network materiality and temporality: things flow 'non-continuously' in network culture

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AARHUS UNIVERSITET AU NETWORK MATERIALITY AND TEMPORALITY: THINGS FLOW “NON-CONTINUOUSLY” IN NETWORK CULTURE 5 NOV, 2015 @ THE UNIVERSITY OF HONG KONG Winnie SOON | Ph.D Fellow | www.siusoon.net School of Communicaon and Culture The Center for Parcipatory IT

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AARHUSUNIVERSITETAU

NETWORK MATERIALITY AND TEMPORALITY:THINGS FLOW “NON-CONTINUOUSLY” INNETWORK CULTURE5 NOV, 2015 @ THE UNIVERSITY OF HONG KONG

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

AARHUSUNIVERSITETAU

www.siusoon.net

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

AARHUSUNIVERSITETAU

What is material?

AARHUSUNIVERSITETAU

Computing as Material Practice

AARHUSUNIVERSITETAU

[materialist approaches] embrace both the material substrates andabstract of programming languages required for data storage,processing and exchange: code, hardware devices, operatingsystems, software, applications, platforms, interfaces, documents,file formats as well as networking protocols and infrastructure.

(Casemajor, 2015, p. 5)

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

AARHUSUNIVERSITETAU

ABOUT ME

www.siusoon.net/nonsense/

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

Nonsense (2015)

AARHUSUNIVERSITETAU

MATERIALIST FRAMEWORK

Actor Network Theory (Latour, 1987, 1992, 1999, 2005; Callon, 1991; Law, 1992)”Things-in-phenomena” (Barad, 2007)

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

AARHUSUNIVERSITETAU

If we limit critical discussions of digital culture to the notions of“open access”, “cyber”, “digital”, “Internet,” “networks,” “newmedia”, or “social media,” we will never be able to get to what isbehind new representational and communication media and tounderstand what it really is and what it does. If we don’t addresssoftware itself, we are in danger of always dealing only with itseffects rather than the causes: the output that appears on acomputer screen rather than the programs and social cultures thatproduce these outputs.

(Manovich, 2011)

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

AARHUSUNIVERSITETAU Winnie SOON | Ph.D Fellow | www.siusoon.net

School of Communication and CultureThe Center for Participatory IT

AARHUSUNIVERSITETAU

CONTINUITY / FLOW / STREAM

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

AARHUSUNIVERSITETAU

Raymond Williams invokes the concept of 'flow' as a way ofexplaining the effect of immediacy and presence the experience oftelevision gives. The defining characteristic of broadcasting, both astechnology and as cultural form, Williams argues, is one of sequenceor flow.

(Feuer, p. 15, 1983)

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

AARHUSUNIVERSITETAU

I want to suggest that in social media, as it developed until now(2004-2012), database no longer rules. Instead, social media bringsforward a new form: a data stream. Instead of browsing or searchinga collection of objects, a user experiences the continuous flow ofevents.

(Manovich, n.p, 2012)

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

AARHUSUNIVERSITETAU

In network time, things flow non-continuously. The NOW constantlypunctures time, as the new quickly becomes old, and the oldbecomes forwarded once more as new(ish).

(Chun, forthcoming)

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

http://siusoon.net/home/?p=1155

How to get the Mao experience through Internet… (2014)

AARHUSUNIVERSITETAU

THROBBER

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

AARHUSUNIVERSITETAU

PROGRESS BAR

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

AARHUSUNIVERSITETAU

DATA PACKET

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

AARHUSUNIVERSITETAU

TEMPORAL THINGS

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

temporal things (2015)http://networkedthing.orgfree.com/

AARHUSUNIVERSITETAU

The network structure of today’s communication channels and oftheir information stream is often understood as providing a directconnection between users and services or between twocommunication partners, even though there cannot be any directconnections on digital networks. The metaphor of the flow concealsthe fact that, technically, what is taking place is quite the opposite.There is no stream in digital networks.

(Sprenger, 2015, pp. 88-89, my emphasis)

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

AARHUSUNIVERSITETAU

DISCONTINUOUS TEMPORALITY

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

AARHUSUNIVERSITETAU

AARHUSUNIVERSITETAU

The Pirate Cinema by Nicolas Maigrethttp://thepiratecinema.com/

AARHUS UNIVERSITETAU

Winnie SOON | Ph.D Fellow | www.siusoon.netSchool of Communication and Culture

The Center for Participatory IT

Thank You