music theory thesis
TRANSCRIPT
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The Music of Organisations: An
Aesthetic Ethnography
By
Ralph James Bathurst
A thesis
submitted to the Victoria University of Wellington
in fulfilment of the requirements for the degree of
Doctor of Philosophyin Management
Victoria University of Wellington
2006
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CONTENTS
Aa
A
Ta a F
Ca 1 A: A N T Oaaa Aa 1
Ca 2 T G Oaaa A 34
Ca 3 Ta a Ca T A 59
Ca 4 A I a Oaaa I 93
Ca 5 O M: Ma T H Ka 138
Ca 6 Ca: E P 173
Ca 7 F M: Ea Aa 203
Ca 8 S M: C Da 258
Ca 9 T M: Ia S 310
Ca 10 Maa a A E 346
Ca 11 T M Oaa 371
A 394
R 404
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ABSTRACT
Aa a a a a
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Abstract
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ACKNOWLEDGEMENTS
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Acknowledgements
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TABLES AND FIGURES
Ta 2.1: V, Baa a Ka Sa 57
Ta 6.1: Ra M, F a Q 185
Ta 7.1: S Aa Paa F (1998) 213
Ta 9.1: Ca Aa Paa F
1998 a 2006
344
Ta 10.1: Ga a F: A M Ia 369
Ta 11.1: T M Oaa 392
F 4.1: T C Ia Ra a
Ia
105
F 4.2: A S Pa Saa F 128
F 4.3: T S Ia Ra a Ia 137
F 6.1: A Ea F Ba 181
F 7.1: AP S Sa Ra (2001) 217
F 7.2: AP Ba Ra a S (2001) 220
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Tables and Figures
F 7.3: AP L Aa (2001) 221
F 7.4: AP Maa Ta S (2001) 222
F 7.5: AP Ba C (2001) 223
F 8.1: A D Oa 263
F 8.2: Baa R: A Baa Sa KE
273
F 8.3: T Aa S Oa 298
F 8.4: T La P N S a a Ha
S
300
F 9.1: T Ta D H A 338
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1
CHAPTER 1AESTHETICS:ANEW THEORY OF
ORGANISATIONAL ANALYSIS
Beginnings
Questioning the Scientific Paradigm
The Aesthetic Approach: What Does it Offer?
1. Gestalt: Form and Content
2. Empathy: Self and Other
3. Process: Thinking Forwards and Backwards
Aesthetic Research
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
2
Beginnings
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a). T, a,
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a a). T a
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
3
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
4
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
5
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
6
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
7
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
8
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
11
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
14
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
15
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
16
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
17
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
18
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
19
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
20
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
21
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
22
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
23
3. Process: Thinking Forwards and Backwards
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
24
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
25
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
26
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
27
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
28
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
29
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
30
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
31
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
32
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Chapter 1 Aesthetics: A New Theory of Organisational Analysis
33
a aa a a a (W, 1996,
. 253). I a , I , a, aa
a aaa .
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34
CHAPTER 2THE GENESIS OF ORGANISATIONAL
AESTHETICS
The Philosophical Heritage
Vico: The Present Informed by the Past
Baumgarten: Sensation as the Ground of Knowledge
Kant: Form and Content
The Beginnings of Aesthetic Research
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Chapter 2 The Genesis of Organisational Aesthetics
35
The Philosophical Heritage
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Chapter 2 The Genesis of Organisational Aesthetics
36
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2003, ..). H, aa a , a
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Chapter 2 The Genesis of Organisational Aesthetics
38
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Chapter 2 The Genesis of Organisational Aesthetics
39
aa , aa a H L
a a a aa a.
(Sa, 1977, . 153)
Ca E , , aa
a , a a a
a aa (B, 2000, . 19) a a a
a a a. T a a a a aa
a a a, a B, a
aa. H a
a a a a, a
a a, a , a a
a, a a a a
a a
a aa
a a a, a aa , , a a a a
a , , a a
a, a aaa,
a .
(B, 2000, . 19)
H B a a a aa
a aa a a a. F
a, B a, a
a a a, a
a a a. I , ,
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a a a
a a aa a a a
a a a a a
a, a a a aaa a.
H , a
aa a a, a a
a. T V, Baa a Ka a
a a a a
aaa a. T
a a aa a
. T a a a
a aaa (Ha, 1968/1990, . 235) a
a a a aaa. T
a aa a aa a
a .
S a E, a
a . I aa,
a a a a ; a
-
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Chapter 2 The Genesis of Organisational Aesthetics
41
a, a a, ;
a aa a , a a;
a a a a a
.
D a ,
. F a, E a S a,
a aa, Aa A (17921867) aa a
a a a a a a
a a a .
A A, a a
a a a aa . S
A, a a a a []
aa a, a a
a, , a aa a, a
a! (A, 1790/1968, . 10). I aa a
a
V, Baa a Ka.
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Chapter 2 The Genesis of Organisational Aesthetics
42
Vico: The Present Informed by the Past
(1144)a a a a
a (D, 1969, . 577), .
H 1744 N( N ) a
a, aa a (Ja,
1983, . 40), a a a a
aa a a a.
V a a a aa Ea
aa a a a a. A V,
H Ea a ,
a a a a ,
aa Ea a. T aa
(1) a aa a aa;
(2) a aa, aa; a (3) a
aa, aa a (V, 1744/1999,
. 44, a a). Aa,
Va a a a a, a a a
a a a. T V a a a
-
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Chapter 2 The Genesis of Organisational Aesthetics
43
a a a a
aa. A Ha a, V
a a a, [a] a a
a aa, a a a
a a a a a ,
a a a a a a (Ha, 1968/1990, . 236).
F V, a a a
a a a a a . T, a
, aa a , a
, aa a a a .
H a aa, a a Caa
aa, a a aa a a
a a . C:
I , aa ,
a a aa
a . A , a
a a, a
a .
(V, 1976, . 34 a a)
S , V, a a a a aa
a; a, a a. A aa
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Chapter 2 The Genesis of Organisational Aesthetics
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a a a a, a a a aa
a a a a (D, 1969, . 579). T
a aa a aaa
a Caa a a
a . H a aa
a a a a a aa
(Ma, 1969, . 12).
Ia, V a a a a
a , a a aa
a (Ja, 1983, . 41), a a
a aa, a a
(Ja, 1983, . 42, a a). T, a
a , a aa a
a a a a a .
I a, V a a a , a
a (V,
Vaa, 1972, . 7) a a aa, a
-
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Chapter 2 The Genesis of Organisational Aesthetics
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a aa (N & Ca, 2001) a a
a.
B a a a, a V,
aa a. B a a (..
a a ) a
a a. B aa,
; a , a ;
a , a.
(Vaa, 1972, . 7)
I a a a aa
, a a aa, a a V
a aaa a. T a
a a a a a, a aa,
aa a a a . F,
Sa (1998), V , a a a aa
aa a a a
a a ,
a aa (Sa, 1998,
. 1389). Ma a a a a a
a . F, a Sa a aa:
T a V, ,
aa, a a a. I a a a
a a aa,
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Chapter 2 The Genesis of Organisational Aesthetics
46
aa a. Ia,
aa , a
aa a .
(Sa, 1999, . 153)
T a a V , a, a a
a a a , a a ,
. F, a a
a aa, a a ,
a, a a a .
H, a a a aa
a a . Baa ,
a a a a , a V .
Baumgarten: Sensation as the Ground ofKnowledge
(11412) a
Raa (Wa, 1988) a
a a a
. I A 1750
a 1758, Baa a a a
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Chapter 2 The Genesis of Organisational Aesthetics
47
a[] a a a
(Wa, 1988, . 31, a a). I a a
E aa , I a
a Baa , a
:
A a, a a.
[T a a a a a
.](Baa, G, 2002, . 410)
T a a a
a a (O, 1970, . 175).
T Baa a (Ca, 1944, .
137) a. I
a ; a a
a a a aaa
a a . F Baa, a
a a a a
a a . A E Ca,
Baa a
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Chapter 2 The Genesis of Organisational Aesthetics
48
a a a, a a
a a a a a
a a .
(Ca, 1944, . 137)
T a, , a
a (a ) a a
a a a a ( ).
A a a a, Baa
a a a a a a a a aa
a a (Ma, 1994, . 66). H, ,
a a a a aa a
a . F Baa, a a a a
, a a G, (G,
2002, . 404) a a , a aa
a a a a, ,
a , a a a,
a a (G, 2002, . 404).
T a a a a
() a a a
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Chapter 2 The Genesis of Organisational Aesthetics
49
a. Baa a
aa a a a a.
Ra a aa , a a
, a a aa a a
a (Ma,
1994, . 66).
T, a , a a
a, Baa a a a
a a aa a a. H
a a a a
, a a (G, 2002, . 412),
a a a . I
, aa a a a
a a SO a.
Paaa, Baa a aa,
a a E . H a a
(a) aa a a
a a a a ,
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Chapter 2 The Genesis of Organisational Aesthetics
50
a a a a a a (S, 2003,
. 14, a a).
T, a a a
, aa a a a a
. T a a aa
a a a. T a a a
a a a a
a a a . I
a, a a a a a a .
F, a aa
E , a, a a a
a a a a ? I
a Sa, a Baa, : A , a a
aa a, a a aaa a aa
aaa aa a a (Sa, 1999a, . 15). I
a a a a,
aa a a, a Ka
a .
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Kant: Form and Content
(124104) C J(1790) a
a a a a a a a a
a a, a a C
(1781). R S (2001) Ka
a a a a
a aa a a (S,
2001, . 668). T, aa a a a
a a a.
Ka a a, a
aaa a a aa a (Ka, 1790/2000, 26)1. F a,
a a a a a,
aa aa a a a
aa. H a a aa a a
aa a ,
a aa.
1I I a a Ka .
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I a aa a a a a
, a aa . Ka a
aa J Ba Iaa
a , a
a a (Ka, 1790/2000, 26, a a).
T Ka a a aa,
, a, a a, a a a
. H a a
a a a a a . La
: T, aa a , a
a a , a
a a , a Ka a a a
aa a (La, 2001, aa. 5).
I , a a a
. W a , a a
a, a Ka F , F
Fa. A MC a Ka, aa
a a a a a (MC,
1987).
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T Ka a a
a, a a
a. H a a a a,
, a, a a
a a (Ka, 1790/2000,
59). H a a a, a
a a . F Ka, a a a
a , a a a
a a a (R &
E, 2005, . 233).
T, aa a , a a
a, a a (Ka, 1790/2000,
15) a aa . H,
aa a . Ia, aa a
a a (A, 1997, . 163) a
a .
Wa a Ka a .
U a . I
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Chapter 2 The Genesis of Organisational Aesthetics
54
a, Ca Ka a
:
I a a a
a a a a
a. T aa a
aa . I
a, a a
a.
(Ca, 1944, . 145)
I , , a a a a a
.
H a aa aaa a
a a a a a a a
a . A aaa a
a a a a
a, a a aa.
I a, aa a a
a a a a a (MC, 1987,
. 61).
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55
The Beginnings of Aesthetic Research
I a, a , V, Baa a Ka,
aa a a .
T aa a , a
a a , a a aa
a a a.
V a a a a
a a. T a a a
a aa a, a aa a aa
a aa a a
. T aa a a a
, a .
Baa a a a a a a a
a; a a a a .
H a a a.
Sa aa a ,
a aa a a
a a a .
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Ka a a a, a
a a a a,
a a a aa a a
a a aaa. O
a a a, a a a a
a.
A a, , a a a
a aa a
. V, Baa a Ka a
a a a aa. I a
a aa a a a a a
a a a a .
T, a a a a
a a a a
a a a a
(Ca, 2002, . 817).
T , a
a a. T a
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57
V aa a , a
a a. E Baa a
a a a
a. Fa a Ka
a . Ea a
aa a a, a .
T a a a Ta 2.1: V, Baa a Ka
Sa, a a E, Ia, a M
a.
Table 2.1: Vico, Baumgarten and Kant in Summary
VICO BAUMGARTEN KANT
EPISTEMOLOGY Past informs thepresent
Order is derivedfrom complexityand multiplicity
Content and formcontextualisebeauty
INTERPLAY Symbol and myth Sensation andaction
Subjectivity andobjectivity
MOTIFS Gestalt Empathy Process
I a I a a a
a . I a a
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a a a a a
a. A I a a a a ,
a aa a
a a. T a a a
a aaa: a a
a a, a
aaa a a? T a a a
a a aa, a
a a a a a V, Baa
a Ka.
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59
CHAPTER 3TOWARDS A CONTEMPORARY THEORY OF
AESTHETICS
Introducing the Aesthetic Problem
Phenomenology and the Appearance of Things
Sensation and Perception
Symbolisation and Aesthetic Theory
Myth-making
Tensions between the Physical and Metaphysical
Aesthetic Organisational Research
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Introducing the Aesthetic Problem
T a aa a E aa
a a a aaa a a
. Ca a a
, a, a a , a
V, Baa a Ka. U
a a a a a aa
a, a, a a a a
a .
H, a a a a
a , a, aa a
a aa a a
a a a a a aa?
F, aa a a a
a aa (S, 2003)?
T aa a a
a a a a a a . T
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61
a a I a a a
a a a .
F a aaa aa, a
a a , a a a
a , , , a a.
D a a a
a aaa a a a
a aaa? A a a
a aa, a a a a
a a a a
a aaa.
I a aaa a a I aa
a a a . F,
Ca 1 a
a aa , a
a a a . F a, a a
a a a ? F, a
a a a a , a
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a a ? I , a a
a a?
T a a aa. F a,
Ca 1 I a a M a W (1985) a
a a . E a a
M a 1979 aaa . I
aa a , a aa
a a aaa a a a a
a aaa.
M a aa aaa a
a . H a
( ) a (aa );
a a a a a aa
a. B , aaa, a
a a a a a a a a
aa. T, M
a a aa
aa ( a) a a a ( a)
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(M, 1979, . 20). P a aa a
a a a a a a a
a. H a a a
aa ?
A a a a
a a aa a a
a . H, aa
a a a. F a, a
a a? A a
a aa a.
T V, Baa a Ka a a .
I a a a a a
a a aa. S a a
(S, 1795/1965, . 74), a a a
a a a , a a
a a a (G M, 2000). H
aaa (H, 2002, . 27) a
a a a a a . Ra a a
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64
a a a. T a aa
a aaa aa ; a, a
a aa a a a a a
a a? O ?
I a I a
aaa a a. I I
a a , a a a
a aa a a a.
Phenomenology and the Appearance of Things
I Ca 1 I aa a aaa a a
a a (A, 1790/1968). I
a I a a
a a : a . F, I a a
a aaa a a a;
a a a a a a a
a a a aaa (C, 1987, . 303 & 298).
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B a, I a
aa, a a .
T , E H
(18591938), a a a a a a
a a . A , H
a a a a a
a . F ,
a a a . I a,
a a (La, 1965, . 66,
a a). T a
a a a a a
a. I , H :
T , :
. T a a
a , a
, a , a
a a
a .
(H, 1917, aa. 26)
A H, a
a a a
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a . O a a a
a a a a a a
(H, 1910/1965, . 115)
H a a a
a . I a
a a. A a ,
a a a a
a . T, a
a, () , a
(a) (H, 1927, . 4, a
a). H a a a a a
a.
H, a
a a; H
a a a aa a a a
a a . I a
a a a a a,
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67
a a a a aa, a a
(H, 1927, . 5).
T, a a a a
a (Ka, 1967, . 30), a
a a a
a (Ka 1967, . 3031). P a a a a
a a a a a
a . T a a a
(Ka, 1967, . 31, a a)
a a a a a a a
(Ka, 1967, . 31).
Ka a, , a. I a a
a a , a
a a a ?
F, a a a a
a a a a a aa, a
a a
a .
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B a I a a a a a
, a a Ka
a a aaa a a a a
. H, , a
Caa a a H a
a (La, 1965, . 45)?
Ca aaa aa A Sa a .
I 1999 aaa a a a
aa a , a a a a
a (Sa, 1999, . 18). T aaa, a:
? F Sa, a, a
a , a a a
aa a a aa. T
a, , a a a . Ra, a
a a aaa ,
aaa a, a a a aaa.
F , I a a
a. Y, a a ,
a a a a a a.
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Ma , a a, ?,
a a a , a,
a a aaa
a aa a aaa ? T
aa Sa , a, a a . B
a a a
aa aa a aaa.
I , a I
a a a a. T
a a a
. I a a a
a a, I a a
a a a . T
a aa
. T a a a a
a a a a aaa
aaa.
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Sensation and Perception
I a a aa G a
a a Ra Wa a
(Wa, 1983, . 31). I a
a I .
T a a a a a, I a
a a a a a
aa H B a G D. B a a
a a a a a
a a, a a.
F (15141),
, aa a a
aaa , a
. T a a
(B, 1911, . 60) a a,
a a a a .
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B a a
a .
T, a a a a
a (B, 1911/1998, . 204).
Aa a a a a
: a a
. T , aa a
, a , [a] a a
a a (B, 1911, . 80).
P a a a a a
. I a , a aa a
a a
. R a a a
(B, 1911, . 72) a
. M a a
a a a
(B, 1911, . 123). F B, a a aa
a a aa a
(B, 1911, . , a a). H
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a a a
a a a a .
Sa B . H a
a a a
a. T , a , a
a a I
a (B, 1911, . 196). H, , a
a (B, 1911, . 37) a a a
a a a (B,
1911/1998, . 126, a a). T a a
a a
a a. I a
a aa a a, a a a,
a a a a?
A aa a a . I a
a a a
(B, 1911, . 292). H a a a
(B, 1911, . 95) a a a a
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aa . I a a a
a, a (B, 1911, . 292). H, B
aa a , a
. T , , a a
a.
B a a a a
aa aa a a a
. T a, JaPa Sa (19051980) , a
a a a a a
(Sa, 1971, . 57). B
, aaa
aa , a a a .
(12515) a a a
aa a a. H a a
a.
H a a a a a aa
, a aa a a
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74
(D, 2002, . 35). H a a a a
aa a a.
H, . T
, D a L Ca (D,
1990/2001), a aa a
, a a aa. H a
a Ca a a a
aa a .
I aa CaA A , D
a a a a a
A . A
a aa a a
a a. T, a
. H, , a aa?
Ra a a, D a a a
a a a aa a (D,
1990/2001, . 28). F D, a
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a a a a a a
(S, 2002, . ). T a
a a a a a a a
aaa
. T, a:
a a , a
a (D, 2002, . 37) a a
a a a .
H D a a a
a a. H a a
a . T a
a a a . T
a a a a , a
aa a. D a a
aa; a , a a a,
a , , a a,
a (D, 1990/2001, . 263, a a).
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A A a,
a a . T, a a
aa . B a a
a a A ,
A . I , a a a a
aa a . B a a
. I a a a,
a a aa aa. F B,
a a a, a
a A a
, a a
a . T, a a a
a a a aa , a
a a . H a
a, a a a a a
a.
A aaa . O a
a a a a
a a. T a a
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a a a a a aa
a I .
Symbolisation and Aesthetic Theory
T a a a a a
a a E Ca (18741945).
A Ca, a a a a
a a a
a (Ca, 1944, . 143) a a. T
, a a a . H
a:
L a a
a aa, a. I
a a a a a
. I a a a a.
(Ca, 1944, . 143)
F Ca, a a a
a a (Ca, 1944, .
148). H a a a a
a a a a
a a a a a,
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a. S a
.
I , aa , a
a ,
,
a a a a a a B
; a a
, a a a a a
a a,
a .
(Ca, G, 1949, . 609, a a)
Ca , Sa La (18951985), a
a. I a aa
a aa a aa a a,
, a (La, 1942/1960, . 218). La a
a a
. T a a, a a
a a . F, a
a a , aa
, a
,
(La, 1960, . 41).
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F La, a
a. A a a
aa, a aa aa
a a a a a
. T, a a a,
a a . T
a a a aa a a
, a a a
, a a (La, 1942/1960, . 90, a a).
H a a a , a a
, a a a.
S a , a Sa La a
a J D, a a a a . F
a a aa a, aa a
a.
T a a . I a a a a,
, a a a
a a aa
aa a
a a a.
(D, 1934, . 109)
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H, , a a
a?
HaG Gaa (19002002) a a a
a a a a. T, a a a
a, Gaa a, a a a a. H
a a a a a a
a (Gaa, 1986, . 15) a a a G
a a a a (Gaa, 1986,
. 31) a a a a a a. T aa a
a a a a a . H :
I a a , a a a :
a
aa .
(Gaa, 1986, . 31)
T, a a a a . A
a , a a a,
. H, ,
? A, a a a (Gaa,
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1986, . 37) a a a a a
?
T a I Ra Ba (19151980) a
a a a . H a
a aa .
Myth-making
W a, a
. Da
a a a ( C
E D, 2002). A a a
a a a a a a a
a . W , a Ra
W a a a a a a
a a a a .
M a aa a, a
a, a a a
a a aa. M a a
a a a, aa, a
a. M a a a
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a a . T a a
aa .
(W, 1993, . 5)
Ba , a a a
a a , a
a (A, 2005, . 7). I a
a ; a a
a a (A, 2005, . 9).
M, , a a aa a a
aa a. T a Ra
Ba a aa a a a
a , a a
a a a .
Ba aa aa
a a, a a
aa a aa. M
a a , a a, a, a a a
a, a a a a a a a
a a , a a a (Ba, 1977,
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. 166). Y, a a aa,
a, a a a a a
a .
Ba a a
aa a a a a a . Ea,
a aa (Ba, 1972, . 131)
a a a a a a . T
a a a a
aaa (Ba, 1972, . 144).
M a, a Ba, a a
a a. T a
a a a a a,
a a a a a:
a a a a (Ba, 1972, . 118).
T, a a a, aa
.
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84
H a ? Ba a a a
a a , a a
a a a a . Ba a
a a a a a a , [a]
I a a a: I
a , a (Ba, 1972, . 128). M
aa a a a
a a , a a (Ba, 1972, . 129, a a). I
a, a a ,
a a.
F a, Z (2004) a
a. H a a a a a a
a , a . H, a
a a, a a aa a
a aa . T a
a a a a a a
a . I , a
a a.
(Z, 2004, . 211)
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86
a a a a
aa.
Tensions between the Physical and Metaphysical
T a a aa
aaa, a a: I a a ,
a a ? F,
aaa aaa, a a a
a a a?
T a I F N (18441900) a
a . N a G
a aa
aa. H a aa a a
a aa a a a
a a; a a
a a a a a?
H a G a aa a
a A a D A, ;
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87
D a a. F N, Da
a aa a, aa,
aa a a ;
a aaa (N, 1871/1956, .
97). T a a aa
. Wa a a a
a a ?
N aa a a a a.
H G a a a a a
a a a aaa a
a a. T a
N. H a a
(N, 1871/1956, . 9) a a a a a
aa, a a a a
(N, 1871/1956, . 50). H, N aa a
aa aaa.
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O a, a a aaa.
C, G a
a a a a a.
O, G! T . Wa
a a a a, ,
, a aaa, , , ,
O aaa! T G
a !
(N, 1887/2004, 4, a a)
Y, , N a a a
a a . Ja P,
a N , a
a a aaa a a
a a. Paaa, aa
a a, a Da a
a a . O a a a
a a aa, a,
a a (P, 2000, . 19).
T, N, a a a
a a . H
a G a a aa
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89
. L G, a a
aa, a a a
a a a aa, , a Ja
P, a aa (P, 1995,
. 481) a aaa a .
H a aa, a a a
. Aa, P (2000) a
a.
O aa a N a
.
Pa a G a
. I , N a a
: a a; a ; a, .
(P, 2000, . 160, a a)
T aa, aa, a a
aa a a a aa a
aaa a. H a a a aa a
a a a (Ta, 2002), a a
a aa a a a a a
a a (A, 1963/2000;
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Ha, 2002). T
a, I a a a aa a
a aa.
Aesthetic Organisational Research
A a I H M
aaa . I a a a a a
a a a a a a a. H
aaa a a a
: a . H, M . H
a a a. Ra,
a a a a a a .
M :
T a aa a
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a, a a aa, a
a aa. F , ,
a . I , a
a Paa; a
, a a . T D
a a
a
a .
(M, 1979, . 300)
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W , M a a a
a a a
aa a a .
M a aa Gaaa V.
A a V a a
, a a , a
aa, a a a a
a a a (V, 1744/1999,
. 44).
M a aa
a. I a M a a
aa a aa a
a a a a a a a
a a, a
?
T a a aa aa
a a, I a a aa
a aa a aa a
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93
CHAPTER 4AESTHETIC INQUIRY AND ORGANISATIONAL
IDENTITY
Art and Temporality
The Schwungof the Ideal and the Real
Organisations as Symbolic Texts
The Foundations of Organising
Music and Conducting Organisational Research
1. Interacting with the Parts and the Whole
2. Space and Time
3. Non-sounding Elements
Aesthetic Inquiry
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Art and Temporality
I a, I Ka W a a
aa a a a a , a a
a . T aa
aa a ,
a aa a (W, 1979, . 42). H, a
a. F, a W a a
a, a a
a ? S, aa a
, a a aa a?
T, aa
, a a a a
?
W a a
a a a (W a., 2005, . 205). T
a a a a
a a a a a a
aaa aa.
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95
A a a a a, a a.
Na a a ,
a a a a . T a
a ( a
a) a ( a);
a I a
a.
Ia a
, a a a, a,
a a . O a,
a, a a a a a
a a a, a a, a
a a. F, a W a a,
a a a a a [a] a
a aa a a a
, a a a aa,
, a (W, 1990, . 15, a a).
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96
T a a.
I a a, a a
. H, a a a a, a a
a a a a a (Ia, 1964, . 199).
H, aa a a a a
a a a .
G a a, a aa a
a a a a , I a a a
aa a a a a aa, a .
F, I a a a a a a
a a , a , aaa a.
B a a a a a
a . Ra a a a
, a a a a .
S a, a , ,
a a a aa
, a a a a a,
, a a ,
a a a .
(B, 1935, . 157)
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97
F B, a a , a a a
a, , a a. I a I
a aa aa .
Ra Ia (18931970) a a
a a a a
a a . T aa Ia a
a a a a a a
a aa, . I , Ia
aa H aa aa
a a E a a (E, 1997,
..). A , Ia a aa aaa
a a a a, a aa,
. H a a a
a a a aa, a
aa, a a a a a
. A aaa a a
: a aa a a , a a
a a a a
a.
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98
A a a , a a
a a. M a a, a a a , a
aaa a a a a a
aa, , a a a a a a a
a. S, aaa a
a (S, 2004) a a (Ca, 1995)
, a a a a a
a a a aaa . T a
aa a aa
a aa a aaa
.
T a a, a
a a . T , I
a a a a a a
a.
The Schwungof the Ideal and the Real
I a , B a La (1967)
a a a a a a a
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99
a . I a
a a a
. T a a a (B &
La, 1967, . 50) ; a
. T
a a a
a a a aa (B & La, 1967,
. 51) a .
Laa a
a a B a La a a, aa,
aa a a
a . Ba , aa a
aa a a a
. Ta, aa a S a La
a a a a (1974, . 278),
a ,
aa . I , a
a aa a aa ,
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100
aa a a
a a .
K B aa aa a a. H
a aa a Ca ,
(Ca, 1997) a a a a
a a aaa . T,
a a a a
aa aa a a , a a
(Ca, 1992, . 6). E , B a
a a aa.
H a a a
(B, 1961). T, , a
.
B a a a a
aa. C a, , a aa a
a
a .
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101
T a aa, , a a a
a a aa . H,
a a aa a
a a . F,
a , a a , a
aa a a.
Ia a , a a a
a a . H, , a
a a . B a a
aa a a a a a. H, a
a a a a
(Ia, 1931/1973, . 10), a , a aa
aa a a a.
I a, Ia a a
(), a a
a aa a (Ia, 1964, . 207) a
a a. Ia a a
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102
a, a a a a a
.
T, Ia , a a
a. Ra, a a a a a a
a a a a. Sa La a
aa. A Ca 3,
a a a a a a a a
a a a
(La, 1962, . 13). H, a a a a
a , a .
T, a, La, aa
(La, 1962, . 63). F, a
a a a a
a (La, 1962, . 64), a
a a . La a a
, a a
(La 1962, . 9394).
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103
F , aaa a a aaa
a a a a aaa
(Ba, 1994; Ta, 2003),
aa . I aa, S Ta (2004) a
aa a a a a a
a a. H , a a a ,
a ( a ) aa a
aa a. T aa, La a a
a a a a
a a a (La, Ta, 2004, . 81). T
Ta aa a
aa, a a, a a a
. S, a a
, a a , a, a
a, a a
, a a a a a
.
E a, Gaa a S a
a a a a a
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104
a a. H a,
a , a , a aa, a
a, a a a a (Gaa,
1975/1999, . 109, a a), a a
a a a a,
a a a. H a a
a, a a (Gaa, 1975/1999,
. 109). Paaa , a a a
a, a a a [ a]
(Gaa, 1975/1999, . 109). I a a
a a a a a a a a
a a a.
T a, , a
aa. Ra, a a
a, . O a a aa Pa
W, a
a a (W, 2000, . 58) a a
a a a a a, a a.
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105
I a, aaa a a a a a,
a . F 4.1: T C Ia
Ra a Ia a
a a, a a a
a.
Figure 4.1: The Continuous Interplay between the Real and the Ideal
W aa a a a
a a aa a aa a, I a
a aa.
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106
Organisations as Symbolic Texts
A a, Ba a La a aa
aa a a a a, a
aa a a[] a a[] (B & La, 1967,
. 53) . F, a
a aa a a, a a a
a (B &
La, 1967, . 53). T, a a
(a ) a a a
a a. I
, a Ia a, a
a , a a
a aaa . H a aa a
a a aa.
Ta , a 1999 a
a, & , a a
a aa, S La a a
a aa a . T
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108
F O 2004, A
M a a aa a
aa (B, O, & F, 2004). H, a a
a aa a a a a a a
a a . I, a
a aa aa,
a a (Ra, G, & Ta, 2004) a
a a (P,
La, & Ha, 2004). T a a
a a a a
aa . T a a:
Wa a a aaa ? a H
?
W a , a a
a a , a
a a aa. A a
a a . B
a aa aaa ? O
a, a a a a a
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109
a a a aaa
a?
The Foundations of Organising
I I a a a aa, a
a , aa a
a. Raa, aa a
a a a a a a aa
a a a . B a
a a , aa a ,
a a a a, aa
a a a . A a a
a a a a a a
aaa aa.
T a a, , a
aa a aa, a a, a
aa a . Ta
(1991) a , a
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110
a a aa , ,
a aa a .
T aa a a a a.
Ta a a a a
a . T a, , a
aa a a a a .
Wa a a aa
aa (G, 1983). A a
a a a aa a , a a
a. Ta aa a a a a, a
a a a a
a a a a, a aa a
a . H, aa a
a a a
aa. F, aa a a a a
aa a a , a a
a a (Ta, 1991,
. 576 & 577).
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111
M a a a a a a a
aa, a a a a
a a a . T a
a, Ra Ia a a aa . I
1986 Ia a a a
: D ? O a
a. M . W a , a
a , a a a, a .
T a aa a a a
a a 24 a, 7 a a . M
a a.
S aa. W, Ia a,
a aaa , a a a ,
a, , a
aaa a, a a. T
a aaa , , a a a .
T , Ia a a a ,
a a a . I
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112
, Ia a a a
a a. F Ia a a a
, a I a
a aaa . I a
, Ia :
T a a a a a a
a,
a a a. I a a a a
a : a
(.., ), a (.., a
), a (a
a).
(Ia, 1986, . 57)
H Ia a a a a
a . W a a, a
aa a a , a a a
a a a, , a a . S,
a a a aa a
, a a a
a (I & K, 2002, . 7) a a
a a a a
aa.
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113
R a C a Ya
(1993) , a aa, a
a a aa a aa a. F, a
a a a a
a a .
T a a a a
aa , a a, a, .
A a a a a, a a
a a a a a (D &
Wa, 1999; Iaa, 1999; T a., 2004, . 121).
C , Na (2003) a a aa
a a
a a. H a a ,
a , a a a a,
, aa, a a ,
a aa a a a
a (Na, 2003, . 8, a a). H a
a a a aaa
a. T , a Na, a aa a
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114
a aa a a (Na, 2003,
. 226).
Ta a a aa, Sa, , a
(Sa, 2002). B a a, a
aa a a aa a
a a .
T a aa a
a a a a a a. T
a a , a ,
a a aa aa .
A a a , a a a
aaa a. T a a
a a a , a a
a a aa a. I ,
, I a a aa a a a
a a a, . H,
a a?
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115
Music and Conducting Organisational Research
T aaa a a I a
a a a a aa a
a a. H a a
a a a a a a
(D, 1990/2001, . 260) a a a a
a a a a a. S
aaa a a a aa,
aaa a a
a . T a a aa
a a a a [a] aa (B,
1935; S, 2003, . 3) a a a
(W, 1990, . 16 & 17). H, a?
Ia a
aa aaa a . T a
a a a
, a aa aaa . T
a: a a a ; a a
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116
a; a . I a a
a a a.
1. Interacting with the Parts and the Whole
I a a a , a a
a a ,
, a, a a a a a
aa. Ia, , a a a a
a a a a . Ra,
, , a a (a ,
) a a
a (Ia, 1986, . 50).
A Ia, a
aa a . I , a
a a a a a . I
a , Ia aa a
( a a a ) a
( a a a ) (Ia, 1986,
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117
. 12, a a). I a a a, a
a a aa .
W , a a
a, , . Ia a a
, a a a a , a
a . H, a
a a
a a (K, 1947, . 121).
A a Ia a a
a . H aa a a
. Ra, a
a a aa a a
a (Ia, 1986, . 116). H a,
, a a a a , a
a (Ia, 1986, . 36) a a
a a a. A a
a a
a a a .
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118
Sa, a a a , a aa a
a a a a a a. I
aa , a a a
a a , a. F,
a a aa a
a, a a aa a a
a (MP, 2004, . 361),
a aa. Ra,
a a .
2. Space and Time
I a a, a ,
, a
, a a aaa. Ia a
a a a a
. B a a a a
a a a a, a
a a a a a a.
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119
A a a
a , a a a a a
a a a a . Sa,
, a a a a a
a (Ia, 1986, . 19) a a
a .
H, a a a a a a a,
a. W a a
a, a
, a a a a, a
a aa a, a a a
(Ia, 1986). A a a aa, a
a a a a aa a
a , a
a a.
Wa Ia a a a a
a a a a
a a. Sa, aa a
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120
a aa a a , a a
. Sa a,
a a
(C, 2003, . 1946). T a aaa
a a . I a a, ,
a a aa a ?
T a a a a D a a
a a a a a
a a (D, 2003,
. 1912). H a a aa a
a a. D a a
a a a a,
a a a
a. H a a a
a a a, ,
a a (D, 2003, . 1910).
T aa a, a a a a
a a a a a a
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121
a? F, a a
aaa a?
T a . Ia
a a a a a a, aa a
a a. T a , Ia
a a a a a
aa (Ia, 1986, . 72) a a (Ia, 1986,
. 77).
B aa , Ia a a a a
a . T, a aa a a
a [] a
(Ia, 1986, . 72). A ,
aa a a a a a a
. T , , a a
a a . I
a, a a .
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122
H, a a a a ,
a aa . F
a, a a a a
a a a 7 a a a, a
a a a a a a
.
P , , a a
aa . F, Ia a a a
a a ,
a a . H
a .
T a a, a
a:
aa .
(Ia, 1986, . 73)
I a, Ia a a a a a
aa (Ia, 1986, . 63). H a a
a a a
.
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123
Sa, B, aa a
a ; a a aa a a a .
T, a a a .
W a , a
a a a a, a a
aa , a
, a a a
aa .
(B, 1910/1971, . 100)
A B, a a a
a a (B, 1910/1971,
. 101). Ka W a a a
a aa . F W a a
a a a
a (W, 1995, . 27). T a
a:
Sa a. T a a a
a . P a aa
, , a
a .
(W, 1995, . 43, a a)
H, Ia a a a a a
aa. H a aa? W W
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124
a a a a a a a a a a
a ,
a.
A a B (2002) a a
Ba Daa a Wa Ta A 1993.
T a a a aa a a
a a Da K a a a a,
a a a a. M
a a I aa a aa
a a a aa a a
a aa (Ba, Ba, & Wa, 2003). U
a a a a aa a a a aa
a aa, aa, . I
a a a a
a a a, a Wa,
a a FBI a aa a a a. I
a a A a B ,
a a a aaa a (W, 1979, . 43) a,
a aa a?
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125
T a, a a , a
aa a . M a a
. T a a: a a . I
a a a a , a a
a a , a a a .
Ia a a a a. H a
a a a a a, a, a
a (Ia, 1986, . 65) a a
a a a . H, a aa.
B Ia a a a a a
a . T, aa a
a a a . I , aa
a a a a
. T A a B a. T a
( a a C a FBI a
a aa), a a a
.
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126
Ha aa a a , a a
? T aa a a Ia
.
3. Non-sounding Elements
T a, a a a a
a a a .
I a a (B &
P, 1966, . 1; H, 1967, . 1). I , , a Ia
a a a .
A , a ,
, a a , Ia a a a
a a , a .
B a, I a a,
Ia a a a a a ,
a .
a , a aa a
a a (Ia, 1986, . 95). F
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127
a a a
a a aa .
A , a , a 18
aa a aa, a , a
. (T Saa, a a
a .) Wa a
Saa, C, O S aa a a
a a .
A , aa a a aa a. I
a a , a E, a
a a, a a Raa
a a. Wa aa aa, , a
E a Raa a
D. A a a
() , a a a a
a. Ta a a a
. T
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128
a a a Raa a a
a a, a () .
F 4.2: A S Pa Saa F
. T a a
a a. B a Ra a Ia
Va, a ,
a a a a . T a
D a a
a a.
Figure 4.2: A Synthesised Plan of Sonata Form
I aa a. I a
a a a. T D
a aa a (W, 2001, . 692) a a
I
V
I
Ior
tonal chaosthematic working out
consonance resolutiondissonance
}
Exposition Development Recapitulation
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a a a
a a aa.
T a aa a a
Ra a 20 , a
a a a . Ma Pa, a
aa ,
aa , a aa aa ,
a a a. H a a
a aaa a a a
, aa aa a
aa a (B, 2004, . 2).
A a a a, , a a
aa a , , , a a a a
a . Aa a a
a a a a aa
. T a a aa D
a aa a
aa . T aa ,
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[] a a a a (Da, 1965, . 61)
a a a a
a, a a a, a
a. F, a a
a a a a aa a a a a
, a a a a a a
a a .
T a a a a
a a a , a
? A a a
a a a a a , a
a a .
A a a a, Ia a,
(Ia, 1986, . 98). H, ,
a Ba a (Haa, M,
& M, 1971, . 439), a aa a a a
. Ra, a
a . T, a aa a
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a a a
(Ha, 1968, . 173), a a a a
a . I
aa a a , aa
aa a a a aaa . H
a , a a
.
W a a a a a, a
a a aa a
a aa a
(W, 1974, . 42). T aa
a a aa aa. F, a Sa ,
aaa a a a a
(Sa, 2000, . 74). Wa, , a a
aa?
Sa La a aa ;
a, a aa a
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a a a . I a aa
a , La a,
a a a a a
a a a a
a a , a a,
a a a, aa, ,
a, a, .
(La, 1942/1960, . 228)
W a a, a La, a a
a a aa.
S a a aa aa a
(La, 1942/1960, . 233). T a, , a
a a a a
. La a a a
a a a
aa, a a a a a a
a aa a aa (La, 1942/1960, . 235).
T, a a a a
aa, a . A a aa
, aaa a
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. F a, a a a
a a a (Ca, 2004, . 233).
T aa a
a a . T a
a a (Ia, 1986, . 105 & 113).
S a a a a a a a
aa aa a a
a a a aa aa
. T aa a a a a
a Va F (1725), a
a a a a a. S
a a a a S a
S a. B S N. 6 F O 68
(1808) a a a a, a a a .
F a, A a T
a . B
FO 14 (1830) a aaa aa a
a a. F a a
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a aa a a a
.
T a a a aaa aa
a a . T a a
a a a aa a
a a a a a a
(Ta, 1993, . 24). Aa , a aaa ,
a aa a a
a (Yaa, 2002, . 959).
Ra Ba a a a a
a a a . T, a
aa, a a a
a aa a a a a, a
a (Ba, 1977, . 159,
a a). H a aa , a ,
a aa, a a a a
a.
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I a, a aa
a, a a a
. A a
a a aa a a
a aaa a a.
Aesthetic Inquiry
I a a a Ka W
a a a aa. I a
a a aaa a I a
a a a
a a a a a. Ma
a a aa a a a aa
a aaa
a a aa a a a a
a aa . I aa, I a
a a aa a a a
; a a ; a aa
, a .
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I a I a a a a
a a a a. I F 4.1: T C
Ia Ra a Ia, I a
a a a. B a ,
a a aa,
a a a a, a a
a. I F 4.3: T S Ia Ra a
Ia, a a aa a a a a
a a aa, a a a ,
a. T a a a,
a , a a a a
.
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Figure 4.3: The Symbolic Interface between the Real and the Ideal
I a I a a
a a a a a
a. H I a a a
a a . I I a
a a a
a . T a a a a
a a
. T a
a a aaa a a.
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138
CHAPTER 5OVERCOMING MUTENESS:MAKING THE
HIDDEN KNOWABLE
The Problem of Muteness
Aesthetic Ethnography
The Research Site
Symbol and Perception
Organisational Identity: Presencing and Intentionality
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The Problem of Muteness
Ba aaa a a a, a
a a a a aa a a a a
. Pa a a
a a . Va
P a aa (P, 2003, . 6) a
a. P a a ,
a a a a a, a a a
a . T a, , a
a a a , a a.
F S Ta (2002), a a a
a a aa . H a
a a (Ta, 2002, . 823)
a a a a aa a a
aa, a a a a
, a a aa a
a . M, , a a a
aa, a a a a aa
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aa . T a a a
a a a a a a a
a a a a aa
.
H a a ? I
a I a a a aa. I
a a a a a
a a a
aaa a. B a a a
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a, I aa aa
a. F, a a a a
(, a, Baa a V
Ca 2) a a
a a a .
T a a a a
a a a a
.
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A a a a
a a a a. I
, a a aaa
a aa aa, aa a a
. F a, Da Ba aa
a aaa aa (Ba, 1996);
S Ta a a a a a a
(Ta, 2004; T a., 2004); A Sa
a a a (Sa,
1999, . 188).
H, a a
aa a a a, , a aa.
T aa a a Aa S (2003)
a a a a aa a. H a,
[] a a,
aa ,
a , a aa,
a, a a
a .
(S, 2003, . 2)
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T a a a aaa a
, a a a a a
a a a a. H a aa a
a a a a aa a
aaa a a a a, a a
a . Daa (Ta, 2003), a (Ba,
1994), a (Pa & G, 2004), a (B, 2003), a
(N, 2003) a a a a a
a , a a
aaa a a . I a , a a
a a a aa a
aa a a a a a
.
I a, Paa Gaa (1996) a a
a a aa
aa, a, a a; a , a
a a . B
a, a a
(Gaa, 1996, . 372). H, Gaa a
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a a a a a
a G , a a. I aa,
a a a a a
a a a a a a aa
. F, Gaa a:
T a a a,
a a a a
a aa a.(Gaa, 1996, . 573)
S, Gaa, a a a
aaa a. T, , a a
a , a aaa a a
a.
A Sa a P G M a a a
(Sa, 1999; Sa & G M,
2002). T a a a
aa a a
a a aaa a. T
a aaa aa (Sa, 1999, . 189), a
a a aa aa, a a a,
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a a . A a,
aa, a
aa a a aa
a. T a a aaa
(Sa, 1999, . 190) a .
T Sa aa aa. H
a aa,
a a a. H
[] a a
a a
a a a
a (Sa, 1999, . 190, a a).
T a a a
a a. T a a a
a a a, a a
a a a Ka
(Ka, 1790/2000, . 48).
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T aa a a
a a a a
a , a a a
aa a a
a a a aa. N, Ka, a a
Ka a a
, a a. N :
Ka, a , a a a
a, a
a a (
a), a a a
a.
(N, 1887/1994, . 78)
T a, a N,
(N, 1887/1956, . 256, a a).
T a a a
Ia Ea (N, 1887/1994, . 81) a a
. N a a . F , a
a
(N, 1887/1994, . 81) a a a a
a a a a . T, N,
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a a . I a ,
M a:
T a a , ,
aa a a a a
, a a
a aa a aa a a
a a .
(M, 2002, . 8, a a)
T a a a a
a. W a a a a a ,
a a a a (Ja, 2001, . 62), a
aa a a ,
a a a a. S
a a a a
a a a a . Ia
a , a a a
a a a. I
a a a a a a
a a.
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Aesthetic Ethnography
A a , a a a aa a
aa a a aa a
a. A, a, a
a a, a a a
a a a, , a
, a a (Ca, H, & P, 2004;
K, 1990, 1997; Ka, 1992). I a aaa
aa a a a a a ,
a aa . I a a a a
a aa a a ,
a , a a a a a
a (Ca, 1995, . 5). T, a a , a
a a a a
, aa a
(Saa, 1993, . 4).
Ea a aa a
, a a a ,
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a a a . O
a a . M
a a, , a a
a (Va Maa, 1987). T
, a : aa ,
a a a (W, 1998, . 23).
R a , , a
a a a a . I a a
aa aa , aa a
aa aa
(Ba, 2006, . 19; Ca a., 2004, . 375). S aa
a a aa
a, aa, a a
a a . H a a
a , a a a
, a a a
a , a a a
a a a aa (Ca
a., 2004, . 381). A a , a a
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a aa aa a
a a a a .
Ca, a a
a a a
a a a a a a a
a aa. T , a a
a Fa. Ra,
a a a a a a
(Ta, 1993, . 4). I a
a, a a a a a aa
a a . Ca
a a a a a
a a aaa .
T . T
a a a a a a a
a a a (W,
1990). I a a a , a
aa aa a. Ra, a
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a a, a a
W aa, a a a a
a [] a a a a
a a a a a
(W, 2000, . 79). G a , , a
a a a a a .
Aa a a
a a a,
, a aa a (J, 1998; La,
1999a; Pa & G, 2004). Ba a a
a a a, a a a
a a a a a a
aa. H, a
a F (2003); a, a
a a a , a a a .
Ra a a a , E E a
a a a a aa
a a. F a, a a aa ,
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a a a a a
a (E, 1997). H, a a
, a a a . O, a
La a La a, a a
a (La & La,
1995, . 56, a a). T, a a a
a
a a a a a a
a a .
Sa, a a a. W a a a
a a aa, a a
a , a a aa a
a a
. C a a a a
(F, 2003, . 287).
A a
a a (
a) a a aaa (a
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(), a a ().
H a a
a (Ha, 1997, . 201), a a
a a a a a
a .
Oa a a aaa a
a a a a a
aa. H a a
(Ha, 1997, . 221) a . H, a
a a a a
aa a aa (Sa, 1999) a a
a a aa.
A a a a aa a
a a a a (D, Sa, M,
& Ma, 2005), a a
(Ia, 1986, . 57). T
aa a. T a a
a a a a ;
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aa aa a . T
a a a
a a a a a a .
W , I a . I
a a a, a
a aa a a a
a.
The Research Site
A a, a a a a
a a a. M aa
, a a a,
a a a a a a a a a.
M a a a
a a a a a ,
a a a. Ia, a
Ca , I aa a
a a. U
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a a aa a a
a a a .
I a a, I a a a
a aaa a a,
aa a a a a
a aa . P a
20 a .
T a a a a , a
a a, a a a a a a.
B a a a a a. T a
a a ( a a) a a a
a , a
.
M a a a a a a a
a. F a, a
a a a a a a a a
aa a. A a a
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a a a a
a a a a a a
a aaa aa. M a,
a, a/ a ,
Ma a a a
a . I , , a
. Wa a a a
a a?
T Aa Paa a I a a a,
a 25 a , a a a a a,
aa aa . F a,
a, Sa S. T
a a, , a C E O (CEO),
a a a a aa a
a, a
. T, a a
M D, Ga Maa a Oa Maa a a
Sa a a.
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I a a a a
a a a a a
aa. Wa I a a aaa
aa . I a a a
aa a a a , ,
a aa a
a aa.
T a aa a a
. T a a a aa a a
a , a a a a,
a a . F, a a a
a a, I a
a a a, a a a
a a a . A a a
a a a a a a;
a a a a a
a. T aaa a a a
a a aa a
a a a a .
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Sa, a a aaa. Sa
a a aa a a a a
a a a a a
aaa . M , , a a I a
Aa Paa a
aaa .
O a, I a Sa a a
a a aa a a
a aa. Sa aa a a a
a aa / a a a
a aa aa a, ,
aa, a, , (Sa, 1999,