novel: hataraku maou sama - internet archive€¦ · we've finally plungep into the events of...
TRANSCRIPT
77
THE PLACE IS... SHUTTING
DOWN?
um, AAAOU- SAN, X
THINK...
...SHE MIOHTVE I TOLD YOU BACK WHEN YOU WERE
STILL DEALING WITH ALAS
RAMUS-CHAN'S DISAPPEARANCE, i
\K V J
WE TALKED ABOUT THIS TWO WEEKS OR SO AGO,
Wi]\'
10
PON'T TELL ME...
...YOU WEREN'T
LISTENING TO ME?
...WELL., NOBOPy
ELSE HAS
I MEAN, THERE'S EVEN A NOTICE FOR CUSTOMERS
ON THE POOR
SINCB ALAS RAMUS
SHOW SO UP, I'VB 8BBN
RUNNING ON TUB SAMB
FIX BO SHIFTS.
J STOPPBO LOOKING ATTHB
SCHBOULB COMPLBTBLY
12
13
WE'RE BUILDINO A fM&CAFZ?
DO WE HAVE THE SPACE
FOR IT?
WE'RE PLANNING TO HAVE THE
REGULAR SETUP DOWNSTAIRS,
MAOCAFg UPSTAIRS, AND NINETY SEATS
TOTAL.
WE'RE TAKINO
OVER THE SECOND FLOOR.
LOCATION'S EXTERIOR
AND PRODUCT LINEUP...
IF YOU TRY TO
HALF-ASS IT, THAT'LL
TURN OFF YOUR
CUSTOMERS.
SO WE'RE CLOSINO
UNTIL WE'RE
READY...?
YOU NEED TO HAVE THE FULL
PACKAGE READY, OR ELSE YOU'LL
BE SCRAPINO FOR DIMES IN THE OUTTER.
SO YOU PIPN'T
NOTICE AT All...?
16
\
19
ALAS RAMUS/
STOP ACTINO
LIKE SOME MIDPLE-
THE VERy NERVE OF THAT FOOL, PLANTER
IN FRONT OF HIS COMPUTER ALL PAy ANP
NIOHT...
...THE mwr- MEkT?
VACATE.
27
PAPAAAA! Allll-CBIUIU wakey; wakey/
POOOOOOV!
28
I NOT MUCH POINT
OPENING THIS NOW, IS THERE
TRUE.
VWBO- TAPB?
.......
ca n you GUYS JUST STOP
ALREAPY?
M. CUP!
twat
VfPEO’S CUKSEP/
her PHOTOS were
I CAN'T OBSTRUCTIVE WIN ENOUGH AS
THINK if I S' AMOT
HER IN A VIPEOH \ \
ITS A FWMW’
VIDEO MESSAGE f*om ou*
lAVDlOfcD/ YOU’VE met he* BEFORE,
HAVEN’T YOU./?
YOU'RE MAKINO NO SENSE. JUST PLAY IT ANP SEE
WHAT'S INSIPE, ALU RIOHT?
irisr
^ y|si ■Mmv\
32
AAOOQW YOC DON'T HAVE
TO TELL THEW EVERYTHING/
37
During my trauels, I receiued
word that you
encountered disaster in your
apartment.
Since these
will likely be some rather
afraid large- you’ll both scale
need to repairs...
b-but YUSA-SAN, IT'S KIND OF FAR
FROM HERE TO SOME
BEACHFRONT SHOP IN CHIBA.
YOU BETTER CALI. HER NOW. IF
SHE HIRES SOMEONE
ELSE, IT'LL BE TOO
LATE/
42
' \
Oh? Veah, K. Hunt
Mikitty’s neuer too
fussy about details like
that... %•
Oh, and not to cut to the chase, but I
can’t really pay you a fortune
either.
Just picture the far
eastern edge of Chiba, and that’s close
enough.
Veah, you probably
wouldn’t. I guess Inuboh
is better known.
WELL, WITH ME AND My
ROOMMATES IT'D BE THREE
PEOPLE.
When can you show
44
well, m NEEP TO
OET SOME THINQS SORTEP
OUT TOMORROW
SETTER oet you ouys's ROOM REApy QUICK, HUH?
coulp m MAKE IT THE
VAY AFTER THAT? AUQUST
FIRST?
Okay, so... uh, where should we be going,
then? XT'S JUST A LIIIITTLE BIT
REMOVEP FROM POWNTOWN TOKyo, you
KNOW?
OH/ YEAH, QUESS X
SHOULP TELL YOU THAT.
...then transfer to the JR Sobu Main Line
to that end station, which is Choushi.
there’s something Vou’ll get
on that and take it to Inuboh, one station awag from
the end.
called the Choushi Electric Railwag.
47
work barefoot,
okay? You’ll cut your feet
on stuff all ouer the beach.
Otherwise, you miyht
...or lose trip in the a sandal sand...
in the water or some-
The kind you can strap
to your ankles with
Uelcro.
WHEN YOU SAIP "THREE PEOPLE," PIP
you MEAN URUSHIHARA-
By the way...
...did you know
they offer belly dancing classes here
in Egypt?
MAMA'S GOmA BE WITH YOU, ALAS RAMUS/
55
0ESIPES, I'P JUST OET IN
THE VW THERE/ I PON'T KNOW HOW TO WORK OR ANYTHIN^/
56
ANP MOST IMPORTANTLY,
SHE CAN COOK, CLEAN,
ANP PO LAUNPRY FOR
HERSELF.
PELL'S JOBLESS IN JAPAN,
BUT IN ENTE ISLA, SHE'S
AN ORPAINEP CHURCH CLERIC.
DUKE. KirS JUST AS
JO WESS AS !AM/«M T>0 YOU GET
Off!?
PECOMINO UNEMPLOYED
AND HOMELESS ON THE SAME
DAY WOULD SET ANYBODY
OFF.
PUT CHOUSHI IS RATHER
A LONG DISTANCE
FROM HERE, NO?
THE DEVIL KINO AND
ALCIEL ARE ONE THINO... ...PUT I WORRY
ABOUT LUCIFER. HE'S THE ONLY
ONE OF THEM TO HAVE ACTIVELY
HARMED ANYONE IN JAPAN. YOU'VE NEVER
MET THE LANDLORD
FACE-TO-FACE, RIOHT?
WHAT DO YOU MEAN?
HOW SHOULD I PUT
WE MERELY EXCHANGED
LETTERS.
AS LONO AS THEIR
LANDLORD'S INVOLVED
WITH THEM SOMEHOW...
...I HAVE A FEELING
THEY WON'T DO ANYTHING
BAD.
I'M NOT OONNA LEAVE THEM BE,
BUT I DON'T THINK WE NEED TO WATCH THEM THAT
CLOSELY EITHER.
we may have BEEN ORANTEP A
PIVINE FAVOR, BUT WE RISK LOSINO IT IF WE PO NOT PREPARE WISELV
I EXPECT, MV LIEOE, THAT FOUR VAYS' WORTH OF A WARPROBE SHOULP BE
ENOUOH.
UNIFORM ANyTHINO, SO
WE'LL PROBABLy BE USINO
62
fVi y N a
'COS I FEEL LIKE OUR
i n f i QOALS ANP METHOPS HAVE KINP
OF SHIFTEP A LITTLE,
\ y'KNOW?
=
i
fm.
\ W
SERIOUSLY ARE WE EVEN
TRyiNQ TO CONQUER
THE WORLP?
64
IT'S TRUE, THOUGH.
RENTING IN SASAZUHA CAN'T BE CHEAP...
MAYBE MAOU-SAN ANP THE
REST WON'T
UVE THERE ANYMORE...
THEY MIGHT EVEN
GO BACH TO ENTE ISLA...
IF THIS JOB
DOESN'T TURN OUT
OKAY...
DON'T WANT THAT.
...MAOU- SAN AND
HIS FRIENDS MIOHT 60
SOMEWHERE REALUy FAR
AWA/..
...AND yUSA-SAN TOO, AND SUZUNO-
SAN... | CHIHO?]
AND AS - — LONO AS YOU WANT. 3
DON'T DO ANVTHINO TO EMBARRASS YOURSELF...
CHAP1BZ CfO: Tf/£ D£WL MWDS /» M£W JOg 7/
MAOU- SAN!
GOOD MORNING. \J OH, HEy,
YOU GOING CHI-CHAN.
SOMEWHERE TOO? OUESS v-—'"
WE'RE SHARINO A /• TRAIN TO fr
SHINJUKU, TO THEN.
A LITTLE LONOER
THAN THAT, j l\ii } ACTUALLY. Of '
IP : r- w
75
...SO THEy CAN STICK AROUND
FOR A LONO TIME TO COME.
ALU I WANT IS FOR
EVERyONE I LIKE TO OET
ALONO...
WOW, ALAS RAMUS-CHAN!
YOU KNOW THE
Wn-
5
I T
4 WORP "WINP-
UH- | MIU-* NC>W? jr HUH!
1 HEE As_'K J A HEE/ ]
PUPE, IS THAT
REALLY A TRAIN?
THE PE-HA 1001
ROLLING STOCK...
I SUPPOSE you PEOPLE
WOULPN'T UNPER- STANP...
THIS IS WHAT
NOSTAL¬ GIA'S ALL
ABOUT
...YOU'VE LIVEP HERE
FOR AS LONG AS WE
HAVE, YOU PRICK.
...USEP ON THE
CHOUSHI ELECTRIC RAILWAY
SINCE 1994.
80
]rfy
84
YOU REALLy
SUR¬ PRISE?
ME YES¬ TERDAY.
cm we I TALK FOR A SECOND,
I CHIHO- CHAN? .
I'M AMAZED YOUR MOM gave you
PERMISSION.
I WAS THINKING
I'D ENSURE YOUR SAFETy
BEFORE I WENT TO
STAKE OUT THE DEVIL
KING...
CHIHO- DONO, I HAVE A
MESSAGE FROM YOUR
MOTHER.
...SO THIS IS
KIND OF A GODSEND FOR ME,
BUT...
...SORRy I CALLED
you OUT OF NOWHERE.
'I MAY BE A TAP BIASED, BUT CHI HO IS
SUCH A BRIGHT YOUNG LADY. SHE NEVER UES
TO ME EITHER.
'...THATIF SOMETHING GOES WRONG WITH MAOU-SAN’S JOB,
THAT'LL MAKE ALL OF YOU DRIFT AWAY FROM
HER TOO.
'ANDJF CHIHO'S WILLING ' 'ip CONFIDE IN ME
•THATMUCH, I'M SURE SOMETHING'S INSPIRING
ALL THAT CONCERN."
89
90
THANKS FOR MAKINO IT ALL THE WAY OUT
HERE. WELCOME
TO IN UBOH!
SET YOU'RE
THINKIN' WE PON'T
LOOK ALIKE, HUH?
SORRy, SORRy. i ouess you'p NEVER REALLY KNOW ANyWAy.'
x-■:
BUT ANYHOW,
I'M AMANE OHOURO, MORE OR LESS THE 01RL WHO
RUNS OHOURO-
AUNT MIKITTY
AND I LOOK PRETTY
CLOSE ONCE SHE TAKES
. OFF HER \ MAKEUP.
IF YOU SAW SOME
PHOTOS WHEN SHE WAS MORE
MY AOE, I'M A DEAD
RINOER/
NICE TO MEET YOU.
MY NAME'S SADAO MAOLI. I AM
SHIROU ASHIYA. THANK
YOU AOAIN FOR YOUR OENEROUS
OFFER.
HANZOU URUSHI-
HARA. |
I've I CAN'T NEVER BELIEVE SEEN THE
HOW SEA OVER BLUE IT HERE...
NOT AS MANY
PEOPLE AS I
PICTUREP.
YEAH, THE
BEACH POESN'T
OPEN TILL
TOMOR¬ ROW. .
OH, I SEE THEM/
OFFSHORE A LITTLE WAYS...
5ASAKI- SAN?
WHAT'S UP?
LEMME SHOW
YOU THE OUEST HOUSE FIRST.
NOTHING.
RIOHT NOW,
^ // uux s THERE AIN'T OONNA BE
MUCH BESIPES A FEW
SURFERS.
/ \ I /. -J;_
CHAPTER hi: THE DEVIL REMODELS A SEASIDE SNACK RAR
1 114
116
BUT SOMETIMES WE'D INSTALL
STAOE PROPS, ADVERTISE ON STREET
CORNERS, OR KEEP TRACK OF
HOW MANY CARS
121
Ejjgj
124
...I HAD NO IDEA
you COULD
DO THAT.
AH, DEVIL KINO...
IT IS NOTHINO
THAT IMPRES¬
SIVE.
SOME OP THE ASCETIC
MONKS OP OUR PAITH
STUDY CHURCH
ARCHITEC¬ TURE OR
RELIOIOUS ^SCULPTURE.
THE CHILD 8EOOED ME
TO CARRY ON, AND I BECAME
A LITTLE... WRAPPED UP
IN THE WORK.
COMPARED TO THAT, ONE CAN ALWAyS START OVER
IP THINOS TURN OUT
POORLy WITH A SAND
PIECE. ,
r ^ LIS¬ TEN,
COULD you suzu- BUILD THAT NO.
NEXT TO . , THE SNACK BAR LATER
ON? /
VERy WELL...
BUT WHAT WOULD BE THE PUR¬
POSE?
you REALLy DON'T
KNOW? THAT'S JUST
SCAR/
I'LL MAKE SURE THAT AMANE-SAN PAys you
POR IT.
126
WVB'U HAVE A mAQCOUNT
J&F FOUR STARTING MORROW...
128
PEOPLE ARE CARRYING
AROUND A BUNCH OP BILLS
IP THEy'RE OOINO IN THE
130
132
|| 1C Q0B
M aiaMn
133
.OKAY.'I
/' : / . ,A Y ( I
chapter. it2: the wil runs wro something r\ m unexpected on icimigahama men
MA/V\Aii SPACK’Ls', SPACKUVi
H&! THAT WOULP BE THRE& IN A
ROW FOR ME.
PAHH/ SHE'S SO CUTE IN
THAT KIMONO. I PON'T EVEN
MlNP LOSING TO HER/
WOULPN'T SAY THAT,
NO...
IZZAT rmtTY
TOO?
wm? WHAT'S
UP?
UWfJFM\A__X._Lk
r WHY ALL THE HATE FOR SPIRITS,
JUST BECAUSE THEY MAYBE HAP
SOME REORETS IN LIFE THEY PIPN'T SET AROUNP TO ATONINO FOR? OETTIN'
SCAREP ABOUT VENOEFUL
SPIRITS ANP STUFF...I BET
THEY LIVEP PRETTY EVIL
LIVES.
I MEAN. WHAT'S REALLY
SCARY—
I GUESS WHAT I'M
TRYING TO SAY IS...
...ARE IMMORTALS.
PEOPLE WHO CAN'T PIE.
—
WHAT'P YOU MEAN BY THAT?
AMANE- SAN?
m / ;r
£
£
SS
r ...PON'T RAISE I
THAT'S
YOUR CHILP 1 TO START 1
PISCRIMINATING 1 PRETTY
MUCH IT. AGAINST SPIRITS.
150
YEAR, BUT WASN'T IT TOTALLY
CLEAR JUST A SECOND
A&O?
152
NAH, I HAVE A COUPLE THINGS I
OOTTA TAKE CARE OP. KINP
OP RELATEP TO My PAY job, you
KNOW?
155
156
UH, DUPE, ARE YOU
SAyiNO THAT
STORy AMANE TOLD
EMILIA JUST A
SEC AOO..
NO WA/ THEy SHOW
UP ON BOATS, RIOHT?
^ '/ (au/viKi
A BEAST PEMON- om?
<HUMANS... OP THIS
WORU?...>
<00 VOU , SPPK
SATTIP WITH1 MPT00?> i
YOU INSOLENT FOOL! I
AMALCIEL, GREAT DEMON GENERAL OF
THE—
CUPTUS PI6HT, SO I MAV SHOW VOU HOW
My SW0RC7 TASTSS/>
<SN0U6H with youe
NONSPNSk OAL WAR' 01IN6.>
WHA417?
THIS... THIS IS KIMIOA-
HAMA.' IN CHIBA!
WHAT IS A PEMON
POINO HERE.'?
HOW PID THAT BEAST PEMONOIP
RETAIN ITS PEMONIC FORM?
ABOVE US' HERE COMES
ANOTHER ONE.'
gf/wl MMkjk'
IT'S I CONE.../
■ s ili
<HOW (0UIO ANYONE
meu? sum POMS IN THIS RgAUK.J?>
ir SHUT UP ANP SET
CAM\0 BACK INSIDE/
_
t&Mk 1 SS jBk. r-^-»-1 URU-
JsjiM. L r1 SHIHA- JMw fw/?
_ jPUkH UH- WHy'RE M|1 youR winss ^ ^
**■ f BK/)l white...?
'f ■
CAMIO! YOU
we...>
Me, ANt? IT WILL &0$1 YOU YOUR uves...>
<m PSMON
MALMS... AM PUTS
ISLA->
<WHAT 00 YOU M£AN?>
WHOA! CAMIO! CAMIO! SPEAK TO ME!
<I...I WAS UNABie TO tee? you?
ReAUA ?torec.reo... Arret your P£PARTURe.>
<1 OAN HARPLY SBAZ to rAoe...
YOUR PEARLY oe?Atreo
OOMRAP&S rtOM rue NORTH ANP SOUTH... >
<rns¥ BOTH PAPS
PHAOTIP mes OMP
MOM.>
<1 WAS poweR- uess to
oueu. THe wAves...
1...1 AM...>
1 had SOME HURE-sENBEI ice
CREAM too. IT vJAS GooD!
WE'VE FINALLY PLUNGEP INTO THE EVENTS OF THE PEVIUS A PART-TIMER! NOVEL VOLUME 4.
I'P 64/ PRODUCING THIS VOLUME WAS THE MOST EVENTFUL PROCESS IN MY ENTIRE WRITING CAREER. I SPOKE WITH SOME BEACHFRONT CABANA MANAGERS, OF COURSE, AS WELL AS THE PEOPLE WORKING FOR THEM, ANP IT WAS THE FIRST TIME I GOT TO VISIT CHOUSHI AS WELL. IT HELPER ME EXPLORE A LOT OF NEW THINGS, NEW PLACES, ANP NEW WA/S Op THINKING.
I WAS POING ALL THIS RESEARCH IN THE SUMMER FOLLOWING THE MASSIVE TOHOKU EARTHQUAKE OF 2011, WITH SIGNS OF THE QUAKE STILL FRESH ACROSS QUITE A BIT OF THE LANP. THERE WAS A HUGE AMOUNT OF GARBAGE LINING THE SHORE, ANP WHILE IT WAS PAST THE ENP OF SUMMER BREAK, By THE TIME I ARRIVEP ANP THINGS WERE GOING TO BE SLOWER ANyWA/ I WAS LITERALLy THE ONLy PERSON STAYING AT THE INN I CHOSE. "I'VE NEVER SEEN A SUMMER LIKE THIS," THE WOMAN RUNNING THE PLACE SAIP—ANP SHE SHOULP KNOW, BECAUSE SHE'P BEEN AT IT FOR THIRTy yEARS.
HIIRAGI-SAN TRAVELER TO CHOUSHI FOR RESEARCH PURPOSES BEFORE PRAWING THE EVENTS IN VOLUME 0 OF THE MANGA THE PEVIL IS A PART- TIMER! I CAN ONLy HOPE THAT, IN THE ENSUING FOUR yEARS, THE SCARS FROM THE QUAKE HAVE BEGUN TO HEAL A BIT.
TURNING TOWARP NON-SERIOUS SUBJECTS FOR A MOMENT, I REMEMBER VOLUME 4 WELL FOR SEVERAL REASONS. FIRST, I FEEL LIKE I SPENT A GOOP THIRP OF MV ORIGINAL MANUSCRIPT PEPICTING A TEENAGE GIRL TRYING TO GET PERMISSION FROM HER PARENTS TO FOLLOW SOME STRANGE MAN TO A BEACHFRONT SLEEPOVER. SECONP, RESPITE THE FACT THAT THE ENTIRE CAST WAS AT A SUMMER BEACH ANP ALL THE FEMALE CHARACTERS HAP SWIMSUITS ON, NONE OF THEM ^MEP THE ANP INSTEAP THEy ^MEP ANP HHEP THE CCENSOREP FOR FUTURE- VOLUME SPOILERS/}. I REALLy PON'T THINK PENGEKI BUNKO'S PUBLISHER ANYTHING LIKE IT BEFORE.
THE FEMALE CAST ALL VISITER THE HOT SPRING INSIPE THEIR INN AT ONE POINT. IT WAS...NOT GOOP. ESSENTIALLY, THE EQUIVALENT OF APPING "GO TO THE HOT SPRING" TO yOUR VACATION CHECKLIST ANP MARVELING AT WHAT yOU JUST WROTE. "WHY," M/ EPITOR ASKEP ME, "PIP YOU BAREL/ SQUEEZE A PARAGRAPH OUT OF A BATH SCENE WITH ALL THESE GIRLS, BUT yOU SPENT OVER A PAGE PESCRIBING THE LANPLORP'S OUTFIT?" EPITORIAL OUTBURSTS ARE ONLy TO BE EXPECTEP IN MY LINE OF WORK, BUT NOT FROM THAT PARTICULAR ANGLE.
BUT NEVER FEAR/ I'M SURE THAT HIIRAGI-SAN HAS PRAWN UP ALL OF THE TICKLISH, TITILLATING SCENES THAT OCCURREP BETWEEN THE LINES OF MY ORIGINAL TEXT/ HE HAP TO/ PROBABLY! MAYBB! Cl FERVENTL/ HOPE ANYWAY.) FAR AWAy FROM SASAZUKA, ON THE TOWN WHERE THE SUN CASTS ITS FIRST MORNING RAYS PAILY ON THE ISLANP OF HONSHU, MAOU ANP GANG'S PAILy LIFE SURE ISN'T GETTING AN/ EASIER. KEEP REAPING TO SEE HOW THINGS TURN OUT/
SATOSH! WAGAHARA
HBRB WB ARB AT VOLUMB 3. BIGHT VOLUMBS. ..I UKB THB SOUND OF THAT. AND ILIKB THBCONTBNTS TOO, BBCAUSB I'M FINAUY COVBRING THB BVBNTS OF OHGURO-YA, SOMBTHING I'VB WANTBD TO DRAW BVBR SINCBI RBAD THROUGH THB NOVBLS.
ONCBI GOTSTARTBD, I FOUND IT ROUGH AT TIMBS, WHAT WITH AU OF THB SCBNBS AND SITUATIONS I'VB NBVBR TRIBD MY HAND AT DRAWING BBFORB. STIU, AU THB SUPPORT THAT WA GAHARA -SBN SB I AND BVBRYONB Bl.se INVOLVBD WITH THIS PROJBCT HAVB GIVBN MB, ALONG WITH ALL THB FUND WORDS OUR RBADBRS HAVB PROVIDBD, HAVB BBBN A HUGB HBLP. ONCB AGAIN, I THANK YOU.
THE DEVIL IS A PART-TIMER! ®
Art: Akio Hiiragi
Original Story: Satoshi Wagahara
Character Design: 029 (Oniku)
Translation: Kevin Gifford
Lettering: Brndn Blakeslee
This book is a work of fiction. Names, characters, places, and incidents are the product of the author's imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.
HATARAKU MAOUSAMA! Vol.8 © SATOSHI WAGAHARA / AKIO HIIRAGI 2015 All rights reserved. Edited by ASCII MEDIA WORKS First published in Japan in 2015 by KADOKAWA CORPORATION,Tokyo. English translation rights arranged with KADOKAWA CORPORATION, Tokyo, through Tuttle-Mori Agency, Inc.,Tokyo.
English translation © 2017 by Yen Press, LLC
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Library of Congress Control Number: 2014504637
ISBNs: 978-0-316-55316-2 (paperback) 978-0-316-43912-1 (ebook)
10 987654321
BVG
Printed in the United States of America