music catalogue 2015

MUSIC 2015

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Welcome to the Music books catalogue 2015.

Here you will find new and forthcoming titles, representing the highest level of academic research from renowned authors. Our highlights this year include The Cambridge Companion to Hip-Hop edited by Justin A. Williams and volume three of The Collected Documents of George Frideric Handel edited by Donald Burrows, Helen Coffey, John Greenacombe and Anthony Hicks.

Our publications are available in a variety of formats, including ebooks and print, as well as online collections for institutional purchase via our publishing service University Publishing Online, which incorporates the Cambridge Books Online platform.

We also publish a range of leading Music journals, including Organised Sound and Twentieth-Century Music (see back inside page for more information).

You can recommend our books, online collections and journals to your librarian by filling out the form at the back of this catalogue.

To see more book listings, product information, preview extracts and reviews, and to find out which conferences we are attending, you can find us online at www.cambridge.org/music2015.

You can also keep up to date with the latest news and author views from our academic blog at www.cambridgeblog.org.

We hope that you enjoy reading about our latest publications. For queries, suggestions or proposals, you can find a list of useful contacts at the back of this catalogue.

Music criticism 1Music performance 1Opera 3Medieval and Renaissance music 5Seventeenth-century music 9Eighteenth-century music 10Nineteenth-century music 13Twentieth-century and

contemporary music 16Also of interest 21Information on related journals

Inside back cover

Contents

GeorGe Frideric

Handelcollected documents

Volume 2 1725–1734

edited by donald Burrows, Helen coffey, John Greenacombe and anthony Hicks

see page 10

Duke Ellington

The Cambridge

Companion to

Edited by

Edward Green

see page 18

Program Music

Cambridge Introductions to Music

Jonathan Kregor

see page 14

Hip-Hop

The Cambridge

Companion to

Edited by

Justin A. Williams

see page 17

Music Sketches


Friedemann Sallis

see page 2

Visit www.cambridge.org/authorhub for a range of step-by-step guides for authors

Friedemann Sallis, University of Calgary

Author of Music Sketches

The term ‘music sketch’ refers to the vast variety of documents

that composers produce as they work out a musical technique

or idea, and as they prepare a performance or publication of

their work. Covering a period from 1600 to the present, this

book examines the compositional practice of specific composers

with the help of numerous high-quality black and white scans of

manuscripts and autographs, many of which have never been

published before.

Jonathon Kregor, University of Cincinnati

Author of Program Music

Using numerous interdisciplinary methods and primary-source

materials, this book provides a comprehensive survey of program

music from the long nineteenth century. Music by Beethoven,

Mendelssohn, Berlioz, Liszt, Saint-Saëns, Mahler, Strauss, and

others are discussed with copious illustrative materials, providing

numerous contexts for this fundamentally important practice

of the period.

Featured authors

Music Sketches


Friedemann Sallis

Program Music


Jonathan Kregor

Music criticism / Music performance 1

eBooks available at www.cambridge.org/ebookstore

Music criticism

Rethinking Difference in Music ScholarshipEdited by Olivia BloechlUniversity of California, Los Angeles

Melanie LoweVanderbilt University, Tennessee

and Jeffrey KallbergUniversity of Pennsylvania

Two decades after the publication of several landmark scholarly collections on music and difference, musicology has largely accepted difference-based scholarship. This collection of essays by distinguished international contributors is a major contribution to the field. It explores and re-evaluates the key issues and includes individual case studies and methodologies.2015 247 x 174 mm 450pp 23 b/w illus. 49 music examples 978-1-107-02667-4 Hardback

£75.00 / US$115.00

For all formats available, seewww.cambridge.org/9781107026674

Music and Ethical ResponsibilityJeff R. WarrenQuest University Canada

Music and Ethical Responsibility argues that musical experience involves encounters with others, and ethical responsibilities arise from those encounters.2014 247 x 174 mm 213pp 5 b/w illus. 978-1-107-04394-7 Hardback

£60.00 / US$90.00


Music performance

The Manual of Musical Instrument ConservationStewart Pollens

This is the first book to combine museum-based conservation techniques with practical instructions on the maintenance, repair, adjustment, and tuning of virtually every type of historical musical instrument. As one of the world’s leading museum-based conservators of musical instruments, Stewart Pollens gives practical advice on the handling, storage, display, and use of historic musical instruments in museums and other settings, and provides technical information on such wide-ranging subjects as acoustics, cleaning, climate control, corrosion, disinfestation, conservation ethics, historic stringing practice, measurement and historic metrology, retouching, tuning historic temperaments, varnish, and writing treatment reports. There are informative essays on the conservation of each of the major musical instrument groups, the treatment of paper, textiles, wood, and metal, as well as historic techniques of wood and metalworking as they apply to musical instrument making and repair. This is a practical guide that includes

http://www.cambridge.org/9781107026674




2 Music performance

equations, formulas, tables, and step-by-step instructions.2015 246 x 189 mm 550pp 62 b/w illus. 12 tables 978-1-107-07780-5 Hardback

£89.99 / US$150.00

Publication April 2015


Organising MusicTheory, Practice, PerformanceEdited by Nic BeechUniversity of Dundee

and Charlotte GilmoreUniversity of Edinburgh

Dispelling the myth that the logic of creativity and business are opposed, this book sets up a unique dialogue between leading organisational theorists and music professionals to explore new ways to enhance performance. Balancing theory with a range of tales from the field, this innovative book will have wide appeal.

‘This excellent book is a major contribution to this field, providing both a succinct and accessible contribution to the field of organisational studies, and case studies and reflections on what the field might learn from music and the music industry. I can thoroughly recommend it.’Richard J. Badham, Macquarie Graduate School of Management, Sydney

2015 228 x 152 mm 446pp 2 b/w illus. 2 tables 978-1-107-04095-3 Hardback

£70.00 / US$115.00


New iN PaPerback

A History of SingingJohn PotterUniversity of York

and Neil SorrellUniversity of York

From its prehistoric past to its multicultural present, this history examines singing as a historical and universal phenomenon.2014 228 x 152 mm 355pp 978-1-107-63009-3 Paperback

£19.99 / US$34.99

Also available 978-0-521-81705-9 Hardback

£84.99 / US$134.99


HigHligHt

Music SketchesFriedemann SallisUniversity of Calgary

This introduction provides students and scholars with the skills they need to begin on research projects involving the study of composers’ working documents. It includes numerous illustrations of original manuscripts and autographs and a selection of detailed case studies, which explore how sketches were created and the techniques involved.Cambridge Introductions to Music

2015 247 x 174 mm 290pp 34 b/w illus. 6 tables 17 music examples 978-0-521-86648-4 Hardback

£55.00 / US$85.00

978-0-521-68554-2 Paperback £19.99 / US$29.99









Opera 3

For regular email alerts visit www.cambridge.org/alerts

Opera

Understanding the LeitmotifFrom Wagner to Hollywood Film MusicMatthew Bribitzer-StullUniversity of Minnesota

Leitmotifs are a type of associative theme found in dramatic music. In this book, Matthew Bribitzer-Stull explores the background and development of the musical leitmotif, from Wagner and art music to the Hollywood adaptations of The Lord of The Rings and the Harry Potter series.

Advance praise: ‘In eloquent prose, Dr Bribitzer-Stull offers a fascinating interpretation of the structural and expressive roles of the leitmotif in Wagnerian opera and Hollywood film music. His attractive semiotic theory of associative meaning yields fundamental insights into how musical motives enhance meaning in intermedial contexts.’Robert S. Hatten, University of Texas, Austin

2015 247 x 174 mm 315pp 3 tables 176 music examples 978-1-107-09839-8 Hardback

c. £60.00 / c. US$99.00

Publication May 2015


key refereNce

The Cambridge Verdi EncyclopediaEdited by Roberta Montemorra MarvinUniversity of Iowa

A fascinating and comprehensive resource for information on Verdi’s works, his life and career, and his cultural influence.

A Classical Music Editor’s Choice Top Ten Book of the Year 2014 – Joint winner

2014 228 x 152 mm 614pp 10 b/w illus. 978-0-521-51962-5 Hardback

£100.00 / US$160.00


key refereNce

The Cambridge Wagner EncyclopediaEdited by Nicholas VazsonyiUniversity of South Carolina

As the only encyclopedia of Richard Wagner available, this comprehensive reference work is an essential resource for enthusiasts and academics.

A Classical Music Editor’s Choice Top Ten Book of the Year 2014 – Joint winner


£120.00 / US$180.00








4 Opera

textbook

The Cambridge Companion to French MusicEdited by Simon TreziseTrinity College, Dublin

This accessible Companion provides a comprehensive introduction to the music of France from the early middle ages to the present day. With chapters on a range of music genres, internationally renowned authors provide a chronological history of music-making in France and analyse the key themes and topics.Contents: Foreword; Part I. Chronological History of French Music from the Early Middle Ages to the Present: 1. From abbey to cathedral and court: music under the Merovingian, Carolingian, and Capetian kings in France, through Louis IX; 2. Cathedral and court: music under the late Capetian and Valois kings in France, to Louis XI; 3. The Renaissance; 4. Music under Louis XIII and XIV (1610–1715); 5. Music from the Regency to the Revolution (1715–89); 6. The Revolution and Romanticism to 1848; 7. Renaissance and change: 1848 to 1914; 8. La guerre et la paix: 1914–45; 9. Cultural and generational querelles in the musical domain: music in France from the Second World War; Part II. Opera: 10. Opera and ballet to the death of Gluck; 11. Opera and ballet after the Revolution; Part III. Other Musics: 12. Traditional music and its ethnomusicological study in France; 13. Popular music; Part IV. Themes and Topics: 14. Manuscript sources and

calligraphy; 15. Church and state in early medieval France; 16. Music and the court of the ancien régime; 17. Musical aesthetics of the Siècle des Lumières; 18. Paris and the regions from the Revolution to World War I.Cambridge Companions to Music

2015 247 x 174 mm 440pp 18 b/w illus. 20 music examples 978-0-521-87794-7 Hardback

£60.00 / US$99.00

978-0-521-70176-1 Paperback £19.99 / US$33.00


Opera ActsSingers and Performance in the Late Nineteenth CenturyKaren HensonUniversity of Miami

Karen Henson uses four detailed case studies to explore a wealth of new historical material about singers in the late nineteenth century and to challenge the idea that this was a period of decline for the opera singer.

‘Karen Henson lovingly summons the voices of four singers of the fin de siècle, chronicling the moment when the opera star was no longer defined by beautiful singing alone. Spiraling out from Paris to aesthetics and performance practice in both Verdi and Wagner, Henson uncovers the roots of our current obsession with dramatic intensity, cinematic realism, and photogenic celebrity on the operatic stage.’Mary Ann Smart, University of California, Berkeley



Opera / Medieval and Renaissance music 5

Visit our website at www.cambridge.org/academic

Cambridge Studies in Opera


£65.00 / US$99.00


Opera and Modern Spectatorship in Late Nineteenth-Century ItalyAlessandra CampanaTufts University, Massachusetts

Alessandra Campana examines four late nineteenth-century operas, Mefistofele by Arrigo Boito, Simon Boccanegra by Verdi, Otello by Verdi and Manon Lescaut by Puccini, and a silent film scored by Mascagni, to explore for the first time how opera participated in the making of a modern public in post-unification Italy.Cambridge Studies in Opera


£65.00 / US$99.00


Rounding Wagner’s MountainRichard Strauss and Modern German OperaBryan GilliamDuke University, North Carolina

Richard Strauss’ fifteen operas make up the largest German operatic legacy since Wagner’s operas of the nineteenth century. In the first book to discuss all of Strauss’ operas, Bryan Gilliam explores the composer’s response to Wagner in

his discussion of Strauss’s stage works and their historical contexts.Cambridge Studies in Opera


£65.00 / US$99.00


Medieval and Renaissance music

Hildegard of Bingen and Musical ReceptionThe Modern Revival of a Medieval ComposerJennifer BainDalhousie University, Nova Scotia

Hildegard of Bingen has attracted interest ever since her death in 1179. In this book Jennifer Bain traces the reception of Hildegard, focusing particularly on the modern era. This book will appeal to those interested in the history of reception, culture, politics and religion, and women’s studies.2015 247 x 174 mm 250pp 18 b/w illus. 7 tables 8 music examples 978-1-107-07666-2 Hardback

£64.99 / US$99.99










6 Medieval and Renaissance music

Music and Riddle Culture in the RenaissanceKatelijne SchiltzUniversität Regensburg, Germany

This is the first book on the theory, practice and cultural context of musical riddles during the Renaissance. Highly illustrated and including a catalogue of enigmatic inscriptions, it will be of interest not only to musicologists, but also to scholars of literature, art history, theology and the history of ideas.2015 247 x 174 mm 385pp 58 b/w illus. 3 colour illus. 36 music examples 978-1-107-08229-8 Hardback

£84.99 / US$135.00



Tactus, Mensuration and Rhythm in Renaissance MusicRuth I. DeFordHunter College, City University of New York

Ruth DeFord offers new interpretations of the writings of Renaissance music theorists on the notation and performance of rhythm. Illustrated with more than 200 music examples, this book provides new analytical insights and performance recommendations for some of the best known musical repertories of the period.2015 247 x 174 mm 512pp 27 b/w illus. 14 tables 240 music examples 978-1-107-06472-0 Hardback

£80.00 / US$130.00



Medieval Music, Legend, and the Cult of St MartinThe Local Foundations of a Universal SaintYossi MaureyHebrew University of Jerusalem

The cult of St Martin of Tours was one of the most successful saintly cults in medieval Europe. Yossi Maurey’s study is the first to explore the music and liturgy of the cult and to address how Martin came to inspire a lively folkloric tradition and numerous works of art.2014 247 x 174 mm 318pp 11 colour illus. 8 tables 26 music examples 978-1-107-06095-1 Hardback

£70.00 / US$110.00


St. Anne in Renaissance MusicDevotion and PoliticsMichael Alan AndersonEastman School of Music, University of Rochester

Devotion to Saint Anne, the apocryphal mother of the Virgin Mary, reached its height in the fifteenth and early sixteenth centuries. Michael Alan Anderson highlights the political implications of the music that honoured Anne and explores its connections to some of the most prominent court cultures of western Europe.

‘… Anderson explores brilliantly and exhaustively the many subtle influences music dedicated to the Mother of Mary had on the ‘political’ views of European nobility, especially females … The book is a triumph of prodigious research; close criticism of ‘orthodox’ views; mastery of a wide-







Medieval and Renaissance music 7


ranging literature; and tendentious … tireless, detailed, specifically targeted conclusions … [It] is a wonder … A treat for scholars, musicologists, and historians of music and those specializing in the period.’W. Metcalfe, Choice


£65.00 / US$99.00


The Making of Liturgy in the Ottonian ChurchBooks, Music and Ritual in Mainz, 950–1050Henry ParkesYale University, Connecticut

This highly original study explores the religious life of early medieval Germany through its ritual books. Interdisciplinary in perspective, it sheds light on the histories of important manuscripts from the city of Mainz, challenging long-held assumptions about the ritual traditions and political dynamics of the Ottonian Church.Cambridge Studies in Medieval Life and Thought: Fourth Series, 100

2015 228 x 152 mm 288pp 4 b/w illus. 2 maps 8 tables 978-1-107-08302-8 Hardback

£65.00 / US$99.00


Manuscripts and Medieval SongInscription, Performance, ContextEdited by Helen DeemingRoyal Holloway, University of London

and Elizabeth Eva LeachUniversity of Oxford

This unique publication offers fresh perspectives on key manuscript sources of medieval song. In ten chapters leading experts each treat a single manuscript in detail, offering new findings, essential summaries of each manuscript’s contents and historiography, and detailed, accessible analyses of the songs’ music and texts.Music in Context


£64.99 / US$99.99



The Monstrous New ArtDivided Forms in the Late Medieval MotetAnna ZayaruznayaYale University, Connecticut

In The Monstrous New Art Anna Zayaruznaya focuses on a group of late medieval musical compositions that foreground monstrous and hybrid creatures and ideas. The book is generously illustrated with figures and music examples and will be of interest to






8 Medieval and Renaissance music

scholars of music history and fourteenth-century French literature and culture.

Advance praise: ‘A thoroughly excellent, original, important, and thought-provoking book, which will prove to be of great interest to a broad constituency of readers in musicology.’Elizabeth Eva Leach, University of Oxford

Music in Context


£64.99 / US$99.99



key refereNce

The Cambridge History of Fifteenth-Century MusicEdited by Anna Maria Busse BergerUniversity of California, Davis

and Jesse RodinStanford University, California

Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and

architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.Contributors: Anna Maria Busse Berger, Jesse Rodin, Michael Long, Klaus Pietschmann, Laurenz Lütteken, Alejandro Enrique Planchart, Lawrence F. Bernstein, Philippe Canguilhem, John Milsom, Julie E. Cumming, Peter Schubert, James Hankins, Reinhard Strohm, Leofranc Holford-Strevens, Blake Wilson, Alison K. Frazier, Deborah Howard, Anthony M. Cummings, Yolanda Plumley, David Fiala, Richard Sherr, Pamela F. Starr, Bonnie J. Blackburn, Patrick Macey, M. Jennifer Bloxam, David J. Rothenberg, Anne Walters Robertson, Anne Stone, Emily Zazulia, Evan A. MacCarthy, Margaret Bent, Thomas Schmidt-Beste, Andrew Kirkman, Nicole Schwindt, Keith Polk, David Fallows, Honey Meconi, Richard TaruskinThe Cambridge History of Music


£110.00 / US$225.00






Seventeenth-century music 9


Seventeenth-century music

The Lure and Legacy of Music at VersaillesLouis XIV and the Aix SchoolJohn Hajdu HeyerUniversity of Wisconsin, Whitewater

Louis XIV and his court at Versailles had a profound influence on music in France and throughout Europe. Taking its departure from Louis XIV’s 1660 visit to Provence, this book explores the developments in sacred music during Louis’s reign, particularly in the musical forms of the French motet.2014 247 x 174 mm 299pp 14 b/w illus. 4 tables 23 music examples 978-0-521-51988-5 Hardback

£65.00 / US$99.00


New iN PaPerback

The Cambridge History of Seventeenth-Century MusicEdited by Tim CarterUniversity of North Carolina, Chapel Hill

and John ButtUniversity of Glasgow

The Cambridge History of Seventeenth-Century Music seeks to provide the most up-to-date knowledge on seventeenth-century music together with a vital questioning of the way in which such a history can be told or put together for our present purposes. Written by a distinguished team of experts in the field, the chapters not only address

traditional areas of knowledge such as opera and church music, but also look at the way this extremely diverse and dynamic musical world has been categorised in the past and how its products are viewed from various cultural points of view. While this history does not depart entirely from the traditional study of musical works and their composers, there is a strong emphasis on the institutions, cultures and politics of the age, together with an interrogation of the ways in which music related to contemporary arts, sciences and beliefs.

‘Each of the essays delivers on the book’s promise of a strong emphasis on the institutions, cultures, and politics of the age.’Choice

Contributors: Tim Carter, John Butt, Stephen Rose, Victor Anand Coelho, Barbara Russano Hanning, Penelope Gouk, Lois Rosow, Noel O’Regan, Robert Kendrick, Margaret Murata, Alexander Silbiger, Gregory BarnettThe Cambridge History of Music

2014 228 x 152 mm 614pp 978-1-107-68105-7 Paperback

£30.00 / US$50.00


£154.99 / US$274.99






10 Eighteenth-century music

Eighteenth- century music

key refereNce

George Frideric HandelCollected DocumentsVolume 3: 1734–1742Edited by Donald BurrowsThe Open University, Milton Keynes

Helen CoffeyThe Open University, Milton Keynes

John GreenacombeThe Open University, Milton Keynes

and Anthony HicksThe Open University, Milton Keynes

The life and career of George Frideric Handel, one of the most frequently performed composers from the Baroque period, are copiously and intricately documented through a huge variety of contemporary sources. This multi-volume major publication is the most up-to-date and comprehensive collection of these documents. Presented chronologically in their original languages with English translations and with commentaries incorporating the results of recent research, the documents provide an essential and accessible resource for anyone interested in Handel and his music. This volume begins with Handel’s move to the Covent Garden theatre, during the period of his competition with the Opera of the Nobility, and ends with his season of oratorio performances in Dublin. These years saw the composition of Italian operas including Ariodante, Alcina and Serse but also of the major

English works Alexander’s Feast, Saul and Messiah.2015 247 x 174 mm 780pp 12 b/w illus. 3 music examples 978-1-107-01955-3 Hardback

c. £100.00 / c. US$180.00

Publication July 2015


key refereNce





The life and career of George Frideric Handel, one of the most frequently performed composers from the Baroque period, are copiously and intricately documented through a huge variety of contemporary sources. This major multi-volume publication is the most up-to-date and comprehensive collection of these documents. Presented chronologically in their original languages with English translations and with commentaries incorporating the results of recent research, the documents provide an essential and accessible resource for anyone interested in Handel and his music. In charting his activities in Germany, Italy and Britain, the documents also offer a valuable insight into broader eighteenth-century topics, such as court life, theatrical history, public concerts and competition



Eighteenth-century music 11


between music publishers. This volume covers the period of Handel’s London opera career during which he achieved gradual independence from the Royal Academy opera company, but also introduced English theatre oratorios and wrote the music for the 1727 coronation.2015 247 x 174 mm 972pp 16 b/w illus. 4 colour illus. 978-1-107-01954-6 Hardback

£120.00 / US$180.00



key refereNce





A multi-volume authoritative reference source for information about the life and career of George Frideric Handel.2014 247 x 174 mm 855pp 20 b/w illus. 10 music examples 978-1-107-01953-9 Hardback

£120.00 / US$180.00


Bach’s NumbersCompositional Proportion and SignificanceRuth Tatlow

In the eighteenth century the universal harmony of God’s creation and the perfection of the unity (1:1) were philosophically, morally and devotionally significant. Ruth Tatlow employs theoretical evidence and practical demonstrations to explain how and why Bach used numbers in his published compositions.2015 247 x 174 mm 337pp 9 b/w illus. 119 tables 978-1-107-08860-3 Hardback

c. £65.00 / c. US$99.00



HigHligHt

Music and the Exotic from the Renaissance to MozartRalph P. LockeEastman School of Music, University of Rochester

During the years 1500–1800, Europeans became increasingly aware of ethnic Otherness. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke demonstrates Western culture’s rich response to this burgeoning awareness. His insights into the period’s major works and genres are supported by numerous music examples and rare illustrations.

Advance praise: ‘European encounters with Asia and the Americas found echoes in the theater, church, and chamber, as music itself found new ways to convey






12 Eighteenth-century music

meaning and provoke a wide range of feelings. Ralph P. Locke’s magisterial tour of the exotic takes us not only to lands both far and near, but also through changing musical worlds laced with danger and excitement.’Tim Carter, University of North Carolina, Chapel Hill


£84.99 / US$135.00



Convent Music and Politics in Eighteenth-Century ViennaJanet K. PageUniversity of Memphis

Janet Page explores the golden age of convent music in Vienna, and the convents’ surprising engagement with contemporary politics.2014 247 x 174 mm 318pp 17 b/w illus. 3 tables 68 music examples 978-1-107-03908-7 Hardback

£65.00 / US$99.00


New iN PaPerback

The Cambridge History of Eighteenth-Century MusicEdited by Simon P. KeefeUniversity of Sheffield

The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and

aesthetic orientations, than any century before or since, yet huge swathes of its musical activity remain under-appreciated. The Cambridge History of Eighteenth-Century Music provides a comprehensive survey, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organised by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.

‘This must have been a very difficult book to edit, and Simon Keefe (together with David Wyn Jones, who planned the volume) deserves unqualified congratulations for having engaged the work of so many gifted contributors and for having lurked in the detail (as it were) to such good effect … one cannot doubt the immense significance of this volume in its authoritative engagement with a repertory that speaks at every turn to the central importance of music as a vital expression of eighteenth-century thought.’Music and Letters

Contributors: Simon P. Keefe, Stephen Rose, Paul R. Laird, Jen-Yen Chen, Jean-Paul C. Montagnier, Charles E. Brewer, David Schroeder, Margaret R. Butler, Lois Rosow, Michael Fend, Claudia Maurer Zenck, Anke




Eighteenth-century music / Nineteenth-century music 13


Caton, Michael Burden, Rainer Kleinertz, Greger Andersson, John Irving, Rohan Stewart-MacDonald, Stefanie Tcharos, Berta Joncus, Eva Zöllner, Steven Zohn, Simon McVeigh, Richard Will, Cliff Eisen, David BlackThe Cambridge History of Music

2014 228 x 152 mm 814pp 5 b/w illus. 4 tables 11 music examples 978-1-107-64397-0 Paperback

£30.00 / US$50.00


£159.99 / US$224.99


Nineteenth- century music

key refereNce

The History of the Erard Piano and Harp in Letters and Documents, 1785–1959Edited by Robert AdelsonMusée du Palais Lascaris

Alain RoudierCentre International du Pianoforte

Jenny NexMusical Instrument Museums Edinburgh

Laure Bartheland Michel FoussardMinistère de la Culture

Sébastien Erard and the firm that carried his name are seminal in the history of musical instruments. Erard’s inventions – especially the double escapement for the piano and the double-action for the harp – have had an enormous impact on instruments and musical life and are

still at the foundation of piano and harp building today. The recently discovered archives of the Erard piano and harp building firm are perhaps the largest and most complete record of musical instrument making anywhere, containing never-before-published correspondence from musicians including Mendelssohn, Liszt and Fauré. These volumes present the archive’s records and documents in two parts, the first relating to inventions, business, composers and performers and the second to the Erard family correspondence. In both the original French and with English translations, the documents offer fascinating insights into the musical landscape of Europe from the start of Erard’s career in 1785 to the closure of the firm in 1959.2015 247 x 174 mm 1100pp 40 b/w illus. 978-1-107-09291-4 2-Volume Hardback Set

c. £150.00 / c. US$250.00

Publication June 2015


Gustav Mahler’s Symphonic LandscapesThomas PeattieBoston University

Thomas Peattie provides a richly interdisciplinary account of Gustav Mahler’s music, considering the theatrical dimension of his symphonies and situating these works in the context of the musical, theatrical, and aesthetic traditions of the Austrian fin de siècle.2015 247 x 174 mm 240pp 7 b/w illus. 978-1-107-02708-4 Hardback

£64.99 / US$99.99








14 Nineteenth-century music

The Other Worlds of Hector BerliozTravels with the OrchestraInge van RijVictoria University of Wellington

The negotiation between worlds that is characteristic of Berlioz’s writings also plays out in his music. Inge van Rij’s book combines historical, critical and analytical approaches to a selection of key works by the composer to offer new ways of thinking about the sights and sounds of the orchestra.2015 247 x 174 mm 370pp 8 b/w illus. 4 tables 77 music examples 978-0-521-89646-7 Hardback

£74.99 / US$118.00


Brahms in the Home and the Concert HallBetween Private and Public PerformanceEdited by Katy HamiltonRoyal College of Music, London

and Natasha LogesRoyal College of Music, London

Johannes Brahms remains a figure of perennial appeal and significance to performers, scholars and music-lovers alike. This richly illustrated collection of essays, including a hitherto unpublished memoir of Brahms, explores the boundaries between the composer’s public, professional identity and his lifelong engagement with private and amateur music-making.2014 247 x 174 mm 424pp 27 b/w illus. 6 tables 124 music examples 978-1-107-04270-4 Hardback

£65.00 / US$99.00


Schubert’s Beethoven ProjectJohn M. Gingerich

Gingerich provides a new understanding of Schubert’s relationship to Beethoven, and the ways in which he built on Beethoven’s legacy.2014 247 x 174 mm 372pp 10 tables 83 music examples 978-0-521-65087-8 Hardback

£65.00 / US$99.00


HigHligHt

Program MusicJonathan KregorUniversity of Cincinnati

This accessible introduction provides a comprehensive survey of program music from the late eighteenth to the early twentieth century. Exploring works by Beethoven, Mendelssohn, Berlioz, Liszt, Saint-Saëns, Mahler, Strauss, and others, it sets the ideas and repertoires of program music in context, with numerous illustrations and music examples.Cambridge Introductions to Music


£50.00 / US$85.00

978-1-107-65725-0 Paperback £17.99 / US$27.99










Nineteenth-century music 15


Frauenliebe und LebenChamisso’s Poems and Schumann’s SongsRufus HallmarkRutgers University, New Jersey

Rufus Hallmark sets Schumann’s famous song cycle in the context of the challenges and social expectations faced by women in early nineteenth-century Germany. His study offers insights on Schumann’s composing materials, reception of the song cycle, other contemporary poems about women, and comparisons with other musical settings of the poems.Music in Context


£65.00 / US$99.00


Beethoven’s Theatrical QuartetsOpp. 59, 74 and 95Nancy NovemberUniversity of Auckland

The first detailed contextual study of Beethoven’s middle-period quartets, encompassing reception history, early performance practices, aesthetic contexts and theatrical impetus.Music in Context

2014 247 x 174 mm 295pp 9 b/w illus. 1 table 94 music examples 978-1-107-03545-4 Hardback

£60.00 / US$95.00


New iN PaPerback

The Cambridge History of Nineteenth-Century MusicEdited by Jim SamsonRoyal Holloway, University of London

This comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. It avoids mere repertory surveys, focusing instead on issues which illuminate the subject in novel and interesting ways. The book is divided into two parts (1800–1850 and 1850–1900), each of which approaches the major repertory of the period by way of essays investigating the intellectual and socio-political history of the time. The music itself is discussed in five central chapters within each part, amplified by essays on topics such as popular culture, nationalism, genius, and the emergent concept of an avant-garde. The book concludes with an examination of musical styles and languages around the turn of the century. The addition of a detailed chronology and extensive glossaries makes this the most informed reference book on nineteenth-century music currently available.

‘… a comprehensive, impressive overview of the music of the period in question … Jim Samson has assembled an equally impressive selection of Anglo-American musicological minds to write it with him. There is in fact nothing gimmicky here, but much to admire. The book on its own terms remains a significant contribution to the current literature, of which any publisher should be proud.’Musical Times





16 Nineteenth-century music / Twentieth-century and contemporary music

Contributors: Jim Samson, Andrew Bowie, John Rink, Roger Parker, K. M. Knittel, Julian Rushton, John Irving, John Butt, Derek Carew, John Williamson, Max Paddison, Katharine Ellis, Thomas Grey, James Hepokoski, Susan Youens, Jonathan Dunsby, Derek B. Scott, Anthony PopleThe Cambridge History of Music

2014 228 x 152 mm 785pp 978-1-107-67994-8 Paperback

£30.00 / US$50.00


£139.99 / US$254.99


Twentieth-century and contemporary music

Schoenberg and Hollywood ModernismKenneth H. MarcusUniversity of la Verne, California

Schoenberg is often viewed as an isolated composer who was ill-at-ease in exile. Kenneth H. Marcus shows that, contrary to this perception, Schoenberg was deeply involved in the cultural and intellectual environment in which he found himself, and had multiple

connections in Hollywood as well as within academia.2015 247 x 174 mm 295pp 38 b/w illus. 1 table 978-1-107-06499-7 Hardback

c. £60.00 / c. US$99.00



Popular Musical Theatre in London and Berlin1890 to 1939Edited by Len PlattGoldsmiths, University of London

Tobias BeckerFreie Universität Berlin

and David LintonGoldsmiths, University of London

In the decades before the Second World War, popular musical theatre was a global industry. This collection brings together international contributors to offer new insights into historical popular culture in London and Berlin and the Anglo-German relationship during a period of intense hostility and rivalry.2014 228 x 152 mm 227pp 15 b/w illus. 4 music examples 978-1-107-05100-3 Hardback

£60.00 / US$95.00







Twentieth-century and contemporary music 17


The Musicology of Record ProductionSimon Zagorski-ThomasLondon College of Music, Thames Valley University

Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas sets out a framework for the study of recorded music and record production using current ideas from psychology and sociology.2014 247 x 174 mm 275pp 978-1-107-07564-1 Hardback

£60.00 / US$95.00


Becoming Heinrich SchenkerMusic Theory and IdeologyRobert P. MorganYale University, Connecticut

Much controversy surrounds Schenker’s mature theory and its attempt to explain musical pitch motion. In this book, Robert Morgan provides a balanced view, showing that Schenker’s mature theory developed logically out of his earlier ideas yet reflected a troubled ideology dependent upon contemporary German thought.2014 247 x 174 mm 294pp 61 music examples 978-1-107-06769-1 Hardback

£65.00 / US$99.00


The Legacy of Johann StraussPolitical Influence and Twentieth-Century IdentityZoë Alexis LangUniversity of South Florida

Zoë Lang explores constructions of twentieth-century Austrian identity through an examination of commentary on Johann Strauss, Jr’s waltzes.2014 228 x 152 mm 248pp 11 tables 11 music examples 978-1-107-02268-3 Hardback

£60.00 / US$95.00


HigHligHt

The Cambridge Companion to Hip-HopEdited by Justin A. WilliamsUniversity of Bristol

Written by renowned scholars and industry professionals, this Companion covers the key elements and methods, from Nerdcore hip-hop to the role of rappers in the Obama campaign. With case studies from around the world, this collection reflects the passion and scholarly activity occurring in the new generation of hip-hop studies.Cambridge Companions to Music


£54.99 / US$89.99

978-1-107-64386-4 Paperback £19.99 / US$29.99










18 Twentieth-century and contemporary music

HigHligHt

The Cambridge Companion to Duke EllingtonEdited by Edward GreenManhattan School of Music

Duke Ellington is widely held to be the greatest jazz composer. This comprehensive and accessible Companion is the first collection of essays to provide an in-depth overview of Ellington’s career, music, and place in popular culture and will be essential reading for anyone with an interest in his enduring legacy.

‘[I] couldn’t stop reading it. I am glad it has been published and the book can be recommended highly.’Louis Tavecchio, Universiteit van Amsterdam

Cambridge Companions to Music


£55.00 / US$90.00

978-0-521-70753-4 Paperback £15.99 / US$29.99


Harrison Birtwistle StudiesEdited by David BeardCardiff University

Kenneth GloagCardiff University

and Nicholas JonesCardiff University

This collection of essays represents current research on the music of Sir Harrison Birtwistle, reflecting the diversity of his music in terms of periods, genres, forms, techniques and related

issues through a wide-range of critical, theoretical and analytical interpretations and perspectives.Cambridge Composer Studies


£65.00 / US$99.00



HigHligHt

British Musical ModernismThe Manchester Group and their ContemporariesPhilip RupprechtDuke University, North Carolina

This panoramic study of musical modernism synthesizes cultural, biographical, and analytic perspectives to provide a group portrait of the leading figures in post-war British art music. Philip Rupprecht explores the music of the Manchester Group and other composers in works spanning sixties theatricality through to seventies pop, electronic and post-minimalist music.Music Since 1900


c. £75.00 / c. US$115.00








Twentieth-century and contemporary music 19


French Music and Jazz in ConversationFrom Debussy to BrubeckDeborah MawerBirmingham Conservatoire

This book explores the rich historical-cultural interactions between French concert music and American jazz in the first half of the twentieth century (1900–65), from both perspectives. Deborah Mawer provides a set of detailed musical case studies on Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck.

‘This is the book for which jazz scholarship has long been waiting: at last, the hugely significant interactions between jazz and modern concert music have been unravelled with the insight, technical understanding and contextual awareness they deserve. Professor Mawer delves deeply into this two-way process in a series of fascinating case studies which celebrate some of the most exciting and far-reaching musical cross-fertilizations of the twentieth century.’Mervyn Cooke, Professor of Music, University of Nottingham

Music Since 1900


£60.00 / US$99.00


Schoenberg’s Twelve-Tone MusicSymmetry and the Musical IdeaJack BossUniversity of Oregon

Jack Boss takes a unique approach to analyzing Schoenberg’s twelve-tone music, adapting the composer’s notion of a ‘musical idea’ – problem, elaboration, solution – as a theoretical framework. Containing analytical readings of key works including Moses und Aron, the study provides the reader with a clearer understanding of this vitally important composer.Music Since 1900

2014 246 x 189 mm 463pp 129 music examples 978-1-107-04686-3 Hardback

£70.00 / US$110.00


The Spectral PianoFrom Liszt, Scriabin, and Debussy to the Digital AgeMarilyn NonkenNew York University

Marilyn Nonken finds precedent in the works of pianist-composers Liszt, Scriabin and Debussy for spectral attitudes towards the musical experience.Music Since 1900

2014 247 x 174 mm 207pp 21 music examples 978-1-107-01854-9 Hardback

£55.00 / US$90.00








20 Twentieth-century and contemporary music

The Orchestral Music of Michael TippettCreative Development and the Compositional ProcessThomas SchuttenhelmCentral Connecticut State University

Thomas Schuttenhelm’s book presents an investigation into Michael Tippett’s creative process and a comprehensive critical commentary on his orchestral music.Music Since 1900


£65.00 / US$99.00


Schoenberg and RedemptionJulie BrownRoyal Holloway, University of London

Julie Brown presents a new way of understanding Schoenberg’s step into atonality in 1908. Reconsidering his early atonal works, his theoretical writings and previously unexplored archival documents, she argues that Schoenberg’s revolutionary step was in part a response to Wagner’s negative charges concerning the Jewish influence on German music.

‘This book reopens the subject of Jewish culture in the life and work of the twentieth-century classical composer Arnold Schoenberg … [it] draws on the writings of Austrian philosopher Otto Weininger, providing a welcome reintroduction of his work into musicological research. Above all, the author shows a remarkable ability to negotiate the shifting

sands of Schoenberg’s thought in an authoritative manner, not an easy task … this stimulating book should be available to all who are interested in European culture … Recommended.’M. Dineen, Choice

New Perspectives in Music History and Criticism


£65.00 / US$99.00


New iN PaPerback

The Cambridge History of Twentieth-Century MusicEdited by Nicholas CookUniversity of Cambridge

and Anthony PopleUniversity of Nottingham

The Cambridge History of Twentieth-Century Music, first published in 2004, is an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first. This wide-ranging and eclectic book traces the progressive fragmentation of the European ‘art’ tradition, and its relocation as one tradition among many at the century’s end. While the focus is on Western traditions, both ‘art’ and popular, these are situated within the context of world music, including a case study of the interaction of ‘art’ and traditional musics in post-colonial Africa. An international authorship brings a wide variety of approaches to music history, but the aim throughout is to set musical developments in the context of social, ideological, and technological





Twentieth-century and contemporary music / Also of interest 21


change, and to understand reception and consumption as integral to the history of music.

‘Its pluralist narrative finds room for pop, jazz and easy listening alongside classical mainstreams and avant-garde orthodoxies. The non-interventionist stance makes for lively debate between contributors, reflecting the revisionist brand of musicology where the importance of any musical culture must be constantly contested.’The Independent

Contributors: Nicholas Cook, Anthony Pople, Jonathan Stock, Leon Botstein, Christopher Butler, Stephen Banfield, James Lincoln Collier, Susan C. Cook, Peter Franklin, David Nicholls, Joseph Auner, Hermann Danuser, Michael Walter, Derek B. Scott, David Osmond-Smith, Arnold Whittall, Mervyn Cooke, Robynn Stilwell, Richard Toop, Andrew Blake, Alastair Williams, Robert Fink, Dai Griffiths, Martin Scherzinger, Peter Elsdon, Björn Heile, Peter JonesThe Cambridge History of Music

2014 228 x 152 mm 824pp 4 b/w illus. 1 music example 978-1-107-63199-1 Paperback

£30.00 / US$50.00


£154.99 / US$284.99


Also of interest

Porphyry’s Commentary on Ptolemy’s HarmonicsA Greek Text and Annotated TranslationEdited and translated by Andrew BarkerUniversity of Birmingham

Porphyry’s Commentary, the only surviving ancient commentary on a technical text, is not merely a study of Ptolemy’s Harmonics. It includes virtually free-standing philosophical essays on epistemology, metaphysics, scientific methodology, aspects of the Aristotelian categories and the relations between Aristotle’s views and Plato’s, and a host of briefer comments on other matters of wide philosophical interest. For musicologists it is widely recognised as a treasury of quotations from earlier treatises, many of them otherwise unknown; but Porphyry’s own reflections on musical concepts (for instance notes, intervals and their relation to ratios, quantitative and qualitative conceptions of pitch, the continuous and discontinuous forms of vocal movement, and so on) and his snapshots of contemporary music-making have been undeservedly neglected. This volume presents the first English translation and a revised Greek text of the Commentary, with an Introduction and notes designed



22 Also of interest

to assist readers in engaging with this important and intricate work.2015 228 x 152 mm 528pp 30 b/w illus. 978-1-107-00385-9 Hardback

£100.00 / US$160.00

Publication June 2015



Index 23


A Adelson, Robert ....................................13Anderson, Michael Alan ...........................6

B Bach’s Numbers ....................................11Bain, Jennifer ..........................................5Barker, Andrew ......................................21Barthel, Laure ........................................13Beard, David .........................................18Becker, Tobias ........................................16Becoming Heinrich Schenker ..................17Beech, Nic ...............................................2Beethoven’s Theatrical Quartets .............15Bloechl, Olivia .........................................1Boss, Jack..............................................19Brahms in the Home and the Concert

Hall ....................................................14Bribitzer-Stull, Matthew ...........................3British Musical Modernism ....................18Brown, Julie ..........................................20Burrows, Donald .............................. 10, 11Busse Berger, Anna Maria ........................8Butt, John ...............................................9

C Cambridge Companion to Duke

Ellington, The......................................18Cambridge Companion to French Music,

The ......................................................4Cambridge Companion to Hip-Hop, The .17Cambridge History of Eighteenth-

Century Music, The .............................12Cambridge History of Fifteenth-Century

Music, The ............................................8Cambridge History of Nineteenth-

Century Music, The .............................15Cambridge History of Seventeenth-

Century Music, The ...............................9Cambridge History of Twentieth-Century

Music, The ..........................................20Cambridge Verdi Encyclopedia, The ..........3Cambridge Wagner Encyclopedia, The ......3Campana, Alessandra ..............................5Carter, Tim ...............................................9

Coffey, Helen ................................... 10, 11Convent Music and Politics in

Eighteenth-Century Vienna .................12Cook, Nicholas ......................................20

D Deeming, Helen .......................................7DeFord, Ruth I. ........................................6

F Foussard, Michel ...................................13Frauenliebe und Leben ..........................15French Music and Jazz in Conversation ..19

G George Frideric Handel .................... 10, 11Gilliam, Bryan ..........................................5Gilmore, Charlotte ...................................2Gingerich, John M. ................................14Gloag, Kenneth .....................................18Green, Edward ......................................18Greenacombe, John ......................... 10, 11Gustav Mahler’s Symphonic Landscapes 13

H Hallmark, Rufus .....................................15Hamilton, Katy ......................................14Harrison Birtwistle Studies .....................18Henson, Karen .........................................4Heyer, John Hajdu ....................................9Hicks, Anthony ................................ 10, 11Hildegard of Bingen and Musical

Reception .............................................5History of Singing, A ................................2History of the Erard Piano and Harp in

Letters and Documents, 1785–1959, The ....................................................13

J Jones, Nicholas ......................................18

K Kallberg, Jeffrey .......................................1

24 Index

Keefe, Simon P. ......................................12Kregor, Jonathan ...................................14

L Lang, Zoë Alexis ....................................17Leach, Elizabeth Eva ................................7Legacy of Johann Strauss, The ................17Linton, David .........................................16Locke, Ralph P. ......................................11Loges, Natasha ......................................14Lowe, Melanie .........................................1Lure and Legacy of Music at Versailles,

The ......................................................9

M Making of Liturgy in the Ottonian

Church, The ..........................................7Manual of Musical Instrument

Conservation, The .................................1Manuscripts and Medieval Song ..............7Marcus, Kenneth H. ...............................16Marvin, Roberta Montemorra ...................3Maurey, Yossi ..........................................6Mawer, Deborah ....................................19Medieval Music, Legend, and the Cult of

St Martin ..............................................6Monstrous New Art, The ..........................7Morgan, Robert P...................................17Music and Ethical Responsibility ..............1Music and Riddle Culture in the

Renaissance .........................................6Music and the Exotic from the

Renaissance to Mozart .......................11Music Sketches ........................................2Musicology of Record Production, The ....17

N Nex, Jenny ............................................13Nonken, Marilyn ....................................19November, Nancy ..................................15

O Opera Acts ..............................................4

Opera and Modern Spectatorship in Late Nineteenth-Century Italy .......................5

Orchestral Music of Michael Tippett, The 20Organising Music ....................................2Other Worlds of Hector Berlioz, The ........14

P Page, Janet K. ........................................12Parkes, Henry ..........................................7Peattie, Thomas .....................................13Platt, Len ..............................................16Pollens, Stewart .......................................1Pople, Anthony ......................................20Popular Musical Theatre in London and

Berlin .................................................16Porphyry’s Commentary on Ptolemy’s

Harmonics ..........................................21Potter, John .............................................2Program Music ......................................14

R Rethinking Difference in Music

Scholarship ...........................................1Rodin, Jesse ............................................8Roudier, Alain ........................................13Rounding Wagner’s Mountain .................5Rupprecht, Philip ...................................18

S Sallis, Friedemann ....................................2Samson, Jim ..........................................15Schiltz, Katelijne ......................................6Schoenberg and Hollywood Modernism .16Schoenberg and Redemption .................20Schoenberg’s Twelve-Tone Music ...........19Schubert’s Beethoven Project .................14Schuttenhelm, Thomas ...........................20Sorrell, Neil .............................................2Spectral Piano, The ................................19St. Anne in Renaissance Music .................6

T Tactus, Mensuration and Rhythm in

Renaissance Music ...............................6

Index 25


Tatlow, Ruth ..........................................11Trezise, Simon .........................................4

U Understanding the Leitmotif ....................3

V van Rij, Inge ..........................................14Vazsonyi, Nicholas ...................................3

W Warren, Jeff R. .........................................1Williams, Justin A...................................17

Z Zagorski-Thomas, Simon ........................17Zayaruznaya, Anna ..................................7

26 Notes

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BRITISH JO

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0265-0517

British Journal of

MusicEducation

VOLUME 31

NUMBER 3

NOVEMBER 2014

BJME

British Journal of Music EducationVolume 31 Number 3 November 2014

CONTENTS

Editorial 241

Articles

Nicola Swain and Sally Bodkin-Allen: Can’t sing? Won’t sing? Aotearoa/New Zealand ‘tone-deaf’ early childhood teachers’ musical beliefs 245

Jeong Ha Kim: Musical acculturation through primary school activities during Japanese colonial rule of Korea (1910–1945) 265

Sigrun Lilja Einarsdottir: ‘Leaders’, ‘followers’ and collective group support in learning‘art music’ in an amateur composer-oriented Bach Choir 281

Johanna Maria Roels and Peter Van Petegem: The integration of visual expression in music education for children 297

Amalia Casas-Mas, Juan Ignacio Pozo and Ignacio Montero: The influence of music learning cultures on the construction of teaching-learning conceptions 319

Adam Patrick Bell: Guitars have disabilities: exploring guitar adaptations for anadolescent with Down syndrome 343

Book Reviews

Diana Harris: Listen Out: International Perspectives on Music Educationby C. Harrison and S. Hennessy 359

Mark Doffman: ‘I Drum Therefore I Am’: Being and Becoming a Drummer by Gareth Dylan Smith 360

Anne James: Music Outside the Lines: Ideas for Composing in K-12 Music Classrooms by Maud Hickey 362

Stephanie Pitts: Collaborative Learning in Higher Music Education by Helena Gaunt and Heidi Westerlund 364

An International Journal

Cambridge Journals OnlineFor further information about this journalplease go to the journal website at:journals.cambridge.org/bme

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PopularMusicVolume 33, Issue 2 May 2014

iii The Contributors

Articles

VICTORIA MALAWEY 185 ‘Find out what it means to me’: Aretha Franklin’sgendered re-authoring of Otis Redding’s ‘Respect’

MARITA B. DJUPVIK 209 Welcome to the candy shop! Conflictingrepresentations of black masculinity

SAM DE BOISE 225 Cheer up emo kid: rethinking the ‘crisis ofmasculinity’ in emo

STEPHEN AMICO 243 ‘The most Martian of Martianesses’: ZhannaAguzarova, (post-)Soviet rock ’n’ roll, and the musico-linguistic creation of the ‘outside’

MATTIAS LUNDBERG 269 Motivic cohesion and parsimony in three songs fromGentle Giant’s Acquiring the Taste (1971)

PAUL FLEET AND 293 Investigating the origins of contemporary basics JONATHON WINTER on the drum kit: an exploration of the role of the

hi-hat in Anglo-American popular musics from 1960until 1974

THOMAS ROBINSON 315 The singer and the song: core components in JimmyWebb’s ‘Didn’t We’

Middle Eight

PopMAC, International Conference on AnalyzingPopular Music, University of Liverpool, 2–4 July 2013

ESA LILJA 337 Conference report

JOE BENNETT 341 Conference review: popMAC 2013

Reviews 343

Cambridge Journals OnlineFor further information about this journal please go to the journal website at:journals.cambridge.org/pmu

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Dance Research

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August 201446 / 2

46 /2

August 2014

Congress on Research in Dance

journal

Cambridge Journals OnlineFor further information about this journal please go to the journal website at:journals.cambridge.org/drj

Dance Research journal

Forthcoming Articles in DRJ 46/3 (December 2014)

Special Issue: DANCE IN THE MUSEUMEdited by André Lepecki and Mark Franko

Dance in the MuseumAndré Lepecki and Mark Franko

Play Dead: Dance, the Museum, and Time-Based Art Marcella Lista

Experience as Artifact: Transformations of the ImmaterialFranz Anton Cramer

Occupy MoMA, (the risks) and POTENTIALS of le musée dela danseAlessandra Nicifero

Interview with Boris Charmatz

Manifesto for a Dancing MuseumBoris Charmatz

The Way We Perform NowShannon Jackson

The Perils and Possibilities of Dance in the Museum:Tate, MoMA, and WhitneyClaire Bishop

Re-Cyclings. Shifting Time, Changing Genre in theDancing MuseumSusanne Foellmer

Opening HoursInés Moreno

Welcome to This Situation: Tino Sehgal’s ImpersonalEthicsToni Pape, Noémie Solomon, and Alanna Thain

Editor’s Note

DIALOGUE: TheDancing Museum

Articles

Special Issue: Body Parts: Pelvis, Feet, Face,Hips, Legs, Toes, and Teeth

Guest Editor: Sherril Dodds

01497677_46-2_01497677_46-2 12/09/14 5:13 PM Page 1

VOLUME 26 NUMBER 3 NOVEMBER 2014

JOURNAL OF THESOCIETY FOR AMERICAN MUSIC

TA B L E O F C O N T E N T S

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CONTR IBUTORS

ART ICLES

435 “This Is America”: Jimi Hendrix’s Star Spangled Banner Journey as Psychedelic CitizenshipMark Clague

479 The Inspector of Music Meets the FrenchRaoul Camus

501 How Santa Claus Became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Musical ControversyDouglas W. Shadle

538 The Fugs, the Lower East Side, and the Slum Aesthetic in 1960s RockPatrick Burke

REV IEWS

BOOKS

567 Daniel Cavicchi, Listening and Longing: Music Lovers in the Age of Barnum Karen Ahlquist

570 Agustín Gurza, with Jonathan Clark and Chris Strachwitz, The Arhoolie Foundation’s Strachwitz Frontera Collection of Mexican and Mexican American Recordings; Catherine L. Kurland and Enrique R. Lamadrid, Hotel Mariachi: Urban Space and Cultural Heritage in Los Angeles; Josh Kun, Songs in the Key of Los Angeles; Larry Rothe, Music for a City, Music for the World: 100 Years with the San Francisco Symphony

Walter Aaron ClarkContinued on inside back cover

Cambridge Journals OnlineFor further information about this journal please go to the journal web site at

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JOURNAL OF THESOCIETY FORAMERICANMUSICVOLUME 8 • NUMBER 4 • NOVEMBER 2014

volume 11 e number 2 e september 2014 e issn 1478-5706

eighteenth-centurymusic

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Cambridge Journals OnlineFor further information about this journal

please go to the journal website at:

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volume 11 e number 2 e september 2014 e issn 1478-5706

contents

165 Notes on Contributors

167 Editorial

articles173 John Gay, Ballad Opera and the Theatres de la Foire

Vanessa L. Rogers

215 Multi-Day Passions and J. S. Bach’s Christmas Oratorio, bwv248Daniel R. Melamed

235 The Genevan Psalter in Eighteenth-Century Indonesia and Sri LankaDavid R. M. Irving

257 The Triumph of Time in the Eighteenth Century: Handel’s Il trionfo del Tempo and HistoricalConceptions of Musical TemporalityBenedict Taylor

essay283 John Callander and the Avison Connection: A Recently Rediscovered Letter

Simon D. I. Fleming

reviews291 Books304 Editions308 Recordings

communications317 Reports318 Conference Reports

MIXPaper from

responsible sources

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ISSN 1355-7718

Mediation: Notation and Communication in Electroacoustic Music Performance

Volume 19 Issue 3

ISSN 1478-5722

TWENTIETH-CENTURY

MUSICVOLUME 1 1 | NUMBER 2 | SEPTEMBER 2014

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TWENTIETH-CENTURYMUSIC189 Notes on Contributors

Articles

191 Actor-Networks in Music History: Clarifications and CritiquesBenjamin Piekut

217 ‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City,1966–1968Ross Cole

245 Beware the Lamb: Staging Bach’s PassionsBettina Varwig

275 ‘The Age of the Golden Ear’: The Columbia World Library and Sounding out Post-warField RecordingTom Western

Reviews

301 Rachel Beckles Willson, Orientalism and Musical Mission: Palestine and the WestBenjamin Brinner

308 Carol Vernallis, Unruly Media: YouTube, Music Video, and the New Digital CinemaJohn Richardson, An Eye for Music: Popular Music and the Audiovisual SurrealHolly Rogers

315 Alexandra Hui, The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840–1910Carolyn Birdsall, Nazi Soundscapes: Sound, Technology and Urban Space in Germany, 1933–1945Florence Feiereisen and Alexandra Merley Hill, eds, Germany in the Loud Twentieth Century:An IntroductionBrıan Hanrahan

Cambridge Journals OnlineFor further information about this journalplease go to the journal website at:journals.cambridge.org/tcm

EARLYMUSICHISTORY

33Studies in medieval and

early modern music

Edited by Iain Fenlon

EARLY MUSIC HISTORY 33

CONTENTS

MARY CHANNEN CALDWELL (Wichita State University)‘Flower of the lily’: Late-medieval religious and heraldic symbolism in Paris,Bibliotheque nationale de France, MS francais 146 1

ROSS W. DUFFIN (Case Western Reserve University)Voices and viols, Bibles and bindings: The origins of the Blossom partbooks 61

ERIC JAS (Utrecht University)What other Josquin? 109

EDWARD NOWACKI (College-Conservatory of Music, University of Cincinnati)The anonymous Musica in Leipzig, Universitatsbibliothek, MS 1492: A new editionand translation 143

MURRAY STEIB (Ball State University)Herculean Labours: Johannes Martini and the manuscript Modena, BibliotecaEstense, MS a.M.1.13 183

REVIEWS

JAMES GRIER (ed.), Ademari Cabannensis opera liturgica et poetica: Musica cum textibusSAM BARRETT 259

EMMA DILLON, The Sense of Sound: Musical Meaning in France, 1260–1330JEREMY LLEWELLYN 271

Cambridge Journals OnlineFor further information about this journal please

go to the journal website at:

journals.cambridge.org/emh

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VOLUME 2 3 PART 2 OCTOBER 2 0 1 4 0961 - 1 3 7 1

CONTENTS

Reading and rhythm in the ‘La Clayette’ manuscript (Paris, Bibliothequenationale de France, nouv. acq. fr. 13521) 125S E A N C U R R A N

Guy of Saint-Denis on the tones: thinking about chant for Saint-Denisc.1300 153CON S TA N T J . M EW S , J O H N N . C RO S S L E Y A N D C A RO L W I L L I A M S

Canonic techniques in the caccia: compositional strategies and historicaldevelopment 179M I K H A I L L O PAT I N

Liturgical chant bibliography 23 201G U N T H E R M I C H A E L PA U C K E R

ReviewsLaszlo Dobszay and Janka Szendrei, eds., Responsories 241K AT E H E L S E N

Helen Deeming, ed., Songs in British Sources, c.1150–1300 245P E T E R M . L E F F E RT S

Anne-Zoe Rillon-Marne, Homo considera. La pastorale lyrique dePhilippe le Chancelier: une etude des conduits monodiques 252T HOM A S B . PAY N E

Michael Scott Cuthbert, Sean Gallagher and Christoph Wolff, eds.,City, Chant, and the Topography of Early Music: In Honor ofThomas Forrest Kelly 256K AT E H E L S E N

Cambridge Journals OnlineFor further information about this

journal please go to the journal website at:

journals.cambridge.org/pmm

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VOL.23

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2OCTOBER

2014

A QUARTERLY REVIEW OF NEW MUSIC

EDITORIAL: IN PASSING

WHAT IS FELDMAN?KEVIN VOLANS

AUTOMATIC WRITING AND GRAMMELOT IN CLAUDE VIVIER’S LANGUE INVENTÉEBRYAN CHRISTIAN

LIGETI’S DODECAPHONIC REQUIEMJENNIFER IVERSON

SOUND JUDGEMENT: PIERS HELLAWELL IN INTERVIEWBERNARD HUGHES

FORMAL DESIGN AND MATERIAL IN MAURICIO KAGEL’S ANTITHESE FÜR ELEKTRONISCHE UND ÖFFENTLICHE KLÄNGEMAKOTO MIKAWA

IN MEMORIAM: MALCOLM MACDONALD (1948–2014)

REVIEWS: FIRST PERFORMANCES, CDs & DVDs, AND BOOKS

PROFILE: ILAN VOLKOV

VOL.68 NO.270 - OCTOBER 2014 ISSN 0040-2982

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