emphasise that no absolute

sound pressure levels are needed. In other words, no calibration with a reference dB level is required,

since our equipment cannot replace the need of a calibrated sound level meter if absolute sound pressure

measurements are needed.

Equation (3) is derived under the assumption that the power level 𝐿𝑤 of an unknown source at a specific

frequency can be calculated from the measured average sound pressure level 𝐿𝑝𝐸𝑅𝑒𝑣𝐶ℎ inside a

reverberation chamber:

𝐿𝑤 = 𝐿𝑝𝐸𝑅𝑒𝑣𝐶ℎ − 6 + 10log10

𝐴

𝑆0 dB(re 10-12 Watt) (5)

The sound pressure level 10 meters away from this unknown source in free field conditions is calculated

according to the spherical spread law:

𝐿𝑝𝐸,10 = 𝐿𝑤 − 11 − 10log10(10𝑚)2

= 𝐿𝑤 − 31 dB (6)

Substituting equation (5) to (6) leads to equation (3). If the sound source had a known power level of 31

dB then the sound pressure level at 10 m would be 0 dB. By choosing the G- ISO 3382-1 spectrum in the

measurement setup (see next section) ODEON derives the sound pressure level for a receiver as if the

source was an omni-directional source of power level 31 dB/Octave band.

NOTE: ODEON does not display the 𝐺 value explicitly in measured or simulated results. It displays the SPL

(Sound Pressure Level) of a source. The value of SPL becomes equal to the value of 𝐺 only when an omni-

directional source type and a power of 31 dB/Octave band is selected in the Measurement Setup (for

measurements) or in the Point Source Editor (for simulations).

Page 4: ODEON APPLICATION NOTE Calibration of Impulse Response … · Theory The diffuse field calibration is explained in the ISO standard 3382-1, for performance spaces[2]. By definition

Application note – Diffuse Field Calibration

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Alternatively a Speech ISO 3382-3 spectrum can be chosen in the measurement setup. In this case ODEON

derives the sound pressure level as if the power spectrum of the source was equivalent to a human

speaker. For derivation of STI this type of source should be chosen.

Method Inside the reverberant room we specify a group of source-receiver positions. A good number is 2 source

and 3 receiver positions, giving 6 combinations[3]. We start ODEON 12 and then open the Options>Program

Setup>Measurement Setup window (Figure 1). In this window we should specify:

1) The type of sweep signal to be used - the default Exponential Sweep setting is recommended for calibration. 2) Audio devices – we should select the input (eg. microphone or line in) and output (speaker) devices used for the measurement. 3) Receiver model – keep the default 1 channel: Omni. 4) The source power spectrum can be specified there for used when loading the impulse response after measurement. For calibration of G the G- ISO 3382-1 spectrum should be chosen, while for STI calibration the Speech ISO 3382-3 spectrum should be used.

Once all connections have been fixed we can test the measuring signal by choosing Tools>Measure IR (Sinusoidal

Sweep) or by clicking on the button (Figure 2). A message like: “WARNING! Calibration file not consistent

with selected audio devices. No calibration applied” may be displayed at the bottom of the window but it

can be ignored at this phase. In this window the sweep length and the estimated length of the impulse

response can be adjusted. The longer is the sweep the higher is the suppression of the background noise

in the room. A 3 dB suppression is achieved for a doubling of the sweep length. The Play Test Signal button

plays the sweep signal without recording any measurement. The slider in the middle of the screen adjusts

the internal gain. Any other gain adjustments in the measuring equipment (windows mixer, audio

interface, amplifiers) belong to external gains.

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Application note – Diffuse Field Calibration

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Figure 1: In the measurement setup important settings, like input-output devices can be performed.

Adjusting the levels

The most important requirement for a calibrated measurement is that all external level/gain adjustments

must be set to fixed values during the calibration and the measurement. Only the internal gain can be

freely changed during the measurement, since ODEON itself compensates for the adjustment. So it is

crucial at this point to decide which should be the value of the external gains during the measurement in

order to drive the room with an adequate signal to noise ratio without overloading. When overloading

occurs ODEON automatically cancels the measurement.

Page 6: ODEON APPLICATION NOTE Calibration of Impulse Response … · Theory The diffuse field calibration is explained in the ISO standard 3382-1, for performance spaces[2]. By definition

Application note – Diffuse Field Calibration

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Figure 2: Details for the sweep signal can be set in the Measure Impulse Response window.

Figure 3: Levels and gains in the windows mixer are considered external adjustments and should remain fixed during calibration and measurements. A straightforward recommendation is to set all parameters at their maximum value.

Page 7: ODEON APPLICATION NOTE Calibration of Impulse Response … · Theory The diffuse field calibration is explained in the ISO standard 3382-1, for performance spaces[2]. By definition

Application note – Diffuse Field Calibration

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The most straightforward way for adjusting the external gains is to maximize all values: Windows volume

can be set to 100% and amplifier knobs can be turned to the maximum value (Figure 3). Then all settings

are easy to remember/replicate during the measurement). However, one should be careful not to

overload and damage the speaker! In addition the gain of the microphone should be set to a level where

the internal noise does not become very high.

Often the amplifiers used are rather powerful for the speakers used so that a much lower gain is sufficient.

The corresponding value must then be clearly noted down for reference. Apart from that, no extreme

sound power output is needed if the equipment is able to derive a sufficient signal to noise ratio (SPL/Noise

parameter inside ODEON) or decay range, in normal room conditions (with moderate ambient noise).

The Internal gain can be changed during the measurement but it should remain stable during the

calibration at a value of convenience. Again a straightforward choice is to place it at the maximum

possible value before leading to overloading or clipping. Then the value can be reduced in the room under

measurement as long as the signal to noise ratio is adequate.

Recording

After fixing the external level adjustments, recordings of impulse responses in the reverberant room can

be performed by clicking the Measure button in the Measure Impulse Response window. An introductory video on

how to obtain measurements in room can be found at [4]. The recordings are saved as .WAV files. Some

trial measurements should be performed initially by varying the internal gain until an adequate signal to

noise ratio is achieved. It can be desirable to make the measurement with the highest possible SNR,

achievable without overload, but this is not required. NOTE: Use ear protectors to prevent hearing

damage! An indication of the quality of the signal to noise ratio can be obtained by loading the recording

on the Load impulse response tool, (under the Tools menu) and checking whether there are any “*” characters

on the calculated room acoustic parameters. A “*” character means that ODEON was unable to derive the

corresponding value from the impulse response (eg. due to insufficient signal to noise ratio/ decay range).

An example of a successful impulse response in the reverberation chamber is given in Figure 4, where all

parameters have been derived. The sound strength parameter (𝐺 value) is denoted as SPL (dB) and is not

calibrated yet.

Deriving the Calibration File

Having a series of impulse responses in the room we can derive the calibration file to be used with the

actual measurement by clicking on Tools>Calibrate Measurements>Diffuse field>One step (requires fixed signal chain).. ODEON

asks for the volume of the reverberant room and then for the impulse responses. The files should be

selected all together using the SHIFT or CTRL key and opened at once. ODEON then derives the calibration

values for the eight octave bands between 63 Hz and 8000 Hz as an average from the different positions

(Figure 5) and asks for a name of the calibration file. The user is prompted to set the file as the active

calibration file in the Measurement Setup, which is going to be used with the measurements. It is possible to

change the calibration file used in the Measurement Setup in the Calibration File menu. However, if the input and

output devices are different from those used during the generation of the calibration file ODEON gives a

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Application note – Diffuse Field Calibration

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warning for device mismatch, meaning that all level depended parameters will not be calibrated. You can

now launch the Measurement Setup window to check whether the active calibration file is the correct one.

Figure 4: Room acoustic parameters from a healthy impulse response recording inside the reverberation chamber. A sufficient decay range for each octave band makes sure that all parameters are derived.

Calibrated Measurements

Measurements can be carried out with the Measure IR (Sinusoidal Sweep) tool or an external stimulus using the

active calibration file in the Measurement Setup. Calibration will be applied on the recorded .WAV files during

processing at the Load impulse response tool, (under the Tools menu). If there is a mismatch between the

input/output devices used for the calibration file and the ones used for the measurement, a warning is

displayed by ODEON and no calibration is applied.

In the ODEON measuring system the chain of calibration and measurement can be reversed: Someone

could measure first and calibrate the equipment afterwards as long as the external gains are fixed. When

the measurement is finished a calibration file can by assigned by clicking Tools>Measurement calibration>Assign

Calibration to Existing Measurements.

An example of calibrated measurement is shown in figure 6. The calibration file from figure 5 was used in

this case. The SPL values correspond to the sound strength of the source since, a G-ISO 3382-1 source

power spectrum has been chosen in the Measurement Setup, as shown in figure 1.

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Application note – Diffuse Field Calibration

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Figure 5: Six impulse responses and calibration values derived by ODEON.

Figure 6: SPL measurement calibrated with the calibration file derived in figure 5. These SPL values correspond to the sound strength G of the source, since a G-ISO 3382-1 sound power spectrum has been chosen in the Measurement Setup (see figure 1).

Page 10: ODEON APPLICATION NOTE Calibration of Impulse Response … · Theory The diffuse field calibration is explained in the ISO standard 3382-1, for performance spaces[2]. By definition

Application note – Diffuse Field Calibration

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Conclusion The note describes the steps required for a calibrated measurement of G and STI using a reverberation

(diffuse) room. Another way for calibration is utilizing an anechoic chamber – performing a so called free

field calibration. The sound field for both environments is considered to be fully known, as long as specific

assumptions hold (diffuse field and free field respectively). For this reason the sound power of an

unknown source can be specified from analytic expressions like eq.(5) and calibration of the equipment

towards a known source like G-ISO 3382-1 and Speech-ISO 3382-3 can be done.

The basic steps described in this note hold for a free-field calibration as well and the main difference is

the way the power of the unknown source is derived. For that matter, one could follow the same process

for such a calibration just by selecting Tools>Calibrate Measurements>Free field>One step (requires fixed signal chain).

References

1. C.L. Christensen & G. Koutsouris. ODEON Room Acoustics Software, manual, version 13, Odeon A/S, Denmark 2015 (http://www.odeon.dk/download/Version13/ODEONManual.pdf).

2. ISO standard 3382-1, Acoustics - Measurement of Room Acoustic Parameters – Part 1: Performance Places.

3. ISO standard 3382-2, Acoustics – Measurement of Room Acoustic Parameters – Part 2: Reverberation Time in Ordinary Rooms.

4. Claus Lynge Christensen. Impulse Response Measurements, ODEON video tutorials: http://www.odeon.dk/impulse-response-measurements.