native americas 1300 to 1980
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NATIVE ARTS OF THE AMERICAS, 1300 TO 1980
Blanca Chen
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MESOAMERICA
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MESOAMERICA
• Mixteca-Puebla (Mixtec)
• Aztec
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The Foundation of Tenochtitlan, folio 2 recto of the Codex Mendoza, from Mexico city, Mexico, Aztec, ca. 1540 -1542. Ink and color on paper
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Mictlantecuhtli and Quetzalcoatl, folio 56 of the Borgia Codex, possibly from Puebla or Tlaxcala, Mexico, Mixteca-Puebla, ca. 1400 – 1500. Mineral and vegetable pigments on deerskin
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Reconstruction drawing with cutaway view of various rebuildings of the Great Temple, Tenochtitlan, Mexico, Aztec, ca. 1400 -1500.
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Archeological site of Templo Mayor or Great Temple, Tenochtitlan, Mexico, Aztec, ca. 1400 -1500.
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Coyolxauhqui, from the Great Temple of Tenochtiltlan, Mexico City, Mexico, Aztec, ca. 1469. Stone
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Tlaltecuhtli (Earth Lord), from the Great Temple of Tenochtitlan, Mexico City, Mexico, Aztec, 1502. Andesite painted with mineral colors
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Coatlicue, from Tenochtitlan, Mexico City, Mexico, Aztec, ca. 1487 -1520. Andesite
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SOUTH AMERICA
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SOUTH AMERICA
• Inca
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Machu Picchu (looking northwest), Peru, Inca, 15th century
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Remains of the Temple f the Sun (surmounted by the church of Santo Domingo), Cuzco, Peru, Inca, 15th century (General View of the exterior)
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Remains of the Temple f the Sun (surmounted by the church of Santo Domingo), Cuzco, Peru, Inca, 15th century (Interior masonry)
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Inca llama, alpaca, and woman, ca. 1475 -1532
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NORTH AMERICA
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NORTH AMERICA
• Southwest
• Northwest Coast and Alaska
• Great Plains
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Detail of a kiva mural from Kuaua Pueblo (Coronado State Monument), New Mexico, Ancestral Puebloan, late 15th century to early 16th century. Interior of the kiva
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Otto Pentewa, Katsina figurine, New Oraibi, Arizona, Hopi, carved before 1959. Cottonwood root and feathers
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Maria Montoya Martinez, jar, San Ildefonso Pueblo, New Mexico, ca. 1939. Blackware
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Eagle transformation mask, closed (top) and open (bottom) views, Alert Bay, Canada, Kwakiutl, late 19th century. Wood, feathers, and string
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War Helmet mask, Canada, Tlingit, collected 1888 -1893. Wood
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Bill Reid (Haida), assisted by Doug Cranner (Namgis), re-created of a 19th-century Haida village with totem poles, Queen Charlotte Island, Canada, 1962
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Bill Reid, The Raven and the First Men, 1978 – 1980, wood
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Chilkat blanket with stylized animal motifs, Canada, Tlingit, early 20th century. Mountain goat wool and cedar bark
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Mask, Alaska, Yupik Eskimo, early 20th century. Wood and feathers
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Mandan Buffalo-hide robe, ca. 1800
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Karl Bodmer, Hidatsa Warrior Pehriska –Ruhpa (Two Ravens), 1833. Engraving by Paul Legrand after the original water color in the Joslyn Art Museum, Omaha
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Honoring song at painted tipi, in Julian Scott Ledger, Kiowa, 1880. Pencil, ink, and colored pencil
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Quiz
1. The story and disk of Coyolxauhqui symbolizes:a) Death b) Triumph c) Sacrifice
2. A superimposition structure is:a) Has many levels b) Has complex floor plansc) Has many layers of shells
3. Masks in Northwest Coast Native American culture are used for:
a)healing rituals b) dramatic performances c) both a & b d) none the above
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Quiz
4. The Inca Temple of the Sun was built of what technique?
5. What are “eye dazzlers”?