new publications 2/2010 - bärenreiter · pdf file · 2014-01-24new...

�Bärenreiter

The ProgrammeNew Publications

Sheet Music2/2010

VorschauTitel 2_10.indd 3 25.05.2010 12:00:09 Uhr

�

The programme at a glance

New Bach Edition – Revised

New Edition of the Complete Works. Revised Edition

(NBArev) ........................................................................3

Johann Sebastian Bach, Mass in B minor BWV �3�

BA 5935, BA 5935-90, TP ��3� .................................4–5

Choral Music / Stage Work

George Frideric Handel, Jephtha HWV 70

BA 40�4-90 ..................................................................6

George Frideric Handel, Ottone HWV �5

BA 4077-90 ..................................................................7

Carl Loewe, Das Sühnopfer des neuen Bundes

BA 7678, BA 7678-90 ...................................................8

Bedøich Smetana, The Bartered Bride

BA 9534-90 ..................................................................9

Solo Voice

George Frideric Handel

Opera Arias for Mezzo-Soprano and Contralto.

BA �0�53 ..............................................................�0–��

Opera Arias for Tenor. BA �0�54 ............................�0–��

Opera Arias for Bass. BA �0�55 ..............................�0–��

Franz Schubert, Die schöne Müllerin op. �5

BA 9��7 high voice ................................................��–�3

BA 9�37 medium voice ...........................................��–�3

BA 9�57 low voice .................................................��–�3

Facsimiles

Ludwig van Beethoven, Ode to Joy

ISBN 978-3-76�8-��69-5 ........................................�4–�5

Johann Sebastian Bach, Cantata “Allein zu dir,

Herr Jesu Christ“ BWV 33

ISBN 978-3-76�8-��0�-� ............................................. �6

Book on Music

Bettina Buchmann, The Techniques of Accordion Playing

ISBN 978-3-76�8-�930-� ............................................. �7

Strings

The Series “Bärenreiter‘s Easy Concertos“

Oskar Rieding, Concertino in Hungarian Style

BA 8973 ..................................................................... �8

Vittorio Monti, Czardas. BA 8975 ................................ �9

Jean Baptiste Accolay, Concerto No. � in A minor

BA 8976 .....................................................................�9

Chamber Music

Johannes Brahms

Sextet in B-flat major op. �8 for � Violins, � Violas and

� Violoncelli. BA 94�9, TP 4�9 .....................................�0

Sextet in G major op. 36 for � Violins, � Violas and

� Violoncelli. BA 94�0, TP 4�0 .................................... ��

Gabriel Fauré

Quatuor à cordes op. ��. BA 790�, TP 4�� .................��

Trio pour violon, violoncelle et piano op. ��0

BA 790� .....................................................................�3

Edward Elgar, Serenade for Strings op. �0

BA 904� .....................................................................�4

MGG – Die Musik in Geschichte und Gegenwart

ISBN 978-3-76�8-��00-9 .............................................�5

Organ

ORGAN PLuS ONE

BA 850� ............................................................... �6–�7

Antonio de Cabezón, Selected Organ Works

for Keyboard, Volumes �–4

BA 9�6�–BA 9�64.......................................................�8

Louis Vierne, Complete Organ Works, Volumes I and II

BA 9��, BA 9��.......................................................�9

Piano

Louis Vierne, Complete Piano Works, Volume I

BA 96�� .....................................................................30

Alexander Skrjabin, Complete Piano Sonatas, Volume I

BA 96�6 .....................................................................3�

Wolfgang Amadeus Mozart, Fantasia in G minor and Fuga

in G major K. Anh. 3� and 45 / Sonata Movement in

B-flat major K. 4�. BA 9638 ........................................3�

Leoš Janáèek, Capriccio for Piano (Left Hand) and

Wind Ensemble. BA 9535 ............................................33

Popular Choral Music

Katrin Ehmer, Max Frey, Stefan Kalmer, Kurt Suttner

Chor aktuell Female Voices. BE �498 ...........................34

Contemporary Music / Complete Editions

New Publications up to May �0�0 ...................................35

Your Contacts ...........................................................36

3

Johann Sebastian BachOrgelwerke

Bärenreiter Urtext

BA 5�79 E �49,– / CHF 448.00

Bereits erschienen

NBA

Johann Sebastian BachNew Edition of the Complete Works. Revised Edition (NBArev)

n The New Bach Edition (NBA), almost completed and available in �04 music volumes and �0� critical commentaries, is regarded as a work of musical scholarship of the first rank. The publication of this immense project stretched over 56 years. However, since the publication of some of the earlier volumes, new sources have been discovered and others newly evaluated, new knowledge has been acquired and further editorial experience amassed. In the interest of a continued practical and musicological usability of the historical scholarly-critical complete edition, it is essential to update selected volumes.

The Bach Archive Leipzig and Bärenreiter have therefore decided to publish approx. �5 volumes or works in revised editions. The New Bach Edition – Revised (NBArev) resembles the NBA in its outwardappearance, but each volume now contains a more detailed foreword in German and English, discussing the genesis of the works and how the sources have come down to us as well as a concise critical report in German.

The Bach Archive Leipzig is the internationally recognised centre for Bach research. This guarantees that the New Bach Edition – Revised will be prepared by first-class editors. Volume by volume, editions of the highest standard will be created for the NBArev.

The volumes of the NBArev can be purchased individuallyor complete at specially reduced subscription prices.Each volume includes a preface (Ger and Eng) and acritical report (Ger). Format �5.5 x 3�.5 cm, cloth-bound.

Bärenreiter will be publishing performance materialbased on these editions.

What distinguishes the New Bach Edition – Revised?

l Edited by the Bach Archive Leipzig, the internationally recognised centre for Bach research

l The general editors Christoph Wolff, Uwe Wolf and Peter Wollny guarantee the highest levels of scholarship

l The latest research and scientific source examination form the basis for editorial decisions

l A critical report (Ger) at the end of each volume facilitates quick reference

l Approximately 15 volumes in revised editions

Please order the brochure“Johann Sebastian Bach, New Edition of the Complete Works.

Revised Edition (NBArev)“, SPA 186

The Publication Schedule

Beginning with the Mass in B minor, which will be published in �0�0, approximately � to � volumes will appear per year.

BA 5935 Mass in B minor (�0�0) Retail price: approx. E �49.00 Subscription price: approx. E �99.00

BA 5936 Weimar Cantatas BWV 3�, �3�, �43, �6�, �7�

BA 5937 Chamber Music with Violin

BA 5938 St. John Passion »O Mensch bewein« (1725)

BA 5939 Organ Chorales I

BA 5940 Pre Weimar Cantatas BWV ��, �06, �3�, �50

BA 594� St. John Passion »Herr, unser Herrscher« (1749)

Klavierübung I

Chamber Music with Flute

Motets

Organ Chorales II

Six Suites for Violoncello Solo

Pictorial Documents of J. S. Bach's life

Texts to the Vocal Works · 2 Volumes

New Bach Edition – Revised:Setting a New Standard for Scholars and Musicians

3

4

BachB ä r e n r e i t e r U r t e x t

Messe in h-MollMass in B minor

BWV 232

Klavierauszug / Vocal Score

Bärenreiter

NBA

Johann Sebastian BachMass in B minor BWV 232(Missa, Symbolum Nicenum, Sanctus, Osanna, Benedictus, Agnus Dei et Dona nobis pacem)

Bärenreiter Urtext

Edited by uwe WolfBA 5935-00 Full score, paperback approx. E 76.00

BA 5935-0� (format �5.5 x 3�.5 cm)Full score, cloth bound approx. E �49.00

BA 5935-90Piano reduction by Andreas KöhsVocal score (Latin)* approx. E ��.95

TP ��3�Study score* approx. E �8.50

Full performance material available on saleTo appear in September �0�0

Johann Sebastian BachMass in B minor

n The New Bach Edition (NBA) volume of J. S. Bach’s Mass in B minor BWV �3� has been the definitive edition for generations of singers and musicians.

However the Bach Archive Leipzig in conjunction with Bärenreiter are constantly striving to bring new discoveries of editorial research to the fore. It is precisely for this reason that a new revised edition of the Mass in B Minor will now appear. The urtext performing edition is based on the first volume of the new �5 volume series New Bach Edition-Revised (NBArev).

Edited by uwe Wolf, one of the Directors of Research at the Bach Archive Leipzig, this new edition of the Mass will present new findings and new insights. For the first time the Dresden parts of �733, which were largely written by Bach, are included as valuable additional source material to the autograph score. At the same time state-of-the-art scientific methods (x-ray spectograph) into Bach’s manuscript score shed light on additions made by C.P.E. Bach and others. The methods also enable in-depth analysis of areas which have been eroded to a large extent by ink gall erosion.

“It is tremendously important, this New Bach Edition – Revised of the Mass in B minor by J. S. Bach! One of the major works byJ. S. Bach is now finally available in a scholarly edition, as it should be. Congratulations!”

(Ton Koopman)

“Uwe Wolf has undertaken a thorough and careful examination of all surviving materials by J. S. Bach – manuscripts, paper, ink, etc. From this we will be able to gain new confidence for the individual elements of our performances.”

(Masaaki Suzuki, Bach Collegium Japan)

New Insights – New Musicological Findings

4

*New IssueTitle

The performance material to the NBA volume (BA 5�0�-90) will continue to be published.

5

SCORE File: Project: File Date: Time: Print data:B33-035.MUS A&O 6k 20.10.09 09:4908-24-*9 1.08 2.1 2.4 300 3

Continuo (bez.)(bez.)Violoncello

66245

25

Basso

Tenore8

Alto

Soprano II

Soprano I

Viola

Violino II

Violino I

Vivace

Flauto traverso I

Flauto traverso II

Fagotto I, II

Oboe II

Oboe I

Timpani d, A

Tromba III in D

Tromba II in D

Tromba I in D

*35

4a. (4.) Gloria

* In Klammern geben wir die Satznummerierung nach NBA II/1 und II/1a.

From: J. S. Bach, Mass in B minor: Gloria · BA 5935 Score

→

NBA

In search of the original state of the autograph manuscript using scientific methodsFor the first time annotations by J. S. Bach and C. P. E. Bach can be differentiated using ink analysis (x-ray spectrography of over 500 places in the score). All corrections, additions and alterations by Bach’s son and places which remain doubtful (because of iron gall ink erosion) appear in the edition in square brackets.

The “Dresden Parts“Valuable information to the readings of the autographscore of the Missa can be drawn from the “Dresdenparts” of �733, largely written by Bach himself.The different readings of the parts are clearlydifferentiated from the readings of the autographscore by the use of passages printed in grey.


Continuo (bez.)(bez.)Violoncello

66245

25

Basso

Tenore8

Alto

Soprano II

Soprano I

Viola

Violino II

Violino I

Vivace

Flauto traverso I

Flauto traverso II

Fagotto I, II

Oboe II

Oboe I

Timpani d, A

Tromba III in D

Tromba II in D

Tromba I in D

*35

4a. (4.) Gloria

* In Klammern geben wir die Satznummerierung nach NBA II/1 und II/1a.

→

→

→

From: J. S. Bach, Mass in B minor: Symbolum Nicenum, Et resurrexit


tram De i Pa tris, a scen dit in

8 De i Pa tris, a scen dit in coe lum, a scen dit in

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tram De i Pa tris, a scen dit in

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5

Bach‘s Mass in B minor in a Revised New Edition

6

Choral Music

George Frideric HandelJephthaOratorio in Three Acts HWV 70

Bärenreiter Urtext

Edited by Kenneth NottText by Thomas Morell after the Book of Judges fromthe Old Testament

George Frideric HandelJephtha Oratorio in Three Acts HWV 70

n Jephtha is Handel’s last oratorio. Handel had to break off from composing several times because of his increasing blindness in �75�. The first performance at the Covent Garden Theatre in February �75� was the last performance he conducted before he went completely blind.

In Jephtha, Handel succeeded in achieving the perfect fusion between a biblical plot and the spirit of classical tragedy. With great intensity and dramatic expression he highlighted in particular the fates of Jephtha and Iphis, thereby portraying convincing and complex characters.

The chorus “How Dark, O Lord, are Thy Decrees” at the end of part two is of crucial importance in the work and is regarded as the dramatic high point of the oratorio.

The vocal score is based on volume I/30 of the Halle Handel Edition (BA 40�4) published in �0�0, which contains the complete critical version of the music of the oratorio for the first time.

l Handel’s last oratorio based on the Urtext of the Halle Handel Edition l First critical edition of this workl Detailed foreword (Ger/Eng)l Clear straightforward piano reduction

händelB ä r e n r e i t e r U r t e x t

Jephtha

hWV 70

Bärenreiter

Vocal ScoreKlavierauszug

Vocal score (Eng)Piano reduction by Martin FockeBA 40�4-90 approx. € ��.95

Performance material available on hire

To appear in November �0�0

New IssueTitle

7

Choral Music

George Frideric HandelOttoneOpera in three acts HWV �5

Bärenreiter Urtext

Edited by Fiona MclauchlanVocal score (Eng/Ger)Piano reduction by Andreas KöhsBA 4077-90 approx. E 47.95

George Frideric HandelOttoneOpera in three acts HWV 15

n Handel completed his opera Ottone in August �7��, but the first performance did not take place until January �7�3 in the Haymarket Theatre, London; the composer had waited so long for the famous soprano Francesca Cuzzoni who he had in mind for the role of Teofane. Ottone was an immediate success from the beginning, not only for its top-class cast but also because of its formal and musical structure. It received numerous revivals until �733.

Stylistically, Ottone follows in the Neapolitan opera tradition with emotionally charged arias as the principal vehicles of expression, whilst the plot is carried forward in the secco recitatives. The dramatic action is interpreted and intensified through the choice of arias and keys.

The vocal score is based on volume II/�� of the Halle Handel Edition (BA 4077), which contains the complete critical musical text of the opera for the first time.

l First critical edition based on the Urtext of the Halle Handel Edition

l Additional numbers from later performances included in the appendix

l Foreword (Ger/Eng)

händelB ä r e n r e i t e r U r t e x t

Ottone

hWV 15

Bärenreiter

KlavierauszugVocal Score


To appear in October �0�0

New IssueTitle

8

Carl LoeweDas Sühnopfer des neuen Bundes Passion Oratorio in three parts

Bärenreiter Urtext

Edited by Claudia MückeLibretto after Words of the Holy Scripture by Wilhelm Telschow

Carl LoeweDas Sühnopfer des neuen BundesPassion Oratorio in three parts

n Loewe’s Passion Oratorio Das Sühnopfer des neuen Bundes was probably composed in �847. The work is divided into three parts, each subdivided into three sections. Each of the resulting nine scenes corresponds with one of the traditional stations of the Passion story.

Loewe used the usual forms of recitative, arioso, aria, chorus and chorale in this work. He nevertheless succeeded in giving the music an absolutely personal character, yet at the same time a diversity of expression. Precisely this diversity of expression has ensured that the oratorio genre has become an important part of the sacred music repertoire in recent years. This edition takes all available sources into consideration and offers the complete material for the first time in a practical performing edition.

Choral Music

l Urtext edition reflecting the latest research findings

l Clearly presented performance material

l Duration: approx. 120 minutes

BA 7678Score* approx. E 44,95Strings each approx. E 5.00Organ approx. E 7.00

Piano reduction by the composerVocal score (Ger)BA 7678-90* approx. E �6.95 To appear in October �0�0

lOeWe

das Sühnopfer des neuen Bundes

Bärenreiter

B ä r e n r e i t e r U r t e x t

Klavierauszug

Vocal Score

*New IssueTitle

BA 7678a

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bet den Herrn al le Hei den, prei set ihn al le Völ ker,

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9

Stage Work

Bedøich SmetanaProdaná nevìstaThe Bartered BrideComic opera in three acts

Bärenreiter Urtext

Edited by František Bartoš Vocal score (Cz/Ger)BA 9534-90 approx. E 34.95

Bedøich SmetanaProdaná nevìstaThe Bartered BrideComic opera in three acts

n Bedøich Smetana (�8�4–�884) only began to devote himself intensively to the project of an original opera in Czech at the age of 38. The libretto of The Bartered Bride, the second of Smetana’s nine operas, was written for Smetana by the poet and journalist Karel Sabina. The subject chosen for the comic opera was the story of a pair of lovers in the countryside whose relationship is disapproved of by their parents. It is set during the festival at a village church anniversary.

The final form of the work, which soon came to be regarded as a national opera, was preceded by a relatively difficult genesis. The opera was written between �863 and �865 and was premiered on 30 May �866 at the Provisional Theatre in Prague, where the composer’s last version of the work was also performed in �870.

This vocal score contains the musical text of the critical edition of Smetana’s own vocal score. The newly-set edition contains both Czech and German vocal texts; the German singing translation is by Kurt Honolka.

l Urtext based on the critical edition of Smetana’s own vocal score

l A key work of modern Czech opera

l New foreword by Marta Ottlová (Cz/Eng/Ger)

l Includes singing translation by Kurt Honolka (Ger)

The newly-set and revised performance material for the entire opera, based on the critical edition by František Bartoš, is available on hire. The vocal score replaces the old edition AE ��.

SMetanaB ä r e n r e i t e r U r t e x t

Prodaná nevěsta

die Verkaufte Braut

Bärenreiter

Klavírní výtahKlavierauszug

Vocal Score



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Solo Voice

händel

Opernarien

für Mezzosopran und alt

Opera arias

for Mezzo-Soprano and contralto

Bärenreiter


George Frideric HandelOpera Arias for Mezzo-Soprano and Contralto

Bärenreiter Urtext

Selected and with a foreword by Donald BurrowsBA �0�53 approx. E �4.95

To appear in October �0�0

George Frideric HandelOpera Arias for Mezzo-Soprano and Contralto

n Based on the Bärenreiter vocal scores, these three volumes contain some of Handel’s best-known arias for mezzo-soprano/contralto, tenor and bass, together with some less well-known numbers of equally high musical quality. The arias in these volumes contain works from Handel’s thirty-year period as an opera composer in London and give an impression of the variety of this extensive repertoire. The arias display various distinctive technical features and are mostly presented with the preceding recitative or, in a few cases, in the context of an entire scene.

The arias appear in the chronological order of the operas. The forewords by Donald Burrows contain detailed notes on Handel’s singers and on the context of the arias of the operas.

Recitatives and arias (for mezzo-soprano/contralto, female roles and breeches roles) from: Amadigi, Ariodante, Ezio, Flavio, Giulio Cesare in Egitto, Lotario, Orlando, Radamisto, Rinaldo, Rodelinda, Serse (Xerxes), Tamerlano


BA 10253

22

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15

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8

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LargoCORNELIA

Pri va son

Aria “Priva son d’ogni conforto”Giulio Cesare in Egitto HWV 17

d’o gni

Atto I, Scena IV

con for to, e pur spe me di mo

New IssueTitle

��

händel

Opernarien

für tenor

Opera arias

for tenor

Bärenreiter


händel

Opernarien

für Bass

Opera arias

for Bass

Bärenreiter


George Frideric HandelOpera Arias for Tenor

Bärenreiter Urtext



George Frideric HandelOpera Arias for Bass

Bärenreiter Urtext



George Frideric HandelOpera Arias for Tenor

George Frideric HandelOpera Arias for Bass

Recitatives and arias (for bass) from: Ariodante, Deidamia, Ezio, Giulio Cesare in Egitto, Imeneo, Lotario, Orlando, Radamisto, Riccardo Primo, Rodelinda, Serse (Xerxes), Tolomeo

Recitatives and arias (for tenor) from: Alcina, Ariodante, Ezio, Lotario, Rodelinda, Rodrigo, Tamerlano

lBased on the Urtext vocal scores of the Halle Handel Edition

lDetailed forewords (Eng/Ger) by leading Handel expert Donald Burrows

lText translations of the Italian arias (Eng/Ger)

You can find the complete contents of these volumes at www.baerenreiter.com


BA 10254 © 2010 by Bärenreiter-Verlag, Kassel

18

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14

8 be ria al so glio in vit to , re ca pal me e spar ge al lo ri fe steg

9

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Del l’I be ria al so glio in vit to , del l’I

5

Allegro

Aria “Dell’Iberia al soglio invitto”Rodrigo HWV 5

Atto I, Scena V

New IssueTitle

New IssueTitle

Solo Voice

��

SchUBert

die schöne Müllerin Op. 25

hohe Stimme / high Voice

Bärenreiter


Solo Voice

Franz SchubertDie schöne Müllerin op. 25

Bärenreiter Urtext

Edited by Walther Dürr BA 9��7 high voiceBA 9�37 medium voiceBA 9�57 low voice

Price per volume approx. E ��.95

Franz SchubertDie schöne Müllerin op. 25

n The cycle of poems Die schöne Müllerin was originally written by several authors including Wilhelm Müller, Achim von Arnim, Luise and Wilhelm Hensel and Ludwig Rellstab. It was published in its final form in �8�0 by Wilhelm Müller in the collection Sieben und siebzig Gedichte aus den hinterlassenen Papieren eines reisenden Waldhornisten. At that time the cycle included �3 poems. Schubert omitted three poems as well as a prologue and epilogue in his setting, thereby overriding the irony and pessimistic ending intended by the poet. Schubert’s composition was published in five books between February and August �8�4.

The first lieder in the cycle are happy and composed with a forward momentum, characteristics which are also reflected in the virtuoso piano accompaniment. The second part of the song cycle turns into resignation, melancholy and impotent rage and is similar to Schubert’s Winterreise in its longing for death.

To appear in July �0�0

SchUBert


Mittlere Stimme / Medium Voice

Bärenreiter


SchUBert


tiefe Stimme / low Voice

Bärenreiter


BA 9��7 BA 9�37 BA 9�57

New IssueTitle

�3

Contents

�. Das Wandern�. Wohin?3. Halt!4. Danksagung an den Bach5. Am Feierabend6. Der Neugierige7. ungeduld8. Morgengruß9. Des Müllers Blumen�0. Tränenregen��. Mein!��. Pause�3. Mit dem grünen Lautenbande�4. Der Jäger�5. Eifersucht und Stolz�6. Die liebe Farbe�7. Die böse Farbe�8. Trockne Blumen�9. Der Müller und der Bach�0. Des Baches Wiegenlied

lFamous song cycle available for the first time in a separate edition.

lBased on the definitive New Schubert Edition

lForeword by Walther Dürr discussing the history of the work’s composition and sources (Ger/Eng)

lWith an English translation of the song texts by Richard Wigmore

Already published:

Franz SchubertDie schöne Müllerin in a collected volume (Erlkönig, op. � – Schlaflied, op. �4,�)Schubert Lieder, Volume �BA 9�0� high voice E 35.95BA 9�� medium voice E 35.95BA 9�4� low voice E 35.95

Ba 9117

© 1975 by Bärenreiter-Verlag, Kassel

Solo Voice

BA 9121

16

Wanschaftmü de

bedern

gehn,

ein,dacht, das

die

das

Rä

WanWas

dern,ser,der,

dasdie

das

RäWasWan dern,

der,ser,

dasdasdie

WanWasRä

ser,der,

dern, dasdasdie

WasRä

Wan dern.ser.der.

11

WanWasRä

dern!ser!

dern!

DasDasDie

musshatgar

einnichtnicht

schlechRastger

beine

ter MülTagstil

undle

ler sein,Nacht,stehn,

demistdie

stetssich

nie malsauf

meinWanTag

fiel dasder

nicht

6

Mülwir’sRä

lersgedern

lernt,Lust,

ab,

dasvomden Rä

WanWas

dern,

dern,ser,

das

dasvom

sehnWasWan dern

serwir auch

haist

benden

deswir’sMül

Rä

lersgedern

lernt,Lust,

ab,vomden

das

1. Das WandernMäßig geschwind

Die schöne Müllerin

Wilhelm Müller

op. 25

Oktober 1823 bis März 1824 (?)

VomDas

DasWassehn

Wan dernserwir

haauch

ist

D 795

desbenden

147

*)

*) Original in B-Dur. / Originally written in B major.

Ba 9137 © 1975 by Bärenreiter-Verlag, Kassel

BA 9101

16

Wanschaftmü de

bedern

gehn,

ein,dacht, das

die

das

Rä

WanWas

dern,ser,der,

dasdie

das

RäWasWan dern,

der,ser,

dasdasdie

WanWasRä

ser,der,

dern, dasdasdie

WasRä

Wan dern.ser.der.

11

WanWasRä

dern!ser!

dern!DasDasDie

musshatgar

einnichtnicht

schlechRastger

beine

ter MülTagstil

undle

ler sein,Nacht,stehn,

demistdie

stetssich

nie malsauf

meinWanTag

fiel dasder

nicht

6

Mülwir’sRä

lersgedern

lernt,Lust,

ab,

dasvomden Rä

WanWas

dern,

dern,ser, das

dasvom

sehnWasWan dern

serwir auch

haist

benden

deswir’sMül

Rä

lersgedern

lernt,Lust,

ab,vomden

das

147

1. Das WandernMäßig geschwind

Die schöne Müllerinop. 25

Wilhelm Müller

Oktober 1823 bis März 1824 (?)

VomDas

DasWassehn

Wan dernserwir

haauch

ist desbenden

D 795

�4

With his ninth symphony, Beethoven

ventured into new musical dimensions.

In the final movement, soloists and chorus

join forces with the orchestra and

Schiller’s “Ode to Joy” becomes a global

aspiration, a declaration: “Alle Menschen

werden Brüder! / All mankind becomes

brothers.”

In his commentary the great Beethoven

scholar Lewis Lockwood describes the

plea which Beethoven wanted to deliver

at that time with this work and how views

of this have changed over the centuries.

Jonathan Del Mar, a renowned editor

of Beethoven’s works, comments on

noteworthy passages in the autograph

manuscript and allows the reader to share

in the composer’s working process.

Already the large-format paper which

Beethoven used for some passages makes

the large forces clear. Cuts, sometimes

reversed later, show how he wrestled with

the final version of the musical text and

refined it right down to the last detail.

Ode to JoyLudwig van Beethoven · Symphony No. 9 op. 125

The history of the autograph manuscript

reflects an episode in German history:

after storage in various places because

of the war, the major parts were returned

to Berlin but were initially divided by

the Berlin Wall and only reunited in 1990.

Martina Rebmann who is the Director

of the Music Department at the Staats-

bibliothek zu Berlin traces this story.

In 1972 the main theme of the last

movement was chosen by the Council

of Europe as the European anthem and

in 1985 it was adopted by the European

Community as its official anthem. In 2001

the manuscript was listed in UNESCO’s

Memory of the World Register.

For the first time the facsimile presents

all the parts of the manuscript including

pages preserved in Bonn and Paris as

well as the trombone and contrabassoon

parts.

Beethoven_Doppel_engl..indd 1 18.06.2010 8:36:49 Uhr

�5

Ludwig van BeethovenSymphony No. 9 op. 125

Facsimile of the

autograph score in the

Staatsbibliothek zu

Berlin – Preußischer

Kulturbesitz, the

Beethoven-Haus Bonn

and the Bibliothèque

nationale de France

With articles by

Lewis Lockwood,

Jonathan Del Mar and

Martina Rebmann

Documenta

musicologica II, 42

422+11 pages of facsimile

and approx. 15 pages

introduction in each

of the three languages

(English/German/

Japanese)

format: 37 x 40 cm

half-linen, hardback

ISBN 978-3-7618-2169-5

approx. 698.00

To appear in October 2010

9 783761 821695

ISBN 978-3-7618-2169-5

BÄRENREITER FACSIMILESynonymous with the highest authenticity

The BÄRENREITER FACSIMILEseal is used exclusively for

facsimile editions published

by Bärenreiter which meet

the highest demands in both

scholarly and technical terms.

The distinguishing features

include:

› a facsimile in high quality

colour printing

› attractive cover design

› scholarly commentary

Beethoven_Doppel_engl..indd 2 18.06.2010 8:37:31 Uhr

�6

Facsimile

Johann Sebastian Bach“Allein zu dir, Herr Jesu Christ“ BWV 33Cantata for the 13th Sunday after Trinity

n BWV 33 belongs to the unique annual cycle of chorale cantatas composed by Bach in �7�4/�5, the second year of his Leipzig tenure. The cantata is one of the very few works where all the relevant source materials for the first performance have been preserved but are kept in various libraries throughout the world:

The composing score is kept at the Scheide Library in Princeton, the vocal-instrumental performing parts at the Bach Archive Leipzig and the original libretto at the Russian National Library in St. Petersburg.

The facsimile offers invaluable insights into the composer's workings and the changing conditions for performances under his direction.

Johann Sebastian Bach“Allein zu dir, Herr Jesu Christ“ BWV 33 Cantata for the �3th Sunday after Trinity

Edited by Christoph Wolff and Peter Wollny Autograph score, original parts, text from �7�4Facsimile series Bachscher Werke und Schriftstücke, New Series, Volume V

l Published to commorate the 325th anniversary of Bach’s birth on 21 March 2010

l Limited edition of 100 copies

l Net proceeds go to the Bach Archive, Leipzig

Boxed set of �4 pages (score), 54 pages (parts), �6 pages (text) and �6 pages (commentary) ISBN 978-3-76�8-��0�-�Introductory price valid until 30.6.�0�0: E �54.00Sales price from �.7.�0�0 onwards: E �98.00

Already published

�7

Book on Music

Bettina BuchmannThe Techniques of Accordion Playing

n In view of the enormous upswing in popularity that the accordion has experienced as an avantgarde instrument in the last decades of the twentieth century, a systematic elaboration of the latest instrumental techniques and forms of expression, as well as detailed instructions on how to employ the accordion have been sorely lacking.

This book explains all the playing techniques, registers as well as tonal potentials and expressive possibilities of the accordion. It demonstrates the distinctive elements of these techniques and in addition, gives composers valuable information concerning notation.

A CD with examples of sound techniques and excerpts from the repertoire is included. An extra fold-out chart presents a full-sized layout of the treble and bass sides, helping composers to check fingering possibilities.

This long-awaited book will be an essential tool for composers, performers and teachers.

Bettina BuchmannThe Techniques of Accordion Playing�� pages with CD and fold-out chart; paperbackISBN 978-3-76�8-�930-�approx. E 59.00

Already published

“This book by Bettina Buchmann is a real boon; it gives not only a representative overview of the latest instrumental techniques and forms of expression on the accordion today, but paves the way for composers and accordionists to compose and perform idiomatically on the instrument. The author and publisher deserve the highest recognition for this.”

(Teodoro Anzellotti)

“The accordion has enjoyed a revival in popularity in recent times – numerous composers have discovered it as a solo instrument, in chamber music and also for its orchestral sound. I’m really happy to have this exceptionally clearly laid out book by Bettina Buchmann by my side as a guide and incentive for my further explorations into the instrument.”

(Beat Furrer)

l Comprehensive description of all relevant playing techniques on the button accordion

l Practical notation suggestions for composers

l Music examples from important contemporary works

l CD containing examples of all registration and playing techniques and excerpts from the repertoire

l Full size, fold-out chart giving the arrangement of the buttons on the instrument

l Text in two languages (Ger/Eng)

Already published:

Pascal GalloisThe Techniques of Bassoon PlayingISBN 978-3-76�8-�860-� E 49.95

Carin Levine, Christina Mitropoulos-BottThe Techniques of Flute PlayingVolume �: FluteISBN 978-3-76�8-�595-3 E 44.95

Volume �: Piccolo, Alto, Bass ISBN 978-3-76�8-�788-9 E 44.95

Peter Veale, Claus-Steffen MahkopfThe Techniques of Oboe PlayingISBN 978-3-76�8-��0-5 E 54.00

�8

Strings

Oskar Rieding (1840–1918)Concertino in Hungarian Style op. 21

The series Bärenreiter’s Easy Concertos continues

with three further works from the violin repertoire.

The editions contain a solo violin part and a piano reduction

for the accompanist.

The series is edited by Kurt Sassmannshaus,

the internationally-renowned violin teacher and co-author

of the Sassmannshaus violin school tradition. His forewords

introduce these little gems and include tips for successful

first concerts. The editions form an ideal continuation of

the Sassmannshaus violin school tradition; they can be used

in parallel from the third volume onwards or alongside any

violin method.

The series will be continued and will introduce the student

to more demanding repertoire with an increasing level of

difficulty.

Oskar Rieding’s Concertino op. �� uses �st and 3rd position

exclusively. Hungarian echoes in the Andante sostenuto on

the high and low strings of the violin and extensive

semiquaver (sixteenth-note) passages in the Allegro

moderato require basic dexterity in the left hand combined

with frequent use of accented bowing in the right hand.

Czardas by Vittorio Monti is a popular as well as a fiery

concert and encore piece. Tonal finesse and the lively

interplay of tempo, dynamic and character changes

constitute its special attraction and offer young violinists,

who are already comfortable in �st and 5th position,

a wealth of possibilities for experimenting.

Jean Baptiste Accolay’s Concerto in A minor is also a

standard work for violin classes. Its fascination lies in its

expressiveness which is created by the simplest technical

means.

Already published:

Oskar RiedingConcerto in B minor op. 35BA 897� E 8.00

Friedrich SeitzStudent Concerto No. 2 in G major op. 13BA 897� E 8.50

Antonio VivaldiConcerto in A minor op. 3 No. 6

BA 8974 E �0.00

Oskar RiedingConcertino in Hungarian Style op. 21Bärenreiter‘s Easy ConcertosViolin part and enclosed piano accompanimentBA 8973 approx. € 8.00


Concertino im ungarischen Stil in a-Moll

Solo Violin

Concertino in Hungarian Style in A minor

mf f

Andante sostenuto

6


9

mf

12

BA 8973

f

15

ff

18

20

22

1

Oskar Rieding, Op. 21

20

2

4

0 3 4

p f

0 4

4 1

3 14 4 0 4 4

0

2

01

1 1

4 0 0

04

4

0

2

2

rit. molto rit.

concertino in ungarischer Weise in a-Mollconcertino in hungarian Style in a minor

New IssueTitle

�9

Vittorio MontiCzardas Bärenreiter‘s Easy ConcertosViolin part and enclosed piano accompanimentBA 8975 approx. € 7.00


Jean Baptiste AccolayConcerto No. 1 in A minorBärenreiter‘s Easy ConcertosViolin part and enclosed piano accompanimentBA 8976 approx. € 8.50


Vittorio Monti(1868–1922)Czardas

Jean Baptiste Accolay(1833–1900)Concerto No. 1 in A minor

Strings

CzardasSolo Violin

p

Largo Largo

8


f mf

molto rall.12

BA 8975

a piacere16

f

a tempo rall. molto19

p

saltellato alla metˆ

Allegro vivace

22

f p

28

mfcresc. molto f

33

cresc.

Vittorio Monti

3 3

3 3

3

Solo Violin


Concerto Nr. 1 in a-MollConcerto Nº 1 in A minor

p

Allegro moderato

22

f

26

30

35

39

do p

42

fp

f p f p

45

Solo

1

3

3

3

Jean Baptiste Accolay

1 13

3 1 11

3

2 2 0 4

13 2

1

1

3

4

1G2 3

3 1 3 31 3 2 4 4 2

G2 3

3 2 3 1 1 2

cre

4 1

scen

1 3 14

4 4 4

New IssueTitle

New IssueTitle

�0

Johannes BrahmsSextet in B-flat major op. 18for 2 Violins, 2 Violas and 2 Violoncelli

Bärenreiter Urtext

Edited by Christopher Hogwood BA 94�9 Parts in slipcover approx. € 3�.95TP 4�9 Study score approx. € �4.95To appear in October �0�0

Johannes BrahmsSextet in B-flat major op. 18 for 2 Violins, 2 Violas and 2 Violoncelli

n The two string sextets by Johannes Brahms are amongst the high points of the Romantic string repertoire and some of the most popular chamber music works of all.

The new Bärenreiter urtext editions, edited by Christopher Hogwood, are the first scholarly-critical editions of these much-performed works. The editor has taken all known sources into consideration including the versions for piano two and four hands which the composer wrote as well as a set of contemporary performing parts which offer variant readings and insights into performance practice during Brahms’ lifetime.

Chamber Music

BrahMS

Bärenreiter


Sextett für 2 Violinen, 2 Bratschen und 2 Violoncelli

Sextetfor 2 Violins, 2 Violas and 2 Violoncelli

op. 18

BA 94�9 TP 4�9

{{{°

¢

{{{°

¢

{{{°

¢

TP 419 © 2010 by Bärenreiter-Verlag, Kassel

Violino I

Violino II

Viola I

Viola II

Violoncello I

Violoncello II

Allegro ma non troppo

f

f

9

f

17

f

343434343434

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑Opus 18 Johannes Brahms

Sextettfür 2 Violinen, 2 Violen und 2 Violoncelli

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

poco f

4 4 4

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

poco espressivo

poco f

∑poco espressivo

∑poco

espressivo

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

cresc.

cresc.

cresc.

∑ ∑ ∑ ∑ ∑ ∑poco cresc.

cresc.

cresc.

New IssueTitle

��

l First Urtext editions of these popular chamber music works

l Include variant readings from contemporary parts

l With facsimile pages

The study scores to each of these works include facsimile pages, a foreword (Ger/Eng) and a critical commentary (Eng) on the work and history of the composition.

Johannes BrahmsSextet in G major op. 36 for 2 Violins, 2 Violas and 2 Violoncelli

BrahMS

Bärenreiter


Sextett für 2 Violinen, 2 Bratschen und 2 Violoncelli

Sextetfor 2 Violins, 2 Violas and 2 Violoncelli

op. 36

Johannes BrahmsSextet in G major op. 36for 2 Violins, 2 Violas and 2 Violoncelli

Bärenreiter Urtext

Edited by Christopher Hogwood BA 94�0 Parts in slipcover approx. € 3�.95TP 4�0 Study score approx. € �4.95To appear in October �0�0 BA 94�0 TP 4�0

{{{°

¢

{{{°

¢

{{{°

¢

TP 420 © 2010 by Bärenreiter-Verlag, Kassel

Violino I

Violino II

Viola I

Viola II

Violoncello I

Violoncello II

p p

Allegro non troppo

pp

pp

pp

pp

p

9

p

p

pp

17

pp

pp

343434343434

∑ ∑mezza voce

Johannes Brahms

Sextett

Opus 36

für 2 Violinen, 2 Violen und 2 Violoncelli

∑ ∑0 0 0 0 0 0

∑ ∑

∑ ∑ ∑ ∑ ∑ ∑∑ ∑ pizz. ∑ ∑ ∑ ∑ ∑

∑ ∑

∑ ∑ ∑ ∑ ∑ ∑∑ ∑ ∑ ∑

arco

pizz. ∑ ∑ ∑arco

∑ pizz. ∑ ∑ ∑

New IssueTitle

Chamber Music

��

Gabriel FauréQuatuor à cordes op. 121

n Gabriel Fauré’s only string quartet which was composed in �9�3-�4 is the composer’s final work and was written at the suggestion of his publisher Jacques Durand. until then, Fauré had always put off writing a string quartet, evidently because of Beethoven’s imposing shadow.

When Fauré composed the quartet he was already extremely ill. He added dynamics and slurs only in some parts of the exposition of the first movement and then asked his former pupil Jean Roger-Ducasse to complete the work. Roger-Ducasse’s additions were however very extensive; he even altered and supplemented some of Fauré’s own markings in the exposition.

Bärenreiter’s first ever scholarly critical edition of the quartet utilises all sources including the composer’s letters whichprovide valuable insights into the origins of the composition. In particular, Fauré’s penultimate work, the Piano Trio op. ��0, was used to guide the editor with his emendations.

Chamber Music

Gabriel FauréQuatuor à cordes op. 121

Bärenreiter Urtext

Edited by James W. Sobaskie BA 790� Parts in slipcover approx. E 34.95TP 4�� Study score approx. E �4.95

To appear in August �0�0

faUré

Bärenreiter


Quatuor à cordes

op. 121

l First scholarly-critical edition of this work

l High-quality Urtext edition based on the Complete Works of Gabriel Fauré

l Standard repertoire work for every string quartet

l Foreword (Eng/Fr/Ger)

No distribution rights for USA

BA 790� TP 4��

Allegro moderato (h = 76)

Op. 121

I

À Camille Bellaigue

QUATUOR À CORDES

Violon I

Violon II

Alto

Violoncelle

7


14

21 1

mf

mf

f mf

f mf

mf

mf

f

mf

f mf

mf

f [mf ]

mf

[ ]mf cresc. f

cresc. f

cresc. f

cresc.

f

New IssueTitle

�3

Gabriel FauréTrio pour violon, violoncelle et piano op. 120

n Gabriel Fauré’s Piano Trio, his penultimate work, was composed in �9��-�3 and published in June �9�3. The three-movement work clearly shows Fauré’s ability to combine a transparent texture with charming and elegant themes.

until now the composition has always presented musicians with considerable problems as the score offers conflicting readings when compared with the separate string parts. Without reliable information on the different readings, important basic information for an appropriate interpretation of the work has been lacking.

Bärenreiter’s first ever critical edition of this masterpiece finally unites the parts with the score. All variants appear in the critical commentary to the corresponding complete edition volume of the Complete Works of Gabriel Fauré.

faUré

Bärenreiter


triopour violon, violoncelle et piano

op. 120

Gabriel FauréTrio pour violon, violoncelle et piano op. 120

Bärenreiter Urtext

Edited by James W. Sobaskie BA 790�Score with parts approx. E �8.95


l First scholarly-critical edition of this work

l High-quality Urtext edition based on the Complete Works of Gabriel Fauré

l Foreword (Eng/Fr/Ger)

No distribution rights for USA

Andantino q = 60

Andantino q = 60

II

5

9

1

13

mezzo p

mezzo p

mezzo p

cresc.f

f

cresc. f

dim.

dim.

dim.

mezzo p

mezzo p

mezzo p

cantando

m.d. m.g.

16

Chamber Music

New IssueTitle

�4

Edward ElgarSerenade for Strings op. 20

Bärenreiter Urtext

Edited by Christopher Hogwood BA 904� Score* approx. E �3.95Strings, each approx. E 3.50

Edward ElgarSerenade for Strings op. 20

n With Christopher Hogwood’s new edition of Elgar’s much loved Serenade, a scholarly-critical edition of the work is now available for the first time. As with other Elgar works, modern editions of the Serenade have always suffered from an enormous number of inconsistancies between the score and parts and unclear divisi and unison passages. The editor has clarified these discrepancies, drawing on Elgar’s version of the work for piano four hands (the original version) and the recently discovered autograph manuscript of the first movement.

The edition also contains a facsimile showing the original ending of the third movement as well as an informative foreword (Ger/Eng) and a critical commentary (Eng).

l The first scholarly-critical Urtext edition of this popular work for string orchestra

l Foreword (Ger/Eng) and critical commentary (Eng)

l With facsimile pages

No distribution rights for France, Italy and Spain

elgar

Bärenreiter


Serenade für Streicher / for Strings

op. 20

Chamber Music

To appear in September �0�0

Score

*New IssueTitle

�5

Please order the flyer

MGG at a special

reduced price

(21 x 10 cm · SPA 81)

Now available at a special reduced price of € 1,990*

• Well-founded and international: Entries by 3,500 scholars from 55 countries across the globe• Comprehensive and precise: More than 20,000 articles encompassing all aspects of music• Superbly illustrated and well laid out: More than 4,000 illustrations (of which 500 are in colour)

including portraits, music examples, instruments and diagrams

Stocks are limited: Order immediately to ensure that you receive these 29 volumes at this special reduced price*

Bärenreiter ISBN 978-3-7618-1100-9

Save more than € 3,500

“An encyclopedia of concentrated knowledge. Unparalleled worldwide.” Westdeutsche Allgemeine Zeitung

U Please browse www.mgg-online.com for further information.

* Price valid from 1 September 2010 onwards. Off er is valid until 30 June 2011Price until 31 August 2010: € 5,645.50

THE WORLD’S GREATEST

MUSIC ENCYCLOPEDIA

A LIFETIME ACQUISITION

AnzNotenvorschau2010eng_A4_4c_RZ.indd 1 17.06.10 11:54

�6

ORGAN PLUS ONEAdvent / ChristmasEdited by Carsten KlompScore with partsBA 850� approx. € �5.95

To appear in September �0�0

ORGAN PLuS ONEAdvent / Christmas

n Bärenreiter is publishing a new series ORGAN PLuS ONE and hereby presents a new concept: pieces of easy to moderate technical difficulty for organ plus any choice of solo instrument.

Each edition contains pieces which are freely-composed or based on hymn tunes. These pieces are original works or arrangements. The editions include solo parts for instruments in C, Bb, Eb and F, which can be played by string, wind and brass instruments. Attention has been paid that the range for the solo instruments is in the middle register, making the music particularly appealing to non-professional church musicians and instrumentalists.

This concept for flexible instrumentation combined with easy playability will ensure that all pieces can be easily tackled and fun to play, be it during church services, musical evening and small concerts. The wide variety of pieces in attractive idiomatic arrangements guarantees instant success for both instrumentalists and organists.

The contents of the editions in this series correspond to the seasons of the church year which plays an important role for full-time as well as part-time church musicians.

l Advent / Christmas

l Passiontide / Easter

l Epiphany / Whitsun/Pentecost

l Praise and Thanks

l Services (beginning / end / morning / liturgy)

l Communion

l Special services (baptisms / weddings)

Organ Plus One

New IssueTitle

�7

l A new concept for organ and any choice of solo instrument

l Solo parts in C, Bb, Eb and F; ideal for string, wind and brass instruments

l Pieces of easy to moderate technical difficulty

l Suitable for amateur as well as professional organists and instrumentalists

BA 8501: Score and solo parts in C, B-flat, E-flat and F

BA 8501

Johann Sebastian Bach (1685–1750)Bearbeitet von / arranged by Carsten Klomp

© 2010 by Bärenreiter Verlag, Kassel

Praeludium A DurBWV 888

4

7

2


Stimme in C


BA 8501


5

9

13

17

21

26

30

4


Stimme in Bb


BA 8501


5

9

13

17

21

26

30

4


Stimme in Eb


BA 8501


5

9

13

17

21

26

30

4


Stimme in F


BA 8501


5

9

13

17

21

26

30

4

A new concept

�8

Organ

Antonio de CabezónSelected Works for Keyboard

Bärenreiter Urtext

Edited by Gerhard Doderer and Miguel Bernal RipollVolume 1: Hymns, Tientos and VersetsBA 9�6� approx. € �6.95

Volume 2: Hymns, Versets and TientosBA 9�6� approx. € �6.95

Antonio de CabezónSelected Works for Keyboard

n The court organist Antonio de Cabezón, who was appointed to Queen Isabella’s court chapel in Toledo at the young age of �6, was rightly regarded by his contemporaries as the leading Spanish organist and keyboard player of the �6th century. His hymns and versets are based on short, decorated harmonisations of the psalm tones. In the tientos, the transformation from vocal motet style to a style of writing suitable for keyboard instruments is perfectly executed.

This urtext edition contains a selection of Cabezon’s best known works and will consist of four volumes. It has been prepared by two editors working at Portuguese and Spanish universities who are both leading scholars of the works of Cabezón and reflects the latest research findings.

l First scholarly-critical edition of selected works by the leading Spanish organist

l Reflects the latest research findings

l Each volume with a foreword (Ger/Eng) with tips on editorial technique, critical commentary (Ger/Eng) and index of sources

Volume 3: GlosasBA 9�63 approx. € �6.95

Volume 4: Glosas and DiferenciasBA 9�64 approx. € �6.95

All 4 volumes to appear in August �0�0

caBezÓnB ä r e n r e i t e r U r t e x t

ausgewählte Werke für tasteninstrumente

Selected Works for Keyboard

i

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New IssueTitle

�9

Volume I: Symphony no. � op. �4BA 9�� approx. € �4.95

To appear in December �0�0

Volume II: Symphony no. � op. �0BA 9�� approx. € �4.95


Organ

Louis VierneComplete Organ Works, Volumes I and II

n Louis Vierne (�870–�937) studied privately with César Franck and was appointed titulaire organist at Notre-Dame (Paris) in �900. Numerous concert tours throughout Europe and the uSA made him famous worldwide. His students included Marcel Dupré, whose pupil Thierry Escaich has worked on this edition.

Vierne’s organ works are masterpieces of organ music and occupy a central position in the virtuoso organ repertoire. In particular, Vierne took the form of the organ symphony to new stylistic heights and influenced the development of organ technique worldwide. His six symphonies are masterworks of the French organ symphony.

Vierne

l‘Œuvre d‘Orgue

complete Organ Works

Sämtliche Orgelwerke

i

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Louis VierneComplete Organ Works, Volumes I and II

Bärenreiter Urtext

Edited by Helga Schauerte-Maubouet,with Thierry Escaich, Jean-Pierre Mazeirat and Rollin Smith

l Evaluation of all available autographs, first printed editions and previously unpublished letters

l Editorial clarification superseding the long-standing international correction lists

l Critical commentary (Fr/Eng/Ger) and foreword (Fr/Eng/Ger) with detailed performance practice tips

l Numerous illustrations and facsimile pages

Already published:

Louis VierneOrgan Works

Symphony no. 3 op. �8Volume IIIBA 9��3 € ��.95

Pièces en style libre pour orgue ou harmoniumVolume VIII.1: (Livre I, �–��) op. 3�BA 9�35 € ��.95

Volume VIII.2: (Livre II, �3–�4) op. 3�BA 9�36 € �4.95

Pièces de Fantaisie en quatre suites Volume VII.1: (Livre I, �–6) op. 5�BA 9��7 € �9.95

Volume VII.2: (Livre II, 7–��) op. 53BA 9��8 € ��.95

Volume VII.3: (Livre III, �3–�8) op. 54BA 9��9 € ��.95

Volume VII.4: (Livre IV, �9–�4) op. 55BA 9�30 € ��.95

Masses and individual liturgical worksVolume IXBA 9�37 € �9.95To appear in August �0�0


New IssueTitle

30

Piano

Louis VierneComplete Piano Works, Volume I

n Louis Vierne was a celebrated organist but throughout his life he was also a keen pianist and composer of piano music. He had a particular feeling for the tonal finesse and riches the instrument offered. The pieces in this volume, which include some works published for the first time, date from Vierne’s early years and are in the tradition of the Romantic character piece. In both their harmonic language and their elegant feeling for sonority, they reveal Vierne’s individual musical language. These pieces are mainly of medium technical difficulty and are therefore suitable for a broader spectrum of pianists.

The editor, Brigitte de Leersnyder, is a pianist and piano teacher. She has researched Louis Vierne’s piano music for many years and has published a comprehensive and highly-regarded monograph on the composer.

l Scholarly-critical Urtext edition based on all available sources

l First publication of previously unknown compositions

Louis VierneComplete Piano Works, Volume I

Bärenreiter Urtext

Edited by Brigitte de Leersnyder BA 96�� approx. € �8.95


l Comprehensive critical commentary (Fr/Ger/Eng) including numerous facsimile pages

l Detailed foreword (Fr/Ger/Eng) on the genesis of the works and on performance practice

Already published:

Louis VierneComplete Piano Works

Volume III: The Last Works (�9�6–�9��)BA 96�3 € �8.95


Vierne

l‘ Œuvre de Piano

complete Piano Works

Sämtliche Klavierwerke

i

Bärenreiter


SUITE BOURGUIGNONNE

1. Aubade

Sept pièces pour pianoop. 17

À Mademoiselle Juliette Toutain

f

Allegro (h = 96)

4

p

8

poco cresc.

12

cresc. molto ff

16

f

New IssueTitle

3�

Alexander SkrjabinComplete Piano Sonatas, Volume I

Bärenreiter Urtext

Edited by Christoph FlammBA 96�6 approx. € 3�.95

To appear in December �0�0

SKrJaBin

Sämtliche Klaviersonaten i

complete Piano Sonatas i

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Piano

Alexander SkrjabinComplete Piano Sonatas, Volume I

n The piano sonatas are regarded as the central works of Alexander Skrjabin’s compositional output. No other composer after Beethoven reshaped this genre so radically, thereby reinvigorating the tradition of the sonata. Skrjabin’s desire not simply to continue the existing tradition, but to surpass it, is evident as early as his first sonatas. These are exciting works from the pianist’s perspective and in their abundance of expression and wealth of imagination. up to the third sonata Skrjabin developed a distinctive feeling for structural coherence and cyclical unity which at the same time revealed poetic qualities.

This volume contains the earlier works; sonatas officially published during the composer’s lifetime as No. � op. 6, No. � (Sonate-Fantaisie) op. �9 and No. 3 op. �3 as well as the sonatas written during his youth, in G-sharp minor (�886) and E-flat minor (�887-89). The edition also includes the virtually unknown fragment of a sonata in C-sharp minor (�887) and the reconstructed parts of a sonata in G-sharp minor (�89�) never previously published.

The editor Christoph Flamm draws on autograph manuscripts, first printed editions and on Russian editions of the �9�0s to which he had access via personal contacts.

For the first time the recordings of Sonatas nos. � and 3 which Skrjabin made in �908 on paper rolls for the Hupfeld company, Leipzig are also taken into account.

l Urtext edition reflecting the latest scholarship and taking previously unknown sources into account

l Includes all fragmentary works, some published for the first time

l Detailed foreword (Ger/Eng) and critical commentary (Eng)


f

Allegro con fuoco q. = 104

sf

3

sf

6

p

9

12

I

Sonate Nr. 1op. 6

New IssueTitle

3�

Piano

Wolfgang Amadeus MozartFantasia in G minor and Fuga in G major K. Anh. 32 and 45 / Sonata movement (Grave and Presto) in B-flat major K. 42 for two pianos

Bärenreiter Urtext

Edited and completed by Michael TöpelBA 9638 approx. € �6.95To appear in October �0�0

MOzartB ä r e n r e i t e r U r t e x t

fantasie g-Moll und fuge g-dur

fantasia in g minor and fuga in g major

Sonatensatz B-dur

Sonata Movement in B-flat major

KV anh. 32 und 45, 42

Bärenreiter

l Urtext of the New Mozart Edition

l Reconstructions of Mozart fragments in a practical performing edition

l Foreword (Ger/Eng) and numerous facsimiles

l Valuable addition to Mozart’s repertoire for two pianos

Already published:

Wolfgang Amadeus MozartComplete works for two pianosSonata K. 448 / Fugue K. 426Urtext with fingeringsAppendix I, Fragments: Larghetto and Allegro K. deest = Fr �78�fGrave and Presto K. Anh. 4� = Fr �78�b / Sonata movement K. Anh. 43 = Fr �78�cAllegro K. Anh. 44 = Fr �785d / Fugue K. Anh. 45 = Fr �785aAppendix II: Adagio K. 546, arrangement for two pianos by Michael TöpelBA 9�6� € ��.95

Wolfgang Amadeus MozartFantasia in G minor and Fuga in G major K. Anh. 32 and 45 / Sonata movement (Grave and Presto) in B-flat major K. 42 for two pianos

n Of Mozart’s many fragmentary works, it is the Requiem which stands out, but there are many other fragments in his large compositional output which can ideally be used as a basis for a reconstruction. In the case of these two reconstructions for two pianos, the editor has drawn on thematically suitablefragments from Mozart’s piano sole repertoire and has arranged them for two pianos. In this way reconstructions are achieved which are based solely on authentic material. The result of this creative exercise is two new, highly effective concert works for two pianos, offering a valuable addition to Mozart’s two existing works for this combination.

The editor took Abbé Maximilian Stadler's sensitive reconstruction of Mozart’s fragmentary Larghetto and Allegro in E-flat major for two pianos (K. deest) as a model for his reconstructions.

New IssueTitle

33

Piano

Leoš JanáèekCapriccio pro klavír (levou rukou) a soubor dechových nástrojùCapriccio for Piano (Left Hand) and Wind Ensemble

Bärenreiter Urtext

Edited by Leoš Faltus and Jarmila Procházková

Leoš JanáèekCapriccio pro klavír (levou rukou) a soubor dechových nástrojùCapriccio for Piano (Left Hand) and Wind Ensemble

n One of Leoš Janáèek’s last chamber music works was written in the autumn of �9�6 at the suggestion of the pianist Otakar Hollmann (�894–�967), an invalid from the First World War. Like his contemporary Paul Wittgenstein, Hollmann urged composers to write something for piano left hand; he succeeded in winning over Bohuslav Martinú, Erwin Schulhoff and Janáèek to do this. Janáèek did not want, as he put it, to compose a “dance for one leg”, but finally wrote a four-movement work with associations to military music, scored for piano, flute (piccolo), two trumpets, three trombones (preferably valve trombones because of the fast passages) and a tenor tuba. The French horn was allowed by the composer to substitute the tuba. The Capriccio was premiered by Otakar Hollmann and members of the Czech Philharmonic in Prague on � March �9�8 in the presence of the enthusiastic composer.

The new edition is based on volume E/5 of the Critical Complete Edition of the Works of Leoš Janáèek.

JanáceK

Bärenreiter

›


capriccio

pro klavír (levou rukou) a soubor dechových nástrojů

for Piano (left hand) and Wind ensemble

für Klavier (linke hand)

und Bläserensemble

Partitura a hlasyScore and Parts

Partitur mit Stimmen

l Urtext based on the Critical Complete Edition of the Works of Leoš Janáèek

l New foreword (Cz/Eng/Ger) by the editor Jarmila Procházková

l Includes additional part for French horn

Score and partsBA 9535 approx. € 44.95


New IssueTitle

34

Katrin Ehmer, Max Frey, Stefan Kalmer, Kurt Suttner Chor aktuell Female VoicesBE �498 approx. € �9.95


l 72 songs in many musical styles for female voices (SSAA and SMA)

l International repertoire including songs from countries such as Sweden, Finland, Colombia, Hungary

l Medium technical difficulty

l Gospel, pop, folklore, avantgarde

l Ideal for amateur choirs and schools

Distribution rights only for Europe

Katrin Ehmer, Max Frey, Stefan Kalmer, Kurt SuttnerChor aktuell Female Voices

n Chor aktuell has been an extremely successful series in German speaking territories. This series offers a large selection of popular pieces in many different musical styles, specifically for amateur choirs and schools. Now for the first time, we are able to introduce Chor aktuell to Europe with an edition of songs for a choral setting which is much in demand; female voices (SSAA and SMA).

Chor aktuell Female Voices contains more than 70 choral arrangements of sacred as well as secular songs from all over the world which cover musical styles such as pop, gospel, avant-garde and folk. Most pieces are of medium technical difficulty and include a clear straightforward piano accompaniment as well as guitar chords. An appendix includes text translations in German and English and a helpful thematic listing of the contents, for example songs to be sung during the Christmas period or songs which deal with love.

The editors are well-known and experienced choral directors who have distinguished themselves with the series Chor aktuellwhich includes many of their own frequently-sung arrangements.

Popular Choral Music

Andante V = 72

from: Peer Gynt© 1993 by Musikk-Husets Forlag A/S, Oslo. Printed with permission.

M.: Edvard Grieg (1843–1907)norweg. T.: Henrik Ibsen (1828–1906)

dt. T.: Christian Morgenstern (1871–1914)Arr.: Carl-Bertil Agnestig

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New IssueTitle

35

Contemporary Music / Complete EditionsNew Publications up to May �0�0

Complete Editions

Johann Sebastian BachNew Edition to the Complete Works“New Bach Edition“ Series IX, Vol. 4: Complete Index Edited by Frauke Heinze and uwe WolfBA 5�97

Das deutsche KirchenliedSeries IIIConcluding Commentary Volume to Series III, Vols. 3 and 4General Editor: Joachim Stalmann, edited by Hans-Otto KorthBA 8366

Christoph Willibald GluckComplete WorksSeries IV, Vol. 11: L’Arbre enchanté (2nd version)Edited by Bruce Alan BrownBA 5806

George Frideric HandelHalle Handel Edition, Series I, Vol. 23Occasional OratorioEdited by Merlin ChannonBA 4089

Monumenta Monodica Medii AeviSubsidia Vol. VIOrdinariums-Gesänge in Mitteleuropa/Chants from the Ordinary of the Mass in Central EuropeRepertoire overview and catalogue of melodiesEdited by Gábor KissBA 5�76

Works of ∙ Opere di Gioachino RossiniPetite Messe solennelleEdited by Patricia B. Brauner and Philip GossettBA �050�-0� ScoreBA �050�-40 Critical Commentary

Franz SchubertNew Edition of the Complete Works,Series II, Vol. 8, part c: Fierabras, Third ActEdited by Christine MartinBA 5557

Series IV, Vol. 8: Lieder Edited by Walther DürrBA 5564

Georg Philipp TelemannMusical Works, Vol. 47: Essercizii musici Edited by Klaus HofmannBA 5857

Contemporary Music

Beat FurrerXENOS IIIfor percussion and strings

BA 9774, Performance material available on hire

Beat FurrerWÜSTENBuCH

Music theatre after texts by Händl Klaus, Ingeborg Bachmann, Antonio Machado, Lucretius and from the Papyrus Berlin 30�4 BA 9746, Performance material available on hire

Philipp MaintzMALDOROR Opera in seven scenes after the “chants de maldoror“

Libretto by Thomas FiedlerBA 9745, Performance material available on hire

Matthias Pintschersongs from Solomon’s gardenfor baritone and chamber orchestra

BA 977�, Performance material available on hire

occultation for solo trumpet, solo horn and ensemble, part three from “sonic eclipse“


Charlotte SeitherBeschriftung der Tiefe von innenfor 18 players


Manfred TrojahnModerato. Sinfonischer Satz für Orchester Überschreibung II. Zustand


Zwei Orchesterstücke


La tomba di Paganini for orchestra (five-movement version)

BA 97�5, Performance material available on hire

36

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