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NY PUBLIC L BRARY THE BRANCH

"'iiiiiiiliiliilMI

» kmu 7 84.R 3 3333 07582 1773TWENTY-FOUR ITALIANSONGS AND ARIAS OF THE* I

3.50+MNNBR 8010.94753

The NewarkPublic LibraryAster, Lenox and Tilden Foundations

MYMUS

/*

MYMUS

The Branch LibrariesTHE NEW YORK PUBLIC LIBRARYAT LINCOLN CENTER

UbKARYMusic Collection1 1 1 Amsterdam AvenueNew York, N.Y. 10023BOOKS MAY BE RETURNED TO ANY BRANCHOF THE NEW YORK PUBLIC LIBRARYALL RECORDINGS MUST BE RETURNEDTO BRANCH FROM WHICH BORROWED

NO RENEWALS ARE ALLOWEDFINES FOR OVERDUE MATERIAL PER

CALENDAR DAY:Adult books lOtf Juvenile books 5

:^^y^S-S-V-^VV^^^^^>-V^^^^^^^̂ ^^-

Ml

SCHIRMER'S LIBRARYOF MUSICAL CLASSICS

Twenty-Four Italian Songsand Arias

of the

Seventeenth and Eighteenth

Centuries

FOR MEDIUM HIGH VOICE

Library Vol. 1722

FOR MEDIUM LOW VOICELibrary Vol. 1723

W

G. SCHIRMER New York/London

Copyright, 1894, by G. Schirmer, Inc.

Copyright Renewal Assigned, 1926, to G. Schirmer, Inc.

Copyright, 1948, by G. Schirmer, Inc

International Copyright Secured

Pilntad In th« U. S. A.

CONTENTSPage

BONONCINI Per la gloria d'adorarvi 3

CACCINI Amarilli, mia bella 8

CALDARA Alma del core 11

Come raggio di sol 16

Sebben, crudele 19

CARISSIMI Vittoria, mio core! 23

De LUCA Non posso disperar 60

DURANTE Danza, danza, fanciulla gentile 28

Vergin, tutto amor 32

GIORDANI Caromioben 35

GLUCK O del mio dolce ardor 38

LEGRENZI Che fiero costume 44

LOTTI Pur dicesti, o bocca bella 49

MARCELLO II mio bel foco 54

MONTEVERDI Lasciatemi morire! 65

PAISIELLO Nel cor piu non mi sento 66

PERGOLESI Se tu m'ami, se sospiri 68

Nina (attributed to Pergolesi) 72

SCARLATTI, A. Gia il sole dal Gange 74

LeViolette 79

O cessate di piagarmi 84

Se Florindo e fedele 86

STRADELLA Pieta, Signore! 92

TORELLI Tu lo sai 98

r Per la gloria d'adorarviFor the love my heart doth prize

from the opera "Griselda"

3

Ml.

&15&3. \773

English version by

Dr. Theodore Baker

Giovanni Battista Bononcini

(1672-1750)

Voice

Andante J=so

Piano

imiGQwgg

fT~r3=z

w

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±4^3

#mfS £Per. la glo - ria d'a

mm ±\do -

For the love my heart doth

m̂ £ w? hS-S- t=*m

r

# 3=3 r j 1 i^»lo - ria d'a do rar^ vi vo -glioma

love my heart _ doth prize, O charm - fulmar - vi^jo lu -

eyes, I would

ci ca

a - dore

re

ye

A - man-do pe - ne - rb,For_ me, my love is pain,—

ma sem-pre va-me-I_ know 'tis all in

i#* "ttt fffggî

mfrs:*

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ye

ro,.

vain,.

81,

vain,si,_vain,

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pe-nabe-fore

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/.

g=s "^ U "j"fi^

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ma sem-pre v'a-me - rb,I know 'tis all in vain,.

si,

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41573

p J_J'TJ'IJ_pgi w t I n5

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nel mio.

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re,

ye.

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I^^41573

6

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let - to va-no af - fet - to_£_ so - spi - ra - re,

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sen - za

Hope - less

;PmH r m

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chi_ va-gheggiar pub mai.

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e

and

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re?

ye?pe - ne-rb, v'a

- me-rb, lu-ci ca

Love is pain, all in vain I im-plore

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5,

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mm imme-rb, lu-ci cain vain I im-plore

%£M

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8

Amarilli, mia bellaAmarilli, my fair one

Madrigal

English version byDr. Theodore Baker

Giulio Caccini

(1546-1618)

Moderato affettuoso J = 66

ice ^P^V-f^Voice r i r J rgjgg

AA

ma - ril - li, mia belma - ril - li, my fair

la, non ere - di^o del mio

one, Canst thou thine heart to

fcZE£Fh5*

Piano p dolcissirno em

legato sempre

mw§f f n ^

Effiggp 23

piuf

P* mt^2=^: i fcor

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Doubt of my love,.

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V i iesi 7 . h n _h-& 3El'a-mor mi

true and teno?

der?Cre - di - lo pur:Do but be - lieve,

e se ti -

for should e'er

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-©

9

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& M a

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10

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f

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s £ £ zaz i £ ^pri-rrujlthou my

;iHn pp j>i *r e r- r.dolce 77

$ f I*

|& 5

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JO smorz.

JVl^ JUjtf/?^s J Si

pet - to e ve-drai scrit-tQJn core: A-ma-ril

bo - som, and see thy fears re-prov-

ed-, On my heart-

li,

'tis_ writ,

A-ma-

Onmy

rit. il'J'P

ril -

heart 'tis.

A-ma-rilA-ma- ril

li qJI mioa - moli, my be - lov

A - ma-A - ma -m n 2m ^ M—6p m.

&m ^ X9;

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li,.

e_il miQ_a - momy be - lov

re.

ed!"

8= smPFcolla voce

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asset i legato^ ^wry

it m i=tIT T f 'Ji r*-3?

41573

Alma del coreFairest adored

11

English version byEverett Helm

Antonio Caldara

(1670-1736)

Voice

Piano '

jjgjTempo di Minuetto

m&m/

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IA

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±=±^mz+ G-779 Z- * -a- * # =;

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CO

dorre,

ed,

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77 EI-7?^ -6±-G-_

77

41673



12

0g^m -J31spir - to_ dell' al - ma!

Spir - it_ of_ beau-ty!

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Al - ma del coFair-est a - dor

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IT

i

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I'll— ev

re

er

AHmf

7 * W * r # s

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be,

*=t 3=£-)tip

3=fc 3=££ ^l

Mipp m p^

At'a - do - re - ro, t'aI'll ev - er_ be, I'll

do - re - ro!ev - er be.

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f

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?41573

it ^^ mAl - ma del co - - re, spir - to dell_ al - ma, sem-pre coFair -est a - dor - - ed, Spir - it of beau - ty! Thy faithful

13

1

M ^5gi ^

r.

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t 3

P^i=,=*

p^/ i?

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stan - te

lov - er

t'a - do

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£ ^re - rb, sem - pre co - stan - te.er be, Thy faith -ful lov - er.

&*=1r=l

% r^r» 3 rgag

/

f^ m m w^f

Sa - rb con - ten - to nel mio tor men - to,This boon I ask thee That thou wilt grant mea tempo

s—

p

sf:

imf

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se

Thy

f

quel bel

lips a

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bro.

ed.

if spur-tr

¥= r j g

41673

14

Um W£ba - ciar po - tro,once more_ to kiss,

IjJ J J | J ==£=se quel bel lab - bro,

thy lips a - dor - ed,

Pp p p

se quel bel

thy lips a

lab

dorb̂ro.

ed.

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tf S £5 »/ mm1X3 -CM- £ba - ciar po - tro.once more_ to kiss.

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co

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zz

re,

ed.

-9^

w ~w

^™f r P^f -&-* -

fe& mi mf15

to, t'a

be, I'll

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re - ro! Al - ma del coer be. Fair -est a - dor

-re,

- ed,

ifeS za. ^ /5 -&*-spir

- to_ dell' al - ma, sem-pre co - stan - te_

Spir-it_ of_ beau-ty, Thy faith -ful lov - er.t'a - do - re - rb,I'll ev - er be,

IU.m

p2 5£

sem - pre co

Thy faith -fulstan - te.

lov - er_

t'-a- do

I'll- evre - ro.

er be.

P % P*=1: j. | ; = r*^ f

* r * s

a ^/

'EDT'r

^ W^ r#<

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P^|P¥ «f J . Jin1 '»»r fr J"3 J' d: .r r- pis

r: — zf.

—s-1-

41573

16

Come raggio di solAs on the swelling wave

Aria


Voice^Sostenuto J = 46

PianoPUiiitt l *mm

Antonio Caldara

(1670-1736)

pp.

Co - me rag-gio diAs on the swell-ing

i if im iiiiii

$p

"p. |r>«w/v

£ 5 «=}=}sol

wavemi - tee se - re - no,in i - die mo - tion,

co - me rag-gio diAs on the swell-ing

m^ JE i=fffj^p^EJES=p=[ ff ff B gj Lf U

41573

Copyright f 1894, by G. Schirmer, Inc.

Copyright renewal assigned, 1926, to G. Schirmer, Inr.

#^ ^h^ #ST &P17

affrett.

pla - ci- di flut - ti si ri - po

sun - beams at play are gai-ly ridsa,

ing,

men - tre delWhile in the

***** t ffiffl

1&* Ji J^

affrett.

mmpoco a poco

»',#p

ft= ^5ma - re, menbo - som, while.

tre del ma - re nel pro - fonin the bo - som of thun-fath

im b.do

om'd

% * % * % ffffffW355poco a poco

m ^nn n ;: mi i ^—±•—•^

^^ -^ p

£EE5:3=a

se

o

ifel

no

ceansta la tern - pe

There lies a tem

ffffff ::::,,«***#*#«-Pp

cresc. e stringmm UU'U-«=*^ i / »»* r«//. * I? * J >fp=3^

sta

pest

ain

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sa:

ing:

CO - SI

So are

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PffH^? a tempo

d d d d d

ITcol cantoi

41573

18

#tranquillo

5 f j> ^ f^ Eri

manso ta - lor ga-io_e pa ca

- to di con - ten - to, di

y that wear a mien con- tent - ed, Man-y_a vis - age where

'

imsstent.

f JfT=t J 1 J'ivJ^ 'j i>PPPgio-ia_un lab-brojn

- fio - ra,

on a smile e'er hov - ers,

fmen - tre nel suo se - gre - to il cor pia

While, deep with-in, the bo - som a heart tor-

# fffff ffffff m tt , , , ,stent.^

*y^

Sebben, crudeleTho' not deserving

CanzonettaEnglish version byDr. Theodore Baker

19

Antonio Caldara

(1670-1736)

Allegretto grazioso J:84

Piano

=±«==

^^E gj r

J» smorz.

Seb - ben, cru - de

Tho' not de - servle, mi fai_ Ian

ing Thy cru - elguir,.

scorn,

sem - pre feEv - er un

p qJIJTj m i ap cresc.m '[ j 33 « t

rit. a tempo

deswerv

le, sem - pre fe - de - le ti vo - glio a

ing, ev - er un - swerv -ing Thee on - ly I.mar.love.

a tempo

gg|mf

i r 'f l|j j

deciso

Seb -ben, cru - deTho' not de - serv

le,

ing

4157S


Copyright renewal assigned, 1926, to G. Schirmer, Inc.

so

cresc.

y r ir *£.

rit. assat

mfe$ j jgj. pmi fai Ian - guir, _

Thy cru - el scorn,.

sem - pre feEv - er_ un

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n w H. i mg j ,.^jj i j_j>j:r#. assat

m¥ ii r ITW1B»^^ / Fi i • pP¥

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i!mar.love.

Seb - ben, cru - deTho' not de - serv

le, mi fai Ian - guir, _

ing Thy cru - el scorn,

;#m i=i £ i

cresc~.

^ms=?3S a tempo ^fs: J2= is^- f©-5-a hs-I

'«*••

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a tempo Pia Pb ^

sem - pre feEv - er_ un

de - le ti_ vo - glio a - mar.swerv -ing Thee on - ly I love.

Con la lunWhen to thee

/UJ_LLj^P̂I nr ^*=:r

21

t!i_J r J-3 :fla tua fie - rez

Thy pride un- feel

j1 4i - r ^ i ^ -

za sa - pro stan-car

ing I then shall move,

3^fe a

^v-^^r^rr

£ 3JLLI^Efer*

3 ^i

la tua fie

Thy pride un

-4-

i^£

i»rt

i=

*rit. a tempo

1 p £i-_J hS^rez - za sa - pro stan - car.

feel - ing I then shall move.M M i m J | jr~jy Psmorz.3-Sjte- *=* s=»MHj eh ** axs 3 rjirzu^n^l

a tempo X£ ^^ ?-s^

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in=eSeb - ben, cru -de - le,Tho1 not de - serv - ing

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sem - pre feEv - er un

de

swervle, sem - pre fe - de - le ti vo - glio a -

ev - er un - swerv- ing Thee on - ly I—

m ipp iPP Wppfcresc.m mm piu cresc.

-&- w p^41573

22

M a tempo mfmar.

love.

m ^

Pmf deciso P

Seb - ben, cru -

Tho' not de -

§a tempom p

^^r r r

^

miELECT

iIt

~P^

cresc.

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de

servle, mi fai Ian - guir, _

ing Thy cru - el scorn,

sem - pre_ fe - de - le tiEv - er un - swerv - ing Thee

iLfTjrj>

*mt t^# J J J> Jcresc JL

'±&*-

£rit. assat

ita tempo mf cresc.

m f i f & inJ y rU- i' ' Jvo - glioon - ly

a - mar,I love;

seb - ben, cru -de - le,Tho1 not de - serv - ing

mi fai Ian

Thy cru - el

rit. assai- > mz. ass

guir,

scorn.

sem - pre_ feEv - er un

de - le ti vo - glio aswerv -ing Thee on - ly I

mar.

love.

^fed;B g

41573

IPC

^=£

X-

PP i__

English version byH.Millard

Vittoria, mio core!Victorious my heart is!

Cantata

Voice

Allegro con brio J = i68

23

Giacomo Carissimi(1605-1674)

Vit - to - ria! Vit - to - ria! Vit - to - ria! Vit - to - ria, mio

Vic - to-rious, Vic - to-rious, Vic- to-rious, Vic - to-rious my

Piano

Upiu, Evain, For

sciol - ta d'A - mo - re La vil ser - vi - tu;love now has bro-ken its shack-les in twain.

Vit - to - ria! Vit

Vic - to-rious, Vic

3=^=± 3= mr3L

£r-s;

^er

3-2»£- V

^r*tt mr^u

to - ria,to- rious

mio

myCO

heart_re!

is!

Non la - gri-mar piu, BAnd tears are in vain, For

r^P FP^l1 j; JSi ^

r T r r r^5^

:

F* » r «•41573 Copyright, 1880, by G. Schirmer, Inc.

24

bpJ-j Jl l^ JJIJ^p^ P

cresc.

-&- 1sciol-ta_ d'A - mo - re_ La_ vil ser vi - tu, E sciol

love now has bro-ken its_ shack-les in twain, For love.

I

fct3±

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T WIE

np

^

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£

cresc.cresc.

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sa

^i^

ta d'A - mo - re La ser vi - tu.now has bro - ken its shack - les in twain.

* 1i i

*f

-&

Gs

5 £22

Ift*

fneno mosso e dolce assaiP

6-

7JS 1i^P^ £ p^?^ft*

Gia l'em-piaa' tuoi dan- ni, Pra stuo-lo di sguar-di, Con vez - zi buThe false one is van-quish'd, her glanc-es a - muse me, De - cep-tion no

W-

3up fneno mosso e dolce assai

"~G

&: &' «t

$*NNEcresc. mpp ^t

;#ft*

giar - di Di - spo - se_ gl'in - gan -

long-er with arts can con - fuse_ni; Le fro - de, gli_afme! No false -hood or

fan - ni Nonsor-row op

F ^w.*

Mlcresc.

-ZZ2 3W573

25

I4*£ 3

ZZ- T ^ jr

iJ J J

i

r £KJ 'han - no piu lo

press me with rigco, Del cru

- do suo

or, The flame, once sofo - co E spen - to_ l'ar -cru - el, has spent all_ its_

i iPFi

f

#

3^g5j

mmTempo 1°_x

J i nJ U jm i

*fe

do -

vig -re! Vit - to - ria! Vit - to - ria! Vit

or! Vic - to-rious! Vic - to-rious! Vic

to - ria! Vit

to- rious! Vic

to - ria, mioto - rious my

s== W^ap

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^^sr

r

*

ms

^*

ir

§^^^f

§yt ^ s /

i'

J. ji-^CO -

heart

re!

is!

I*

Non la - gri-mar piu, NonAnd tears are in vain, And

la - gri-mar piu, Etears are in vain, For^ m ^^f r

^m.^r r

^s 1 32:

r=f

$**

p cresc.B 1r r r t

sciol

love

sciol -ta dA - mo - re La vil serlove now has bro-ken its shack- les

vi - til. Ein twain, For

IfagH 1=3=3 ^^ i3=1£:a*

*/ p

3CTVSC.

5 ^4157U

26

§i/ ^ /T\^^ «

ta d'A - mo - re La sernow has bro-ken its shack- lesmm

3tf

if * 5 5 i

g ^wa— i I ^

vi - tu!

in twain!

?^>/ */

i

32

^^ £f&=*

meno mosso e dolce assai

6-2

i^ ^P ? i^;#

y=

Da lu - ei ri - den - tiHer smile once en - tranc - ing

Non e - see pift stra - le, Cheno darts is re - veal - ing, The

ftp meno mosso e dolce assai

mm s cresc.PP i^f;#

ft*

pia - ga mor - ta - le Nel pet - to m'av - ven -wounds in my bo - som with time are_ all_ heal -

ti: Nel duol, ne' tor

ing; All sor-row and

£I^ f F^r ^ cresc.

«* m3 -&*- ^«•

Ift*1 ^ ^Pf £

men - ti lo piu non mitor-ment no long-er I'm

sfac

fear

cio E rot-too -gni lac-cio, Spaing, Now bro - ken each tie is, all

^V¥

^mi

Ti

J:

ft^^:

?

#

41673

m^mTempo 1°

27

=i=^^

**

ri - tq_il ti- mo -

fears dis - ap - pear

- re! Vit - to - ria! Vit - to-ria! Vit - to-ria! Vit- ing! Vic- to-rious, Vic - to-rious, Vic - to-rious, Vic

i £ mm wmfe %/ss £-

Y r

% wm15&' •&'

§ai^

z> ^J U. «N u"73—

re!

is!

to - ria, mio eo -

to - rious my heartNon la - gri-mar piii, Non la - gri-marAnd tears are in vain, And tears are in

=m^y r"rSi

£ ^JrPJ \o "r=rj

tf:/

i^

5 1r r r tpiu,

vain.

E sciol-ta dA-mo-re La vil ser - vi - tii, E sciolFor love now has bro-ken its shack-les in twain, For love_

;#«t

r*>y J

^^s^-y.

»/

iF Ir -ir

S^

&'

? 5-S^r/? largamente stent.

- ta d'A - mo - re La ser - vinow has bro-ken its shack-les in

fct i

M fI cresc.£^=^

?

¥f̂ m

»/ <p $

msf col canto

m- til!

twain!

0\

'/

i

-•- «-

/7\

f41573

28

Danza, danza, fanciulla gentileDance, O dance, maiden gay

Arietta


Francesco Durante(1684-1755)

VoicemAllegro con spirito J = 138fP^f

h

$h.

^5!Piano

mik^m

j r r r=s^^

^g/ ^<

^ *^=J^£?

#

Dan - za,_ dan - za, fan - ciul - la,_ al mi - o can - tar. dan - za,_Dance, O— dance, maid - en gay, to the_ song that I sing; dance, O

=k

i 5 iri j) 5^ |j| J, * * * ** ^w^ iiW^FP 3=

fe J Q{ij

io j ' ^"jji j^dan - za,_ fan - ciul - la_ gen - ti - le, al mi - ' o can - tar.dance, maid-en_ gay, to_ the_ song, to the song that I sing.

P^HS

~a

* * *if

^/ Pm ^

i^3*-*

41573

Copyright, 1894, by G Schirmer, Inc.Copyright renewed, 1922, by Theodore Baker

29

$ Gi - ra leg - ge - ra, sot - tiLight- ly and air - i

-ly fly-

i# IP5

35/

^^7 a :

^1iPPf¥S

^P«s

3

* hs^ IIle

While

al

bound

P^suo

ing,

no,re

al

sound -

'4 tl| | |5

E9E3zz—9-

^j tf

1^=1: I H"*s

J^J ' J J JWWWs^

^3?

*^

^ £̂ ^r f ~o—mar.

ring!

suo - no del

ing, the

lbn - de_ del.bil - lows out

Sen - ti_ilDost thou

;#5 5= 5 P=3=l

^l^jp3=1=4 1=3i=i=i;

m p ^^w^ r '" j ; ' -&-m jju i j mmp p ^ ? Stat

va - go_ ru - mo - re delhear the low_ voic - es of

lau - ra_ scher - zo - sa che par - la.breez - es_ soft_ blend -ing Ap - peal to_

al_thy_

~m m w _ 1 m*^: S*# r i

js:

=^

41673

30

iHHIF

fc*cresc.

W ^^Ian - g"ui - do suon, con_

heart with their blan - dish - ing_ tone, their.co - re con Ian

blan

;*£=* w •< J> ^ -'77J ^^5 * _ M

#i=S ^

^ fvi - ta_a dan - zarvite to a dance

sen

nev

zaer

poend

m ^ m m b:j. Iffl % r? frfpm ^ ^^ 4z— * ^^ f*P£*

pp

ifi*-5- U J ' i Jira^sa,

ing,

sen

Andza

whispo - sa, chejnper, "Dance

vi - ta_a dan -

on! dance

s

m ^Wf^F^ P^i &

31

i j'j j ^ fzar. Dan - za, dan - za, fanon!" Dance, O dance, maid - en

ciul - la-

gay, To.gen - ti - le, fanthe song that I

gjw£= nn mm i mm3^ -&-*i

cresc.

4J ' u j i ^ 'J 4ciul - la gensing, Dance, O

ti - le, al

dance, maid - enmi - o can - ta - re, al

gay, to the song, to the

as mm =5P^EE 3=1f^ 1Sc-

32


Vergin, tutto amorVirgin, fount of love

PreghieraPrayer

Francesco Durante(1684-1755)

Largo religioso J. = 40

Piano

^f3 ^ *rm^y v i ^^£ £pmor,

love,

o ma - dre di bon - ta -Dear Moth - er, thou of mer -

de, o ma - dre pi - a, ma - drecy, whose heart was riv- en, whose heart was

4444

33

*ffftor,,

cry,.

:i—del.

to

^_ peca sin

ca

ner's

tor.

cry.

if # # #i iii«l^ j an mj ^#

^ fs £^ -r—r- «h j

* S 5^^ ÊE^ £ f> 5 P#*II pian - to suo ti muo - va, giun-ga-nq_a te i suoi laLet kind com-pas - sion move thee, In mer - cy hear_ her sad la

I iildli iPN i i ; i i ; » » : ; r »i=»•* )• 7jji r :z * P y y ^ ^$ #* «i(g^yp r v t^m m m 3=if

men ti, suo duol, suoitri-sti ac - cen - ti, sen-ti pie- to - so quel_ tuoment - ing, Her mourn - ful moar_ as - cend - ing Un-to thy throne of grace_ on

P ^ ifljî ^J ^J^P ^ : J J jîî iH

m ^mcresc. assai

* 5

cor,_ pie -to -

high, thy throne .so, pie -to

of grace.

so, pie- to

on high,.

so quel_ tuo

un - to— thy

îiitt M̂î J i m-m i i I I Icresc. assai

S m ^^ -^-r £ S -y—y-—^"

41673

34

#iP

cor,

throne.quel

- •> J> J ly gtuo

oncor.

high.

ma - dre di_ bon-O Moth - er, thou of

w^-{ i iiiiiiii Pit I«^m * * # *m m i ^ -y—y- £

# 7 7 55 p li s*


Voice

Piano

* Larghetto J = 6o

i^mdolce^ ^

Caro mio benThou, all my bliss

35

Arietta

Giuseppe Giordani (Giordanello)

(1744-1798)

^mr r

w

^rrr^ i

mWr rr olargamente

m£ i

#n^ ^py ^£ i j?j> i>

#

Ca - ro mio ben, ere - di-mi_al-men, sen - za diThou, all my bliss, Be- lieve but this: When thou art

te

far

pmlan - g-ui-scejl

My heart is

Pi W6-77

S ja dolcer r r f r 77

£

J?

? ?£ £

* S g1 J ^ J' #cor,

lorn

ca - ro mio ben, sen - za di te_

Thou, all my bliss, When thou art far_lan - g-ui - sce_ilMy_ heart_ is

r^ f pp=r

f=*^»

r rrr r^^g^ ir

4157:{


Copyright renewed, 1922, by Theodore Baker

36

P

II tuo fe - del

Thy lov-er trueso

Evspi-ra_p-er doth

tf & m^ n | Ji

gnor.

sigh;

Ces

Do- sa, cru

but fordel,_ tan - to ri - g-or!

go Such cru - el scorn!Ces - sa, cru-Do but for-

;* i nHI8|»H :mITT /±\\ P £ i ^ P

*/ rit. a tempoppp

f^ij J r ^ m?del,

go

tan - to ri - gor,Such cru- el scorn,_

tan - to ri - g-or!such cru -el scorn!

: fl ijTTiTji

^ r-*^-t̂

M i SCa - ro mio

Thou, all my

a tempo

1f r't f

jtpp

w^41573

37

** j j. >«/

s g J Ji J^lben,

bliss,

ere - di -mi_al-men,Be - lieve but this:

• ^sen - za di te Ian - gnii - scejlWhen thou art far My heart— is

3F=F3?mr r

m ? ?

n p^r

Z& £

f i

P

*^ cresc.

^ ^J A Jt/^w cresc.

5^ £ ^cor, ca - ro mio ben,

lorn, Thou, all my bliss,ere - di - mi_al-men,Be - lieve but this,

sen - za di

When thou art

r7\

rl

i j J. j i i^

te_far.

Ian - gui - scejl cor.

My heart is lorn.

;#g£1 #SMp^ -C.ry

5B=

colla voce J9 /g V, ^

* 3 J.

rit.ff

i

4'573

38

del mio dolce ardorO thou belov'd

Aria

English version by

Dr. Theodore Baker

Christoph Willibald von Gluck

(1714- 1787)

Moderato J = 46

Voice Sp dolcissimo

del mio dol - ce_arO thou be - lov'd

,whom

iiiHii ;,tiirmPiano

^^ H- ^==^ h- * * 5?

md̂or _

long.

bra

my

maheart

tojDg- getde - sir

yjflyflfyfl^il l^t^=$z4ztm $ h * •

* ^ ^^iF F

^ ^ £to,

eth,

bra - mamy heart

tq_°g-

^de

getsir

to,

eth,

41576


Copyright renewal assigned, 1926} to G. Schirmer Inc.

39

*p ~

I I

> d

L'au

At

ra che tu re

length the air thou

P^spi

breath est

#/) * -ll

^^# ^al - fin re

my soul inspi

spir

ro,

eth,

3 ^ J *

^*

T7

y 5

f

Sa £ £"P 7 [J 7~ "^ 7 ~^ 7

#/

*= ss ^f'^^IJIJ sal

my

fin_

soul.

re - spi

in - spir

«\

«

tftftfi/ v3:

r\P^^ S

41573

40—*

i PSro.

eth. Whervime'er

quejl guarmine eye

dojomay

^^^^^^S^ * h fp—«^t

jn^ni »fl^s*

\ ^

# ?wan

ro, Le tue va

der, Still of thee

S ^^ghe sem - biansome vague sem

ze A -blance Doth

y

jjj^ii-yjii

fjff^*9 \ 1 p ? i^^ p^-fT^—f#^=^ ;>

> J8

] j^ja^^ «j j ^ \ ^ 7 !?• *Pmo - re_in me_ di - pinLove a - wake with- in _

ge: II

me, Mymio pen-sier si finev - 'ry thought doth win.

geme

"*"•"*" www »y * W m m • w • cresc.k

>\, J' 7 J' 7 b y J'

Le piii lieTo yet fond

te speer re

f' yffl*fll*£3*jj3

^ ^cresc.

^ =&-

«.

^ i i i/

fill*ffl

1 i. S41573

41

*lim.>assai P

m m m*ranmem

ze ;

brance;

EAnd

nel de

in this

dim. P^^^£ £ ^^___^£_

o che co - si_

dor that all. mymembo

piesom

il

sopetfir

to

eth

^y^y^f |?fll?ffl'*r

£il?jjj

P f^ crvsc. dolce4^m* *[T |> J

* I * p p J> P

Cer-co te,Thee I seek,

chia-mo te,Thee I call,

speFond^^ 3^5 ¥

,» :Tl: i »: i» n % -j—%—f^^P 7 £7" V 7 P 7P 7 p 7 ft 7 ft 7

^ ten.^PPm ^Pfa piacere)P

P tro

fib

i* i

e so

and e'er.spi

fond

ro.

er.

Ah!.

Ah!.

WM ^S £isJ? col canto pp^

r« r

^^^ £ *c\^ ^41573

42

tP^o

^ J^ Jdel mio dolthou be - lov'd,

£ =^ce_arwhom

dor_long.

bra

my

£1*4 «* t444

^h h

Pp^'

^'^

m m ^d * i dmaheart

toog- - getde - sir

to,

eth,

bra - mamy heart

to_pgde

p h h ^HTi^mHiPflrh- *v5^p^3

p

I^

*r

get=sir

to,

eth,

L'au

Atra che tu

length the air

re

thou

Mi'ttuuviBm h t Ji < h *

1«i^^=j l§

^ni iiviii lit£=

1573

43

i P * P^Pspi

breath est

al - fin re

my soul in

7 |

s ;\ 5cLffljJB

fI

3 ^s£ t

£ £ ^-r^T

"

j I 7 p EE

(CN -c\ >

{[ff p iJvJjt.fin,

soul,

al - fin_

my soul

£\

re

inspi

spir

iffmsiPiii1>

ii if«**41- C

o>

g ^J^

T

J-'

J

41573

44

Che fiero costumeHow void of compassion

Arietta


Giovanni Legrenzi(1626-1690)

1 1 ^> j I •Allegretto con moto J-=_56

tst&£=PP^ * **^ *Voice -*—+ *

Che fie - ro co-stu-me d'a - li - ge-ro nu - me, che_aHow void of com-pas-sion Is Cu - pid his fash-ion, Who

leggero e grazioso

Piano*

^ ^ J> J^ $ 1"p$ A b ^5

/ P

v pr rĉhejiWho

for - za di pe - ne si fac-ciajt - do-rar, si fac-ciaja- do-rar,

drives me by tor-ment him-self to a-dore, him - self to a - dore,

%D. * %b. * %b. *

f h 1' i* ^ J> J'. 1^for - za di pe - ne si fae-cia_a - do-rar!_

drives me by tor-ment,him-self to a-dore!

P*P-

m £ ?%2L *

Copyright , /#£4, *y (?. Schirmer, Inc.


%X *

I te^mf un poco meno "fz —^

m t- t JM J^Jy^JVf iii> J^pE pur nell' ar- do- re il dio tra - di - to - re unAnd yet in my ar-dor I fol-low the hard-er The

JTEJ1* L^

peg r

ejgr^_ dQl-====_ ^»

*E^^va - go sem-bian-te mi fe^i - do

-la-trar,.

vi-sion e - lu-sive he shad-ows be-fore,.

un va- go sem-bian-te mi

The vi-sion e - lu-sive he

I 2:2zzz

f ¥ f ^p£g^g v ^f~

itWM^77

/S*&L *

J

j.u Vr *M^^

%3l * %). * %D. *

$ feratf.

sy ju a 3=5Tempo 1°

sfz

¥rdim.

^m Jij,i y^ig £feU - do - la-trar.

shad-ows be-fore.

Che fie - ro co-stu-me d'a-li - ge-ro nu-me,che_aHow void of com-pas-sion Is Cu -pid his fash-ion, Who

Isfz

p_5Uam r 1 p r p

46

cresc.

I>l> JlJ^J^p J^ J\ Jl J JM^/ w/

p- ft r g Pfor- za di pe - ne si fac-ciaa

- do-rar, si fae-eiaja- do-rar!_

drives me by tor-ment him-self to a-dore, him -self to a-dore!.che_aWho

%b. * # 'Jto. * %).

I i>" i> r> JUi/

P P P F' Psfor - za di pe - ne si fac-cia_a - do-rar!

drives me by tor-ment him-self to a-dore!

m 5pi vnP?m^

/

i ii1S2T%a %a * %a *

fefc^ ™/ */* «±s

i

*=* m s ^p5=5±Efe

Che cru-do de-sti - no chejm cie-co bam-bi - no conO Des-ti - ny sense-less! A boy so de-fence-less, Scarce

r*~±tJr^

cresc. f

gj^m/ ^ A*-ftP ^ p r p

%& * %x * %a *

41573

47

& fctecresc. f P

boc - ca di lat - te si fac-cia sti-mar, si fac-cia sti-mar, con

wean'd, yet can make us his fa - vor im-plore, his fa-vor im-plore,Scarce

111^ tjcresc.

»^ ^r-r i 5 »i «i^E tB

Wn«Sa * %& * 9k #

j^ J> J^ JW' r J^'-M Sboc - ca di lat- te si fac-cia sti-mar!_

wean'd, yet can make us his fa -vor im-plore!.

Ite

^—

g^f^

7 y

^^ ?1 . rT3 -3a:

cresc.m mc&>. *

mfun poco meno rfz

41573

*®espr. . ,

-

tran-do perglij)c-chi, mi fe' so- spi- rar; _ en-tran-do per gli

Sbar-bar-ous wiles till we sigh and give o'er,

oc-chi miWith bar - bar-ous wiles till we

*1*

ill i-f i/J^iJ.^i#a

^ trit.

Tempo_P#,r

^FFf^ -v—

r-

dim.

Pur dicesti, o bocca bellaMouth so charmful

AriettaEnglish version byDr. Theodore Baker

49

Antonio Lotti(1607-1740)

Allegretto grazioso J =69

\j% f ti^ f ^^Pten.

SI m ^7 ^ -f=

ten.Piano j»e leggero

SpJ J.

£ ^ P 3I

£3S si P m ^ pn ^^3

few.

im/ jRPS S .*^ ^^^33

IVoice

JmJ'- b p Jmj a JmJ'- p p-^5 ^Pur

MouthM

di ce sti, o hoc - ca, hoc - ca bel - la, o hoe - ca, hoc - caso_ charmful, O tell me now, O tell me, O tell me now, O

* £ X **} 5

Nf-^Jr

_p sempre

2£ P P £^PP P

#

#-tbeltell_

la,me.

P ^3g?ca

luressi,so,

^pbel

tell

#

la,

mequel

Whyso - a

thy sweet

vee caness lures

ro

me81,

SO,

f^=^£ £ E ff^_f F

g P S 1 fe?i.P41573 Copt/right,

1894f by G. Schirmer, Inc.

50

dolce

si,

so.

;#

£ mclie

That

fa

in.

tut -

thee

to il

all

miobliss

piais

cer,

mine.

*mi b ¥

il

all

33S i=t

ten.zz;SP

zr ^f Pi—j-lM

mio piabliss is_

#rit.

cer.

mine.

^

—»—» •ce - sti,charm - ful,

Pmio piabliss is

i^B

cer.

mine.

« tempo

Pur di - ce - sti, oMouth so— charm -ful, O

Wf12=!^ fc=*±=!* *=^=^rit.

?» f^f n •-7m

T*J

m££ben cantando

tcresc.

^mcon graziapp rit.

mim/

.MJ J Up^U^'Msboc - ca, boc-ca bel - la, o boc - ca, boc - ca bel - la, quel .tell me now, O tell 'me, O tell me now, O tell me Why_

so - a - vee

thy sweet - ness

'^i¥^^ ^^5 5fcresc. ppcol canto

m:£

/ten.

Pten.

P41573

51

jzj±fp' j^ i j^J ' 7

iJ~r

con graziaf &L portando

K \ mro sica ro si, si, quel_ so

- a - vee ca

lures me so, so, why_ thy sweet - ness lures me so,

i^lten.

*-J—

r

*t—\± \r ^r

fi

ten.^5=5

ten.

£

^5ten.

3=£

-»—yv E

g

ji^i^g////

Mif^^j i ^JJi •zd:che fa tut - to il mio pia - cer,That_ in thee_ all bliss is mine,

il mi - o pia - cer, _all bliss_ is mine,

i-^-p J li,JJjjJ p J> I J f^^quel.

Why.so

thy

a

sweetve_e ca - roness lures me

f3 J J J ff yj njq- ^ i j-^^s^« t>-il mio pia - cer,all bliss is mine:

quel

Why.so - a

thy sweetve_e caness lures.

ro

me

n\-7"

1 J. 7 »im s p s

^ pifew.

=^M? ^ fe^. /e».1=1 £41573

52

^ cresc.

r">r r i-m j-jiSI, SI,

so, so,

cer,.mine,.

f smorz.

% P* dim.si, si,

so, so,

che fa tut - to il mio

That_ in thee_ all blisspia

-cer, il mi - o pia

is mine, all bliss is.

53

iL>Cr»'r^mor t'a - pri,with a kiss,—

PP^P imf

:s=

pri,

kiss,

$> HPs£

con_ un ba - ciq_A - mor t'a - pri,Cu - pid_ ope'd thee with a kiss,

dol - ce foil - te

Thou sweet fount of

er

\*i) JTi

pp

^ z

m

^

ir«v.

« tempoPP^&m^ ^ i JTi; s riten.3 3m* * •*

del go - der,

joy di - vine,

i ^5ah!

ah!

a tempo

ah!.

ah!.

ah!.

ah!.

fr—h fc=h 5 55B=** S^^s^:« 5 #IS n*col canto pp riten.

9E^ m^ ?=p ^

i j n a*•

^si,— del go - der.

fount of joy di- vine.

.^F*^ rail.

Ias

J P d'd

t^9-

8i, del go - der.fount of joy di - vine.

Tempo 1°

D. S. al Fine

41573

54


Voice *

Piano

*Recitativo

^^

ia piacere

II mio bel foco

My joyful ardorRecitativo ed Aria

mf_

Benedetto Marcello(1686-1739)

£

II mio bel

My joy-ful

J J'T $ j '

^5fo - co, o Ion

- ta - no_p vi

ar - dor, wheth-er near or far

P:sl.

mf

?P-WJ

S hOr 4

hr» O h.h.p ji 7 j U j^ ^

ci - no ch'es-ser pos-s'i - o,dis - tant from thee I tar - ry,

'» .h hi . 5sen - za can-giar mai tem - preUn - chang'd and con-stant ev - er,

it

perFor

ggjvx\ TltL

m w *•tt;

* ^ ^M p rit.? *« IP^ile, ar - de - ra sem

ed, Shall lan-guish nevvoi, ca - re pu - pilthee, O my be - lov

pre.er.

*j »i j "f r ^i #^fP35

/ prit.^=3=1 ^ i# ^%D.41573



Allegretto affettuoso

55

[J'Tj q.iij QjiQuel- la _ fiam-ma_ che m'acIn my heart the flames that

cen - de,burn me,

73

mi - a, che giam-mai s'e - stin-gue - ra, s'e - stin-gue - ra, s'e - stin-gue-rav - ish, That they ne^er shall cease to glow, shall cease to glow, shall cease to

,# tsfe It

8P rit.S ^f -&±

41573

NEW YORK PUBLIC LJBRARY FOB THF^j^BOBjtfHiS AEW4Q.LLN.GQUI-CfeT 1X3P,g-R3£, NX '10033?"

'

56

p dolcemente legato e cresc. —-=\ 3 S te

ra, pia-ce tan-tq_al- lal-

glow, All my soul do so—?m *w p n

ma_ mi - a che_ giam - maien - rav-ish, That they ne'er

s'e - stin - gue •

shall cease to

^mt t i- fe=i 3 tf^^^^J—fl- ^^ P^T f*

pm ^ cresc. sempreK i£ Vche giam-maithat they ne'er

gue - ra,to glow,

ra,_ s'e - stin

glow, shall ceases'e - stin

shall ceasegueto_

& p n't.ma tempo

wr$ SP 3EEfe

*ra, s'e - stin -gue - ra, .

glow, shall cease to glow,r\

#=1s'e - stin- gue - ra.

shall cease to glow.

§>

^— is fEF?£

cresc.

g£/ ^ _?? co/ canto a tempo!=hi

^t i 1 1m i *p-r fuqt

iJO legato con grazia

?s

:*«

E sejl fa-toji voi miAnd should fate to ye re -

•-T*1 ^tt«*~

/ f#*i^

_/? dim. smorz. p

}T

rr»cjf^M t

i

I^P

*

rs::

41673

$ s 1 s & =Sren - de, va - ghi rai del mio bel

turn me, Wan - dVing rays of my fairso - le, al

sun,_ Oth

s S 57£tra lu - cejjl - la

er light I covnonet

;#

JgE

5

^: Inla

g£

1:z_

£ P

*^ ^

3=fc » E3 S1 ^ ai#

vuo

none,.

le ne vo - lerNor the wish

giam-mai po - tra, ne vocan ev - er know, nor the

z^lm m—n>cresc.

m ±±poco a poco

» ^ ^fe S=p: &^ZJ*

I^ cresc. poco a poco

^Ŝ J'J'V J^ itler giam-mai po - tra,wish can ev - er know,

ne vo - ler,nor the wish,

ne vo - lernor the wish

giam-can_

po - tra, giam-mai po - tra, _er— know, can ev - er know,

ne_ vo - ler giam-mai ponor_ the wish can ev - er

* I-r

zmCj

5

$'f f

Pi

colcanto PP

EEfe^r r r r-r r j

41573

58

i ttra.

know.

;Pfmpa tempo

¥t

=t^n

icresc.g

3 S^^

i

3r *

3:

"

55P:P2B=?F f=^t r^FP PP

*r

^p

' Jj»«M

*

Quel - la , _

In my_

fiam- ma.heart the.

che m'ac

flames that.

cen - de

burn mepia-ce tan-tq_al-lal-maAll my soul do so en-

[# mr^ f w.p r rs ¥ ±Efe^*

jfc ^^ ^Z J' J' Ji J> J'"^5## j^i'WiJmirav

pia-ce tan-toal-1'al-maall my soul do so en

mi - a,rav- ish,

che giam-mai s'e - stin-gueThat they ne'er shall cease to

^ J' J. J> ' Jra,

glow,

Ps'e - stin-gue - ra, s'e - stin - gue - ra,shall cease to glow, shall cease to glow;M1 ^

w-6^

S Mfrit

if

|1

pia - ce tan-to_al - l'alma.

All my soul do so en

1t m

mp

41573

#fe^cresc.

a che_

J. &p

J> 1 J^^ I-mi - a clie_ giam - mai s'e - stin - gue - ra,_ s'e - stin gue - ra,rav-ish, That they ne'er shall cease to glow, shall cease to glow,

59

che giam-that they

m X ^99E 5S1cresc.m ^S

j * r»f P O pj^Jtt

h

* i/***

mmra tempo

m^^^ m9—d

maine'er

s'e - stin

shall ceasegue - ra, s'e - stin - gue - ra, s'e - stin- gue -

to_ glow, shall cease to glow,_ shall cease to_m ^ & ^*=*^rN col canto.

cresc. r _

5^ =S ±Q ia tempo

£3=fe^ • F • f=ft

tp dolce

P P P P P P^^/^

fra, quel - la

glow, that they.

fiam - ma giam- mai, giam-mai s'e - stinne'er shall cease, that they ne'er shall cease.

;#

(7\

gue-to

£€^t rinforz. e rit.

ggggre

Pa tempo

41573

60 Non posso disperarI do not dare despond

Arietta


Andante grazioso J=soa piacere

Voice

Piano

-6 "g

4gE

^

P^P^Non pos-so di-spe - rar,_I do not dare de - spond,

i yftr

S. De Luca(15... -16. J

^rrn:9 f

tp

IZZJI ^^ e^p^m £non pos-so di-spe - rar,_ sei trop-po, trop-po

I do not dare de - spond, For thou art all too

$fiwnti'rrr?m w^m.

& r» ;> ;< iJ > j Jl > > h> i /? JJ^i^^ca - ra, trop-po, trop-po ca - ra, sei trop-po ca-raal cor ; non pos - so di-spe-dear,— thou art all too dear, too dear un-to my heart. I do not dare de-

$ hV

f3=^=^ tli ivi&t i Wfrfr2>

P^t H J J J I J. ?JJMCopyright, 1894, by G. Schirmer, Inc.


41573

61

pp a tempocresc. % -f ™t- , pp a tempo

rar, sei trop-

po ca - ra, sei trop- po ca-raal cor-, non pos - so di - spe-

spond, For thou art all too dear, too dear un-to my heart; I do not dare de-

v—--/ cresc. ^——Z^r""^ piu cresc. rit.^^mfn JrP3!"^%

pjpa tempq^

*

?/ deciso e rail.

pp=p P3^Fmrar, sei trop

- po ca - ra,

spond, For thou art all too dear,

sei trop -po, trop- poFor thou art all too

mm'Friprisn f> will. ^^**m \fdeciso e rail

^P-

^r_LLfr l

-m _ _,— wTT T

p P a

I P «^

J^ Ji-lj <feh

7 *' pF^ igca -

dear.ra, ca-ra_al cor:

un-to my heart;

Sei trop - po, trop- po

For thou art all too

assai rit.

\fa ,1 _ J'Br^^ca -

dear.ra, ca-ra_al cor.

un-to my heart.

tt OT ^=g^e=P=P=i» m m_ 5'j j Eflfifp si 1 4 ttjgf^fjgassai rit. ffe deciso

^uu JNassai rail, eff

;:a^ £¥^741573

62

^mp dolce e legato assai

m mm ^5iA i t ft mPvII so - lo spe - ra - re,

'Tis on-ly hope so fond,—il so

'

lo spe - ra - re d'a -

'Tis on-ly hope so fond, The

^Ir-p pi'J

j,^ | J jiy p P I J ^'^ ^

ver a gio-i - re m'ejin dol - ce lan-guibliss -es of wait-ing, That soothe while ere - at

re,m'ejin ca - ro do-lor, m'eun ca -

ing The pain they im-part, the pain,

rff"H J J J *

r

3

*f

' *T

i^^ £

^ 5 *- ro. m'^jm ca

the pain.

ro do - lor, il so - lo spe - ra - re d'a -

they im-part. Tis on-ly hope so fond,_ The

^H g^ Lir rr f 7 7^

t> H, Jl?J

,

iJ * -h ^^^fl

—», . k . " _^ cresc.

ver_ a gio-i - re, m'eun dol - ce lan-gui - re, m'eun ca - ro

EE^ £L'ejin ca - ro do-lor, ah,

bliss-es of wait-ing, That soothe while cre-at - ing The pain they im-part, ah,

41573

et

m̂~^' t p p ' Ci Jl *p r ^_ _,v _J==- ./? « piacere^^

si! m'eun dol - ce Ian- gui - re, m'ejin ca - ro do - lor. Non pos-so di-spe

yes! That soothe while ere- at - ing The pain they im-part. I do not dare de

¥ v—^rar,_spond,

$^=f

l y U 1P 7 LJLL5

^^J?

^ fe^E ^^5 I fF?^5P M P £ ^

non pos-so di - spe - rar,_ sei trop - po, trop - po ca - ra, trop -po, trop-poI do not dare de - spond, For thou art all too dear, thou art all too

#cresc.

E5h^j^j^'J^ i ;* J'J-^W 3& •—* f

ca - ra, sei trop - po ca-ra_al cor; non pos - so di - spe - rar, sei trop - po cadear, too dear un-to my heart; I do not dare de-spond, For thou art all too

f n>Jl i^mi I'tyixir

i 7 7p r-Tcresc.

41573

64piu cresc. f deciso e rail./'••»«y~« rif y ppa tempo j aectso e ran. ^ ^

A1-

'\o p y P i f bp r p ^- ji | J ' p, r~r^^ra, sei trop

-

dear, too dearpo ca-raal cor ; non pos - so di

-spe-rar, sei trop - po ca

un-to my heart; I do not dare de-spond,For thou art al too

£*m J13 J--JTJ » mn M p * * p r "^ TT^f ^—rm piu cresc. rit. fesljpp

a tempo f deciso e rail

P ^fi

»

^ # J 1 J' Ji h#^£ 22ra,

dear,

sei trop- po, trop - po ca -

For thou art all too dear.ra, ca-rajilun-to my

^ ssassai rit.

^ ŵ—id 9 a—i^f^cor,

heart:

Sei trop - po, trop- po ca -

Thou art too dear, too dear.ra, ca-ra_alun-to my

# m mraff§ rr^rr T

%1573


Lento J = 58

Lasciatemi morire!No longer let me languishCanto from the opera "Ariana"

65

CI audio Monteverdi

(1567-1643)

Voice

Piano

iP dolentv

gv

66Nel cor piu non mi sento

Why feels my heart so dormantArietta


Giovanni Paisiello

(1740-1816)

Piano

Andantino J---58

d̂olce

*W¥*

Jfl* i f- 5

mmjfl* *Jj31 V m * *f—»h

W£

^mV I* _^j i v \ *3

EJ^tJ^ 1'

J^7 7 J^7~^cresc.

Ê

fe^k«

r-u pîcXJic V

I. Voice i>

£5 hn 5

T^ 1Nel cor piu non mi sen - to

Why feels my heart so dor - mant,hril- lar la

No fire of_g-io

- ven-

youth di -

IS m P^fP ffî/ ^gg # P P^ #Î

ho\

5EE* V SEEâr "p r p

tfe

tU;vine?

ca - gionThou cause

del mioof all _

tor

mymentor

to,

ment,

aO

4 4 j a j f^p5 5^P^

J^L

41573


Copyright renewal assigned, 1926, to G. Schirmer. Inc.

67

S PJg JM J ^ p I f nK P I ? ^ J'

T *

mor, sei col - pa tu.

Love, the fault_ is thine!

Mi piz - zi-chi, mi stuz-zi-chi,He teas - es me, he pinch-es me,

miHe

:te ^JJTTJ i^P ±~t'^-» * »^ # e^^ 4f# r jm J j^^~> jiiij J^J^-J' i r--p^ £

pun - gi - chi, mi mas-ti-chi ;squeez-es me, he wrench-es me;

die co-sa_e que - stq_ahi - me? pie -What tor-tures I must bear! Have

/7\

ta, pie

done, haveta, pie - ta!_

done, have done!

a - mo-rejuin cer - to che,Thou, Love, art sure - ly one Will

m r\P3S r\5=*m2=fc

IP

risoluto

_# ^-9~-i ; m — fc£Sdi - spe-rar mi fa.

drive me to de-spair!

li^fpfi5

fcfc

^Ss S

^Sfo tev i

^1573

68

Se tu m'ami, se sospiriIf thou lov'st me

Arietta


Giovanni Battista Pergolesi(1710-1736)

Andantino J =58 fT\ PVoice

Piano

±^m s * cresc. rit.5 h i n j. r\W^ma

lov'st

mi,

me,

se tu

and sigh

so - spi - ri Sol per me, gen- til paest ev - er But for me, O gen - tie.

#

stor,

swain,

S h y s ^ y h«Tt: It*

cresc. rit.

V* J -J- S^m

i8

jp a tempo

i'lJ '^r J' I J 1

/ /«'£^E5 -—«—_——* p^P£ s*^ ^P

Ho do- lor de' tuoi mar-ti-ri, Ho di-let-to del tuo_a-mor, Ma se pen- siSweet I find thy lov- ing fa-vor, Pi-ti-ful I feel thy pain. Should'st thou think tho',

%1—^3 » SB m &m

%> a tempo f

SE h-^-h Sth h . .h

h

T H¥ r=^f f r41573

Copyright, 1894 , £y £. Schirmer, Inc.


itpp^ie^ii/?\

a tempo69

S

#I

che so - let - to Io ti— deb- ba rithat de - mure - ly I— on_ thee a - lone

a- mar, Pa - sto-rel - lo,may smile, Sim - pie shep-herd,

h

& hIs;

h

r £

h

FA

r\

If

« tempo

~t— ir

I K.x

? ^s p 5^ sj?jt?

(i- JJJ^ I p' JJ3 .Msei sog-get-to Fa - cil-men-te a t'in - gan-nar;thou art sure-ly Prone thy sens - es to be-guile;

Pa- sto-rel- lo, sei sog-get-toSim- pie shep-herd, thou art sure-ly

*:*=*

h.^ I * l=t:be«=*SS=!:5 Hp=P

Ef^ ^=£

h h

P-^ W—#^Tprcresc.

G&P& ^ g^^ V ffi^5

Fa - cil - men-te_a t'in-gan-nar.Prone thy_ sens-es_ to be-guile,

Fa - cil- men-tea t'in-gan-nar. Bel- la ro-sa

prone thy_ sens-es_ to be-guile. As a fair red

#fe^ m$ ^*=*=3 *poco cresc

3 P3̂ frpor - po - ri - na Og - gi Sil - via see - glie- ra,rose, a lover Fain might Syl - via choose to - day,

Con la scu - sa

Hap - ly if he

41573

70sempre cresc

l % J' p^/ji'p p g I fT p J I p P |T^1^»>J

%

del- la spi - na Do-man poi la sprez-ze- ra, Do-man poi la sprez-ze- ra.thorns dis- cov- er 'Tis to-mor-row thrown a- way, 'Tis to-mor-row thrown a- way.

^^ su :'g '« « ^f asempre cresc.

PB&S ^ ^^^ ?^^ M

cresc. un poco

^B^5 ££-i h h £^5 P?Ma de - glijK)mi-ni il con- si - glio Io per me non se-gui- ro. Nonper-che miAll men say of maid - en- fol - ly Finds no fa - vor in mine eyes, Nor be-cause I

m m V= S mm &^ v &-*£3 aSI

b h £ tv ^cresc. un poco

3=mP^^ ^ r^r *r^

/T\

pia - cejl gi - glio Glijil-tri fio - rilove the lil - y Shall I oth-er

$ h *

sprez-ze - ro.

flow'rs de - spise . a tempo^m » m& &rit.

P3B

1*c\

PJ5_ hL _h ^t

P^P i *m *pp p^p* (T\ P

cresc.

r &-N A I J' J J' I JJ ;. Jj .HSe tu_ m'a - mi, se tu so - spi- ri Sol perIf thou lov'st me, and sigh - est ev- er But for

41573

71

4t

rit C\ p a tempo+-*- X

i.

T'

p J' *J* | J

'

^' n JM^*£e£ a ^

s

me, gen- til pa - stor,

me, O gen-tle_ swain,Ho do - lor de' tuoi mar - ti - ri, Ho di - let - to

Sweet I find thy lov-ing fa-vor, Pi- ti - ful I

'

'

J7

£i rit.

~*

^mmiO\

==±^ *

jo # tempom

r^r £

s=S±3jl ; ^F^F

^^fc=t

f=^\

i *ra£

5^5 iMpTr-ri'J' l ^-g^iiUJ'C/P J1 l g&^

• * i=±^

tdel tuoa-mor, Ma_ se pen- si che so - let - to Io_ ti deb-ba ri - a- mar,feel thy pain. Should'st thou think tho', that de-mure-ly I on thee a- lone_ may smile,

m M Jfr h ^ J? - - 3 h i /TN«tT^?a tempo

t r"

^Jr r £a tempo —= =— pp

Pa- sto-rel - lo, sei sogget-to Fa- cil-men-te_a t'in - gan-nar, Pa-sto-rel - lo,Sim- pie shep-herd, thou art sure4y Prone thy sens - es to be-guile, Sim-pie shep-herd.,

WUr ^«P—ri «.

cresc. rit. assai

£ EH.HJ?r?wir

«̂—>sei sog-get-to Fa - cil- men-teja t'in-gan-nar, Fa - cil - men-te_a t'in-gan-nar.thou art sure-ly Prone thy_sens-es_ to be-guile, prone thy_sens-es_ to be-guile.

_. k rit. assai /C\

41573

72Nina

Canzonetta


Attributed to

Giovanni Battista Pergolesi*(1710-1736)

tAndantinoP ^^ 3=i ^mVoice Ieee m 5^m ^mTre gior - ni son che Ni - na,For three long days my Ni - na,

che

myNi

Nina,

na.

che

my

3Efe m^uiPiano < Py b « *

73

^. « _ li„ * *-» >^.»o \Ti m£»4- to an

1net - ta,net - ta,

sve- gliaa - wak

te mia Ni - net - ta,en my Ni - net - ta,

ac - ci6 non dor - mathat she may sleep no

piu, ac- cio non dor - ma piu,

Tnnrfi, ( that she may sleep no more,sve-glia-te mia Ni - netA- wak-en my Ni- net

ta, sve-

ta, a-

jj^CT

r- r ^ ^

*

77

Sr

i^jjjjjjs.?

pglia- te_

wak- en.mia.

my_Ni

Ni

net

net

I' it,

cLC

ta that

cio_ non_ dor - ma piu.she_ may_ sleep no more.

* IPS PUPfiji J jji»ijp t f ?^ ^^ :s

^&Pf?\ a piacere

n$jT$!&^m ipiu,

more,

ac

that

cio

she

non

may

mi £

rdim.

V

-zr~

dor

sleep .

22>

mano

piu.more.

^c:

I2*pcolla parte

7> I

41573

b:

5 ;

nGia il sole dal GangeO'er Ganges now launches

Canzonetta


Alessandro Scarlatti(1659- 1725)

Voice

Allegro giusto J= 126

Piano mf

fe^fe f ^^ r t^ i^g £w/ brillante

Se feEfe £ £^Gia^il so

- le

O'er Gan - ges_

dal_ Gan - ge, giajlnow_ launch - es, o'er

Pl i'j m m J J Jt * *gjpf

leggero

pppr

t ^s p^p £1 ^Pso - le dal Gan- ge piu chia- ro, piu chia- ro sfa- vil - la, piuGan- ges now launches The sun- god, the sun- god his splen- dor, the

J J:—

J . iFt Pf*=fe

mr* r ur"nh, J i 3 *

-a U r r pp pp

4157S



t p? £ J^Jh. J.poco rit.

75

schia- ro sfa - vil

sun- god his splenla, pin chia- ro, piii chia- ro sfa - vil -

dor, the sun- god, the sun- god his splen -

;#^=i=ri=i r^r^t jit iff

jpoco rit.

!=*

^ *i

« tempo m 5 3=?-S>-?-la,

dor,

e ter-gej) - gni stil-la del- l'al - ba_ che pian- ge,

With touchwarm and ten-der Morn's tear-drops he staunch-es,

; ^m ^m f^

'5"

a te?npom r r r r f

Be PP 1 £ P^ ^=^ bSTTcrrcresc. poco a poco e legatiss.

? i ' J J3£l'al - ba che pian- ge, del - l'al- ba che pian- ge, del -

touch warm and ten - der Morn's tear-drops he staunch-es, Morn's

cresc. poco a poco e legatiss.

U^=±*U i±± idaUr c r r j* r r r r

l'al - ba che piantear- drops he staunch

IftEEfe f

m/p brillante

ge.es.

Gia^il so - le_ dalO'er Gan- ges now

41573

76

f# £ ^^=£ gGan- ge, gia^il so - le dal Gan - ge piii ehia- ro, piu chia - ro sfa-

launch-es, o'er Gan- ges now launches The sun- god, the sun- god his

[#n J J. J >f I1 t § # rrf^^ s*i 4 U r r pp p^#

>i'U. J'1:JM. J

ratf. *•

5ki r t r ^ EZ

vil - la, piu chia- ro sfa- vil - la, piu chia-ro, piu chia-ro sfa - vil

splen-dor, the sun-god his splen - dor, the sun-god, the sun- god his splenm ** *=*=* i=t fflTTvti, J- ^^^ rw

H&-5"

la.

dor.

|^^ £ ^^^^ 3e?y « tempo r F—F

ggpp ^f f^>*

ih < a«/ brillante

=f^^ ^^ ^ ^

'M j r

Col

Hisrag - gio_ do

rays gold- en.

FTTra - to, col

beam-ing, hisrag- giorays gold

do - ra - to in

en beam- ing De

£

TWT IPi r7

41STS

77

m £ J r i f rgem-ma, in- gem-mao - gni ste- lo, in - gem-maj - gni ste

-lo, in -

throne, de - throne night-

ly shad-ows, de - throne night-

ly shad - ows, de -

;#Se fSg=^=

^F=£=^r r f

*» ? ** «^t f^ p

#a £ ^^2>oco r&'£ a tempo

gem-ma, in- gem-majo - gni stethrone

,de - throne night

-ly shad

lo,

OWS,

fe* se gli as-tri del

While gem-ming the

i fcfc f=l=*IS

l=i"

â tempoTT?S r̂ rs 1PP E Pf-6>

i_-

fcfc-te

jRP cresc. poco a

C> ,.P^f ^i^fc ^1

cie - lp di- pin- ge nel_ pra

-to;

mead-ows With stars bright - ly gleam- ing;

di - pin- ge nel

While gem-ming the

;# p^ppis ff r r rss u ;

2>P cresc. poco a

r Lks ^ rf r cx£r f ^^ r*

poco frit-& 4 J J 'J i J ^4-4pra - to, di - pin - ge nel pra - to, di - pin - ge nelmead- ows, while gem-ming the mead- ows with stars bright- ly

mpoco

«s iAJ=r r

i4itTTT"

AJJ iJ=i

pra -

gleam

-Jril

Lkdr rtjT r r

41573

78

#a tempo

S 1to:

1 t* ^ r J r 'r r^£Col rag- gio_ do - ra - to, col rag-gio do-His rays gold-en_ beam-ing, his rays gold- en

M 3P$a tempo ^ its^

* J r fit

i

rr?

i ^Sr f^P^PSzfcra - to, in - gem- ma, in - gem-majo - gni ste - lo, in - gem-ma - gni

beam- ing De - throne, de - throne night - ly shad-ows, While gem-ming, while

J J-, > **(s f f *^*—*w w r^rir'̂' i r r PP ^ h-£

J^Jm. J s«0oco r«'£

S ^^£ste - lo, in- gem- ma, in- gem-ma - gni ste -

gem - ming the mead-ows With stars bright- ly gleamlo.

ing.

'$b 1« 1 1 j I I J=i"=^: ww$^

I i i ]> > ^ y a tempo

S i§J U _l ==s

#•7S

l# ^^ ^^ ? S nG\

brillante

3 ŜCT7

O"

rr

P

¥ 9 ¥a tempo

~G-

^7

9:

ar z:

41578

Le VioletteThe Violets

Canzone

79

Alessandro Scarlatti(1659-17X5)

Voice IAllegretto

FfFF

4Ss I ^ f i ' t %Piano r

^s f_s EX^m

f'i.$ tj^jo> Jju^t <

J* J 11J 1

j>>* ^

Ru-gia-do- se, o - do - ro- se,

Low-ly vio-let, si- lent blow-ing,

vi - o - let - te

Dew-y fra-grancegra- zi

sweet be

42Jz t=5P

^^§S^ ^^^rjjj'irjTJ i rj

80

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82

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^41573

84cessate di piagarmi

O no longer seek to pain meArietta


Alessandro Scarlatti(1659-1725)

» < , , La prima volta •• - 80Andante con moto, . ____„ j. .

#La seconda volta

P50

i;

r r r p i r p r iVoice

ees- sa - te di pia- gar - mi,no long - er seek to pain me,

agitato

Piano <

y'«r- »r P^^S p

m h p^ ^ *£o la-scia - te - mi mo-rir,Or give o'er, and let me die,

o

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give o'er,

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$8

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ii

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mime,

ma poco

P

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ms?norz.

r f LjJl

i r ^^pp

fred - de_e sor- de a' miei mar-tir,

Nor so cold - ly hear my cry,

r P Q ^fred - de_e sor de\j&nor so cold - ly

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r&

^?/^ dolente ed appassionato

r p r Mr ^r P^^miei.

hear.

mar-tir.

_ my cry.

rit. .

ces- sa - te di pia-gar mi,O no long - er seek to pain me,

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con dolore e rit. assai

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o

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41573

86 Se Florindo e fedeleShould Florindo be faithful

Arietta


Alessandro Scarlatti(1659-1725)

Allegretto grazioso, moderato as sai «P= i32

Piano ^1 iu

PiVoice

J' Cr O ISe Flo

Should Flo

rin - do e_ ferin - do be.

* $ ^p£p

3¥^ P*=^ ^=5^ * ..^

de - le

faith - ful

10 min - na - mo - reSure - ly I'll fall in .

ro,

love;

#11 % p*^*i?

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4lffTt


Copyright renewal assigned, 1926, to O. Schirmer, Inc.

87

® mo . PR - ro. s'e fe - de - le Flo - rin - dcmo - refall in.

de - le.

love, Should Flo - rin - do be faithdo m'in

ful I'll

PHdolce E^^£pw s £ p J^ p

na - mo - re

sure-ly fall inro,

love,

10 m in - na - mo - reI

1

!! sure - ly fall in.ro, s'e— fe

love; If Flo

$ fft

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^mi m

f m p^ s:£ P 'P' 7 PF^ 5de - le Flo - rin - do m'in

rin - do be faith - ful I'll

na - mo - re

sure-ly fall inro,

love,

^ , l^> Ji^^ i,> )\ }\ |j I I.-S at*min-na-mo-re - ro,

I shall fall in love,

min-na-mo-re - ro,I shall fall in love,.

v iJ' * ^^ s£co/ canto imitando la voce

41578

- fa tempodolce

f^0 sio m'in - na - mo - re - ro .

I'll sure-Iy, sure-ly fall in love.

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m^ij J

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de - re il fa re -

the bow, Well - vers'd in

* > J' |> j J, J' |J\ j^tra-tqjir - cier,arch-ers' wiles,

ch'io mi sa-pro di - fen -

My heart I can de - fend,de - re d'un

I know, From

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s41573

ji ij i k j'l^ry i ^v^U'

89

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weep-ing,

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ma se sa - ra fe - debut if he should be faith

ma se sa - ra fe - de - le,

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le io

ful I'll

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I'll

m in - na - mo - resure - ly fall in

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love,

min- na- more - ro,I shall fall in love,

mm- na- mo- reI shall fall in

:#

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£

41573

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#a tempo

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love,

io m'in na mo - re - ro,I'll sure-ly, sure-ly fall in lover

se Flo -

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rin - do— be.de - le

faith - ful

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in .

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love:

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41573

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ss-^/- jt? rit.assai

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1 11 sure- ly,

W» ft^^ 1

ro,_love,.

ha - mo - re - ro.sure - ly fall in love .

mrit. assai

4* 3Hi ^ ^ T

41573

92

English version byH. Millard

Pieta, Signore!O Lord, have mercy

Alessandro Stradella(1645?- 1682?)

mAndantino

Piano

m^ 53

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legato'

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Pie - ta, Si - gno - re,O Lord,have mer - cy,

di me do - len - te!I call up - on thee,

p#:

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/TNW S cresc.^ ^^^ dim.Si-gnor, pie - ta, se a te giun - geil mi o pre- gar ;

Lord, hear my pray'r, Grant me Thy fa - vor, hear my prayr.

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«••

•: 1573Copyright, 1914, by G. Schirmer, Inc.

93

4PPm^^ ^m*dPi s mf i^WNon mi pu - ni - scajl tu - o ri

-gor,

Let not the hand with rig - or_ fall,

Me - no se - ve - ri,Be wrath-f ul nev - er.

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KJLjL-ft

Vol,- £rii tuo- i sguar-di

Shed Thy light up - on me,

5 ^so - pra di me,

Lord, heed my call,

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3

so - pra di me.O heed my call !

Non fi - a ma - iMy I ne'er mer- it,

che nel - l'in

That in per

fer - no

di - tion

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94

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Gran

Je

Di - o,ho - vah,

giam - ma - 1O nev - er

81

may

a danI be

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|Ndim.m ±̂ f^^ g^-r^i ^

nator

to nel fuo - cojetured by fires e

ter - no Dal tu - o ri-gor, dal tuo ri

ter - nal, for Ad- ara's first fall, for Ad-am's

m p ±gOT.fall.

;#

J

1mPie - ta, Si - gno- re,O Lord, have mercy,

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Si - gnor, pie

Lord, hear myta.

prayr;.

di me doI call up

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41573

95

* P^ ^ mm ^se a te giun - ge

Grant me Thy bless- ing,

il mio pre - ga - re,show me Thy fa - vor,

^il mio pre - gar,.hear Thou my pray'r,_

wr t§*w

-&*-

-a

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inMe -no se - ve - ri,Be wrath-ful nev - er,

cle-men-ti o - gno - ra,For-giv- ing ev - er,

F#P^Pvol - gi i sguar-di

Shed Thy light on me,

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deh vol- gii sguar - di su_ me, Si gnor,shed Thy light on me, and heed my call,

CI JJjjlJ *

su me, Si - gnor.heed Thou my call .

i ^s

JL1

Pie- ta, Si - gno - re,O Lord, have mer - cy,

Sr

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41573

96PS^=1

22:i

/T\cresc.

di me do - len - te !

my soul is heav- y,

5 £=£ £ P

#

Si-gnor,pie - ta,_ se a te giun - ge^ilLord,hearmy call, Grant me Thy bless - ing,

3 tisna:^ IP cresc.m

n\

piln:s^

idim. pp

i SPP3p sKsLj > ^ i rmi - o pre - gar,hear my pray'r,

Non mi pu - niLet not Thy hand

seajl tu - o ri - gor,with rig - or fall,

m idim. pp

mz. *£

77

i

j; jJ

r i r r-j-u^r r i r»r» i r^p j 'i J ^* i J jiMe - no se - ve - ri,Be wrath-ful nev - er

,

cle-men-tio -gno-ra Vol-gM tuo- i sguar-di so-pra diFor-giv- ing ev- er, Shed Thy light up - on me, andhearmy

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•/j > > i^* 5jS i»

II .? ^»J J l^g^ s

me,call,

?FT7fyf

so - pra di me;Lord, heed my call,

g'j ' ' tr-iNon fi - a ma - iMay I ne'er mer- it

S5

jHik^ ^

3:

nm#che nel - l'in -

That in per -

cresc.^mw

41573

cresc.

97

rf'fJ

i-J *

i

Jj r i r ^^

dim.

fer - nodi - tion

Si - a dan - na

My soul may Ian

mmto nel fuo - cojB - ter - no Dal

guish, But may con - tri - tion And

$ *****S4V g

m.cresc.

1

**

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f-J ) Vit])v j^

dim.

h 1^

^* u t

0*J

h-j fcEEE|EE£tu - o ri - gor,

Thy grace heal all.

7 jt 7 h ^J

Di - o!ho - vah,

GiamO

B WW 5 *E*Jcresc.

*?** tt t tt u** **m PPcresc. rail.m? p^^

ma - inev - er

si

mayaI

danbe

nator

to nel fuo - cq^etured by fires e

ter - no dalter - nal, for

p mi 5J^r^i**m

cresc.

1

rail.

rV

;

# ig^s ^1#

sH

tu - o ri - gor, dal tuo ri - gor.Ad - ams first fall; may grace heal all.

iff^

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P^pii

? 4^

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i

41673

98

English version byEverelt Helm

Andantino

Voicemmp

Tu lo.Ask thy.

Tu lo saiAsk thy heart

Giuseppe Torelli(1650-1703)

£ m&£sai

heartQuan-to t'a - mai, Tu lo_How I a - dore thee, Ask thy.

fTf f3:

Piano*< P r^r ps ^^^

«cresc. dim.

h£ I* 1re?al - tra mer - ceI do not crave

Ma riThan thou

j j

i^

cor - da - ti di me,think - est once on me,

^^ £&op^ p3 3i=i i^ i^p a v r r%The following introduction may be used if desired:

41tTS

Copyright, 1948, by G. Schirmer, Inc .


99

it^TT- # ^ .P.P 3zaE poi sprez

Then for - get - test me .un in - fe - del,_ and all my pain,

e poithen for

t &£J i J'in - fe - del .

all my pain. PPmstf i

100

p-G m i

rit. C\

PPTu loAsk thy

sai,

heart,

Quan- to t'a - mai, Tu loHow that I love thee, Ask thy

sai,

heart.

ff^ 3S-s 1 P̂f 3= r^^tZ2

3

r&'£

y^

F fZ2_3 P-fiM-

Im'/

i

« tempodolciss.

£espr. molto rit.

£r\

r cj- J p i C-Tfzz:

Slo sai cru- del,cru - el and fair!

Tu loAsk thy

sai

heart,

QuanHow_

to t'a - ma - i.that I love thee,

sai

heart.

m.adagio /T\

EfcEfeJ> J" J'-iU.

s

Tu

&-s-5-

5;

^*

lo sai, lo sai cru - del!Ask thy heart, o cru - el and fair.

-G'

p adagior\ tranquillo

s *=»calando

^ ir

*

41*71

I Schirmer's Library

SONG COLLECTIONS

Y

Y of Musical Classics?YYY

M ALBUM OF SACRED SONGS. A Collection of 22 Favorite Songs suitable for use in the churches.Hieh 113841: Low 113851

YYYy Brahms, J.W FIFTY SELECTEr

y Chopin, F.y SEVENTEEN POL

y FlELITZ. A. VONJj ELILAND. Acycl

fY>!< Franz, R1 VOCAL ALBUM. 62 Songs, g. e. High [1573]; Low [1573]

A Grieg, E.1 SELECTED SONGS, g. e. 1 [1592]; Low [1593]

JL Liszt, F,

TWELVE SONGS, g. or f. & e. Low [1613]; High [1614]

i

A

The Library Volume Number is given in brackets: [1363]

High (13841; Low [1385]

ANTHOLOGY OF ITALIAN SONG OF THE 17TH AND 18TH CENTURIES. 59 Songs, i. e.Book I [290]; Book II [291)

Beethoven, L. vanAN DIE FERNE GELIEBTE (To the Distant Beloved) A cycle of 6 songs. Op. 98. g. e. High [616]; Low [617]SIX SONGS, g. e. High [618]; Low [619]

Foster, S. C.

ALBUM OK SONGS. 20 Favorite Compositions. Collected and edited by H. V. Milligan 11439]

A Mendelssohn, F.SIXTEEN SELECTED SONGS, g. e. Low [1644]; High [I64SJSIXTEEN TWO-PART SONGS, g. e. [377]

Schubert, F.

FIRST VOCAL ALBUM (3 Cycles, and 24 Favorite Songs), g. e. High [342|; Low [343]i „.. _ ._. -.-.A THE MAID OF THE MILL (Die sch6ne Miillerin) A cycle of 20 songs, g. e. High [344]; Low [3451

WINTER-JOURNEY (Die Wintcrreise) A cycle of 24 songs, g. e. High [346]; Low [347]TWENTY-FOUR FAVORITE SONGS, g. e. High [350]; Low [351]SECOND VOCAL ALBUM. 82 Songs, g. e. [352]

Schumann, R.VOCAL ALBUM. 55 Songs, g. e. High [120]; Low [121]WOMAN'S LIFE AND LOVIi (Fraucnliebe und -leben) A cycle of 8 songs, g. e. High [1356]; Low [1357]

Tchaikovsky, P. I.

^ TWELVE SONGS, g. e. Low [1620]; High [1621]A Wagner, R.^ FIVE SONGS, g. c. Low [1181]; High [1233]

(Languages of texts are shown in small letters: e.-English: f.

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