musictt ip valuation conference - licences lecture by carla parris

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Music Licenses

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Page 1: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

Music Licenses

Page 2: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

The World Intellectual Property Organization (WIPO) is one of

the 17 specialized agencies of the United Nations. WIPO was created in 1967 "to encourage creative activity, to promote the protection of intellectual property throughout the world

Administers 26 international treaties and is headquartered in Geneza, Switzerland

Trinidad and Tobago is a member of WIPO and party to 12 international treaties related to IP.

188 member states approve WIPO's strategic direction and activities in the annual meetings of the Assemblies

What is Intellectual Property?

Page 3: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

WIPO definition “Products of the mind, inventions,

literary and artistic works, any symbols, names, images and designs used in commerce”

World Trade Organisation definition ”Rights given to people over the creation of their minds and creators can be given the right to prevent others from using their inventions, designs or other creations”

IP is a valuable asset

IP definitions

Page 4: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

What is Copyright?

Copyright Act Ch 82:80 Act no 8 of 1997

Property right which subsists in certain specified types of literary, artistic, or musical works which grant the owner of copyright the exclusive right to do certain acts in relation to the work e.g. making a copy, broadcasting or selling to the public

It subsists in certain original works Section 5

NATURE OF COPYRIGHT

Page 5: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

Copyright does not protect ideas only their expression

The material must be original in order to be entitled to protection

The author must have used the requisite degree of skill and labour to induce protection

The work must be reduced to a material form

There are no formalities to copyright protection – Berne Convention

Copyright arises automatically when a work that qualifies for protection is created

Essential facts about copyright

Page 6: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

The owner of copyright has the exclusive right to authorize or prohibit

following acts- Section 9 of the Copyright Act

Reproduction

Translation

Adaptation

The first public distribution

Rental or public lending

Importation

Public performance

Exclusive Rights of Copyright Owner

Page 7: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

Broadcasting of the work

Public display

Adaptation example : copyright claim over compositional elements

Reproduction: This is considered the most fundamental and historically the oldest right of a copyright owner

For a right to be infringed firstly there must exist a sufficient degree of objective similarity between the copyright work and the alleged infringement and secondly that this was the result of the copyright work having been copied i.e There was a causal connection between the two.

The exclusive right relates not only to the ENTIRE WORK but also any substantial part of it

Exclusive Rights ctd

Page 8: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

Sections 9-17

Private personal use-

Quotation

Reproduction for teaching

Reproduction to public for broadcasting to public for informatory purposes

Reproduction, adaptation of computer programs

Importation for personal use

Display of works

Permitted use of artwork in public places

Exceptions to copyright ctd

Page 9: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

Though it is not in dispute that authors should be

protected what has been in contest is the optimum term of protection required (rational and fair protection)

Life of the author plus fifty years

There are different lengths of protection for different types of works such as audiovisual works, work published anonymously, work of applied art

Duration of copyright

Page 10: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

Do I need a licence to record and display cover songs

on You Tube?

Cover songs

Page 11: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

Yes, but...

Do I need a licence for a You Tube Cover?

Page 12: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

N.B Music Publisher arrangements with You Tube

Page 13: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

YouTube is required by law to have a number of broadcast licenses

Explanation of You Tube Licence

N.B Warranties in You Tube Licence

N.B You Tube copyright policy

N.B DMCA (Digital Millenium Copyright Act)

Page 14: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

Content I. D match

May receive copyright strike from record label or owner of copyright

After multiple strikes your channel is deleted!

Two separate pieces of property-: Copyright in the song- lyrics,melody-Musical composition and copyright (neighbouring right) in the sound recording

One single licence does not cover every usage of a song!!!!

Monetization of videos- confirm own all elements

YouTube Process

Page 15: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

Cover songs –Love Yourself

Page 16: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

Local Cover

Page 17: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

Love Yourself Rap version

Page 18: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

Isasha- let’s do this

Page 19: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

Let’s do this cover

Page 20: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

Commonly used licences

Mechanical- Use of audio to be reproduced on CD, Dvd, Digital Download, Itunes

Master- Use of sound recording e.g TV ad

Public Performance-Playing of a song in public written by someone else- Collecting Society

Sampling- Differs from conventional infringements as use song, music AND sound recording

Page 21: Musictt IP Valuation Conference - Licences Lecture by Carla Parris

1 868-767-3279

Email Address: [email protected], [email protected]

Marie De Vere Chambers

5 Longden St

Port of Spain

Author’s Contact info