O. Henry (1862-1910) was born William Sydney Porter in Greenboro, North Carolina. His father, Algernon Sidney Porter, was a physician. When William was three, his mother died, and he was raised by his parental grandmother and paternal aunt. William was an avid reader, but at the age of fifteen he left school, and then worked in a drug store and on a Texas ranch. He continued to Houston, where he had a number of jobs, including that of bank clerk. After moving in 1882 to Texas, he worked on a ranch in LaSalle County for two years. In 1887 he married Athol Estes Roach; they had one daughter and one son.

In 1894 Porter started a humorous weekly The Rolling Stone. It was at this time that he began heavy drinking. When the weekly failed, he joined the Houston Post as a reporter and columnist. In 1894 cash was found to have gone missing from the First National Bank in Austin, where Porter had worked as a bank teller. When he was called back to Austin to stand trial, Porter fled to Honduras to avoid trial. Little is known about Porter's stay in Central America. It is said, that he met one Al Jennings, and rambled in South America and Mexico on the proceeds

of Jenning's robbery. After hearing news that his wife was dying, he returned in 1897 to Austin. In 1897 he was convicted of embezzling money, although there has been much debate over his actual guilt. Porter entered in 1898 a penitentiary at Columbus, Ohio.

While in prison, Porter started to write short stories to earn money to support his daughter Margaret. His first work, 'Whistling Dick's Christmas Stocking' (1899), appeared in McClure's Magazine. The stories of adventure in the U.S. Southwest and in Central America gained an immediately success among readers. After doing three years of the five years sentence, Porter emerged from the prison in 1901 and changed his name to O. Henry. According to some sources, he acquired the pseudonym from a warder called Orrin Henry. It also could be an abbreviation of the name of a French pharmacist, Eteinne-Ossian Henry, found in the U.S. Dispensatory, a reference work Porter used when he was in the prison pharmacy.

O. Henry moved to New York City in 1902 and from December 1903 to January 1906 he wrote a story a week for the New York World, also publishing in other magazines. Henry's first collection, CABBAGES AND KINGS, appeared in 1904. The second, THE FOUR MILLION, was published two years later and included his well-known stories 'The Gift of the Magi' and 'The Furnished Room'. THE TRIMMED LAMP (1907) explored the lives of New Yorkers and included 'The Last Leaf' - the city itself Henry liked to call 'Bagdad-on the-Subway.' In one of his stories, 'One Dollar's Worth', O. Henry deals with the judicial system. Judge Derwent receives a letter from an ex-convict, in which the writer, 'Rattlesnake' threatens his daughter and the district attorney, Littlefield. A young Mexican, Rafael Ortiz, is accused of passing a counterfeit silver dollar, made principally of lead. Rafael's girl, Joya Treviñas, tells Littlefield that he is innocent - she was sick, and needed medicine, and that was the reason why Rafael used the dollar. Littlefield refuses to help, and Joya says that "it the life of the girl you love is ever in danger, remember Rafael Ortiz." When he drives out of the town with Nancy Derwent, they meet Mexico Sam, the writer of the letter. He starts to shoot them from distance with his rifle. Littlefield can't hurt him with his own gun which has only tiny pellets. Then he remembers Joya's words, and manages hit Mexico Sam, who falls from his horse dead as a rattlesnake. Next morning in the court he tells: "'I shot him,' said the district attorney, 'with Exhibit A of your counterfeiting case. Lucky thing for me - and somebody else - that it was as bad money as it was! It sliced up into slugs very nicely. Say, Kil, can't you go down to the jacals and find where that Mexican girl lives? Miss Derwent wants to know.'"

Henry's best known work is perhaps the much anthologized 'The Ransom of Red Chief' (see Howard Hawks and Nunnally Johnson), published in the collection Whirligigs in 1910. O. Henry's humorous, energetic style shows the influence of Mark Twain and Ambrose Bierce. The story tells about two kidnappers, who make off with the young son of a prominent man. They find out that the child is a real nuisance. In the end they agree to pay the boy's father to take him back. - "Sam," says Bill, "I suppose you'll think I'm a renegade. but I couldn't help it. I'm a grown person with masculine proclivities and habits of self-defense, but there is a time when all systems of egotism and predominance fail. The boy is gone. I sent him home. All is off. There was martyrs in old times," goes on Bill, "that suffered death rather than give up the particular graft they enjoyed. None of 'em ever was subjugated to such supernatural tortures as I have been. I tried to be faithful to our articles of depredation; but there came a limit."

HEART OF THE WEST (1907) presented western stories, of which 'The Last of the Troubadours' J. Frank Dobie named "the best range story in American fiction." 'The Caballero's Way' featured as a character the Cisco Kid. During his life time, O. Henry published 10 collections and over 600 short stories. His last years were shadowed by alcoholism, ill health, and financial problems. He was a fast writer, like the Russian Anton Checkhov (1860-1904), but drinking on average two quarts of whiskey daily, did not improve the quality of his work. In 1907 O. Henry married Sara Lindsay Coleman, also born in Greensboro. The marriage was not happy, and they separated a year later. O. Henry died of cirrhosis of the liver on June 5, 1910, in New York. Three more collections, SIXES AND SEVENS (1911), ROLLING STONES (1912) and WAIFS AND STRAYS (1917), appeared posthumously. In 1918 the O. Henry Memorial Awards were established to be given annually to the best magazine stories, the winners and leading contenders to be published in an annual volume.

Tommy's Burglar AT TEN o'clock P. M. Felicia, the maid, left by the basement door with the policeman to get a raspberry phosphate around the corner. She detested the police- man and objected earnestly to the arrangement. She pointed out, not unreasonably, that she might have been allowed to fall asleep over one of St. George Rathbone's novels on the third floor, but she was overruled. Rasp- berries and cops were not created for nothing.

The burglar got into the house without much difficulty; because we must have action and not too much descrip- tion in a 2,000-word story.

In the dining room he opened the slide of his dark lantern. With a brace and centrebit he began to bore into the lock of the silver-closet.

Suddenly a click was heard. The room was flooded with electric light. The dark velvet portières parted to admit a fair-haired boy of eight in pink pajamas, bearing a bottle of olive oil in his hand.

"Are you a burglar?" he asked, in a sweet, childish voice.

"Listen to that," exclaimed the man, in a hoarse voice. "Am I a burglar? Wot do you suppose I have a three- days' growth of bristly bread on my face for, and a cap with flaps? Give me the oil, quick, and let me grease the bit, so I won't wake up your mamma, who is lying down with a headache, and left you in charge of Felicia. who has been faithless to her trust."

"Oh, dear," said Tommy, with a sigh. "I thought you would be more up-to-date. This oil is for the salad when I bring lunch from the pantry for you. And mamma and papa have gone to the Metropolitan to hear De Reszke. But that isn't my fault. It only shows how long the story has been knocking around among the editors. If the author had been wise he'd have changed it to Caruso in the proofs."

"Be quiet," hissed the burglar, under his breath. "If you raise an alarm I'll wring your neck like a rabbit's."

"Like a chicken's," corrected Tommy. "You had that wrong. You don't wring rabbits' necks."

"Aren't you afraid of me?" asked the burglar.

"You know I'm not," answered Tommy. "Don't you suppose I know fact from fiction. If this wasn't a story I'd yell like an Indian when I saw you; and you'd probably tumble downstairs and get pinched on the sidewalk."

"I see," said the burglar, "that you're on to your job. Go on with the performance."

Tommy seated himself in an armchair and drew his toes up under him.

"Why do you go around robbing strangers, Mr. Burg- lar? Have you no friends?"

"I see what you're driving at," said the burglar, with a dark frown. "It's the same old story. Your innocence and childish insouciance is going to lead me back into an honest life. Every time I crack a crib where there's a kid around, it happens."

"Would you mind gazing with wolfish eyes at the plate of cold beef that the butler has left on the dining table?" said Tommy. "I'm afraid it's growing late."

The burglar accommodated.

"Poor man," said Tommy. "You must be hungry. If you will please stand in a listless attitude I will get you something to eat."

The boy brought a roast chicken, a jar of marmalade and a bottle of wine from the pantry. The burglar seized a knife and fork sullenly.

"It's only been an hour," he grumbled, "since I had a lobster and a pint of musty ale up on Broadway. I wish these story writers would let a fellow have a pepsin tablet, anyhow, between feeds."

"My papa writes books," remarked Tommy.

The burglar jumped to his feet quickly.

"You said he had gone to the opera," he hissed, hoarsely and with immediate suspicion.

"I ought to have explained," said Tommy. "He didn't buy the tickets." The burglar sat again and toyed with the wishbone.

"Why do you burgle houses?" asked the boy, wonderingly.

"Because," replied the burglar, with a sudden flow of tears. "God bless my little brown-baired boy Bessie at home."

"Ah," said Tommy, wrinkling his nose, "you got that answer in the wrong place. You want to tell your hard- luck story before you pull out the child stop."

"Oh, yes," said the burglar, "I forgot. Well, once I lived in Milwaukee, and -- "

"Take the silver," said Tommy, rising from his chair.

"Hold on," said the burglar. "But I moved away." I could find no other employment. For a while I man- aged to support my wife and child by passing confederate money; but, alas! I was forced to give that up because it did not belong to the union. I became desperate and a burglar."

"Have you ever fallen into the hands of the police?" asked Tommy.

"I said 'burglar,' not 'beggar,'" answered the cracksman.

"After you finish your lunch," said Tommy, "and experience the usual change Of heart, how shall we wind up the story?"

"Suppose," said the burglar, thoughtfully, "that Tony Pastor turns out earlier than usual to-night, and your father gets in from 'Parsifal' at 10.30. I am thoroughly repentant because you have made me think of my own little boy Bessie, and -- "

"Say," said Tommy, "haven't you got that wrong?"

"Not on your coloured crayon drawings by B. Cory Kilvert," said the burglar. "It's always a Bessie that I have at home, artlessly prattling to the pale-checked burglar's bride. As I was saying, your father opens the front door just as I am departing with admonitions and sandwiches that you have wrapped up for me. Upon recognizing me as an old Harvard classmate he starts back in -- "

"Not in surprise?" interrupted Tommy, with wide, open eyes.

"He starts back in the doorway," continued the burglar. And then he rose to his feet and began to shout "Rah, rah, rah! rah, rah, rah! rah, rah, rah!"

"Well," said Tommy, wonderingly, "that's, the first time I ever knew a burglar to give a college yell when he was burglarizing a house, even in a story."

"That's one on you," said the burglar, with a laugh. "I was practising the dramatization. If this is put on the stage that college touch is about the only thing that will make it go."

Tommy looked his admiration.

"You're on, all right," he said.

"And there's another mistalze you've made," said the burglar. "You should have gone some time ago and brought me the $9 gold piece your mother gave you on your birthday to take to Bessie."

"But she didn't give it to me to take to Bessie," said Tommy, pouting.

"Come, come!" said the burglar, sternly. "It's not nice of you to take advantage because the story contains an ambiguous sentence. You know what I mean. It's mighty little I get out of these fictional jobs, anyhow. I lose all the loot, and I have to reform every time; and all the swag I'm allowed is the blamed little fol-de-rols and luck-pieces that you kids hand over. Why, in one story, all I got was a kiss from a little girl who came in on me when I was opening a safe. And it tasted of molasses candy, too. I've a good notion to tie this table cover over your head and keep on into the silver-closet."

"Oh, no, you haven't," said Tommy, wrapping his arms around his knees. "Because if you did no editor would buy the story. You know you've got to preserve the unities."

"So've you," said the burglar, rather glumly. "Instead of sitting here talking impudence and taking the bread out of a poor man's mouth, what you'd like to be doing is hiding under the bed and screeching at the top of your voice."

"You're right, old man," said Tommy, heartily. "I wonder what they make us do it for? I think the S. P. C. C. ought to interfere. I'm sure it's neither agreeable nor usual for a kid of my age to butt in when a full-grown burglar is at work and offer him a red sled and a pair of skates not to awaken his sick mother. And look how they make the burglars act! You'd think editors would know -- but what's the use?"

The burglar wiped his hands on the tablecloth and arose with a yawn.

"Well, let's get through with it," he said. "God bless you, my little boy! you have saved a man from committing a crime this night. Bessie shall pray for you as soon as I get home and give her her orders. I shall never burglarize another house -- at least not until the June magazines are out. It'll be your little sister's turn then to run in on me while I am abstracting the U. S. 4 per cent. from the tea urn and buy me off with her coral necklace and a falsetto kiss."

"You haven't got all the kicks coming to you," sighed Tommy, crawling out of his chair. "Think of the sleep I'm losing. But it's tough on both of us, old man. I wish you could get out of the story and really rob somebody. Maybe you'll have the chance if they dramatize us."

"Never!" said the burglar, gloomily. "Between the box office and my better impulses that your leading juven- iles are supposed to awaken and the magazines that pay on publication, I guess I'll always be broke."

"I'm sorry," said Tommy, sympathetically. "But I can't help myself any more than you can. It's one of the canons of household fiction that no burglar shall be suc- cessful. The burglar must be foiled by a kid like me, or- by a young lady heroine, or at the last moment by his old pal, Red Mike, who recognizes the house as one in which he used to be the coachman. You have got the worst end of it in any kind of a story."

"Well, I suppose I must be clearing out now," said the burglar, taking up his lantern and bracebit.

"You have to take the rest of this chicken and the bottle of wine with you for Bessie and her mother," said Tommy, calmly.

"But confound it," exclaimed the burglar, in an annoyed tone, "they don't want it. I've got five cases of Chateau de Beychsvelle at home that was bottled in 1853. That claret of yours is corked. And you couldn't get either of them to look at a chicken unless it was stewed in champagne. You know, after I get out of the story I don't have so many limitations. I make a turn now and then."

"Yes, but you must take them," said Tommy, loading his arms with the bundles.

"Bless you, young master!" recited the burglar, obedient. "Second-Story Saul will never forget you. And now hurry and let me out, kid. Our 2,000 words must be nearly up."

Tommy led the way through the hall toward the front door. Suddenly the burglar stopped and called to him softly: "Ain't there a cop out there in front somewhere sparking the girl?"

"Yes," said Tommy, "but what -- "

"I'm afraid he'll catch me," said the burglar. "You mustn't forget that this is fiction."

"Great head!" said Tommy, turning. "Come out by the back door."

To Him Who Waits The Hermit of the Hudson was hustling about his cave with unusual animation.

The cave was on or in the top of a little spur of the Catskills that had strayed down to the river's edge, and, not having a ferry ticket, had to stop there. The bijou mountains were densely wooded and were infested by ferocious squirrels and woodpeckers that forever menaced the summer transients. Like a badly sewn strip of white braid, a macadamized road ran between the green skirt of the hills and the foamy lace of the river's edge. A dim path wound from the comfortable road up a rocky height to the hermit's cave. One mile upstream was the Viewpoint Inn, to which summer folk from the city came; leaving cool, electric-fanned apartments that they might be driven about in burning sunshine, shrieking, in gasoline launches, by spindle-legged Modreds bearing the blankest of shields.

Train your lorgnette upon the hermit and let your eye receive the personal touch that shall endear you to the hero.

A man of forty, judging him fairly, with long hair curling at the ends, dramatic eyes, and a forked brown beard like those that were imposed upon the West some years ago by self-appointed "divine healers" who succeeded the grasshopper crop. His outward vesture appeared to be kind of gunny-sacking cut and made into a garment that would have made the fortune of a London tailor. His long, well-shaped fingers, delicate nose, and poise of manner raised him high above the class of hermits who fear water and bury money in oyster-cans in their caves in spots indicated by rude crosses chipped in the stone wall above.

The hermit's home was not altogether a cave. The cave was an addition to the hermitage, which was a rude hut made of poles daubed with clay and covered with the best quality of rust-proof zinc roofing.

In the house proper there were stone slabs for seats, a rustic bookcase made of unplaned poplar planks, and a table formed of a wooden slab laid across two upright pieces of granite--something between the furniture of a Druid temple and that of a Broadway beefsteak dungeon. Hung against the walls were skins of wild animals purchased in the vicinity of Eighth Street and University Place, New York.

The rear of the cabin merged into the cave. There the hermit cooked his meals on a rude stone hearth. With infinite patience and an old axe he had chopped natural shelves in the rocky walls. On them stood his stores of flour, bacon, lard, talcum-powder, kerosene, baking- powder, soda-mint tablets, pepper, salt, and Olivo-Cremo Emulsion for chaps and roughness of the hands and face.

The hermit had hermited there for ten years. He was an asset of the Viewpoint Inn. To its guests he was second in interest only to the Mysterious Echo in the Haunted Glen. And the Lover's Leap beat him only a few inches, flat-footed. He was known far (but not very wide, on account of the topography) as a. scholar of brilliant intellect who had forsworn the world because he had been jilted in a love affair. Every Saturday night the Viewpoint Inn sent to him surreptitiously a basket of provisions. He never left the

immediate outskirts of his hermitage. Guests of the inn who visited him said his store of knowledge, wit, and scintillating philosophy were simply wonderful, you know.

That summer the Viewpoint Inn was crowded with guests. So, on Saturday nights, there were extra cans of tomatoes, and sirloin steak, instead of "rounds," in the hermit's basket.

Now you have the material allegations in the case. So, make way for Romance.

Evidently the hermit expected a visitor. He carefully combed his long hair and parted his apostolic beard. When the ninety-eight-cent alarm-clock on a stone shelf announced the hour of five he picked up his gunny-sacking skirts, brushed them carefully, gathered an oaken staff, and strolled slowly into the thick woods that surrounded the hermitage.

He had not long to wait. Up the faint pathway, slippery with its carpet of pine-needles, toiled Beatrix, youngest and fairest of the famous Trenholme sisters. She was all in blue from hat to canvas pumps, varying in tint from the shade of the tinkle of a bluebell at daybreak on a spring Saturday to the deep hue of a Monday morning at nine when the washer-woman has failed to show up.

Beatrix dug her cerulean parasol deep into the pine-needles and sighed. The hermit, on the q. t., removed a grass burr from the ankle of one sandalled foot with the big toe of his other one.

She blued--and almost starched and ironed him--with her cobalt eyes.

"It must be so nice," she said in little, tremulous gasps, "to be a hermit, and have ladies climb mountains to talk to you."

The hermit folded his arms and leaned against a tree. Beatrix, with a sigh, settled down upon the mat of pine-needles like a bluebird upon her nest. The hermit followed suit; drawing his feet rather awkwardly under his gunny-sacking.

"It must be nice to be a mountain," said he, with ponderous lightness, "and have angels in blue climb up you instead of flying over you."

"Mamma had neuralgia," said Beatrix, "and went to bed, or I couldn't have come. It's dreadfully hot at that horrid old inn. But we hadn't the money to go anywhere else this summer."

"Last night," said the hermit, "I climbed to the top of that big rock above us. I could see the lights of the inn and hear a strain or two of the music when the wind was right. I imagined you moving gracefully in the arms of others to the dreamy music of the waltz amid the fragrance of flowers. Think how lonely I must have been!"

The youngest, handsomest, and poorest of the famous Trenholme sisters sighed.

"You haven't quite hit it," she said, plaintively. "I was moving gracefully at the arms of another. Mamma had one of her periodical attacks of rheumatism in both elbows and shoulders, and I had to rub them for an hour with that horrid old liniment. I hope you didn't think that smelled like flowers. You know, there were some West Point boys and a yachtload of young men from the city at last evening's weekly dance. I've known mamma to sit by an open window for three hours with one-half of her registering 85 degrees and the other half frostbitten, and never sneeze once. But just let a bunch of ineligibles come around where I am, and she'll begin to swell at the knuckles and shriek with pain. And I have to take her to her room and rub her arms. To see mamma dressed you'd be surprised to know the number of square inches of surface there are to her arms. I think it must be delightful to be a hermit. That--cassock-- gabardine, isn't it?--that you wear is so becoming. Do you make it--or them--of course you must have changes- yourself? And what a blessed relief it must be to wear sandals instead of shoes! Think how we must suffer--no matter how small I buy my shoes they always pinch my toes. Oh, why can't there be lady hermits, too!"

The beautifulest and most adolescent Trenholme sister extended two slender blue ankles that ended in two enormous blue-silk bows that almost concealed two fairy Oxfords, also of one of the forty-seven shades of blue. The hermit, as if impelled by a kind of reflex- telepathic action, drew his bare toes farther beneath his gunny- sacking.

"I have heard about the romance of your life," said Miss Trenholme, softly. "They have it printed on the back of the menu card at the inn. Was she very beautiful and charming?"

"On the bills of fare!" muttered the hermit; "but what do I care for the world's babble? Yes, she was of the highest and grandest type. Then," he continued, "then I thought the world could never contain another equal to her. So I forsook it and repaired to this mountain fastness to spend the remainder of my life alone--to devote and dedicate my remaining years to her memory."

"It's grand," said Miss Trenholme, "absolutely grand. I think a hermit's life is the ideal one. No bill-collectors calling, no dressing for dinner--how I'd like to be one! But there's no such luck for me. If I don't marry this season I honestly believe mamma will force me into settlement work or trimming hats. It isn't because I'm getting old or ugly; but we haven't enough money left to butt in at any of the swell places any more. And I don't want to marry--unless it's somebody I like. That's why I'd like to be a hermit. Hermits don't ever marry, do they ?"

"Hundreds of 'em," said the hermit, "when they've found the right one."

"But they're hermits," said the youngest and beautifulest, "because they've lost the right one, aren't they?"

"Because they think they have," answered the recluse, fatuously. "Wisdom comes to one in a mountain cave as well as to one in the world of 'swells,' as I believe they are called in the argot."

"When one of the 'swells' brings it to them," said Miss Trenholme. "And my folks are swells. That's the trouble. But there are so many swells at the seashore in the summer-time that we hardly amount to more than ripples. So we've had to put all our money into river and harbor appropriations. We were all girls, you know. There were four of us. I'm the only surviving one. The others have been married off. All to money. Mamma is so proud of my sisters. They send her the loveliest pen-wipers and art calendars every Christmas. I'm the only one on the market now. I'm forbidden to look at any one who hasn't money."

"But--" began the hermit.

"But, oh," said the beautifulest "of course hermits have great pots of gold and doubloons buried somewhere near three great oak-trees. They all have."

"I have not," said the hermit, regretfully.

"I'm so sorry," said Miss Trenholme. "I always thought they had. I think I must go now."

Oh, beyond question, she was the beautifulest.

"Fair lady--" began the hermit.

"I am Beatrix Trenholme--some call me Trix," she said. "You must come to the inn to see me."

"I haven't been a stone's--throw from my cave in ten years," said the hermit.

"You must come to see me there," she repeated. "Any evening except Thursday."

The hermit smiled weakly.

"Good-bye," she said, gathering the folds of her pale-blue skirt. "I shall expect you. But not on Thursday evening, remember."

What an interest it would give to the future menu cards of the Viewpoint Inn to have these printed lines added to them: "Only once during the more than ten years of his lonely existence did the mountain hermit leave his famous cave. That was when he was irresistibly drawn to the inn by the fascinations of Miss Beatrix Trenholme, youngest and most beautiful of the celebrated Trenholme sisters, whose brilliant marriage to--"

Aye, to whom?

The hermit walked back to the hermitage. At the door stood Bob Binkley, his old friend and companion of the days before he had renounced the world--Bob, himself, arrayed like the orchids of the greenhouse in the summer man's polychromatic garb--Bob, the

millionaire, with his fat, firm, smooth, shrewd face, his diamond rings, sparkling fob-chain, and pleated bosom. He was two years older than the hermit, and looked five years younger.

"You're Hamp Ellison, in spite of those whiskers and that going-away bathrobe," he shouted. "I read about you on the bill of fare at the inn. They've run your biography in between the cheese and 'Not Responsible for Coats and Umbrellas.' What 'd you do it for, Hamp? And ten years, too--geewhilikins!"

"You're just the same," said the hermit. "Come in and sit down. Sit on that limestone rock over there; it's softer than the granite."

"I can't understand it, old man," said Binkley. "I can see how you could give up a woman for ten years, but not ten years for a woman. Of course I know why you did it. Everybody does. Edith Carr. She jilted four or five besides you. But you were the only one who took to a hole in the ground. The others had recourse to whiskey, the Klondike, politics, and that similia similibus cure. But, say--Hamp, Edith Carr was just about the finest woman in the world--high-toned and proud and noble, and playing her ideals to win at all kinds of odds. She certainly was a crackerjack."

"After I renounced the world," said the hermit, "I never heard of her again."

"She married me," said Binkley.

The hermit leaned against the wooden walls of his ante-cave and wriggled his toes.

"I know how you feel about it," said Binkley. "What else could she do? There were her four sisters and her mother and old man Carr--you remember how he put all the money he had into dirigible balloons? Well, everything was coming down and nothing going up with 'em, as you might say. Well, I know Edith as well as you do--although I married her. I was worth a million then, but I've run it up since to between five and six. It wasn't me she wanted as much as--well, it was about like this. She had that bunch on her hands, and they had to be taken care of. Edith married me two months after you did the ground-squirrel act. I thought she liked me, too, at the time."

"And now?" inquired the recluse.

"We're better friends than ever now. She got a divorce from me two years ago. Just incompatibility. I didn't put in any defence. Well, well, well, Hamp, this is certainly a funny dugout you've built here. But you always were a hero of fiction. Seems like you'd have been the very one to strike Edith's fancy. Maybe you did--but it's the bank - roll that catches 'em, my boy--your caves and whiskers won't do it. Honestly, Hamp, don't you think you've been a darned fool?"

The hermit smiled behind his tangled beard. He was and always had been so superior to the crude and mercenary Binkley that even his vulgarities could not anger him. Moreover, his studies and meditations in his retreat had raised him far above the little vanities of the world. His little mountain-side had been almost an Olympus, over the edge of which he saw, smiling, the bolts hurled in the valleys of man below. Had his ten years of renunciation, of thought, of devotion to an ideal, of living scorn of a sordid world, been in vain? Up from the world had come to him the youngest and beautifulest--fairer than Edith--one and three-seventh times lovelier than the seven-years-served Rachel. So the hermit smiled in his beard.

When Binkley had relieved the hermitage from the blot of his presence and the first faint star showed above the pines, the hermit got the can of baking-powder from his cupboard. He still smiled behind his beard.

There was a slight rustle in the doorway. There stood Edith Carr, with all the added beauty and stateliness and noble bearing that ten years had brought her.

She was never one to chatter. She looked at the hermit with her large, thinking, dark eyes. The hermit stood still, surprised into a pose as motionless as her own. Only his subconscious sense of the fitness of things caused him to turn the baking-powder can slowly in his hands until its red label was hidden against his bosom.

"I am stopping at the inn," said Edith, in low but clear tones. "I heard of you there. I told myself that I must see you. I want to ask your forgiveness. I sold my happiness for money. There were others to be provided for--but that does not excuse me. I just wanted to see you and ask your forgiveness. You have lived here ten years, they tell me, cherishing my memory! I was blind, Hampton. I could not see then that all the money in the world cannot weigh in the scales against a faithful heart. If--but it is too late now, of course."

Her assertion was a question clothed as best it could be in a loving woman's pride. But through the thin disguise the hermit saw easily that his lady had come back to him--if he chose. He had won a golden crown--if it pleased him to take it. The reward of his decade of faithfulness was ready for his hand--if he desired to stretch it forth.

For the space of one minute the old enchantment shone upon him with a reflected radiance. And then by turns he felt the manly sensations of indignation at having been discarded, and of repugnance at having been--as it were--sought again. And last of all--how strange that it should have come at last!--the pale-blue vision of the beautifulest of the Trenholme sisters illuminated his mind's eye and left him without a waver.

"It is too late," he said, in deep tones, pressing the baking-powder can against his heart.

Once she turned after she had gone slowly twenty yards down the path. The hermit had begun to twist the lid off his can, but he hid it again under his sacking robe. He could see her great eyes shining sadly through the twilight; but he stood inflexible in the doorway of his shack and made no sign.

Just as the moon rose on Thursday evening the hermit was seized by the world-madness.

Up from the inn, fainter than the horns of elf-land, came now and then a few bars of music played by the casino band. The Hudson was broadened by the night into an illimitable sea--those lights, dimly seen on its opposite shore, were not beacons for prosaic trolley- lines, but low-set stars millions of miles away. The waters in front of the inn were gay with fireflies--or were they motor-boats, smelling of gasoline and oil? Once the hermit had known these things and had sported with Amaryllis in the shade of the red-and-white-striped awnings. But for ten years he had turned a heedless ear to these far- off echoes of a frivolous world. But to-night there was something wrong.

The casino band was playing a waltz--a waltz. What a fool he had been to tear deliberately ten years of his life from the calendar of existence for one who had given him up for the false joys that wealth- -"tum ti tum ti tum ti"--how did that waltz go? But those years had not been sacrificed--had they not brought him the star and pearl of all the world, the youngest and beautifulest of--

"But do not come on Thursday evening," she had insisted. Perhaps by now she would be moving slowly and gracefully to the strains of that waltz, held closely by West-Pointers or city commuters, while he, who had read in her eyes things that had recompensed him for ten lost years of life, moped like some wild animal in its mountain den. Why should--"

"Damn it," said the hermit, suddenly, "I'll do it!"

He threw down his Marcus Aurelius and threw off his gunny-sack toga. he dragged a dust-covered trunk from a corner of the cave, and with difficulty wrenched open its lid.

Candles he had in plenty, and the cave was soon aglow. Clothes--ten years old in cut--scissors, razors, hats, shoes, all his discarded attire and belongings, were dragged ruthlessly from their renunciatory rest and strewn about in painful disorder.

A pair of scissors soon reduced his beard sufficiently for the dulled razors to perform approximately their office. Cutting his own hair was beyond the hermit's skill. So he only combed and brushed it backward as smoothly as he could. Charity forbids us to consider the heartburnings and exertions of one so long removed from haberdashery and society.

At the last the hermit went to an inner corner of his cave and began to dig in the soft earth with a long iron spoon. Out of the cavity he thus made he drew a tin can, and out of the can three thousand dollars in bills, tightly rolled and wrapped in oiled silk. He was a real hermit, as this may assure you.

You may take a brief look at him as he hastens down the little mountain-side. A long, wrinkled black frock-coat reached to his calves. White duck trousers, unacquainted with the tailor's goose, a pink shirt, white standing collar with brilliant blue butterfly tie, and buttoned congress gaiters. But think, sir and madam--ten years! >From beneath a narrow-brimmed straw hat with a striped band flowed his hair. Seeing him, with all your shrewdness you could not have guessed him. You would have said that he played Hamlet--or the tuba--or pinochle--you would never have laid your hand on your heart and said: "He is a hermit who lived ten years in a cave for love of one lady--to win another."

The dancing pavilion extended above the waters of the river. Gay lanterns and frosted electric globes shed a soft glamour within it. A hundred ladies and gentlemen from the inn and summer cottages flitted in and about it. To the left of the dusty roadway down

which the hermit had tramped were the inn and grill-room. Something seemed to be on there, too. The windows were brilliantly lighted, and music was playing--music different from the two-steps and waltzes of the casino band.

A negro man wearing a white jacket came through the iron gate, with its immense granite posts and wrought-iron lamp-holders.

"What is going on here to-night?" asked the hermit.

"Well, sah," said the servitor, "dey is having de reg'lar Thursday- evenin' dance in de casino. And in de grill-room dere's a beefsteak dinner, sah."

The hermit glanced up at the inn on the hillside whence burst suddenly a triumphant strain of splendid harmony.

"And up there," said he, "they are playing Mendelssohn--what is going on up there?"

"Up in de inn," said the dusky one, "dey is a weddin' goin' on. Mr. Binkley, a mighty rich man, am marryin' Miss Trenholme, sah--de young lady who am quite de belle of de place, sah."

Thimble, Thimble These are the directions for finding the I office of Carteret & Carteret, Mill Supplies and Leather Belting:

You follow the Broadway trail down until you pass the Crosstown Line, the Bread Line, and the Dead Line, and come to the Big Canons of the Moneygrubber Tribe. Then you turn to the left, to the right, dodge a push-cart and the tongue of a two-ton, four-horse dray and hop, skip, and jump to a granite ledge on the side of a twenty-one-story synthetic mountain of stone and iron. In the twelfth story is the office of Carteret & Carteret. The factory where they make the mill supplies and leather belting is in Brooklyn. Those commodities--to say nothing of Brooklyn--not being of interest to you, let us hold the incidents within the confines of a one-act, one-scene play, thereby lessening the toil of the reader and the expenditure of the publisher. So, if you have the courage to face four pages of type and Carteret & Carteret's office boy, Percival, you shall sit on a varnished chair in the inner office and peep at the little comedy of the Old Nigger Man, the Hunting-Case Watch, and the Open-Faced Question--mostly borrowed from the late Mr. Frank Stockton, as you will conclude.

First, biography (but pared to the quick) must intervene. I am for the inverted sugar-coated quinine pill--the bitter on the outside.

The Carterets were, or was (Columbia College professors please rule), an old Virginia family. Long time ago the gentlemen of the family had worn lace ruffles and carried tinless foils and owned plantations and had slaves to burn. But the war had greatly reduced their holdings. (Of course you can perceive at once that this flavor has been shoplifted from Mr. F. Hopkinson Smith, in spite of the "et" after "Carter.") Well, anyhow:

In digging up the Carteret history I shall not take you farther back than the year 1620. The two original American Carterets came over in that year, but by different means of transportation. One brother, named John, came in the Mayflower and became a Pilgrim Father. You've seen his picture on the covers of the Thanksgiving magazines, hunting turkeys in the deep snow with a blunderbuss. Blandford Carteret, the other brother, crossed the pond in his own brigantine, landed on the Virginia coast, and became an F.F.V. John became distinguished for piety and shrewdness in business; Blandford for his pride, juleps; marksmanship, and vast slave-cultivated plantations.

Then came the Civil War. (I must condense this historical interpolation.) Stonewall Jackson was shot; Lee surrendered; Grant toured the world; cotton went to nine cents; Old Crow whiskey and Jim Crow cars were invented; the Seventy-ninth Massachusetts Volunteers returned to the Ninety-seventh Alabama Zouaves the battle flag of Lundy's Lane which they bought at a second-hand store in Chelsea kept by a man named Skzchnzski; Georgia sent the President a sixty-pound watermelon--and that brings us up to the time when the story begins. My! but that was sparring for an opening! I really must brush op on my Aristotle.

The Yankee Carterets went into business in New York long before the war. Their house, as far as Leather Belting and Mill Supplies was concerned, was as musty and arrogant and solid as one of those old East India tea-importing concerns that you read about in Dickens. There were some rumors of a war behind its counters, but not enough to affect the business.

During and after the war, Blandford Carteret, F.F.V., lost his plantations, juleps, marksmanship, and life. He bequeathed little more than his pride to his surviving family. So it came to pass that Blandford Carteret, the Fifth, aged fifteen, was invited by the leather-and-millsupplies branch of that name to come North and learn business instead of hunting foxes and boasting of the glory of his fathers on the reduced acres of his impoverished family. The boy jumped at the chance; and, at the age of twenty-five, sat in the office of the firm equal partner with John, the Fifth, of the blunderbuss-and-turkey branch. Here the story begins again.

The young men were about the same age, smooth of face, alert, easy of manner, and with an air that promised mental and physical quickness. They were razored, blue-serged, straw-hatted, and pearl stick-pinned like other young New Yorkers who might be millionaires or bill clerks.

One afternoon at four o'clock, in the private office of the firm, Blandford Carteret opened a letter that a clerk had just brought to his desk. After reading it, he chuckled audibly for nearly a minute. John looked around from his desk inquiringly.

"It's from mother," said Blandford. "I'll read you the funny part of it. She tells me all the neighborhood news first, of course, and then cautions me against getting my feet wet and musical comedies. After that come some vital statistics about calves and pigs and an estimate of the wheat crop. And now I'll quote some:

"'And what do you think! Old Uncle Jake, who was seventy-six last Wednesday, must go travelling. Nothing would do but he must go to New York and see his "young Marster Blandford." Old as he is, he has a deal of common sense, so I've let him go. I couldn't refuse him--he seemed to have concentrated all his hopes and desires into this one adventure into the wide world. You know he was born on the plantation, and has never been ten miles away from it in his life. And he was your father's body servant during the war, and has been always a faithful vassal and servant of the family. He has often seen the gold watch--the watch that was your father's and your father's father's. I told him it was to be yours, And he begged me to allow him to take it to you and to put it into your hands himself.

"'So he has it, carefully inclosed in a buck-skin case, and is bringing it to you with all the pride and importance of a king's messenger. I gave him money for the round trip and for a two weeks' stay in the city. I wish you would see to it that he gets comfortable quarters--Jake won't need much looking after--he's able to take care of himself. But I have read in the papers that African bishops and colored potentates generally have much trouble in obtaining food and lodging in the Yankee metropolis. That may be all right; but I don't see why the best hotel there shouldn't take Jake in. Still, I suppose it's a rule.

"'I gave him full directions about finding you, and packed his valise myself. You won't have to bother with him; but I do hope you'll see that he is made comfortable. Take the watch that he brings you--it's almost a decoration. It has been worn by true Carterets, and there isn't a stain upon it nor a false movement of the wheels. Bringing it to you is the crowning joy of old Jake's life. I wanted him to have that little outing and that happiness before it is too late. You have often heard us talk about how Jake, pretty badly wounded himself, crawled through the reddened grass at Chancellorsville to where your father lay with the bullet in his dear heart, and took the watch from his pocket to keep it from the "Yanks."

"'So, my son, when the old man comes consider him as a frail but worthy messenger from the old-time life and home.

"'You have been so long away from home and so long among the people that we have always regarded as aliens that I'm not sure that Jake will know you when he sees you. But Jake has a keen perception, and I rather believe that he will know a Virginia Carteret at sight. I can't conceive that even ten years in Yankee-land could change a boy of mine. Anyhow, I'm sure you will know Jake. I put eighteen collars in his valise. If he should have to buy others, he wears a number 15 1/2. Please see that he gets the right ones. He will be no trouble to you at all.

"'If you are not too busy, I'd like for you to find him a place to board where they have white-meal corn-bread, and try to keep him from taking his shoes off in your office or on the street. His right foot swells a little, and he likes to be comfortable.

"'If you can spare the time, count his handkerchiefs when they come back from the wash. I bought him a dozen new ones before he left. He should be there about the time this letter reaches you. I told him to go straight to your office when he arrives.'"

As soon as Blandford had finished the reading of this, something happened (as there should happen in stories and must happen on the stage).

Percival, the office boy, with his air of despising the world's output of mill supplies and leather belting, came in to announce that a colored gentleman was outside to see Mr. Blandford Carteret.

"Bring him in," said Blandford, rising.

John Carteret swung around in his chair and said to Percival: "Ask him to wait a few minutes outside. We'll let you know when to bring him in."

Then he turned to his cousin with one of those broad, slow smiles that was an inheritance of all the Carterets, and said:

"Bland, I've always had a consuming curiosity to understand the differences that you haughty Southerners believe to exist between 'you all ' and the people of the North. Of course, I know that you consider yourselves made out of finer clay and look upon Adam as only a collateral branch of your ancestry; but I don't know why. I never could understand the differences between us."

"Well, John," said Blandford, laughing, "what you don't understand about it is just the difference, of course. I suppose it was the feudal way in which we lived that gave us our lordly baronial airs and feeling of superiority."

"But you are not feudal, now," went on John. "Since we licked you and stole your cotton and mules you've had to go to work just as we 'damyankees,' as you call us, have always been doing. And you're just as proud and exclusive and upper-classy as you were before the war. So it wasn't your money that caused it."

"Maybe it was the climate," said Blandford, lightly, "or maybe our negroes spoiled us. I'll call old Jake in, now. I'll be glad to see the old villain again."

"Wait just a moment," said John. "I've got a little theory I want to test. You and I are pretty much alike in our general appearance. Old Jake hasn't seen you since you were fifteen. Let's have him in and play fair and see which of us gets the watch. The old darky surrey ought to be able to pick out his 'young marster' without any trouble. The alleged aristocratic superiority of a 'reb' ought to be visible to him at once. He couldn't make the mistake of handing over the timepiece to a Yankee, of course. The loser buys the dinner this evening and two dozen 15 1/2 collars for Jake. Is it a go?"

Blandford agreed heartily. Percival was summoned, and told to usher the "colored gentleman" in.

Uncle Jake stepped inside the private office cautiously. He was a little old man, as black as soot, wrinkled and bald except for a fringe of white wool, cut decorously short, that ran over his ears and around his head. There was nothing of the stage "uncle" about him: his black suit nearly fitted him; his shoes shone, and his straw hat was banded with a gaudy ribbon. In his right hand he carried something carefully concealed by his closed fingers.

Uncle Jake stopped a few steps from the door. Two young men sat in their revolving desk-chairs ten feet apart and looked at him in friendly silence. His gaze slowly shifted many times from one to the other. He felt sure that he was in the presence of one, at least, of the revered family among whose fortunes his life had begun and was to end.

One had the pleasing but haughty Carteret air; the other had the unmistakable straight, long family nose. Both had the keen black eyes, horizontal brows, and thin, smiling lips that had distinguished both the Carteret of the Mayflower and him of the brigantine. Old Jake had thought that he could have picked out his young master instantly from a thousand Northerners; but he found himself in difficulties. The best he could do was to use strategy.

"Howdy, Marse Blandford--howdy, suh ?" he said, looking midway between the two young men.

"Howdy, Uncle Jake?" they both answered pleasantly and in unison. "Sit down. Have you brought the watch ?"

Uncle Jake chose a hard-bottom chair at a respectful distance, sat on the edge of it, and laid his hat carefully on the floor. The watch in its buckskin case he gripped tightly. He had not risked his life on the battle-field to rescue that watch from his "old marster's" foes to hand it over again to the enemy without a struggle.

"Yes, suh; I got it in my hand, suh. I'm gwine give it to you right away in jus' a minute. Old Missus told me to put it in young Marse Blandford's hand and tell him to wear it for the family pride and honor. It was a mighty longsome trip for an old nigger man to make-- ten thousand miles, it must be, back to old Vi'ginia, suh. You've growed mightily, young marster. I wouldn't have reconnized you but for yo' powerful resemblance to old marster."

With admirable diplomacy the old man kept his eyes roaming in the space between the two men. His words might have been addressed to either. Though neither wicked nor perverse, he was seeking for a sign.

Blandford and John exchanged winks.

"I reckon you done got you ma's letter," went on Uncle Jake. "She said she was gwine to write to you 'bout my comin' along up this er- way.

"Yes, yes, Uncle Jake," said John briskly. "My cousin and I have just been notified to expect you. We are both Carterets, you know."

"Although one of us," said Blandford, "was born and raised in the North."

"So if you will hand over the watch--" said John.

"My cousin and I-" said Blandford.

'Will then see to it--" said John.

"That comfortable quarters are found for you," said Blandford.

With creditable ingenuity, old Jake set up a cackling, high-pitched, protracted laugh. He beat his knee, picked up his hat and bent the brim in an apparent paroxysm of humorous appreciation. The seizure afforded him a mask behind which he could roll his eyes impartially between, above, and beyond his two tormentors.

"I sees what!" he chuckled, after a while. "You gen'lemen is tryin' to have fun with the po' old nigger. But you can't fool old Jake. I knowed you, Marse Blandford, the minute I sot eyes on you. You was a po' skimpy little boy no mo' than about fo'teen when you lef' home to come No'th; but I knowed you the minute I sot eyes on you. You is the mawtal image of old marster. The other gen'leman resembles you mightily, suh; but you can't fool old Jake on a member of the old Vi'ginia family. No suh."

At exactly the same time both Carterets smiled and extended a hand for the watch.

Uncle Jake's wrinkled, black face lost the expression of amusement to which he had vainly twisted it. He knew that he was being teased, and that it made little real difference, as far as its safety went, into which of those outstretched hands he placed the family treasure. But it seemed to him that not only his own pride and loyalty but much of the Virginia Carterets' was at stake. He had heard down South during the war about that other branch of the family that lived in the North and fought on "the yuther side," and it had always grieved him. He had followed his "old marster's" fortunes from stately luxury through war to almost poverty. And now, with the last relic and reminder of him, blessed by "old missus," and intrusted implicitly to his care, he had come ten thousand miles (as it seemed) to deliver it into the hands of the one who was to wear it and wind it and cherish it and listen to it tick off the unsullied hours that marked the lives of the Carterets--of Virginia.

His experience and conception of the Yankees had been an impression of tyrants--"low-down, common trash"--in blue, laying waste with fire and sword. He had seen the smoke of many burning homesteads almost as grand as Carteret Hall ascending to the drowsy Southern skies. And now he was face to face with one of them--and he could not distinguish him from his "young marster" whom he had come to find and bestow upon him the emblem of his kingship--even as the arm "clothed in white samite, mystic, wonderful" laid Excalibur in the right hand of Arthur. He saw before him two young men, easy, kind, courteous, welcoming, either of whom might have been the one he sought. Troubled, bewildered, sorely grieved at his weakness of judgment, old Jake abandoned his loyal subterfuges. His right hand sweated against the buckskin cover of the watch. He was deeply humiliated and chastened. Seriously, now, his prominent, yellow-white eyes closely scanned the two young men. At the end of his scrutiny he was conscious of but one difference between them. One wore a narrow black tie with a white pearl stickpin. The other's "four-in-hand " was a narrow blue one pinned with a black pearl.

And then, to old Jake's relief, there came a sudden distraction. Drama knocked at the door with imperious knuckles, and forced Comedy to the wings, and Drama peeped with a smiling but set face over the footlights.

Percival, the hater of mill supplies, brought in a card, which he handed, with the manner of one bearing a cartel, to Blue-Tie.

"'Olivia De Ormond,'" read Blue-Tie from the card. He looked inquiringly at his cousin.

"Why not have her in," said Black-Tie, "and bring matters to a conclusion?"

"Uncle Jake," said one of the young men, "would you mind taking that chair over there in the corner for a while? A lady is coming in--on some business. We'll take up your case afterward."

The lady whom Percival ushered in was young and petulantly, decidedly, freshly, consciously, and intentionally pretty. She was dressed with such expensive plainness that she made you consider lace and ruffles as mere tatters and rags. But one great ostrich plume that she wore would have marked her anywhere in the army of beauty as the wearer of the merry helmet of Navarre.

Miss De Ormond accepted the swivel chair at Blue-Tie's desk. Then the gentlemen drew leather-upholstered seats conveniently near, and spoke of the weather.

"Yes," said she, "I noticed it was warmer. But I mustn't take up too much of your time during business hours. That is," she continued, "unless we talk business."

She addressed her words to Blue-Tie, with a charming smile.

"Very well," said he. "You don't mind my cousin being present, do you? We are generally rather confidential with each other-especially in business matters."

"Oh no," caroled Miss De Ormond. "I'd rather he did hear. He knows all about it, anyhow. In fact, he's quite a material witness because he was present when you--when it happened. I thought you might want to talk things over before--well, before any action is taken, as I believe the lawyers say."

"Have you anything in the way of a proposition to make?" asked Black- Tie.

Miss De Ormond looked reflectively at the neat toe of one of her dull kid-pumps.

"I had a proposal made to me," she said. "If the proposal sticks it cuts out the proposition. Let's have that settled first."

"Well, as far as--" began Blue-Tie.

"Excuse me, cousin," interrupted Black-Tie, "if you don't mind my cutting in." And then he turned, with a good-natured air, toward the lady.

"Now, let's recapitulate a bit," he said cheerfully. "All three of us, besides other mutual acquaintances, have been out on a good many larks together."

"I'm afraid I'll have to call the birds by another name," said Miss De Ormond.

"All right," responded Black-Tie, with unimpaired cheerfulness; "suppose we say 'squabs' when we talk about the 'proposal' and 'larks' when we discuss the 'proposition.' You have a quick mind, Miss De Ormond. Two months ago some half-dozen of us went in a motor-car for day's run into the country. We stopped at a road-house for dinner. My cousin proposed marriage to you then and there. He was influenced to do so, of course, by the beauty and charm which no one can deny that you possess."

"I wish I had you for a press agent, Mr. Carteret," said the beauty, with a dazzling smile.

"You are on the stage, Miss De Ormond," went on Black-Tie. "You have had, doubtless, many admirers, and perhaps other proposals. You must remember, too, that we were a party of merrymakers on that occasion. There were a good many corks pulled. That the proposal of marriage was made to you by my cousin we cannot deny. But hasn't it been your experience that, by common consent, such things lose their seriousness when viewed in the next day's sunlight? Isn't there something of a 'code' among good 'sports'--I use the word in its best sense--that wipes out each day the follies of the evening previous?"

"Oh yes," said Miss De Ormond. "I know that very well. And I've always played up to it. But as you seem to be conducting the case-- with the silent consent of the defendant--I'll tell you something more. I've got letters from him repeating the proposal. And they're signed, too."

"I understand," said Black-Tie gravely. "What's your price for the letters?"

"I'm not a cheap one," said Miss De Ormond. "But I had decided to make you a rate. You both belong to a swell family. Well, if I am on the stage nobody can say a word against me truthfully. And the money is only a secondary consideration. It isn't the money I was after. I--I believed him--and--and I liked him."

She cast a soft, entrancing glance at Blue-Tie from under her long eyelashes.

"And the price?" went on Black-Tie, inexorably.

"Ten thousand dollars," said the lady, sweetly.

"Or--"

"Or the fulfillment of the engagement to marry."

"I think it is time," interrupted Blue-Tie, "for me to be allowed to say a word or two. You and I, cousin, belong to a family that has held its head pretty high. You have been brought up in a section of the country very different from the one where our branch of the family lived. Yet both of us are Carterets, even if some of our ways and theories differ. You remember, it is a tradition of the family, that no Carteret ever failed in chivalry to a lady or failed to keep his word when it was given."

Then Blue-Tie, with frank decision showing on his countenance, turned to Miss De Ormond.

"Olivia," said he, "on what date will you marry me?"

Before she could answer, Black-Tie again interposed.

"It is a long journey," said he, "from Plymouth rock to Norfolk Bay. Between the two points we find the changes that nearly three centuries have brought. In that time the old order has changed. We no longer burn witches or torture slaves. And to-day we neither spread our cloaks on the mud for ladies to walk over nor treat them to the ducking-stool. It is the age of common sense, adjustment, and proportion. All of us--ladies, gentlemen, women, men, Northerners, Southerners, lords, caitiffs, actors, hardware-drummers, senators, hodcarriers, and politicians--are coming to a better understanding. Chivalry is one of our words that changes its meaning every day. Family pride is a thing of many constructions--it may show itself by maintaining a moth-eaten arrogance in cobwebbed Colonial mansion or by the prompt paying of one's debts.

"Now, I suppose you've had enough of my monologue. I've learned something of business and a little of life; and I somehow believe, cousin, that our great-great-grandfathers, the original Carterets, would indorse my view of this matter."

Black-Tie wheeled around to his desk, wrote in a check-book and tore out the check, the sharp rasp of the perforated leaf making the only sound in the room. He laid the check within easy reach of Miss De Ormond's hand.

"Business is business," said he. "We live in a business age. There is my personal check for $10,000. What do you say, Miss De Ormond-- will it he orange blossoms or cash ?"

Miss De Ormond picked up the cheek carelessly, folded it indifferently, and stuffed it into her glove.

"Oh, this'll do," she said, calmly. "I just thought I'd call and put it up to you. I guess you people are all right. But a girl has feelings, you know. I've heard one of you was a Southerner--I wonder which one of you it is?"

She arose, smiled sweetly, and walked to the door. There, with a flash of white teeth and a dip of the heavy plume, she disappeared.

Both of the cousins had forgotten Uncle Jake for the time. But now they heard the shuffling of his shoes as he came across the rug toward them from his seat in the corner.

"Young marster," he said, "take yo' watch." And without hesitation he laid the ancient timepiece in the hand of its rightful owner.