mut1121 syllabus spring 2017 - university of central ... · course syllabus – spring 2017 ......

MUT 1121: Music Theory and Musicianship I

Department of Music

College of Arts and Humanities, University of Central Florida

COURSE SYLLABUS – Spring 2017

Lecture Instructor: Bob Thornton Lecture Meeting Times: MWF (2:30-3:20pm)

Office: M231 Class Location: PAC-M261

Office Hours: T,TH (1:30-3:00pm) W,F (9:30-11:30am)

E-Mail: [email protected]

Office Phone: 407-823-3377

Lab Instructor: Sara Barbee Lab Meeting Times: T,TH (11-11:50am)

(Check with your lab instructor for

contact info.)

Lab Locations: PAC-M261

COURSE DESCRIPTION:

This course is the first semester of a four-semester music theory program.

It provides an introduction to the study of tonal music through the exploration of melody, rhythm, harmony, and

musical form. Written and aural skills will be emphasized.

COURSE OBJECTIVE:

The general goal for the music theory sequence is to develop an informed and intelligent approach to the perception

and creation of tonal (and atonal) music.

By the end of this semester, students should have a fluent understanding of the following concepts:

Pitch Notation, Rhythmic Notation, Simple Meter, Compound Meter, Major and Minor Scales, Major and Minor Keys, Intervals, Triads, Seventh Chords, Basic Chord Functions, Common Harmonic Progressions, SATB Texture,

Principles of Voice Leading, Triad Inversion Functions, and Cadences

Aural Skills – Students will develop the ability to perform and/or identify intervals, simple meter rhythms,

major scales, minor scales, diatonic melodies, triad chord qualities, and basic chord functions.

REQUIRED MATERIALS:

(1) Kostka, Stefan, and Dorothy Payne. Tonal Harmony. 7th Edition, New York: McGraw-Hill, 2013.

(textbook and workbook)

(2) Benjamin, Thomas, Michael Horvit, and Robert Nelson. Music for Sight Singing. 6th Edition, Boston, MA: Schirmer, 2013.

(3) Horvit, Michael, Timothy Koozin, and Robert Nelson. Music for Ear Training. 4th Edition, Boston, MA:

Schirmer, 2013.

(4) Staff Paper

WEBCOURSE:

The webcourse for MUT1121 can be accessed through your myUCF account using your NID and NID password.

Once logged in, simply click the “Online Course Tools” tab at the top of the page to list your webcourses. The written

theory homework assignments will be posted each week on the webcourse.

GRADING SYSTEM:

40% of your final semester grade for the course will come from the lab portion and 60% will come from the lecture

portion.

LAB – 40%

30% Ear Training and Sight Singing Tests

Three ET/SS tests will be given throughout the semester. Tests will include elements like

interval recognition, rhythmic dictation, melodic dictation, harmonic dictation, isolated

chord recognition, rhythmic performance, sight singing, and/or prepared singing.

5% Ear Training Assignments

Ear Training assignments will be posted on a regular basis to the webcourse. The

assignments will come from the Ear Training textbook. Specifics such as due dates,

grading procedures, etc., will be included in the posted directions for each assignment.

5% Prepared Melodies and Rhythms / In-class Dictations

The melodies/rhythms listed in the lab schedule should be prepared weekly for lab

performance. Students will be called on randomly to demonstrate their preparation of the

appropriate exercises. Also, lab instructors might randomly collect in-class dictations.

Prepared melodies/rhythms and in-class dictations will be graded simply as CREDIT

(100%), HALF CREDIT (50%), or NO CREDIT (0%).

LECTURE – 60%

15% Midterm Exam

15% Final Exam

20% Homework Assignments

Homework will be assigned each Friday in lecture and due the following Wednesday.

Each assignment will be graded for accuracy and given a percentage grade. Late

assignments, no more than one class late, will be accepted at the discretion of the instructor

for half credit. At the end of the semester, your lowest homework grade will be dropped and the remaining grades will simply be averaged to determine your overall Homework

Assignments grade.

10% Composition Project

Composition project format/details will be discussed when the project is assigned during

the week listed in the lecture schedule.

Proficiency Quizzes

Three 5-minute proficiency quizzes will be administered throughout the semester. These will be graded

simply as PASS or FAIL. A passing grade is 80% or better. 2 points will be deducted from your overall

final semester grade for each proficiency quiz failed. However, you’ll have unlimited opportunities to take

each quiz. The first quiz focuses on key signatures, the second is on intervals, and the third is on triads.

Attendance

LAB – Students are allowed two unexcused absences throughout the semester. A student’s final lab

grade will drop three points for each unexcused absence beyond two.

LECTURE – Students are allowed three unexcused absences throughout the semester. A student’s

final lecture grade will drop three points for each unexcused absence beyond three.

Make-up Tests

Make-up tests are only allowed in cases involving medical or family emergencies. It is a student’s responsibility to contact the instructor about making up a test. If allowed, all makeup tests will be scheduled

ASAP after the original test date.

Grading Scale A = 92-100 C = 72-77

A- = 90-91 C- = 70-71

B+ = 88-89 D+ = 68-69

B = 82-87 D = 62-67

B- = 80-81 D- = 60-61

C+ = 78-79 F = 59 and below

STUDENT RESPONSIBILITIES:

All faculty members are required to document students' academic activity at the beginning of each course. In order to

document that you began this course, please complete the pre-assessment by the end of the first week of classes, or as

soon as possible after adding the course. Failure to do so will result in a delay in the disbursement of your financial

aid. The pre-assessment will not affect your grade at all, but will simply allow us to document the varying degrees of

fundamental theory knowledge among enrolled students.

Students are strongly encouraged to keep a consistent study routine for this course. The homework assignments

mandate some outside work, but additional study will be necessary for some students to feel comfortable with the

material. It is extremely important that you fully understand a concept before we can introduce a new one.

Please come by my office at any time throughout the semester if you are having trouble grasping the material. I am

happy to offer additional assistance and guidance. If you are unable to come by during my office hours, please

schedule an appointment.

Student Conduct: Students should conduct themselves at all times in accordance with the University of Central

Florida’s “Golden Rule” and its accompanying rules of conduct. I will assume for this course that you will adhere to

the academic creed of this University and will maintain the highest standards of academic integrity. In other words,

don't cheat by giving answers to others or taking them from anyone else. Please do not ask me to change (or expect

me to change) your grade illegitimately, or to bend or break rules for one person that will not apply to everyone.

Please refrain from using cell phones (texting) during class.

Student Disabilities: The University of Central Florida is committed to providing reasonable accommodations for all

persons with disabilities. Students with disabilities who need accommodations in this course must contact the

professor at the beginning of the semester to discuss needed accommodations. No accommodations will be provided

until the student has met with the professor to request accommodations. Students who need accommodations must be

registered with Student Disability Services, Student Resource Center Room 132, phone (407) 823-2371, TTY/TDD

only phone (407) 823-2116, before requesting accommodations from the professor.

Notice: This syllabus provides a general overview of the expectations and schedule for this course. I reserve the right

to make alterations to the course syllabus and/or schedule if I deem them beneficial or necessary.

GENERAL LECTURE SCHEDULE

Chapters refer to Tonal Harmony.

All homework will be assigned on Friday in lecture and will be due the following Wednesday.

Week of:

Jan 9 Intro and Pretest, Chapter 1

Assignment #1

Jan 16 Chapter 1

Assignment #2

Jan 23 Chapter 2

Assignment #3

Jan 30 Chapter 3

Assignment #4

Feb 6 Chapters 3-4

Assignment #5

Feb 13 Chapters 4-5

Assignment #6

Feb 20 Chapter 5 Assignment #7

Feb 27 Chapter 5 and review

MIDTERM EXAM

Mar 6 Chapter 6

Assignment #8

Mar 13 SPRING BREAK

Mar 20 Chapters 6-7

Assignment #9

Mar 27 Chapter 7, Composition Project Assigned

Assignment #10

Apr 3 Chapter 8

Assignment #11

Apr 10 Chapter 9

Assignment #12

Apr 17 Chapter 9-10/Review

Apr 24 Review

Apr 26 FINAL EXAM

(1:00-3:50pm)

GENERAL LAB SCHEDULE

Units correspond with both the Ear Training and Sight Singing textbooks. The prepared melodies/rhythms for each

week come from the Sight Singing book. Regular ear-training assignments will be posted to the webcourse.

Week of:

Jan 9 Intro, Unit 1

Jan 16 Units 1-2

Melodies – pages 6-8 (nos. 1-26)

Rhythm – Unit 1

Jan 23 Unit 2

Melodies – pages 18-19 (nos.1-11)

Rhythm – Unit 2

Jan 30 Unit 2


Rhythm – Unit 2

Feb 6 ET/SS Test 1

Feb 13 Unit 3


Rhythm – Unit 4

Feb 20 Unit 3


Rhythm – Unit 4

Feb 27 Unit 4


Rhythm – Unit 4

Mar 6 Unit 4


Rhythm – Unit 4

Mar 13 SPRING BREAK

Mar 20 ET/SS Test 2

Mar 27 Unit 5


Rhythm – Unit 5

Apr 3 Unit 5


Rhythm – Unit 5

Apr 10 Unit 6


Rhythm – Unit 6

Apr 17 Unit 6 and Review


Rhythm – Unit 6

Finals Week ET/SS Test 3 (Dictation portion possibly during last lab class)

mut1121 syllabus spring 2017 - university of central ... · course syllabus – spring 2017 ......

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