music layout

7/26/2019 Music Layout

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Classical

aw; oGm; rsm; udkvG,fulpGmavhvm

wD;cwfjcif;

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5/36

5

Classicalaw;oGm;rsm;udk

vG,fulpGmavhvmwD;cwfjcif;}}

ed'gef;

,aeYacwfurm&GmBuD;jzpfvmaomtcg ,Ofaus;rItEkynmypnf;rsm;zvS,fjcif;onfvnf;ydkrdkeD;uyfvmMuonf/ txl;ojzihf *DwtEkynmonf vli,fxktay: ydkrdkvTrf;rdk;aom tEkynmjzpfvm ygonf/ okdYaomfvnf; *DwtEkynmypnf;wdkif;udkwefzdk;&SdvSonf[kowfrSwfr&yg/ xdkYaMumifhvli,frsm;udkjyKpkysKd;axmif&m t&nftaoG;&Sdaom pHxm;xkdufaom tEkynmrsm;jzihfydkrdkxdawGUapjcif;onfom rSefuefaomvkyf&yfjzpfygvdrfhrnf/ xdkYtjyif t&nftaoG;uif;rJhaom ay:yifqdk;qdk;&Gm;&Gm;*Dwrsm;pGmonf urmESihft0Sef;rIdvdkaygufaeMuonf/ xdk*Dwrsm;rSvnf; a0;a0;a&SmifaeEkdifatmif

BudK;yrf;Mu&rnf/ 'gqdkvQifrnfonfh*DwrsKd;udkt&nftaoG;&SdpHerlemxm;xdkufaom *Dw[kac:qdkMurnfenf;[laom ar;cGef;rSm ar;p&mjzpfvmygonf/pHjyKxdkufaom *Dwrsm;udkaz:xkwfMu&mwGif acwftqufqufynm&Sifrsm; oabmwlnDtav;xm;aom*Dwrsm;rSm *E 0ifrSwfwrf;0if owfrSwfcH&aomtEkynm ypnf;tjzpf ,aeYwdkkifxifxif&Sm;&Sm; &SdaeMuygonf/ if;*Dwrsm;udk wl&d,mtrsKd;rsdK;jzifYjyefvnfwD; cwfMu? avYvmcHpm;Mujcif;jzifY ynm&Sif 0goem&Sifrsm;pGmrS csOf;uyfaeMuygonf/,aeYvli,fxkrS vlBuD;rsm;txd tvG,fwulxdaxGYEdkifaom wl&d,mypnf;wpfrsKd;rSm ]]*pfwm}}yifjzpfygonf/ *pfwm jzifYacwfay:*Dwrsm;pGmudkcHpm;wD;cwfEdkifMuygonf/ xdkYtjyifclassical*Dw[kac:aom*E0if*Dw udkvnf; jyefvnfpDrHwD;cwfEdkifonfomyifjzpfav\/ xdkYaMumifYpHxm;xdkufaomt&nftaoG;&Sd*Dw rsm;udkif;wdkY\aemufcHordkif;aMumif;ESifYwuG wD;cwfenf;rsm;udk pmtkyf az:jyxm;ygonf/ odkYaomfvnf; pmtkyftm;]]classical *pfwmwD;enf;}} pmtkyftjzpfrrSwf,lapvdkyg/]]classical}}aw;oGm; rsm;udkvufacsmif;rsm;jzifY tvG,fwulwD;cwfcHpm;EdkifatmifavYusifYwD;cwfenf;omjzpfygonf/xdkYaMumifY ]]classical oDcsif;}}rsm;tm;wD;cwfenf;pmtkyfonf oDcsif;aemufcHordkif;aMumif;ESifYwuG aw;oGm;rsm;udk vufacsmif;rsm;jzifY ukwfwD;cwfNyD;cHpm; Edkif&efomjzpfonf/odkYaomfvnf; ]]classical *pfwm}}wD;cwf vdkolwdkYtwGufvnf; tajccHjzpfonf[kqdkEdkifygao;onf/*pfwmorm;rsm;twGufrwwfvQif rjynfYpHk[kqdkEdkifaom vufacsmif;uav;rsm;jzifYwD;cwfenf;jzpfvufcwfESifY vufacsmif; rsm;wGJvsufwD;cwfaom ]]hybrid picking}}wD;cwfjcif; twGufygtaxmuftuljyKygvdrfYrnf/ ]]classical *pfwm}}wD;cwfjcif;[kowfrSwfNyD; avYusifYvQifvnf; vG,ful

pGmavYusifYEdkifaom one line melody rsm;[krSwf,lavYusifYEdkifMuNyD; tqifYjrifYwGJzufmelody,harmony rsm;pGmjzifYwD;cwfaomtqifYoddkYwjznf;jznf;a&muf&SdumcHpm;wD;cwfEdkifMuygap[lvnf;qEjyKvdkuf&ygonf/ ,ckpmtkyfudkwD;cwf avYusifYolrsm;onftajccH*DwoauFwESifY*pfwmay:&Sdnotersm; (Oyrm - time rsm;? signaturersm;? rhythm rsm;? note value rsm;ponfwkYdjzpfygonf/)udkod&Sdem;vnfNyD;om;[k ,lqxm;ygonf/ tajccHvHk;0r&Sdao;ygu *pfwmqdkif? pmtkyfqdkifrsm;wGifpma&;q&mtrsKd;rsKd;wkdY a&;om;xm;aom tajccHpmtkyfrsm;udkt&ifOD;qHk; 0,fzwfapvdkygonf/

*DwA[kokwrsm; wdk;yGm;Muygap

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rl&if;pma&;ol\trSm

,ckaz:jyxm;aom *Dwpkpnf;rIrsm;onf oifYtm;*pfwmorm;wpfOD;tjzpfzGHUNzdK;wdk;wufvmap&ef*Dwtpdwftydkif;rsm;ESifYtcsuftvufrsm; az:jyjcif;jzifYyHYydk; ulnDxm;ygonf/

jynfYpH kvSaom solo rsm;udk txl;jyKaz:jy vG,fuljcif;rScufcJjcif;odd k Y pDpOfxm;ygonf/

az:jyxm;aom tpdwftydkif; rsm;rSmvnf; avYusifYzG,f&m note oauFwrsm;eSifYwuG guitar

technique? ordkif;aMumif; history*Dw \vIyf&Sm;rI[efyefESifh *DwtESpfom&ponfh wdkUudkyg-

wGJvsufaz:jyxm;ygonf/ orkdif;aMumif;udkvnf; tcsdefydkif; (5)ydkif; ydkif;jcm;xm;vsuf*Dw[efwdkUudk

az:jyxm;&mqkdif&mumvrsm;\wifjyaz:usL;ykHrsm;? *DwtEkynmcHpm;csufaoG;ckefEIef;ESifhenf;ynm

qkdif&mzGHUNzdK;vmjcif;rsm;ygwpfaphwpfapmif;owd jyKrdMuyg vdrfhrnf/ pmtkyfwGif az:jyxm;aom

*Dwrsm;onfuREkfyfjyefvnf arragement vkyfxm;aom Keyboard pieces rsm;? dk;&m folk

song rsm;? symphonies rsm; ESifhClassical e,fy,ftwGif; jzpfaom Medieval (11-15&mpk)

acwf? Renaissance (14-15&mpk) acwfESifh vSyEl;nHhrIrsm;pGmjzpfwnfvmaom Baroque

acwfrsm;rS*Dwtpdwftydkif;rsm;jzpfMuygonf/ udkifwG,f&rnfhfinger vufacsmif;rsm;ESifhTechnique

rsm;pGmudkvnf; &Sif;vif;wifjyxm;ygonf/ oifhtaejzifhaz:jyxm;onfh*Dwrsm;udkrdrdbmomwpf

rsKd;wpfzkHudkifwG,fMunfhjcif;? jyxm;onfhtwkdif; r[kwfrlyJjcm;em;pGmwpfenf;wpfzkHzefwD;wD;cwfjcif;wdkU

udkprf;oyfrdcJhvQifvnf; *Dw[lonfrSm zefwD;wwfonfhpdwf? qef;opfaompdwful;rsm;tay:tajccH

onfqdkonfhtwdkif;rdrd\awG;ac:rIaemufodkUvdkufygwD;cwfEdkifygonf/ *DwqdkonfrSm tpOftjrJtopfay:vmjcif;? ajymif;vJjcif;rsm;jynfhESufaeaom tEkynmjzpf *Dwpkpnf;rIrsm;udkoifhudk,fydkif[ef

yefudkaz:jyzkdU&mtwGufoifonfjyKvkyfEdkifpGrf;&dSonf[k,kHMunfrdygonf/

Lawrence Ferrara,

June / 1994 .

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Classicalaw;oGm;rsm;udkvG,fulpGmavhvmwD;cwfjcif;

GUITAR SYMBOLS

Right Hand Fingering

(nmzufvuftTef;)p = thumb (pulgar) (vufr)i =index (indicio) (vufndK;)m = middle (medio) (vufcv,f)a = ring finger (anularis) (vufol


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Harmonics

arm arm arm = natural harmonics (at indicated positions)

XII VII V

arm is an abbreviation for armonico, the Spanish word for harmonic. (arm onfharmonic udkTef;aompydefpum;jzpfygonf/)arm 8va= artificial harmonic.

= natural or artificial harmonic sounded at the pitch indicated by its location

on the staff.

Musical Signs And Abbreviations

1. f(forte) = loud.(cyfjyif;jyif;)p(piano) = soft. (El;nHhpGm)m(mezzo) = medium. (tv,ftvwf) mf(mezzo forte)(tv,ftvwfjyif;xefpGm)2. crescendo = to get gradually louder. (wjznf;jznf;us,fvm)

3. decrescendo = to get gradually softer. (wjznf;jznf;wdk;oGm;)

4. staccato = to detach or separate. (toHjywfwD;jcif;)

5. accent = to stress or emphasize.(if;note tay:tm;pdkufjcif;)

6. sforzando = a heavy accent. (ydktm;pdkufjcif;)

7. rienforzando = a moderate accent. (taeawmftm;pdkufjcif;)

8. fermata = pause or hold. (acwqkdif;iHhqGJxm;jcif;)

9. mordent = a quick alternation between a principal tone, its lower neighbor

(below it in the scale), and then a return to the principal tone.(rlvnote ESihfif;\atmufzufwpfqihfedrfhnote wkdYudkwvSnfhpDwD;jcif;)10. , , ,trill = two adjacent notes played rapidly in alternation. (uyfvQufnoteESpfckudkvQifjrefpGm wpfvSnfhpDwD;jcif;)

11. tenuto = hold the note for its full value. (note udkwefzdk;tjynfhjzpf&efxdef;xm;jcif;)

12. tie or slur = tie (same two notes), slur (two different notes). (note ESpfck-

udkwqufwnf; jzpfatmif wD;jcif;)

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13. a tempo= at the original tempo or to resume strict time. (rlvtptjrefEIef;)

14. cresc. =abbreviation of crescendo _ means gradually louder. (crescendo \

twdkaumuf)

15. dim. = abbreviation of diminuendo _ means gradually softer. (diminueudo

\twdkaumuf wjznf;jznf;wdk;oufvmjcif;)

16. dolce= sweetly.(csKdjrpGm)

17. Fine= the end. (tqHk;owf)

18. legato= to play in a smooth and connected manner; as opposed tostaccato.

(ajyjypfacsmarGUpGm qufpyfwD;cwfjcif;)

19. ponticello= to play by the bridge. (bridge em;wGifwD;jcif;)

20. rall. =abbreviation of rallentando - means becoming slower, to relax

the beat and reduce the tempo.(wjznf;jznf;ESihfaES;vmum wdk;wdk;oGm;jcif;) (*Dw\

tqHk;owfwGifawGU&\)

21. ritard. or rit. = abbreviation of ritardando - means gradually slower.

(wjznf;jznf;aES;)

22. tasto= to play by the fingerboard. (fingerboard em;wGifwD;jcif;)

23. = repeat sign.

(jyefausmhwD;&efsign)

The measures within the repeat sign that face each other are to be repeated.

24. = first and second endings. the second time

through the first ending is skipped over and the second ending is played.

(yxrtBudrf(1)udkwD;NyD; jyefausmhwD;vmNyD; vQif(1)udkausmf (2)udkwD;jcif;)

25. D.C. al fine (da capo al fine) = repeat from the beginning and play to the

wordfine. (tprSjyefausmhumfine txdwD;jcif;)

26. D.C. al coda (da capo al coda) = repeat from the beginning and play to thecoda sign ( ) and then skip to the coda. (tprS jyefausmhwD;umcoda sign a&mufvQifcoda qDokdYausmf wD;jcif;)

27. D.S al coda (dal segno al coda) = repeat from the sign ( ) and play

to the coda sign ( ) and then skip to the coda. (sign oauFwrS jyefwD;um codaqDokdYausmfwD;jcif;)

1. 2.


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Rest Stroke (Apoyando ) wD;cwfyHk

Rest stroke onftoHtdk;zufwGifBudK;rsm;udkydkrdkwkefcgtoHxGufapygonf/ Rest strokeonffree stroke xuftoHydk jynfh0onf[ka,bk,srSwf,lEkdifygonf/

vufxm;okdyHkrSm yHkwGifjyxm;onfhtwkdif; vIyf&Sm;rIrsm; t"dupwif&m large joint udkwD;cwf

aeaomBudK;rsm;\ tay:zufwGifxm;yg/ Oyrm - yxrBudK; (1ststring) udkwD;aevQiflarge joint

onf'kwd,BudK; (odkYr[kwf) wwd,BudK;ae&mwGif &Sdae&ygrnf/ toHxGufonfvufrSBudK;okdYpres-

sure vkyfaom tuGmta0;tay:wGifrlwnfaeonf/ tuGmta0;tawmftoihf&Sdygap/ 'gayonfh

tuGmta0;b,favmufrS BudK;ay:okdYpressure vkyfonfjzpfap oihf&JUvufacsmif;av;atmufrSm

BudK;vIyfcwfoGm;wmudk cHpm;od&SdEkdifzdkYyJjzpfygonf/ BudK;udkukwfwD;NyD; vTwfaomtcg rest strokewGifBudK;rsm;wavQmufqGJNyD;wD;oGm; EkdifatmifAvmvTwfay;&ygrnf/ yHkrsm;wGifMunfhNyD;aoaocsmcsm

avhusihfyg/

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Free Stroke (Tirando) wD;cwfyHk

Free Stroke wD;cwfyHkudkyHkwGifjyxm;ygonf/ Free Stroke wD;cwf&m Large jointonf wD;cwfqJBudK;ae&may:wGif xm;&SdaMumif;awGU&ygrnf/ aumif;pGmwD;cwfxm;aom Free

stroke toH onfvnf; rest stroke uJhokdY jynfh0pGmay:xGufapygonf/ Free stroke wGif

BudK;udk toHtdk;twGif;okdYwwfEkdiforQ vIyfcwfygap/ vufacsmif;onfwD;cwfNyD;vQif vufzaESmifhESihf

rsufESmcsif;qkdifwnfhwnfhrwfrwf&Sdygap/


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Ode to Joy (From Symphony No. 9, op 125)

(Ludwing van Beethoven)

*E 0ifajrmuftEkynmypnf;wpf&yftjzpfowfrSwfcH&aom aw;oGm;onfBeethoven \

Symphony No.9 *DwaemufqHk;tydk'f\ t"duaw;oGm;jzpfNyD; *Dwtm;vHk;wGifpD;arsm0ifEkdifpGrf;&Sdaom aw;oGm;jzpfonf/ Beethoven onfif;\em;tMum;tmHkvHk;0 aysmufuG,fcsdef1823 ckESpfwGifa&;om;cJhjcif;jzpf&m ola&;om;cJhorQwGif ESvHk;om;jzihf Mum;a,mifa&;om;cJh&aom wpfckwnf;aom*Dwjzpfavonf/ em;rMum;aom a&m*guyif Beethoven tm; omrefcHpm;rIxufausmfvGefNyD;r&SdcJhaom t&mwpfckudkESif;tyfawGU&SdapcJhav\/ aw;oGm;tm; "double bass" rsm;ESihf"cello"rsm;jzihfpwifxm; NyD; chorus wGifvnf;jyefvnfum xnfhoGif;wD;xm;\/ pmom;udkawmhSchiller

\ "ode to joy" rS,loHk;xm;onf/Sing then, of the heav'n - descended Daughter of the starry realm,

Joy by love and hope attended,

Joy whose raptures overwhelm!

Joy whose magic re-uniteth

All that custom sternly parts;

Brothers all whom joy delighteth,

Reconciler sweet of hearts!

Ye who own the crowning treasure,

Loyal heart of faithful friend,

Ye whose love is woe and pleasure,

To our strain your voices lend.

aw;oGm;udk ]]toHjynfh whole tone}} ESih f ]]toHwpf0uf semi-ton}} rsm;jzih fcsdwfqufa&;xm;NyD;bar No. 9 a&mufrSMajor 3rdtoHokdY qif;oGm;onfudkawGU&onf(E note

rSC note odkY)/bar No.12 wGifawmh Major 6th

okdYjyefwufxm;aMumif;awGUEkdifygonf(G noterSE notokdY)/ No. 1 BudK; 3rd fret \ G note udk b,fvufol


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Minuet(Johann Krieger)

Johann Krieger onf*DwpmqdkBuD; Bach rwdkifrDu Keyboard Music a&;zGJUoljzpf*smref Organ orm;rsm;pGmxJrS xif&Sm;olwpfOD;jzpfygonf/ ,ck Minuet tm; 1697-98ckESpftwGif; Krieger onfoD;jcm; Keyboard work ESpfcktm; zefwD;xkwfa0jzefYcsDpOfumva&;zGJUcJhonf[kqdkMu\/ tv,f tvwfoHk;csufpnf;e&D(M.M.d = 152) jzihfwD;cwf&NyD;lwwd,beat rsm;rSmaemufvmrnfhbar twGufpick up note ozG,fjzpfae\/ oDcsif;pwifonfh Openstring udkrwD;cifqufwkdufvmrnfhC ESihfA note wkdYtwGufb,fvufudkBudKwifjyifqifxm;yg/aw;oGm;pwifjcif;onfA minor chord \ arpeggio jzpfygonf/ if; single line melodyudkwD;cwfpOfwpfavQmuftay: BudK;BuD;rsm;udktoHrxGufrdapatmif*kpdkufyg/ tay:BudK;BuD;rsm;(basse

BudK;rsm;)udktoHxHkxm;atmifoif\vufrudkb,fzufokdYtomapmif;umxdxm;ay;vQifxdkbass BuKd;BuD;rsm;wkefcgrIjzpfjcif;udkumuG,fNyD;om; jzpfoGm;ygvdrfhrnf/ nmzufvufrjzihf 4thstring

ay:&SdE note udkwD;cwfjcif;aMumifh qufwdkufwD;&rnfh1ststring qDokdYwD;&mwGifydkrdktqifajyapygonf/ free stroke jzihfombar 13 &Sdcrescendo oauFw txdwD;cwfvQifqufvufNyD;rest stroke jzihfwD;cwfaomtcg *Dw\pD;arsmrIrSm ydkrdktouf0if apygonf/bar 17 okdYta&mufmezzo piano oauFwae&mrS jyefNyD; free stroke udkwD;cwfyg/ Minuet [laom pum;vkH;rSm jyifopfpum; "menu" (ao;i,fjcif;) rSvmNyD"Baroqueacwf(16-17 &mpk*Dwacwf)\ vSynufanmaom tvGefajcvSrf;pdyfaom tuwpfrsKd;udkqdkvdkonf/xdkacwfwGif *DwwD;cwfolrsm;onf*Dw\xyfumwvJvJwD;aomtydk'fwkdYwGifrdrdbmomvGwfvyf

pGmvufwef; jznfhpGufwD;cwfavh&SdMu\/ oihfavsmfaom ]]wefqmqif note rsm; ornament"jzihf wD;cwfonfudk awGUEkdifNyD; rlva&;pyfxm;jcif;xuf wpfcgwpf&HydkrdkcufcJpGm wD;cwf&wwf\/]]wefqmqifnote, ornamnet}} udkae&mwGiftenf;i,f&Sif;jyxm;vQifoihftwGufa&SUqufif;ESihfywfoufNyD; ydkrdkjynfhpHkatmifwD;Ekdif&efjyifqif&m a&mufyg vdrfhrnf/ atmufwGifmeasure 2 F note ay:wGif "mordent" oauFwjyxm;NyD;wD;cwf&rnfhyHkyg nmzufwGifjyxm;\/ measure4 wGifE note ay: "trill" oauFwESihfywfouf jyxm;\/ measure 8 tcsydk'fwGif"trill"udkB note ay:xm;vQifydkrdkoihfavsmfaMumif;jyxm;onfudkawGU&ygrnf/ a&SUwGifvmrnfhoDcsif;"Bourree" wGifwD;cwfEkdifatmif,ckjyxm;onfudkoabmayguf&eftm;xkwf &ygrnf/

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Bourree

(Johann Krieger)

a&SUrS"minuet" udkausnufcJhvQif,ckbourr'ee onfkey a&m style ygodyfNyD;jcm;em;jcif;

r&Sd tvG,fwulwD;cwfEkdifygvdrfhrnf/bourree onfminuet wD;NyD;vQifwGJzufwD;cwf&jcif;jzpfy

gonf/ pHxm;onfh Baroque suite wGifbourree onfminuet aemufrS vdkufrnfokdYr[kwf5th

movement tjzpfminuet ae&mwGiftpm;0ifrnfjzpf\/ yHkrSefjzpfaom Baroque suite wpf

wGJrSmum; u@rsm;cGJxm;aom tpDtpOfwef;wpfck yg0ifNyD; ]]pwifrdwfqufaom*Dwtpdwftydkif;

Prelude" ESihf pwifjcif;udk psmef0ifuckefaom dance tpdwftydkif;rS qufvufvdkufygjcif;jzihf

zG JUpnf;onf/ Bourree onf tv,f tvwftjrefEIef;rS jrefvmaom double meter

ESpfcsufpnf;e&DxJu&aom ouf0ifvIyf&Sm;aom tu wpfrsKd;[kqdkEkdifNyD; udk,fydkifuGJjym;aom pwif

jcif;trSwftom;wkdYyg&Sd\/ (M.M.d=160)

Bourree udkbarwpfck\ pwkwbeat rSquarter note udkup beat ae&mwGifpwifNyD;xdkyHkpH

twkdif; bourree wpfavQmufrajymif;vJyJwD;oGm;&ygonf/ xdkyHkpHudkrodromav;,laqmifoGm;ap

&ygonf/ Bourree \ o@efudk rhythm pattern | |twkdif;yHkrysuf o,faqmif

wD;cwfap&rnf/1stposition

wGifwD;cwfNyD;vufuGufusJwD;&jcif;udkoufawmifhoufomjzpfap&ef2ndstring ay:&SdD note tm;vHk;udkvufoef;jzihfzdESyfwD;cwfyg/ measure (0g) bar 5, 6 &Sd

mordent wD;cwfyHkrsm; measure 3, 7, 11 &Sdtcsydk'f trill rsm;? measure 2 &Sdornament

trill rsm;wD;cwfyHkwkdYudk atmufwGif nDrQjcif; sign jzihfjyxm;ay;ygonf/ t&ifwD;cwfMunfhNyD;rS

oDcsif;udkavhusihfoihfygonf/

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18

La Bourree

(Michael Praetorius)

1612 ckESpfwGifMichael Praetorius onf"Terpsichore" [kac:aom French

dance 300 ausmfudk pkpnf;xkwfa0cJhonf/ ,ck Bourree onf Tersichore rSjzpfNyD;

if;udkxkwfa0csdefrsm; vlxkonf*DwyHkpHrsKd;jzihftursm;uckefaeMuqJjzpfygonf/ rsm;pGmaom

instrumental dance rsm;wGifvSyaom melody rsm;ESihfvIyf&Sm;ouf0ifvSaom rhythm udk

t"duwnfxm;um guitar solo twGufaumif;pGm wnfaqmufcJhMuonf/ Michael Praetorius

twGufawmhdance music udkwD;cwf&efinstrumental music ESihfywfouf pOf;pm;&jcif;rSm

tvGefoufawmifhoufom&SdvS\/ olonf wl&d,mpGJrxm;yJ wl&d,mtrsKd;rsKd;udkvGwfvyfpGma&G;cs,fa&;pyfcJh\/ bourree udkbasson uJhokdY]]avrIwfwl&d,m woodwind instrument" wkdYjzihf

rMumcPwD;cwfavh&Sdygonf/

yxrqHk;bar &SpfcktwGif; 'kwd,beat wdkif;wGifstaccato wD;cwfjcif;onfmovement

tm; pnf;csufusus jywfjywfom;om; toHxGufapouJhokdY jzpfaeygonf/ wdusjywfom;aom

toHtm; 'kwd,beat ay:wGifjyKvkyfxm;jcif;onfbourreetm; ydkrdktouf0ifapygonf/ (M.M.d

= 184) bar 9 or measure 9 wGif "bridge em;wGifuyfNyD;wD;aom ponticello" udkwD;&m

nmzufvufarmif;udk bridge em;okdYtomESdrfha&TUvdkufNyD; guitar body atmufzuftauG;em;okdY

qkwfwD;jcif;jzihf vufarmif; udkjrihfvdkufp&mrvdkyJwD;&rnf/ if;uJhokdY wD;cwfygrSvufarmif;onf

oufawmifhoufomjzpfNyD;bridge em;uyf wD;cwfaom "ponticello" wD;cwfjcif;tm; aumif;

pGmxdef;csKyfwD;cwfEkdifygvdrfhrnf/

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Greensleeves

(16th Century English Traditional)

Greensleeves onfESpfaygif; 400 ausmfoufwrf;&SdaeNyDjzpfaom ausmfMum;vSonfh

English aw;oGm;wpfyk'fjzpfygonf/ t,fvDpbuf (Queen Elizabeth) bk&ifrBuD;\zcif

Henry VIII rS a&;zGJU cJhonf[k qdkMuygonf/ &SdwfpyD;,m; (Shakespeare) uvnf; if;\

"The Merry Wives of Windsor" wGifGreensleeves tm; ZmwfaumifFalstaff\

atmf[pfajymqdkaom pum;xJwGifxnfhoGif;azmfjy cJhygonf/ "Let the skie raine Potatoes: Let

it thunder, to the tune of Greensleeves" [l azmfjy cJh\/ 17 &mpkESpfwGifrlc&pfprwfumdk;

(Christmas Carol) wpfyk'fjzpfaom "The Old Year Now Away Has Fled" wGif

xnfhoGif;toHk;jyKcJhNyD; 19 &mpkwGif"What Child Is This"? toHk;jyKcJhMuygonf/ t*FvdyfvlrsKd;

Composer wpfOD;jzpfolVaughn Williams rSvnf; vSynufanmaom oHpHkwD;0dkif;[ef

orchestral version jzihfa&;zGJUcJhygao;onf/

aw;oDusL;[efyefjzpfaeap&ef oufawmifhoufom tempo jzihf (M.M.d = 132

cefY)wD;cwf&ef tBuHjyKxm;ygonf/ measure (0g) bar 7 wGifb,fvufudk vufoef;jzihf F#

notewD;csdefwGif zGihfum; wD;cwf&efjzpfNyD;

G# noteudkzdxm;aom vufndK;udkqufvufzdxm;

NyD; vufoef;udkzdwD;&efvnf; tBuHjyKxm;ygonf/ tb,faMumifhqdkaomfG#note rSm F#note

NyD;vQif jyefwD;&aomaMumifhjzpf\/ F# note udkvufoef;jzihf wD;cwf&mwGifvnf;xdkvufndK;rSm

txdef;tuGyfozG,fvnf; jzpfaeygonf/

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Bagatelle, Op. 68(Robert Schumann)

*Dwpmqd k Robert Schumann onf wd kawmif;aom aw;qk d&onfh piano

*Dwrsm;a&;zGJU&mwGif emrnfausmfMum;NyD;dk;pif;aom if;\ melody xJwGifwefzdk;&dSvSaom if;\

udk,fykdif[efudk ay:vGifapyg onf/ ,ckBagatelle ( " Little piece " [kvnf;ac:\/)onf

1848 ckESpftwGif; if;a&;zGJUcJhaom piano *Dwpkpnf;jcif;jzpfonfh"op.68" (0g) "Album for

the young" xJrSjzpfygonf/

aw;oGm;\ atmufzufvdkif;rSxyfumwvJvJyg0ifaeaom G pedal note udkaw;oGm;wpf

avQmufxdef;wD;oGm;&rnfjzpfNyD;if; note u yiftay:rSaw;oGm;vdkif;tm; ydkrdktouf0ifapygonf/ pedal point (G note) udk ]]wdk;&mrSus,fvm crescendo}} ESihf ]]us,f&mrSwdk; diminu-

endo}} wkdYjzihfyHkazmfxm;onf/ melody udk]]rest stroke}} rsm;jzihfpwifyg/ xdkYaemufmeasure

2 ESihf3 wGifa&SUrSpedal point wD;cwfxm;onfudk ]]toH&Sdefxdef; (sustain)}} xm;&rnfjzpf

"free stroke" udkajymif;vJwD;cwfyg/ measure 3 wGif wwd, beat &Sd melody note

jzpfaom A note (3rd string 2nd fret) udkvufrjzihfwD;cwfyg/ odkYrSom nmvufwD;cwfjcif;tm;

aemufvmrnfh bar rsm;twGuf jyifqifEdkifyg vdrfhrnf/ "free stroke" ESihf "rest stroke"

tjyeftvSefajymif;vJwD;cwfpOfwGiftoHxGufudkawmhnDatmifxdef;odrf;xm;&rnf/ free stroke

udkwD;cwfvQifawmhtoHudkeufdIif;EdkiforQ eufdIif;atmif wwfEkdiforQ wD;cwfyg/ tempo udkawmh

tv,ftvwf(M.M.d = 116) udkom a&G;cs,fvdkufyg/

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24

Country Dance

(Fernando Carulli)

tuESihf ywfoufaom wl&d,m*Dwrsm;a&;pyf&m *DwyHkpHudkouf0ifvIyf&Sm;aeaom [efjzpf

ap&ef pOf;pm;a&;pyfMuonf csnf;jzpfygonf/ ,ck Country Dance wGifvnf; twkdif;yif/

vIyf&Sm; ouf0ifa&GUvsm;yHkpHjzpfap&ef measure wkdif;\ yxr beat wkdif;wGifcyfjyif;jyif;

wD;cwfjcif;jzihf a&;zGJUwD; cwfxm;\/ xdkokdY wD;cwfjcif;onf oDcsif;wpfavQmufvHk;jzpfygonf/

yHkpHjzihfwD;cwfvmjcif;udktm;aumif;vSaom "cadence tcsydk'f"rsm;qDokdYo,faqmifvmjcif;jzihf

tqHk;owfjyxm;\/ (measure 8, 16, 24)Country Dance wpfavQmufvHk;udkfree stroke

jzihfom wD;cwfyg/ i ESihf m udk wD;cwf&NyD; if;vufESpfacsmif;udk eD;uyfpGmjzihf wpfacsmif;ESihf

wpfacsmif; tomxdxm;NyD; wD;cwfyg/ i ESihfm note rsm;wD;cwfNyD;vQifvTwfvdkufaomtcg vufrudk

taemufzufokdYeJeJav;qkwfNyD; wD;cwfyg/ vufrubass string rsm;udkwD;cwfvdkufpOf i ESihf m

udkwpfwGJwnf; vkyfxm;yg/ i ESihfm vufacsmif; wkdYudkwD;cwfjcif;tm; vufrESihfwGJzuf tqif

ajyatmifwD;cwfEkdifjcif;onfaw;oGm;wD;cwfjcif; twGuft"dutcsufyifjzpf\/ xyfumxyfum

yg0ifaeaom note (melody) rsm;aMumifhvnf; oDcsif;rSm touf0ifaeygonf/ xdkYtjyifguitar

udkbif*sKduJhokdYtoHxGufatmifwD;cwfavhusihfygu Country Dance {uefpifppfykHay:vmygrnf/oihfawmfaom tempo rSm M.M.d = 144 jzpfygonf/

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Etude, Op. 60, No. 1

(Fernando Sor)

wD;csifpzG,foifcef;pmudk Fernando Sor \aemufqkH; etude rsm;rS ,lxm;NyD;if;udk

jzefUcsd onfhumvrSm 1836-37 jzpfygonf/ ,ckoifcef;pmwGif first position Scale

udkajyjypfpGmwD;cwfwwf &efpDpOfxm;NyD;aw;oGm;\ section BwGif open third string note

jzpfaom G note udkrdddwfzufoHtjzpfwD;pOftwGif; melody ukdaumif;rGefpGmwD;cwfEkdif&efoifMu

m;ay;xm;onf/ Sor nTefMum;xm;onfrSm measure 3,4,6,10 ESifh12wkdU&dS second string,

third fret D note tm; vufoef;jzifhwD;cwf&efESifh 3,8ESifh 9 wdkU&dS first string G note

tm;vufoef;jzifh zdESdyfwD;cwf&efjzpfonf/ b,fzufvuf\ vufoef;ukdtokH;jyKwD;usifhjcif;onf

toHpkHvifpGmwD;cwf&aomtcgtvGefyiftokH;wnfhvSygonf/ odkUaomfvnf; pma&;oltMuHjyKvdkonfrSm

(3rdfinger) vufol


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28

Tell Me, Daphne

(William Byrd)

aw;oGm;ud k Queen Elizabeth I vufxuf England Keyboard

*DwwGifrsm;pGmaom Version trsKd;rsKd;wkdYjzihf a&;zGJUwD;cwfMuav\/ English composer jzpfol

William Byrd onf "Go No More a - Rushing" [l Version jyKvkyfxm;apumrl

Queen Elizabeth vufxuf Keyboard *Dw pmtkyftm;vHk;wGif "Tell Me, Daphne"

[laom acgif;pOfjzihfcsnf;awGU&ygonf/

aw;oGm;av;onf A minor key ESihfC major key wkdYwGifscale wD;cwfjcif;udkzGHUNzdK;wdk;wufapygonf/ ydkrdkwkd;wufrI&&Sdap&efig;vHk;wGJvmaom Scale note rsm;udkfree stroke

ESihfrest stroke ESpfckvHk;jzihfwD;cwfyg/ pma&;oltBuHjyKvdkaomwD;cwfyHkrSm Scale tedrfhrStjrihfqHk;okdY

wufoGm;pOfwGif Rest Stroke jzihfwD;cwfNyD; if;rS atmufokdYedrfhqif;oGm;aom Note udkFree

Stroke jzihf wD;cwfyg/ measure 9 \ aemufqHk; note G note (first string 3rd fret)

tm; vufoef;jzihf zdESdyfwD;NyD;vQif A note (measure 10) qDokdY toma&TUoGm;&efjzpfygonf/

rdwfzufoHatmufzuf note tedrf hoHrsm;yDyDoo xGufap&ef rvdktyfaomBudK;BuD;rsm;udk

toHrxGufapatmiftm;pdkuf*kjyK&ygrnf/ tempo rSm M.M.d = 192 jzihfoihfawmfygonf/

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Hungarian Dance

(16th Century Anonymous)

16&mpkESpftwGif; Hungary EdkifiHonf Austrian Hapsburg Empire ESif h

Turkish Ottoman Empire [kESpfjcrf;uGJaeygonf/ EdkifiHjcm;om;*Dwynm&Sifrsm;pGmwdkU

vma&muf vnfywf0ifxGufoGm; vmaecJhMu NyD; [efa*&D (Hungary)ausmif;om;rsm; rSvnf;

EkdifiHjcm;ausmif;rsm;wGifom ynmqnf;yl; Muygonf/ xkdokdU vlrsdK;aygif;pkH a&maESmaejcif;aMumifhvnf;

dk;&mqefaom oDcsif;rsm;ESifhtursm;zvS,fjcif;&dScJhygonf/ ,ckwifjyxm;aomayghayghyg;yg; dance

*Dwav;onfawmqefqef rhythm Oyrmwpfckyifjzpfaomfvnf; cHhjim;rIudkvnf; xdef;odrf;xm;

onfukdawGUEkdifonf/

avhusifhjcif;udkcyfaES;aES;pwifyg/ odkUaomftempo M.M.d =116odkU a&mufatmifavhusifhyg/

tjrefwD;cwfvQif rhythm rSefygap/ Free stroke jzihfwD;cwfyg/ yxrqHk; beat rsm;ay:wGif

cyfjyif;jyif; av;zdwD; &efrarhygESihf/ measure 15 wGif toH\ t&nftaoG;tm; tasto oauFw

(fingerboard tem;(0g) fingerboard tay:wGif wD;cwfaom El;nHhaomtoH)jzihf jyxm;NyD;

tomt,mwkdYxdjcif; jzihfvIdPfoHygatmifwD;cwfyg/ Measure 2 wGifA note udkvufndK; (1st

finger) jzihfzdwD;xm;onfudk measure 4 a&mufonfhwkdifatmifrvTwfygESihf/ qufvmrnfhDmajor rdwfzufoHrsm;twGufvnf; jyifqif&ma&mufygonf/

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Alla' en la Fuente

(Mexican Traditional)

dk;&maw; (folk song) rsm;wGifyg0ifaompmom;ESihfaw;oHpOfwkdYrSm aw;a&;q&mwpfOD;ESihf

wpfOD;wGif wlnDrI&SdMurnfr[kwfyg/ tb,faMumifhqdk&aomf xdkpmom;aw;oGm;rsm;onf if;wkdY

EkdifiH a'o\tpOftvmaeYpOfb0ESihf dk;&mtarGtESpfwkdYtaMumif;rsm;jzpfaeaomaMumifhjzpfonf/

EkdifiHwpfEkdifiHpDwkdif;onfif;wkdY\ udk,fydkif[efdk;&maw;rsm;udkydkifqkdifMuonf/ xdkaw;oDcsif;rsm;rSmvnf;

b0\ yHkpHtrsKd;rsKd;udk azmfusL;Muonf/ tvkyftudkif? tm;upm;? trSwftom;? yHkjyif? tcspf?

bmomw&m;? rsKd;cspfpdwf? vlaerItjzpftysufrsm;ESihf xl;jcm;ae&ma'o (0g) &moDOwkponfjzihfpHkvifpGm azmfjya&;pyfMuonf/ ,ckAlla' en la fuente wGif t"du taMumif;t&mrSm a&yef;yGm;

fountain onfyljyif;aom aea&mifatmufwGifaoGUajcmuf&onfudka&;xm;onf/

ppcsif;pickup measure&SdxyfcgxyfcgwD;xm;aom repeated note rsm;udkyxrqHk;bar

txdwdkufdkufyg0ifapxm;ygonf/ xdkrSa&SUquf&eft&Sdef&&SdNyD; down beat usa&muf&rnfhae&mrsm;udk

ydkrdkaocsmapygonf/ qufwdkufvmaombar rsm;wGifvnf; repeated note rsm;yg0ifapxm;ygonf/

Arpeggio yHkpHchord udkp, i, m, (a) jzihftoHnDnDxGufatmifwD;&rnfjzpfNyD; vufronfyxrOD;

down stroke wkdif;wGifoH&SdefnDrQpGmyg0ifwD;cwfay;&ygrnf/ b,fvufvufol


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Lavenders Blue

(English Traditional)

tapmydkif; English dk;&maw;onf El;nHhodrfarGYvSaom aw;oGm;ydk'frsm;jzifha&;zGJUxm;NyD;

solo *pfwmwD;cwf&eftvGefyif ohifavsmfvSonf/ pmom;onfuav;wkdY\ bk&ifESihfbk&ifr jzpfcsif

MuaomqEudkazmfusL;xm;onf/

Lavenders Blue

Lavenders blue, lavenders green,

When I am king, you shall be Queen. Who told you so, who told you so?

I was my own heart that told me so.

vufrvufacsmif;rsm;udk free stroke jzihf wD;cwfyg/ aw;oGm;uJhokdYyif tjcm;aom

toHwGJ zufpHkvifatmifa&;zGJUaom tzGJUtEGJUwkdYwGif b,fvufonfvufoef; (4th finger) udk

wwd,vufuGuf ay:wGifrMumcPudkifwG,fwD;cwf&av\/ oDcsif;wGifOctave C' (yxrbar

\ yxrtay: note) ukdudkifwG,fwD;&m zdESdyfxm;aom vufndK;udk'kwd,bar a&mufonftxd

zdudkifxm;&ygrnf/ xdktcsdefwGifvufol


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music layout

Documents