neo-classicism and romanticismmrdivis.yolasite.com/resources/neo-classicism.pdf · 2014-11-17 ·...
TRANSCRIPT
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Neo-Classicism
the last stage of the classical tradition in
architecture, sculpture, painting and the
decorative arts
successor to Rococo in the second half of the
18th century
Art of the Napoleonic era
desire to return to the perceived "purity" of the
arts of ancient Greece and Rome
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Neo-Classicism
Set of artistic rules and standards that went hand in glove with the Enlightenment’s belief in rationality and order
Criticized Old Regime
Not interested in nature or emotion
“A blade of grass is always a blade of grass”
Subject matter concerned with public life or public morals
Opposite of Romanticism
Mainly based in France
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Neo-Classicism
Artists:
Jacques-Louis David
Jean-Auguste-Dominique Ingres
Elizabeth Vigée Le Brun
Francisco Goya
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Jacques-Louis David 1748 – 1825
French painter
his influence determined the course of fashion, furniture design, and interior decoration
Worked as a court painter for King Louis XVI
As a powerful republican, he was elected to the revolutionary National Convention
Named the propaganda minister
he voted for the king's death and supported Robespierre
Imprisoned during Reign of Terror
Became First Painter to Napoleon as Emperor
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Oath of the Horatii
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Oath of the Horatii
Illustrates a scene derived from the ancient
Roman historian Livy of soldiers taking an
oath to die for the Roman Republic
Also portrays the concept of separate
spheres for men and women
The brothers are taking the oath from their
father to defend the republic with their lives
The women appear emotional and incapable of
entering the masculine civic life of the republic
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The Death of Socrates
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The Death of Socrates
Accused by the Athenian gov’t of denying the
gods and corrupting the youth through his
teachings, Socrates was offered a choice:
Renounce his beliefs, or
Die by drinking a cup of hemlock
David shows Socrates prepared to die,
discussing the immortality of the soul with his
disciples
“The greatest effort of art since the Sistine
Chapel and the stanze of Raphael.” printmaker and publisher John Boydell
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Oath of the Tennis Court, the 20th of June 1789
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Jean-Paul Marat was a French revolutionary
he founded the newspaper L'Ami du Peuple, in which he vented his bitter hatred and suspicion of the old regime
Wrote in support of the revolution
elected to the National Convention in 1792
With the help of Robespierre, he led the attack against the Girondists
He was stabbed to death in his bath by a royalist sympathizer, Charlotte Corday
Death of Marat
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Marie Antoinette
brought to the
Guillotine
Pen drawing of her
on her way to her
execution
Sketched as she
passed by David’s
window
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Napoleon Crossing the Saint-Bernard Pass
Napoleon crossed the pass into Italy in 1800
The other two great generals who accomplished the feat of crossing this pass through the western Alps into Italy -- Charlemagne and Hannibal
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The Consecration of Josephine by Napoleon
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Jean-Auguste-Dominique Ingres
1780-1867
French painter
Degas and Picasso
were later
influenced by his
work and style
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Napoleon on his
Imperial Throne
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Joan of Arc at the
Coronation of Charles VII
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Large Odalisque
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Ingres
An odalisque was a virgin female slave in
the Ottoman Empire
Usually an apprentice to concubines and wives
During Napoleon’s campaign against the
British in North Africa, the French discovered
the exotic Near East
• Upper-middle-class European men were particularly
attracted to the harems, mainly as a reaction to the
egalitarian demands of women of their class that had
been unleashed by the French Revolution
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Odalisque with a Slave
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Elizabeth Vigée Le Brun 1755-1842
French painter
Largely self-taught, her husband was a picture dealer
the most famous and important woman painter of the time
Known throughout Europe for her flattering portraits or royal and aristocratic sitters
One of only 4 female members of the Royal Academy when she was admitted in 1783
She was a favorite of Marie Antoinette and became her official painter
Left France during the Revolution, and lived in exile in Italy, Austria, and Russia
Painted in both the Rococo and Neo-Classical styles
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Portrait of
Marie
Antoinette
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Portrait of
Marie
Antoinette
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Portrait of Queen
Marie Antoinette
with Children
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Vicomtesse de
Vaudreuil
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Comtesse de la
Chatre
(Marie Louise
Perrette Aglae
Bontemps)
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Self-portrait with
Daughter
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Baroness Anna
Sergeevna
Stroganova and
Her Son Sergey
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Francisco Goya 1746-1828
Spanish painter
Studied the works of Velázquez
Painted mainly for the aristocracy, as well as royalty, as he was a painter for King Charles III and Charles IV
Went permanently deaf in 1792
During the Napoleonic invasion, Goya served as court painter to the French, but despised their oppressive and cruel rule
Departure from earlier depictions of war which tended to glorify battle
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The Family of Charles IV
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called before the Inquisition to explain his portrait of The
Naked Maja, one of the few nudes in Spanish art at that time,
who confiscated it in 1813 because it was “obscene”
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Goya refused to paint clothes on The Naked
Maja, so he painted a more appropriate version,
The Clothed Maja
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Inquisition Scene
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Napoleonic invasion of Spain in
1808…
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The Colossus
chronicle of the human suffering during Spain's war of independence against the French
But also shows the Spanish population as a giant emerging from the Pyrenees to confront the Napoleonic invasion
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The Second of May 1808
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The Second of May 1808
Shows the French interest in Near Eastern and Northern African cultures
The Mamelukes were the powerful and elite Egyptian troops that Napoleon had conscripted into the French
Napoleon formed his own Mameluke corps and used Mamelukes in a number of his campaigns
Goya depicts a brutal scene in Madrid's city center, the Puerta del Sol, where Spaniards fought against French-led Mameluke soldiers on horseback
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The Third of May 1808
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The Third of May 1808 Shows the shooting of hostages after the Spanish rose against Napoleon’s rule on the Príncipe Pío, a hill just outside Madrid, in 1808
about the French invasion of Spain under Napoleon, specifically the invasion of Madrid
painted as a commission 6 years after the event and it is certain that Goya had not been an eyewitness
Turned public opinion against French
The soldiers are faceless, standing unfeasibly close to their victims
Representing the mindless anonymity of the war machine
The man kneeling in the white shirt is evoking the Crucifixion, but even he will soon join the slain around him
Some say he set down the most horrifying record of war ever made in any medium
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The Third of May 1808
But it is not the French that Goya condemns but our communal cruelty
Humankind holds the rifles
The victims are Everyman, the huddled mass of poor who have no defender
Makes us feel that we are both the executioner and executed, as if the duel potential of good and evil exists in all of us
Who is really destroyed: the depersonalized French or the individualized Spanish?
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Goya’s The Disasters of War series
A series of prints, specifically etchings, where
Goya was experimenting with a new medium
Response to the invasion of Spain by Napoleon
Some of the most graphic images to come out
of the brutal guerrilla war in the Peninsular War
contains disturbing scenes of horror, brutality,
torture and the savagery of war
Departure from earlier depictions of war which
tended to glorify battle
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One Can't Look
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And There's Nothing to Be Done
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With reason, or without
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The Same
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He Deserved It
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And they are like wild beasts, showing women
rebelling against the French soldiers
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What courage!
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They do not want to
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And nor do these
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What More Can be Done?
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They Equip Themselves
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Bury Them and Be Silent
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Nobody Knows Why
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Wonderful Heroism! Against Dead Men!
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Truth Is Dead
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Is This What You Were Born For?
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"For Goya, the war was a disaster, a
shock for his nation and a shock to
his Enlightenment ideas. You can
see his skepticism, his loss of faith
in humanity.” Manuela Mena, the Prado Museum's chief
curator of 18th-century painting and of Goya's
work
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Goya’s “Black Paintings” After the Napoleonic Wars, Goya
developed an embittered attitude towards
humanity
He had an acute awareness of panic, terror,
fear, and hysteria
nightmarish visions symbolizing a world
against reason
Produced works known as the Black
Paintings
intense, haunting works with dark themes
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Two Old People Eating His feelings were based on the war and poverty he had lived through and on his disgust with our inhumanity to one another
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Saturn
Devouring His
Son
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The
Pilgrimage
of San
Isidro
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The Garrotted
Man
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One Hunting for
Teeth
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Series on the
Witches’ Sabbath
The devil takes the
form of a goat
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The goat is painted completely black and appears as
a silhouette in front of a crowd of witches
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Witches were thought
to enjoy casting their
spells on the weak and
vulnerable, such as
infants and women
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Flight of the
Witches
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Neo-Classicism Architecture
Prado Museum in Madrid, Spain
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Royal Scottish Academy in Edinburgh, Scotland
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The Alexander Column and the
Hermitage in St. Petersburg, Russia
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Arc de Triomphe in Paris, France
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Ingres
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Mme.De Senonnes and The Comtesse d'Haussonville
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Goya
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Procession of Flagellants -attack on the Catholic ritual of flagellation-
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Gloomy Presentiments of Things to Come