music long term plan music 2021-2022 (this is in place as

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Music Long term plan Music 2021-2022 (This is in place as we transition over to the New Model Curriculum which the progression grid reflects) EYFS-have a two-year rolling programme. This is based on Year B. There will also be additional themes taken and derived from the baselines and ongoing assessments of the children. Topic title Songs Instrument Notes Pulse Rhythm Pitch Composition Autumn 1 Marvellous Me “Me!” Action songs Harvest Songs NA NA Autumn 2 Celebration “My Stories” Christmas Nativity Spring 1 Heroes “Everyone” People who help us songs-out of the ark Spring 2 Growth and Change “Our World” Spring It must be spring! (song book)

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Music Long term plan Music 2021-2022 (This is in place as we transition over to the New Model Curriculum which the progression grid reflects)

EYFS-have a two-year rolling programme. This is based on Year B. There will also be additional themes taken and derived from the baselines and ongoing

assessments of the children.

Topic title Songs Instrument Notes Pulse Rhythm Pitch Composition

Autumn 1 Marvellous Me

“Me!” Action songs Harvest Songs

NA

NA

Autumn 2 Celebration

“My Stories” Christmas Nativity

Spring 1 Heroes

“Everyone” People who help us songs-out of the ark

Spring 2 Growth and Change

“Our World” Spring – It must be spring! (song book)

Summer 1 Water

“Big Bear Funk” Summer songs

Summer 2 Once upon a time

“Revise, rewind and replay

Year 1

Autumn 1 – Hey you!

Harvest Festival Composer – Beethoven

Autumn 2 – Rhythm in the way we walk

Christmas Production

Spring term – Bamboo Tamboo 1. Questioning and investigating the

instrument, how to hold, the different sounds that different colours make.

2. Call and response simple 4 beat pattern copy the teacher.

3. Frog and tadpole (crotchet and quaver pattern); call and response

4. Composition within colour groups (leader, group), using frogs and tadpoles 2x4 beat bars)

5. Develop composition and performance.

6. Learning how to read the notation (frog and tadpole) game using the equipment.

7. Extend composition using the notation learned, create rhythm patterns, alternating call and response leaders.

8. Continue to expose to new rhythm pattern: triplet (butterfly) and semi quaver (caterpillar).

Composer: Mozart

Summer Term – Ocarinas Stage 1

1. Holding ocarina, High D 2. B; Three Bs, 3. B; Ocarina Groove, 4. B; Dooing well, semibreve 5. D, B, Time for Tea. Counting the pulse 6. G; Over the Water 7. G; B; D; High Jump

Composition using these notes. Simple call and response. Graphic notation (using lines, curves etc) Listening and appreciating composer of the term. Composer: Bach

Year 2

Autumn 1 – Hands, Feet and Heart!

Harvest Festival Composer – Chopin

Autumn 2 – Rhythm in the way we walk

Christmas Production

Spring term – Boom Whackers Questioning and investigating the instrument, how to hold, the different pitches that different colours make (high/low). Major scale range (c-c); (f-f) bflat. Twinkle Twinkle, melody and chord groups. Hot cross buns and then: Progression is to choose a range of songs, major and then minor key that are familiar to the children. Children will learn to perform the melody. They will also learn to perform accompanying chords to match vocals. Chord ranges of I; IV; V; V7 Games: Pitch recognition (high low) moving to more precise identification of the correct pitch being played by the leader. Composer: Brahms

Summer Term – Ocarinas Stage 2 Prior learning: check they can hold appropriately, play together. They should know D, A, G. 1. G-Whizz (4 lines, minims,

crotchets, rests, dotted minims)

2. Wagon Trail – introduce slurs and tonguing

3. Low D; Down and Up 4. Low E; InDeedy 5. 4 notes in one piece: E; G;

B; D – The ladder song and reading notes on the line Stave

6. Over and under slurs; Water Wheel; repeat sign

7. Quaver notation and rhythm; summer meadow, ayup, dotted quaver rhythm;

Composition using these notes. Simple call and response. Graphic notation (using lines, curves etc) Listening and appreciating composer of the term. Composer: Tchaikovsky

Year 3

Term Autumn 1 Autumn 2 Spring 1 Spring 2 Summer 1 Summer 2

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“Let your spirit fly” untuned percussion work (record rhythm grids; rhythm sequence work) Sing the song Sing the song and play untuned percussion parts within the song (record rhythm grids) Sing the song and improvise using voices and/or untuned percussion within the song Sing the song and perform composition(s) within the song Prepare for the end-of-unit performance

Composer: Wagner

Bamboo Tamboo Prior learning (crotchet, quaver, semi quaver, triplet; call and response) Practice technique for making a range of sounds (dynamics), accompany a backing track (follow simple rhythm notation) Explore composition of simple rhythms (breakfast rhythms) and how to notate these In groups, compose own breakfast rhythm to accompany a backing track. Notate to include dynamics (PP, P, F, FF) Christmas Production

Pebble in my pocket The Pebble in my Pocket Read Aloud by Meredith Hooper - YouTube Graphic scores to accompany text Graphic score patterns Graphic score pictures Graphic score word rhythms Composition sequencer and notation work Apply to creating graphic score to accompany the story of “The Pebble in my Pocket” Composer: Handel

“Dragon Song”

Learn and perform Composing melodies- Start to find ways in which to record compositions- writing notes down/begin using a stave- pitch not rhythm Composer: Handel

Recorders – Charanga course steps 1-8 Build on the co-ordination work developed in year 2 through ocarina, to begin to play the recorder.

Composer Schubert

Year 4

Term Autumn 1 Autumn 2 Spring 1 Spring 2 Summer 1

Summer 2

Theme/Project/Topic- Taken from LTPs Wider Opps – Djembe

Introduction to handling the instrument to make a resonant sound. The several different techniques for making a sound (palm, fingers, placement on skin). Use of techniques to create loud (forte), soft (piano) and increasing and diminishing sounds (crescendo and diminuendo). Controlling tempo (fast, slower). Learning to perform a call and response performance (unison performance, 2-part performance). Understanding notation of rhythm; minim, crotchet, quaver. Reading and recording these. Listening to music; identifying instruments by their characteristics (wind, brass, string, percussion, reed etc). Perform at Christmas. Singing as part of warm up activities and to develop rhythmic skills.

Developing performance skills – solo, small group (trio, quartets) and whole class performances. Using call and response techniques to compose simple call and response rhythm patterns. Beginning to link the separate skills learned together to create a bigger piece. Introduce idea of ostinato and varying rhythms. Listening to music: Listen to a range of lyrical songs (Italian, other countries); developing skills to find the pulse, play along and develop rhythms. Perform in assembly. Singing as part of warm up activities and to develop rhythmic skills.

Developing performance skills: blending in other untuned percussion to create a range of timbral effects. Composition linked to creating pieces, notating down using standard notation. Addition of additional instruments into performance. Performance in assembly: Big Drum performance Singing as part of warm up activities and to develop rhythmic skills.

Target Tracker Statements covered

Confidently recognise a range of musical instruments and the different sounds they make Confidently recognise and explore a range of musical styles and traditions and know their basic style indicators Use musical language to appraise a piece or style of music Copy increasingly challenging rhythms using body percussion and untuned instruments where appropriate Sing as part of an ensemble with confidence and precision Play and perform in solo or ensemble contexts with increasing confidence Develop an understanding of formal, written notation which includes minims and quavers Listen to and recall sounds with increasing aural memory

Year 5

Autumn 1 & Autumn 2 Glockenspiel Stage 1 & Christmas Production

Spring 1 Make you feel my love

Spring 2 Ocarina Stage 3 Prior learning: check they can hold appropriately, play together. They should know D, A, G. (stage 1) Slurs, tonguing, Low D, Low E Crotchet, quaver, minim, dotted rhythms, repeat sign 1. C; Easy Peasy; Sound Check 2. A, E, C, Zulu warriors; B, E, D, C, A; Beede-

eye 3. F#, Fangs, Sharp, Beware! Ocarina waltz ¾

time; tied notes. 4. F# Making Music; Windmills B, A, G, C, high

D, E, Low D 5. C#, key signature of 3#; Rain; D’s Lazy Blues 6. Accidentals #, naturals, Gruesome Twosome;

Gruesome Too Continue to complete as much of the course as you can. Composition should be utilising the notes learned, and recording the notation. Can they create short melodies, record and replay them?

Year 5 Continued

Summer 1 Classroom Jazz 1

Composer Debussy

Summer 2 Dancin’ in the Street

Year 6

Autumn 1 & 2 Glockenspiel Stage 2 & Christmas Production Spring 1 – A New Year Carol

Composer Stravinsky

Composer Verdi

Summer 1 – You’ve Got a Friend & Leaver’s assembly Summer 2 - Music in Me (inspirational women) & Leaver’s assembly