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Music 1

MUSICDepartmental Office: 621 Dodge; 212-854-3825http://www.music.columbia.edu/

Director of Undergraduate Studies: Prof. Aaron Fox, 804 Dodge;212-854-7185; [email protected]

Music Humanities Chair: Prof. Elaine Sisman, 604 Dodge; 212-854-7728;[email protected]

Music Performance Program Director: Magdalena Stern-Baczewska, 618ADodge; 212-854-2348; [email protected]

The music major provides aspiring musicians and/or scholars with a widerange of ways to think about music (performance-related, theoretical,historical, cultural, and compositional) and to concentrate on theaspects of music that most interest them—from popular and worldmusic to computer music. Our faculty engage in cultural studies (i.e.,ethnomusicology) and with current literary theory, connect with facultyof other departments (i.e., English, Philosophy, and Psychology), andare on the cutting edge of technological change. Students who have apassion for music and who have already developed basic skills in areasincluding performance, music history, composition, or ethnography,should consider a major in music.

Music PerformanceFor information on auditions, registration, and other aspects ofperformance not included below, visit https://mpp.music.columbia.edu/

or contact Magdalena Stern-Baczewska, Director of the MusicPerformance Program, in 618 Dodge, 212-854-1257.

Students with questions about the Columbia-Juilliard programs shouldconsult Special Programs in this Bulletin or contact Rebecca Schiavo,212-854-9478, [email protected].

LessonsIndividual lessons on instruments listed under Courses of Instructionmay be taken for one half hour per week for 1 point of credit (or in thecase of voice lessons at Barnard College, one full hour per week for 2points). Auditions are only offered in the fall semester and courses are aone year commitment. There is a $300 lesson fee per semester for eachinstrumental instruction course.

• MPP UN1401 Bassoon Instruction• MPP UN1403 Cello Instruction• MPP UN1405 Clarinet Instruction• MPP UN1407 Classical Saxophone Instruction• MPP UN1409 Flute Instruction• MPP UN1411 French Horn Instruction• MPP UN1413 Guitar (Bluegrass) Instruction• MPP UN1415 Guitar (Classical) Instruction• MPP UN1417 Harp Instruction• MPP UN1419 Oboe Instruction• MPP UN1421 Organ Instruction• MPP UN1423 Percussion Instruction• MPP UN1425 Piano Instruction• MPP UN1427 String Bass Instruction

• MPP UN1429 Trombone Instruction• MPP UN1431 Trumpet Instruction• MPP UN1433 Tuba Instruction• MPP UN1435 Viola Instruction• MPP UN1437 Violin Instruction• MPP UN1439 Early Instruments: Harpsichord• MPP UN1441 Early Instruments: Viola da Gamba• MPP UN1443 Jazz Bass Instruction• MPP UN1445 Jazz Bass (Electric) Instruction• MPP UN1447 Jazz Guitar (Electric) Instruction• MPP UN1449 Jazz Orchestration• MPP UN1451 Jazz Percussion Instruction• MPP UN1453 Jazz Piano Instruction• MPP UN1455 Jazz Saxophone Instruction• MPP UN1457 Jazz Trombone Instruction• MPP UN1459 Jazz Trumpet Instruction• MPP UN1461 Jazz Voice Instruction

EnsemblesParticipation in the following ensembles is open to all members of theUniversity community. Students who wish to receive course credit mayregister for 1 point per semester for these courses as liste.

See Music Performance Program website (https://mpp.music.columbia.edu/) for audition and activity information about allof the below.

• Columbia University Orchestra – Jeffrey Milarsky, ConductorSee -MPP UN1521 University Orchestra for audition and activityinformation.

• Chamber Music Ensemble – Magdalena Stern-Baczewska, Director,Music Performance ProgramSee -MPP UN1531 Chamber Ensemble for audition and activityinformation.

• Barnard-Columbia Chorus and Chamber Singers – Gail Archer, DirectorSee MUSI UN1593 Barnard-Columbia Chorus- MUSI UN1594 Barnard-Columbia Chorus and MUSI UN1595 Barnard-Columbia Chamber Singers-MUSI UN1596 Barnard-Columbia Chamber Singers for audition andactivity information.

• Collegium Musicum See - MPP UN1511 Collegium Musicum for audition and activityinformation.

• Jazz Ensembles – Christopher Washburne, DirectorSee -MPP UN1541 Columbia University Jazz Ensemble for audition andactivity information.

• World Music Ensembles – Magdalena Stern-Baczewska, Director, MusicPerformance ProgramSee- MPP UN1551 World Music Ensemble

Practice RoomsPlease see Practice Rooms and Policies (https://music.columbia.edu/music-practice-rooms-and-policies/) for the most up to date information.

GradingEnsembles: Letter Grade

Instrumental Lesson: P/F

http://www.music.columbia.edu/

mailto:[email protected]

https://mpp.music.columbia.edu/



https://music.columbia.edu/music-practice-rooms-and-policies/



2 Music

Departmental HonorsFor departmental honors, see the director of undergraduate studiesduring the first week of the first semester of senior year. A formal writtenproposal is required. Normally no more than 10% of graduating majorsreceive departmental honors in a given academic year.

ProfessorsSusan BoyntonJoseph DubielWalter FrischBradford GartonGiuseppe GerbinoGeorg Friedrich HaasEllie HisamaGeorge LewisAna Maria OchoaElaine Sisman

Associate ProfessorsAaron FoxChristopher Washburne

Assistant ProfessorsAlessandra CiucciZosha Di CastriJulia DoeKevin A. FellezsMariusz KozakBenjamin Steege

Coordinator of MusicianshipPeter Susser

LecturersTaylor BrookEhichung Rachel ChungGalen DeGrafThomas FoggTheodore GordonAnne LevitskyJeffrey MilarskyMatthew RickettsMagdalena Stern-BaczewskaPeter SusserYun Emily Wang

Associates in Music PerformanceSarah AdamsDmitry AlexeevGail Archer (Barnard)Eliot BailenBruce BarthCyrus S. BeroukhimAllen BlustineVicki BodnerPaul BollenbackYari BondMaja Cerar

Vince ChericoKenneth CooperChristine CorreaAdriano Dos SantosDavid FulmerBrad GemeinhardtJohn David GibsonMarc GoldbergJune HanBrad JonesSue Ann KahnArthur KampelaJames KerrLouis KosmaVictor LinPaul-Martin MakiAndrew MilneTony MorenoAh-Ling NeuUgonna OkegwoMuneko OtaniSusan Palma-NidelRichard RoodSusan RotholzLouise SasakiJames Nyoraku SchleferMichael SeltzerDon SicklerMichael SkellyHelen SungJessica ThompsonMasayo Ishigure TokueLeo TraversaMichael TruesdellReiko UchidaJeffrey WarschauerJames Wilson

On LeaveSusan Boynton (2019-20)Alessandra Ciucci (Fall 2019)Giuseppe Gerbino (2019-20)

Georg Haas (Spring 2020)

Ellie Hisama (2019-20)George Lewis (Fall 2019)

Guidelines for all Music Majors andConcentratorsA program of study should be planned with the Director of UndergraduateStudies (DUS) in the first semester of the sophomore year. Studentsplanning to focus on a particular area (i.e. computer music, composition,ethnomusicology, music theory or music history) may wish to select afaculty adviser in that area.

Music Theory & Ear-TrainingAll music majors and concentrators are required to take the MusicTheory sequence through Music Theory IV and the Ear-Training sequencethrough Ear-Training IV. Placement exams are given prior to yourinitial enrollment in both the Music Theory sequence and Ear-Training

Music 3

sequence, to determine at what level you will be placed in each. Forstudents who do not place in Music Theory I and/or Ear Training I on theplacement exam, they must complete these course(s) before they startthe corresponding sequence(s):

MUSI UN1002 Fundamentals of Musicand MUSI UN1312 Introductory EarTraining.

Keyboard ProficiencyAll music majors are required to take a keyboard proficiency examupon entrance into the first semester of Theory. Those who do notpass the exam are required to take MUSI UN1518 Keyboard Harmony andMusicianship .

Language RecommendationsFor students who plan to do graduate work in music, studying German,French, Italian and/or Latin is recommended.

Focus in CompositionFor students interested in focusing on the area of Composition, you musttake these courses in this order:

MUSI UN2319 Music Theory IIMUSI UN3310 Techniques of 20th Century MusicMUSI UN3239 Introduction to CompositionMUSI UN3241 Advanced Composition

Major in MusicThe major in music requires a minimum of 40 points, including thefollowing courses:

You must complete up to Music Theory IV:

MUSI UN2318 - MUSI UN2319

Music Theory Iand Music Theory II


Music Theory IIIand Music Theory IV

You must complete up to Ear-Training IV, ET V is optional:


Ear Training, Iand Ear Training, II


Ear Training, IIIand Ear Training, IV

MUSI GU4318 Ear Training, V


History of Western Music I: Middle AgesTo Baroqueand History of Western Music II:Classical To the 20th Century

MUSI UN3400 Topics in Music and Society

Electives: At least two 3000- or 4000-level electives.

The remaining points are to be earned through 1000-level MPP courses,2000, 3000 or 4000-level courses subject to these constraints:

1. No more than 6 points of 2000-level courses.2. No more than 4 points of 1000-level MPP courses and UN1518

combined (list below):

MPP UN1401 Bassoon Instruction

MPP UN1403 Cello Instruction

MPP UN1405 Clarinet Instruction

MPP UN1407 Classical Saxophone Instruction

MPP UN1409 Flute Instruction

MPP UN1411 French Horn Instruction

MPP UN1413 Guitar (Bluegrass) Instruction

MPP UN1415 Guitar (Classical) Instruction

MPP UN1417 Harp Instruction

MPP UN1419 Oboe Instruction

MPP UN1421 Organ Instruction

MPP UN1423 Percussion Instruction

MPP UN1425 Piano Instruction

MPP UN1427 String Bass Instruction

MPP UN1429 Trombone Instruction

MPP UN1431 Trumpet Instruction

MPP UN1433 Tuba Instruction

MPP UN1435 Viola Instruction

MPP UN1437 Violin Instruction

MPP UN1439 Early Instruments: Harpsichord

MPP UN1441 Early Instruments: Viola da Gamba

MPP UN1443 Jazz Bass Instruction

MPP UN1445 Jazz Bass (Electric) Instruction

MPP UN1447 Jazz Guitar (Electric) Instruction

MPP UN1449 Jazz Orchestration

MPP UN1451 Jazz Percussion Instruction

MPP UN1453 Jazz Piano Instruction

MPP UN1455 Jazz Saxophone Instruction

MPP UN1457 Jazz Trombone Instruction

MPP UN1459 Jazz Trumpet Instruction

MPP UN1461 Jazz Voice Instruction

MPP UN1511 Collegium Musicum

MPP UN1521 University Orchestra

MPP UN1531 Chamber Ensemble

MPP UN1541 Columbia University Jazz Ensemble

MPP UN1551 World Music Ensemble

Concentration in MusicThe concentration in music requires a minimum of 28 points, includingthe following courses:

You must complete up to Music Theory IV:


Music Theory Iand Music Theory II


Music Theory IIIand Music Theory IV

You must complete up to Ear-Training IV, ET V is optional:


Ear Training, Iand Ear Training, II


Ear Training, IIIand Ear Training, IV

MUSI GU4318 Ear Training, V


History of Western Music I: Middle AgesTo Baroqueand History of Western Music II:Classical To the 20th Century

MUSI UN3400 Topics in Music and Society

Electives: At least one 3000- or 4000-level electives.

The remaining points are to be earned through 1000-level MPP courses,2000, 3000 or 4000-level courses subject to these constraints:

4 Music

1. No more than 6 points of 2000-level courses.2. No more than 4 points of 1000-level MPP courses and UN1518

combined (list below):

MPP UN1401 Bassoon Instruction

MPP UN1403 Cello Instruction

MPP UN1405 Clarinet Instruction

MPP UN1407 Classical Saxophone Instruction

MPP UN1409 Flute Instruction

MPP UN1411 French Horn Instruction

MPP UN1413 Guitar (Bluegrass) Instruction

MPP UN1415 Guitar (Classical) Instruction

MPP UN1417 Harp Instruction

MPP UN1419 Oboe Instruction

MPP UN1421 Organ Instruction

MPP UN1423 Percussion Instruction

MPP UN1425 Piano Instruction

MPP UN1427 String Bass Instruction

MPP UN1429 Trombone Instruction

MPP UN1431 Trumpet Instruction

MPP UN1433 Tuba Instruction

MPP UN1435 Viola Instruction

MPP UN1437 Violin Instruction

MPP UN1439 Early Instruments: Harpsichord

MPP UN1441 Early Instruments: Viola da Gamba

MPP UN1443 Jazz Bass Instruction

MPP UN1445 Jazz Bass (Electric) Instruction

MPP UN1447 Jazz Guitar (Electric) Instruction

MPP UN1449 Jazz Orchestration

MPP UN1451 Jazz Percussion Instruction

MPP UN1453 Jazz Piano Instruction

MPP UN1455 Jazz Saxophone Instruction

MPP UN1457 Jazz Trombone Instruction

MPP UN1459 Jazz Trumpet Instruction

MPP UN1461 Jazz Voice Instruction

MPP UN1511 Collegium Musicum

MPP UN1521 University Orchestra

MPP UN1531 Chamber Ensemble

MPP UN1541 Columbia University Jazz Ensemble

MPP UN1551 World Music Ensemble

Special Concentration in Jazz StudiesStudents interested in a special concentration in jazz studies should seeJazz Studies.

Fall 2020MUSI UN1002 Fundamentals of Music. 3 points.Corequisites: Introductory Ear-Training (V1312, or higher, as determinedby placement exam).This course is an introduction to music, including notation, written andaural skills, and basic conceptual resources of music theory. Explorationof scale, mode, rhythm, meter, texture and form, with reference to adiverse range of musics.

Spring 2020: MUSI UN1002

CourseNumber

Section/CallNumber

Times/Location Instructor Points Enrollment

MUSI 1002 001/12576 M W 1:10pm - 2:25pm814 Dodge Building

Peter Susser 3 22/25

MUSI 1002 002/12577 T Th 10:10am - 11:25am814 Dodge Building

Ian Sewell 3 13/25

Fall 2020: MUSI UN1002

CourseNumber

Section/CallNumber



3 18/24


3 5/24

Music 5

HUMA UN1123 Masterpieces of Western Music. 3 points.Analysis and discussion of representative works from the Middle Ages tothe present.

Spring 2020: HUMA UN1123

CourseNumber

Section/CallNumber


HUMA 1123 001/11175 M W 8:40am - 9:55am404 Dodge Building

MatthewRicketts

3 23/25


Thomas Fogg 3 25/25


Sean Colonna 3 25/25


MatthewRicketts

3 25/25


Thomas Fogg 3 25/25

HUMA 1123 006/11180 M W 10:10am - 11:25am716 Hamilton Hall

AudreyAmsellem

3 25/25

HUMA 1123 007/11184 M W 1:10pm - 2:25pm622 Dodge Building

GabrielleFerrari

3 24/25

HUMA 1123 008/11185 M W 1:10pm - 2:25pm716 Hamilton Hall

SonjaWermager

3 25/25


Elaine Sisman 3 24/25


Anne Levitsky 3 25/25


JonathanLigrani

3 25/25


TheodoreGordon

3 25/25




Mike Ford 3 22/25


Saad Haddad 3 24/25


Julia Hamilton 3 25/25


BrianGlasenapp

3 22/25

HUMA 1123 018/11215 T Th 8:40am - 9:55am405 Dodge Building

Taylor Brook 3 24/25


Velia Ivanova 3 24/25


BenjaminSteege

3 24/25



HUMA 1123 022/11218 T Th 10:10am - 11:25am716 Hamilton Hall

Marilyn McCoy 3 25/25

HUMA 1123 023/11219 T Th 1:10pm - 2:25pm404 Dodge Building

JohnMcWhorter

3 25/25

HUMA 1123 024/11220 T Th 1:10pm - 2:25pm716 Hamilton Hall

BradfordGarton

3 25/25


MagdalenaBaczewska

3 24/25


KatherineBalch

3 24/25


Ralph Whyte 3 23/25


Joshua Navon 3 24/25


Ryan Pratt 3 25/25


Ralph Whyte 3 24/25




DemetriusShahmehri

3 24/25

Fall 2020: HUMA UN1123

CourseNumber

Section/CallNumber



3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23

MUSI UN1312 Introductory Ear Training. 1 point.This course is an introduction to basic skills in sight reading. Instructionincludes reading rhythms in simple meter, solfege recitation, and sight-singing simple melodies.


CourseNumber

Section/CallNumber



Sadie Dawkins 1 12/12

MUSI 1312 002/12579 T Th 3:10pm - 4:00pm620 Dodge Building

Barami Waspe 1 9/12


CourseNumber

Section/CallNumber



1 0/14

MUSI UN1518 Keyboard Harmony and Musicianship. 1 point.Prerequisites: Instructor PermissionOne-on-one piano instruction with an emphasis on harmony and sight-reading. Open only to Music Theory students who do not pass the pianoproficiency test.


CourseNumber

Section/CallNumber


MUSI 1518 001/12326 Michael Skelly 1 4/12


CourseNumber

Section/CallNumber



MUSI UN2021 Music in Contemporary Native America. 3 points.This course focuses on contemporary Native American (Native American,First Nations Canadian, Alaska Native, Native Hawaiian) music culturesthrough a framework combining historical and ethnomusicologicalreadings in a topical examination of contemporary Native Americanmusical practices. The course emphasizes popular, vernacular, andmass mediated musics, and calls into question the distinction between“traditional” and “modern” aspects of Native American cultures. There willbe a special emphasis on Native American perspectives on these topics.

6 Music

MUSI UN2030 Jewish Music of New York. 3 points.Prerequisites: Music Humanities (Columbia University) or An Introductionto Music (Barnard).With the arrival of the first Jewish immigrants in New York in themid-1600s until today, Jewish music in the City has oscillated betweenpreserving traditions and introducing innovative ideas. This courseexplores the variety of ways people have used music to describe, inscribe,symbolize, and editorialize their Jewish experience. Along these lines,it draws upon genres of art music, popular music, and non-Westerntraditions, as well as practices that synthesize various styles and genres,from hazzanut to hiphop. Diverse musical experiences will serve as awindow to address wider questions of identity, memory, and dislocation.We will also experience the Jewish soundscape of New York’s dynamicand eclectic music culture by visiting various venues and meeting keyplayers in today’s music scene, and thus engage in the ongoing dialoguesthat define Jewishness in New York. A basic familiarity with Judaism andJewish culture is helpful for this course, but it is by no means required.You do not need to know Jewish history to take this class, nor do youneed to be able to read music. Translations from Hebrew and Yiddish willbe provided, and musical analysis will be well explained.


CourseNumber

Section/CallNumber


MUSI 2030 001/10993 M W 11:40am - 12:55pm814 Dodge Building

Tina Fruehauf 3 25/25

MUSI UN2205 Introduction to Digital Music (Previously called MIDI MusicProduction Techniques). 3 points.Prerequisites: Permission of Instructor required to enroll. Music Majors/Music Concentrations have priority for enrollment.An introduction to the potential of digital synthesis and signalprocessing. Teaches proficiency in elementary and advanced digitalaudio techniques. Challenges some of the assumptions about music builtinto various interfaces and fosters a creative approach to using DAWsoftware and machines.


CourseNumber

Section/CallNumber


MUSI 2205 001/12328 T Th 1:10pm - 2:25pm320h Prentis Hall

DanielleDobkin

3 19/18


CourseNumber

Section/CallNumber



3 0/18

MUSI UN2314 Ear Training, I. 1 point.Designed to improve the student's basic skills in sight-singing, andrhythmic and melodic dictation with an introduction to four-part harmonicdictation.


CourseNumber

Section/CallNumber



MarthaSullivan

1 9/12


RowlandMoseley

1 9/12


CourseNumber

Section/CallNumber



Peter Susser 1 0/14

MUSI UN2315 Ear Training, II. 1 point.Techniques of sight-singing and dictation of diatonic melodies in simpleand compound meter with strong emphasis on harmonic dictation.


CourseNumber

Section/CallNumber





Barami Waspe 1 3/12


CourseNumber

Section/CallNumber



1 0/14

MUSI UN2318 Music Theory I. 3 points.Prerequisites: Passing score on the placement exam administered priorto the first day of class or Fundamentals of Music/UN1002.Elementary analysis and composition in a variety of modal and tonalidioms. A one-hour weekly lab is required, to be scheduled at thebeginning of the term. Course to be taken in conjunction with the Ear-Training sequence, up through Ear-Training IV.


CourseNumber

Section/CallNumber



Mariusz Kozak 3 17/16


CourseNumber

Section/CallNumber



3 1/16


Peter Susser 3 1/16

MUSI UN2319 Music Theory II. 3 points.Prerequisites: Passing score on the placement exam administered priorto the first day of class or Music Theory I/UN2318Corequisites: one course from Ear-Training I-IV (V2314, V2315, V3316, orV3317, as determined by placement exam.)Elementary analysis and composition in a variety of tonal idioms. Aone-hour weekly lab is required, to be scheduled at the beginning of theterm. Course to be taken in conjunction with the Ear-Training sequence,up through Ear-Training IV.


CourseNumber

Section/CallNumber



Galen DeGraf 3 7/16


Galen DeGraf 3 10/16


CourseNumber

Section/CallNumber



3 0/16

Music 7

MUSI UN2582 Jazz improvisation: theory, history and practice. 3 points.This course offers an introduction to jazz improvisation forinstrumentalists. Through recordings, transcriptions, daily performanceand selected readings, students will actively engage the history of jazzthrough their instruments and intellect. The idea of improvisation willbe explored in an historical context, both as a musical phenomenonwith its attendant theory and mechanics, and as a trope of Americanhistory and aesthetics. This class is for instrumentalists who wish todeepen their understanding of the theory, history and practice of jazzimprovisation. The history of jazz will be used as a prism through whichto view approaches to improvisation, from the cadences of the earlyBlues through the abstractions of Free Jazz and beyond. The student willbe exposed to the theory and vocabularies of various jazz idioms, whichthey will also learn to place in their social and historical contexts.

MUSI UN3023 Late Beethoven. 3 points.Prerequisites: MUSI UN2318-UN2319 MUSI UN2318-UN2319 or theinstructor's permission.An examination of the visionary works of Beethoven's last dozen or soyears as a composer, beginning with the revision of his only opera, Fidelio,in 1814, and continuing with the late piano sonatas, cello sonatas, stringquartets, Diabelli variations, Ninth Symphony, and the Missa Solemnis.Topics will include late style, romanticism, politics, deafness, and thechanging nature of the musical work and its performance.

MUSI UN3128 History of Western Music I: Middle Ages To Baroque. 3points.Prerequisites: MUSI UN2318 - MUSI UN2319. May be taken before orconcurrently with this course.Topics in Western music from Antiquity through Bach and Handel,focusing on the development of musical style and thought, and analysisof selected works.


CourseNumber

Section/CallNumber



GiuseppeGerbino

3 19/30

MUSI UN3171 Paris for Romantics. 3 points.Prerequisites: Completion of Music Humanities (or the consent of theinstructor) is a pre-requisite for this course.This course explores Parisian musical life during the long nineteenthcentury, situating musical discourses, institutions, and forms withinthe broader landscapes of literary and artistic Romanticism. Topics tobe considered include: the musical echoes of the Revolution; operaticgenres and theaters; the music of the salons; cultures of consumerismand domestic performance; and issues of nationalism and historicismafter 1870. Composers to be considered include: Berlioz, Chopin, Liszt,Gounod, Saint-Saëns, Franck, Massenet, and Debussy. Completion ofMusic Humanities (or the consent of the instructor) is a pre-requisite forthis course.

MUSI UN3241 ADVANCED COMPOSITION I. 3 points.Composition Faculty

Prerequisites: UN3239/Intro to Comp IComposition in more extended forms. Study of advanced techniques ofcontemporary composition. Readings of student works.


CourseNumber

Section/CallNumber


MUSI 3241 001/11085 M W 10:10am - 11:25am620 Dodge Building

Sophia DiCastri

3 5/10

MUSI UN3310 Techniques of 20th-Century Music. 3 points.Prerequisites: MUSI UN2319 or the instructor's permission.Materials, styles, and techniques of 20th and 21st century music. Musicalconcepts and compositional techniques related to serialism and atonality,timbre, orchestration, indeterminacy, rhythm and temporality, electronicand electro-acoustic music, site-specific composition, graphic notation,recomposition, minimalism, and spectralism.


CourseNumber

Section/CallNumber


MUSI 3310 001/11086 M W 11:40am - 12:55pm716 Hamilton Hall

3 8/25

MUSI UN3316 Ear Training, III. 1 point.Sight-singing techniques of modulating diatonic melodies in simple,compound, or irregular meters that involve complex rhythmic patterns.Emphasis is placed on four-part harmonic dictation of modulatingphrases.


CourseNumber

Section/CallNumber



MichaelJoviala

1 5/12


Ramin AmirArjomand

1 6/12


CourseNumber

Section/CallNumber



Peter Susser 1 3/12


1 1/12

MUSI UN3317 Ear Training, IV. 1 point.Techniques of musicianship at the intermediate level, stressing theimportance of musical nuances in sight-singing. Emphasis is placed onchromatically inflected four-part harmonic dictation.


CourseNumber

Section/CallNumber



MichaelJoviala

1 12/12


Ramin AmirArjomand

1 6/12


CourseNumber

Section/CallNumber



1 2/14

8 Music

AHMM UN3321 Introduction To the Musics of India and West Asia. 3points.CC/GS/SEAS: Partial Fulfillment of Global Core Requirement

A topical approach to the concepts and practices of music in relation toother arts in the development of Asian civilizations.

Fall 2020: AHMM UN3321

CourseNumber

Section/CallNumber


AHMM 3321 001/10924 M W 6:10pm - 7:25pm620 Dodge Building

AlessandraCiucci

3 25/25


3 25/25

AHMM 3321 003/10940 T Th 10:10am - 11:25am622 Dodge Building

3 25/25

MUSI UN3321 Music Theory III. 3 points.A one-hour weekly lab is required, to be scheduled at the beginning of theterm.

Prerequisites: MUSI V2319.Intermediate analysis and composition in a variety of tonal idioms. Aone-hour weekly lab is required, to be scheduled at the beginning of theterm. Course to be taken in conjunction with the Ear-Training sequence,up through Ear-Training IV.


CourseNumber

Section/CallNumber



MarcHannaford

3 9/16


CourseNumber

Section/CallNumber



Joseph Dubiel 3 16/16

MUSI UN3322 Music Theory IV. 3 points.Prerequisites: Music Theory II/UN3321Intermediate analysis and composition in a variety of tonal and extendedtonal idioms. A one-hour weekly lab is required, to be scheduled at thebeginning of the term. Course to be taken in conjunction with the Ear-Training sequence, up through Ear-Training IV.


CourseNumber

Section/CallNumber





CourseNumber

Section/CallNumber



Ellie Hisama 3 6/16

MUSI UN3344 Curating Popular Music: From Song Pluggers to Spotify. 3points.How is popular music made popular? And who makes it popular? Thisdiscussion-based course seeks to answer these questions by focusingon the critical role that music industry professionals—song pluggers,sheet music publishers, producers, talent scouts, record executives, andcontent curators—have played in shaping the markets of production,circulation, and consumption of popular music in the United States fromthe beginning of the twentieth century to the present day. Readings,listening selections, and class discussion will address a number of keygenres of American popular music—Tin Pan Alley, folk, blues, country,rock, pop, and hip hop—while individual assignments (including a finalproject centered on creating and producing a podcast) will allow studentsto apply the knowledge gained in class to genres, styles, and works oftheir own choosing. Students will not be required to have prior knowledgeof music theory or to be able to read music. Completion of Masterpiecesof Western Music: “Music Humanities” (HUMA UN 1123) is preferred, butnot required.

MUSI UN3400 Topics in Music and Society. 3 points.Music Majors and Concentrators.

This course seeks to approach the study of music and society bycomparatively studying repertories from different parts of the world,how the history of ideas and methods of studying such repertoiresshaped them, the practices that constitute them and the ways they areunderstood and used by different peoples. Central to this course is theinterrelationship between the constitution of a repertoire and the historyof the construction of knowledge about it.


CourseNumber

Section/CallNumber



FarzadAmoozegar-Fassaie

3 13/35


CourseNumber

Section/CallNumber



AlessandraCiucci

3 18/30

Music 9

MUSI UN3995 Honors Research. 3 points.Open to honors candidates in music only.

Prerequisites: a formal proposal to be submitted and approved prior toregistration; see the director of undergraduate studies for details.A creative/scholarly project conducted under faculty supervision, leadingto completion of an honors essay, composition, or the equivalent.


CourseNumber

Section/CallNumber


MUSI 3995 002/11096 AlessandraCiucci

3 0/5

MUSI 3995 003/11097 Sophia DiCastri

3 0/5

MUSI 3995 005/11098 Joseph Dubiel 3 0/5

MUSI 3995 009/11099 BradfordGarton

3 0/5

MUSI 3995 010/11100 GiuseppeGerbino

3 0/5

MUSI 3995 011/11101 GeorgFriedrich Haas

3 0/5

MUSI 3995 015/11102 JeffreyMilarsky

3 0/5

MUSI 3995 017/11103 Elaine Sisman 3 0/5

MUSI 3995 018/11104 BenjaminSteege

3 0/5

MUSI 3995 019/11105 MagdalenaBaczewska

3 0/5

MUSI 3995 020/11106 Peter Susser 3 0/5

MUSI 3995 021/11107 ChristopherWashburne

3 0/5

MUSI UN3998 Supervised Independent Study. 3 points.Prerequisites: approval prior to registration; see the director ofundergraduate studies for details.A creative/scholarly project conducted under faculty supervision.


CourseNumber

Section/CallNumber



3 0/5

MUSI 3998 003/11109 Sophia DiCastri

3 0/5

MUSI 3998 004/11110 Julia Doe 3 0/5



3 0/5

MUSI 3998 010/11113 GiuseppeGerbino

3 0/5

MUSI 3998 011/11114 GeorgFriedrich Haas

3 0/5

MUSI 3998 012/11115 Ellie Hisama 3 0/5


3 0/5



3 0/5


3 0/5



3 0/5

MUSI GU4318 Ear Training, V. 1 point.Advanced dictation, sight singing, and musicianship, with emphasis on20th-century music.

MUSI GU4360 ANALYSIS OF TONAL MUSIC. 3 points.Detailed analysis of selected tonal compositions. This course, foradvanced undergraduates and beginning graduates, is intended todevelop understanding of tonal compositions and of theoretical conceptsthat apply to them, through study of specific works in various forms andstyles.

Fall 2020: MUSI GU4360

CourseNumber

Section/CallNumber


MUSI 4360 001/11135 Th 10:10am - 12:00pm620 Dodge Building

BenjaminSteege

3 3/12

MUSI GU4525 Instrumentation. 3 points.Open to both graduate and advanced music major undergraduatestudents.

Prerequisites: extensive musical background.Analysis of instrumentation, with directional emphasis on usage,ranges, playing techniques, tone colors, characteristics, interactions andtendencies, all derived from the classic orchestral repertoire. Topics willinclude theoretical writings on the classical repertory as well as 20thcentury instrumentation and its advancement. Additional sessions withlive orchestral demonstrations are included as part of the course.


CourseNumber

Section/CallNumber



JeffreyMilarsky

3 6/25

MUSI GU4630 Recorded Sound. 3 points.Prerequisites: The instructor's permission.As music moves into the 21st century, we find ourselves surroundedby an ever-evolving landscape of technological capability. The world ofmusic, and the music industry itself, is changing rapidly, and with thatchange comes the opening – and closing – of doorways of possibility. What does this shift mean for today’s practicing artist or composer? With big label recording studios signing and nurturing fewer and fewerartists, it seems certain that, today, musicians who want to record anddistribute their music need to be able to do much of the recording andproduction work on their own. But where does one go to learn how todo this – to learn not only the “how to” part of music production, but thehistorical underpinnings and the development of the music productionindustry as well? How does one develop a comprehensive frameworkwithin which they can place their own artistic efforts? How does onelearn to understand what they hear, re-create what they like and developtheir own style?

This class, “Recorded Sound,” aims to be the answer. It’s goal is to teachartists how to listen critically to music from across history and genres inorder to identify the production techniques that they hear, and reproducethose elements using modern technology so they can be incorporatedinto the artist’s own musical works.

Spring 2020: MUSI GU4630

CourseNumber

Section/CallNumber


MUSI 4630 001/12588 M 3:10pm - 6:00pm317 Prentis Hall

David Bird 3 14/15


CourseNumber

Section/CallNumber



BradfordGarton

3 0/15

10 Music

MUSI GU4801 Music and the Electrical Imaginary. 3 points.This undergraduate seminar explores the long history of how peoplehave imagined the relationship between music and electricity. Aninterdisciplinary seminar, this course uses methodologies from historicalmusicology, ethnomusicology, and science and technology studies tomap the scientific concepts, technological instruments, and musicalpractices that have contributed to what is now an abstract noun:

“electronic music.” Beginning with early modern fantasies of magneticand electrical music, it continues through 19th century developments inacoustics and electroacoustics; examines early 20th century systemsof networked electrical control and communication; explores theconsequences of magnetic audio tape; surveys electronic music studiosin Cologne, Buenos Aires, Toronto, New York, and San Francisco; traces

the development of voltage-controlled synthesizers in the 1960s;meditates on music, mathematics, and mysticism; and historicallysituates the development of computer music. This course is intendedto foster interdisciplinary dialogue between students interested in thestudy of music (including historians, ethnomusicologists, theorists,and composers) and the study of science and technology (includinghistorians, researchers, and engineers).

MUSI GU4802 Sound, Music and Death. 3 points.This seminar is an exploration of the roles of sound and music play inpeople’s attempts to grapple with death and its many auras. We will readliterature from ethnomusicology, anthropology, and sound studies, andlisten to musics from many parts of the world, so as to investigate how1) the processes of aging, decay, and mourning; 2) metaphorical deathsincluding war and exile; and 3) imaginations of afterlives resound amongthe living.

MUSI GU4810 Sound: Foundations . 3 points.This foundational course in sound will begin by exploring how listeninghappens as well the tools necessary capture and present that listening.Through hands-on experimentation and demonstration, this seminar willexamine both the technical and semiotic use of sound as a

material within creative practice. Fundamental studio techniques willbe explored including soldering for building cables, microphones, andloudspeakers. We will also explore the building blocks of analog anddigital processes for the creation of sound, including microphones (types,patterns, and placement), basic synthesis, and techniques for recording,mixing, editing, and mastering. Through creative projects that implementthese skills we will learn by doing. We will study theories of sound andlistening that determine or are determined by technology, from thephysical and social dimensions of the sounds we use to create, language(sound as a symbol or object), acoustics (sound in space), acousmatics(sound without a visual reference), and psycho-acoustics (sound ascognitive process). This class assumes no prior knowledge or technicalskill. Some reading will be assigned and we will look and listen to a lot ofwork, students are encouraged to participate actively in discussions.


CourseNumber

Section/CallNumber



Seth Cluett 3 1/15

MPP UN1401 Bassoon Instruction. 1 point.Prerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.eduPrerequisites: Accepting NEW STUDENTS in FALL semester ONLY.$300 MUSIC LESSON FEE FOR ALL STUDENTS. All accepted MPPstudents must register for lessons and ensembles by the change-of-program deadline in order to be allowed to attend lessons that semester.Petitioning students must notify MPP staff prior to this deadline. ContactMusic Performance Program at [email protected] Please sign up for anaudition time on MPP website in August: mpp.music.columbia.edu

Spring 2020: MPP UN1401

CourseNumber

Section/CallNumber


MPP 1401 001/13730 MarkTimmerman

1 3/25

Fall 2020: MPP UN1401

CourseNumber

Section/CallNumber



1 0/25

MPP UN1403 Cello Instruction. 1 point.Prerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.eduPrerequisites: Accepting NEW STUDENTS in FALL semester ONLY.$300 MUSIC LESSON FEE FOR ALL STUDENTS. All accepted MPPstudents must register for lessons and ensembles by the change-of-program deadline in order to be allowed to attend lessons that semester.Petitioning students must notify MPP staff prior to this deadline. ContactMusic Performance Program at [email protected] Please sign up for anaudition time on MPP website: mpp.music.columbia.edu


CourseNumber

Section/CallNumber


MPP 1403 001/13731 Eliot Bailen 1 2/25

MPP 1403 002/13732 Yari Bond 1 3/25

MPP 1403 003/13734 James Wilson 1 0/25


CourseNumber

Section/CallNumber


MPP 1403 001/10935 Eliot Bailen 1 0/25

MPP 1403 002/10936 Yari Bond 1 0/25

MPP 1403 003/10938 James Wilson 1 0/25

Music 11

MPP UN1405 Clarinet Instruction. 1 point.Prerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1405 001/13735 Allen Blustine 1 0/25


CourseNumber

Section/CallNumber



MPP UN1407 Classical Saxophone Instruction. 1 point.Prerequisites: Sign up for an audition time on MPP website:mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1407 001/11072 1 0/25

MPP UN1409 Flute Instruction. 1 point.Prerequisites: Sign up for an audition time on MPP website:mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1409 001/13736 Sue AnneKahn

1 1/25

MPP 1409 002/13738 Susan Palma-Nidel

1 3/25

MPP 1409 003/13739 Susan Rotholz 1 1/25


CourseNumber

Section/CallNumber



1 0/25


1 0/25


MPP UN1411 French Horn Instruction. 1 point.Prerequisites: Sign up for an audition time on MPP website:mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1411 001/11145 BradGemeinhardt

1 0/25

http://www.mpp.music.columbia.edu








12 Music

MPP UN1413 Guitar (Bluegrass) Instruction. 1 point.Prerequisites: Sign up for an audition time on MPP website:www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1413 001/13741 James Kerr 1 0/25


CourseNumber

Section/CallNumber


MPP 1413 001/10945 James Kerr 1 0/25

MPP UN1415 Guitar (Classical) Instruction. 1 point.Prerequisites: Sign up for an audition time on MPP website:mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1415 001/11071 1 0/25

MPP UN1417 Harp Instruction. 1 point.Prerequisites: Sign up for an audition on MPP website:mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1417 001/13743 June Han 1 2/25


CourseNumber

Section/CallNumber


MPP 1417 001/10946 June Han 1 0/25

MPP UN1419 Oboe Instruction. 1 point.Prerequisites: Sign up for an audition on MPP website:www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1419 001/13744 Vicki Bodner 1 1/25


CourseNumber

Section/CallNumber


MPP 1419 001/10947 Vicki Bodner 1 0/25

MPP UN1421 Organ Instruction. 1 point.Prerequisites: Sign up for an audition on MPP website:www.mpp.music.columbia.edu Prerequisites: Audition Required: Signup for an audition time on MPP website: www.mpp.music.columbia.edu(http://www.mpp.music.columbia.edu/) Accepting NEW STUDENTS inFALL semester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS.All accepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1421 001/13745 Paul MartinMaki

1 1/25


CourseNumber

Section/CallNumber



1 0/25

MPP UN1423 Percussion Instruction. 1 point.Prerequisites: Sign up for an audition on MPP website:mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1423 001/13746 Ian Sullivan 1 0/25


CourseNumber

Section/CallNumber


MPP 1423 001/10949 Ian Sullivan 1 0/25











http://www.mpp.music.columbia.edu/




Music 13

MPP UN1425 Piano Instruction. 1 point.Prerequisites: Signup 109/110 Dodge Sept 4&5; ALL LEVELS; $300LESSON FEERequired: Meet with instructors September 4 and 5 for placement in 109Dodge Hall. $300 MUSIC LESSON FEE FOR ALL STUDENTS. All acceptedMPP students must register for lessons and ensembles by the change-of-program deadline in order to be allowed to attend lessons that semester.Petitioning students must notify MPP staff prior to this deadline. ContactMusic Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1425 001/13747 Michael Skelly 1 51/100

MPP 1425 002/13749 Dmitry Alexeev 1 31/50

MPP 1425 003/13752 Reiko Uchida 1 10/50


CourseNumber

Section/CallNumber




MPP 1425 003/10960 Reiko Uchida 1 0/50

MPP UN1427 String Bass Instruction. 1 point.Prerequisites: Sign up for an audition on MPP website:www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1427 001/11068 1 0/25

MPP UN1429 Trombone Instruction. 1 point.Prerequisites: Sign up for an audition on MPP website:mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1429 001/13755 MichaelSeltzer

1 1/25


CourseNumber

Section/CallNumber



1 0/25

MPP UN1431 Trumpet Instruction. 1 point.Prerequisites: Sign up for an audition on MPP website:www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1431 001/11069 1 0/25

MPP UN1433 Tuba Instruction. 1 point.Prerequisites: Sign up for an audition on MPP website:www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1433 001/11070 1 0/25

MPP UN1435 Viola Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1435 001/13766 Sarah Adams 1 2/25

MPP 1435 002/13768 Ah-ling Neu 1 2/25

MPP 1435 003/13776 JessicaThompson

1 2/25


CourseNumber

Section/CallNumber


MPP 1435 001/10964 Sarah Adams 1 0/25

MPP 1435 002/10966 Ah-ling Neu 1 0/25


1 0/25














14 Music

MPP UN1437 Violin Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1437 001/13777 CyrusBeroukhim

1 3/25

MPP 1437 002/13780 Maja Cerar 1 4/25

MPP 1437 004/13781 Lisa Kim 1 0/25

MPP 1437 005/14160 Muneko Otani 1 4/25

MPP 1437 006/13782 Richard Rood 1 3/25


CourseNumber

Section/CallNumber



1 0/25

MPP 1437 002/10971 Maja Cerar 1 0/25

MPP 1437 004/10972 Lisa Kim 1 0/25

MPP 1437 005/10973 Muneko Otani 1 0/25

MPP 1437 006/10974 Richard Rood 1 0/25

MPP UN1439 Early Instruments: Harpsichord. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]

MPP UN1441 Early Instruments: Viola da Gamba. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]

MPP UN1443 Jazz Bass Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1443 001/13784 Bradley Jones 1 0/25

MPP 1443 002/13785 UgonnaOkegwo

1 2/25


CourseNumber

Section/CallNumber



1 0/25

MPP UN1445 Jazz Bass (Electric) Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1445 001/13786 Leo Traversa 1 1/25


CourseNumber

Section/CallNumber


MPP 1445 001/11146 Leo Traversa 1 1/25













Music 15

MPP UN1447 Jazz Guitar (Electric) Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1447 002/13789 Leo Traversa 1 0/25


CourseNumber

Section/CallNumber


MPP 1447 001/11010 PaulBollenback

1 0/25

MPP 1447 002/11011 Leo Traversa 1 0/25

MPP UN1449 Jazz Orchestration. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1449 001/13897 Ole Mathisen 1 0/25

MPP 1449 002/13898 Don Sickler 1 2/25


CourseNumber

Section/CallNumber


MPP 1449 001/11012 Ole Mathisen 1 0/25

MPP 1449 002/11013 Don Sickler 1 0/25

MPP UN1451 Jazz Percussion Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1451 002/13899 1 2/25

MPP 1451 033/13896 Sylvia Cuenca 1 1/25


CourseNumber

Section/CallNumber


MPP 1451 001/11018 AnthonyMoreno

1 0/25

MPP 1451 002/11019 Vince Cherico 1 1/25


MPP UN1453 Jazz Piano Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1453 001/13790 Bruce Barth 1 9/25

MPP 1453 002/13792 Victor Lin 1 3/25

MPP 1453 004/13793 Helen Sung 1 0/25


CourseNumber

Section/CallNumber


MPP 1453 001/11014 Bruce Barth 1 0/25

MPP 1453 002/11015 Victor Lin 1 0/25

MPP 1453 004/11016 Helen Sung 1 0/25










16 Music

MPP UN1455 Jazz Saxophone Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: www.mpp.music.columbia.edu Accepting NEW STUDENTS inFALL semester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS.All accepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1455 001/13795 Ole Mathisen 1 4/25


CourseNumber

Section/CallNumber


MPP 1455 001/11017 Ole Mathisen 1 0/25

MPP UN1457 Jazz Trombone Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1457 001/13796 John DavidGibson

1 1/25


CourseNumber

Section/CallNumber



1 0/25

MPP UN1459 Jazz Trumpet Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1459 001/13798 Don Sickler 1 4/25


CourseNumber

Section/CallNumber


MPP 1459 001/11023 Don Sickler 1 1/25

MPP UN1461 Jazz Voice Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an auditiontime on MPP website: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu/) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1461 001/13799 ChristineCorrea

1 9/25


CourseNumber

Section/CallNumber



1 0/25

MPP UN1511 Collegium Musicum. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $250 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1511 001/12325 M 7:00pm - 9:00pmRoom TBA

RussellO'Rourke

1 7/35


CourseNumber

Section/CallNumber


MPP 1511 001/10944 1 0/30











Music 17

MPP UN1521 University Orchestra . 2 points.Prerequisites: Auditions are required. Sign up for an audition on the MPPwebsite: www.mpp.music.columbia.edu or on the CUO website: http://cuo.music.columbia.edu/Auditions are required. Sign up for an audition on the MPP website:www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)or on the CUO website: http://cuo.music.columbia.edu/ AcceptingNEW STUDENTS in FALL semester ONLY unless otherwise noted. Allaccepted MPP students must register for ensembles by the change-of-program deadline every semester in order to be allowed to participate.Petitioning students or students not able to register must notify MPPstaff prior to this deadline. Contact Music Performance Program [email protected] Weekly meetings with ensemble and end-of-semester performance required.


CourseNumber

Section/CallNumber


MPP 1521 001/13800 T 6:30pm - 9:30pmRoom TBA

JeffreyMilarsky

2 67/200


CourseNumber

Section/CallNumber



JeffreyMilarsky

2 0/200

MPP UN1531 Chamber Ensemble. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. All accepted MPP students must register for lessonsand ensembles by the change-of-program deadline in order to be allowedto attend lessons that semester. Petitioning students must notify MPPstaff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1531 003/13801 Ian Sullivan 1 0/50

MPP 1531 004/13804 W 4:15pm - 5:30pmRoom TBA

MagdalenaBaczewska

1 12/24

MPP 1531 006/13806 Sarah Adams 1 8/50

MPP 1531 007/13807 Eliot Bailen 1 7/50


MPP 1531 009/13811 Vicki Bodner 1 0/50

MPP 1531 010/13814 Yari Bond 1 3/50

MPP 1531 011/13816 Maja Cerar 1 2/50

MPP 1531 012/13819 KennethCooper

1 2/50

MPP 1531 013/13850 June Han 1 0/50


1 3/50

MPP 1531 016/13853 Muneko Otani 1 11/50


1 1/50

MPP 1531 018/13855 Richard Rood 1 5/50


MPP 1531 021/13858 James Wilson 1 6/50



CourseNumber

Section/CallNumber


MPP 1531 003/11034 Ian Sullivan 1 0/50

MPP 1531 004/11035 MagdalenaBaczewska

1 0/12

MPP 1531 006/11036 Sarah Adams 1 0/50

MPP 1531 007/11037 Eliot Bailen 1 0/50


MPP 1531 009/11039 Vicki Bodner 1 0/50

MPP 1531 010/11040 Yari Bond 1 0/50


1 0/50

MPP 1531 013/11042 June Han 1 0/50


1 0/50

MPP 1531 016/11044 Muneko Otani 1 0/50


1 0/50

MPP 1531 018/11046 Richard Rood 1 0/50


MPP 1531 021/11048 James Wilson 1 0/50




http://cuo.music.columbia.edu/




18 Music

MPP UN1541 Columbia University Jazz Ensemble . 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. All accepted MPP students must register for lessonsand ensembles by the change-of-program deadline in order to be allowedto attend lessons that semester. Petitioning students must notify MPPstaff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber



1 9/50

MPP 1541 002/13860 Bruce Barth 1 4/50

MPP 1541 003/13861 Bruce Barth 1 6/50


MPP 1541 005/13864 Victor Lin 1 7/50

MPP 1541 006/13865 Ole Mathisen 1 6/50

MPP 1541 007/13868 Ole Mathisen 1 0/50

MPP 1541 008/13879 Ole Mathisen 1 10/50

MPP 1541 009/13883 Don Sickler 1 12/50

MPP 1541 010/13887 Ole Mathisen 1 5/50


CourseNumber

Section/CallNumber



1 0/50

MPP 1541 002/11051 Bruce Barth 1 0/50

MPP 1541 003/11052 Bruce Barth 1 0/50


MPP 1541 005/11054 Victor Lin 1 0/50

MPP 1541 006/11055 Ole Mathisen 1 0/50

MPP 1541 007/11056 Ole Mathisen 1 0/50

MPP 1541 008/11057 Ole Mathisen 1 0/50

MPP 1541 009/11058 Don Sickler 1 1/50

MPP 1541 010/11061 Ole Mathisen 1 0/50

MPP UN1551 World Music Ensemble. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. All accepted MPP students must register for lessonsand ensembles by the change-of-program deadline in order to be allowedto attend lessons that semester. Petitioning students must notify MPPstaff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1551 001/13888 James Kerr 1 4/50

MPP 1551 002/13889 Th 6:00pm - 7:30pmRoom TBA

Louise Sasaki 1 4/50


JamesSchlefer

1 0/50


Masayo Tokue 1 0/50


JeffWarschauer

1 1/50

MPP 1551 006/13894 Sebastian Cruz 1 8/50


CourseNumber

Section/CallNumber


MPP 1551 001/11062 James Kerr 1 0/50

MPP 1551 002/11063 Louise Sasaki 1 0/50

MPP 1551 003/11064 JamesSchlefer

1 0/50

MPP 1551 004/11065 Masayo Tokue 1 0/50

MPP 1551 005/11066 JeffWarschauer

1 0/50

MPP 1551 006/11067 Leo Traversa,Vince Cherico

1 0/50

MPP 1551 007/11164 Taoufik Ben-Amor

1 0/50

Spring 2020MUSI UN1002 Fundamentals of Music. 3 points.Corequisites: Introductory Ear-Training (V1312, or higher, as determinedby placement exam).This course is an introduction to music, including notation, written andaural skills, and basic conceptual resources of music theory. Explorationof scale, mode, rhythm, meter, texture and form, with reference to adiverse range of musics.


CourseNumber

Section/CallNumber





Ian Sewell 3 13/25


CourseNumber

Section/CallNumber



3 18/24


3 5/24







Music 19

HUMA UN1123 Masterpieces of Western Music. 3 points.Analysis and discussion of representative works from the Middle Ages tothe present.

Spring 2020: HUMA UN1123

CourseNumber

Section/CallNumber



MatthewRicketts

3 23/25


Thomas Fogg 3 25/25


Sean Colonna 3 25/25


MatthewRicketts

3 25/25


Thomas Fogg 3 25/25


AudreyAmsellem

3 25/25


GabrielleFerrari

3 24/25


SonjaWermager

3 25/25


Elaine Sisman 3 24/25




JonathanLigrani

3 25/25


TheodoreGordon

3 25/25




Mike Ford 3 22/25


Saad Haddad 3 24/25


Julia Hamilton 3 25/25


BrianGlasenapp

3 22/25




Velia Ivanova 3 24/25


BenjaminSteege

3 24/25




Marilyn McCoy 3 25/25


JohnMcWhorter

3 25/25


BradfordGarton

3 25/25


MagdalenaBaczewska

3 24/25


KatherineBalch

3 24/25


Ralph Whyte 3 23/25




Ryan Pratt 3 25/25


Ralph Whyte 3 24/25




DemetriusShahmehri

3 24/25

Fall 2020: HUMA UN1123

CourseNumber

Section/CallNumber



3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23


3 23/23

MUSI UN1312 Introductory Ear Training. 1 point.This course is an introduction to basic skills in sight reading. Instructionincludes reading rhythms in simple meter, solfege recitation, and sight-singing simple melodies.


CourseNumber

Section/CallNumber



Sadie Dawkins 1 12/12


Barami Waspe 1 9/12


CourseNumber

Section/CallNumber



1 0/14

MUSI UN1518 Keyboard Harmony and Musicianship. 1 point.Prerequisites: Instructor PermissionOne-on-one piano instruction with an emphasis on harmony and sight-reading. Open only to Music Theory students who do not pass the pianoproficiency test.


CourseNumber

Section/CallNumber




CourseNumber

Section/CallNumber



MUSI UN2205 Introduction to Digital Music (Previously called MIDI MusicProduction Techniques). 3 points.Prerequisites: Permission of Instructor required to enroll. Music Majors/Music Concentrations have priority for enrollment.An introduction to the potential of digital synthesis and signalprocessing. Teaches proficiency in elementary and advanced digitalaudio techniques. Challenges some of the assumptions about music builtinto various interfaces and fosters a creative approach to using DAWsoftware and machines.


CourseNumber

Section/CallNumber



DanielleDobkin

3 19/18


CourseNumber

Section/CallNumber



3 0/18

20 Music

MUSI UN2314 Ear Training, I. 1 point.Designed to improve the student's basic skills in sight-singing, andrhythmic and melodic dictation with an introduction to four-part harmonicdictation.


CourseNumber

Section/CallNumber



MarthaSullivan

1 9/12


RowlandMoseley

1 9/12


CourseNumber

Section/CallNumber



Peter Susser 1 0/14

MUSI UN2315 Ear Training, II. 1 point.Techniques of sight-singing and dictation of diatonic melodies in simpleand compound meter with strong emphasis on harmonic dictation.


CourseNumber

Section/CallNumber





Barami Waspe 1 3/12


CourseNumber

Section/CallNumber



1 0/14

MUSI UN2318 Music Theory I. 3 points.Prerequisites: Passing score on the placement exam administered priorto the first day of class or Fundamentals of Music/UN1002.Elementary analysis and composition in a variety of modal and tonalidioms. A one-hour weekly lab is required, to be scheduled at thebeginning of the term. Course to be taken in conjunction with the Ear-Training sequence, up through Ear-Training IV.


CourseNumber

Section/CallNumber





CourseNumber

Section/CallNumber



3 1/16


Peter Susser 3 1/16

MUSI UN2319 Music Theory II. 3 points.Prerequisites: Passing score on the placement exam administered priorto the first day of class or Music Theory I/UN2318Corequisites: one course from Ear-Training I-IV (V2314, V2315, V3316, orV3317, as determined by placement exam.)Elementary analysis and composition in a variety of tonal idioms. Aone-hour weekly lab is required, to be scheduled at the beginning of theterm. Course to be taken in conjunction with the Ear-Training sequence,up through Ear-Training IV.


CourseNumber

Section/CallNumber



Galen DeGraf 3 7/16


Galen DeGraf 3 10/16


CourseNumber

Section/CallNumber



3 0/16

MUSI UN2500 Women and Music. 3 points.This course explores the relationship between women, music, andperformance from a thematic and a cross-cultural perspective. Throughthe analysis of different case studies, we will investigate different topicsfrom the perspective of ethnomusicology, cultural anthropology, andperformance studies. A number of critical questions we will considerinclude: how does a particular gender ideology constructs and isconstructed by musical aesthetics? What are some of the critical rolesfor women in performance? What is the significance of gender inperformances? What does it mean for women to have have and to be thevoice? And how is a musical performance bound up with emotions?


CourseNumber

Section/CallNumber



AlessandraCiucci

3 9/20

MUSI UN3129 History of Western Music II: Classical To the 20th Century.3 points.Prerequisites: MUSI V2318-2319. May be taken before or concurrently withthis course.Topics in Western music from the Classical era to the present day,focusing on the development of musical style and thought, and onanalysis of selected works.


CourseNumber

Section/CallNumber



Julia Doe 3 17/35

Music 21

MUSI UN3138 The music of Brahms. 3 points.BC: Fulfillment of General Education Requirement: The Visual andPerforming Arts (ART).

Prerequisites: HUMA W1123 or the equivalent, and the ability to readmusical notation.Survey of the music of Brahms, examining a wide range of genres as wellas his historical and cultural position.


CourseNumber

Section/CallNumber



Walter Frisch 3 2/25

MUSI UN3239 Introduction to Composition. 3 points.Composition in shorter forms. Basic issues of musical structure andexpression are explored in traditional and contemporary repertory.Readings of student works.


CourseNumber

Section/CallNumber



Mahir Cetiz 3 4/12

MUSI UN3316 Ear Training, III. 1 point.Sight-singing techniques of modulating diatonic melodies in simple,compound, or irregular meters that involve complex rhythmic patterns.Emphasis is placed on four-part harmonic dictation of modulatingphrases.


CourseNumber

Section/CallNumber



MichaelJoviala

1 5/12


Ramin AmirArjomand

1 6/12


CourseNumber

Section/CallNumber



Peter Susser 1 3/12


1 1/12

MUSI UN3317 Ear Training, IV. 1 point.Techniques of musicianship at the intermediate level, stressing theimportance of musical nuances in sight-singing. Emphasis is placed onchromatically inflected four-part harmonic dictation.


CourseNumber

Section/CallNumber



MichaelJoviala

1 12/12


Ramin AmirArjomand

1 6/12


CourseNumber

Section/CallNumber



1 2/14

AHMM UN3320 MUSIC IN EAST ASIA. 3.00 points.A topical approach to the concepts and practices of music in relation toother arts in the development of Asian civilizationsSpring 2020: AHMM UN3320

CourseNumber

Section/CallNumber



Rachel Chung 3.00 28/25


Hicham Chami 3.00 27/25

AHMM 3320 003/12324 T Th 10:10am - 11:25am622 Dodge Building

Yun Wang 3.00 28/25

MUSI UN3321 Music Theory III. 3 points.A one-hour weekly lab is required, to be scheduled at the beginning of theterm.

Prerequisites: MUSI V2319.Intermediate analysis and composition in a variety of tonal idioms. Aone-hour weekly lab is required, to be scheduled at the beginning of theterm. Course to be taken in conjunction with the Ear-Training sequence,up through Ear-Training IV.


CourseNumber

Section/CallNumber



MarcHannaford

3 9/16


CourseNumber

Section/CallNumber




MUSI UN3322 Music Theory IV. 3 points.Prerequisites: Music Theory II/UN3321Intermediate analysis and composition in a variety of tonal and extendedtonal idioms. A one-hour weekly lab is required, to be scheduled at thebeginning of the term. Course to be taken in conjunction with the Ear-Training sequence, up through Ear-Training IV.


CourseNumber

Section/CallNumber





CourseNumber

Section/CallNumber



Ellie Hisama 3 6/16

22 Music

MUSI UN3343 Shades of Brown: Music in the South Asian Diaspora . 3points.This course explores the musical world of the South Asian diasporain Europe and North America. We will read ethnographic accounts ofdiasporic musics and experiences and develop methods for analysis andinterpretation of such accounts, situating the songs of the South Asiandiaspora within its broader social history. We will address the conceptsof belonging and identity, nostalgia and affect, and the dismantling orupholding of dominant discourses such as gender, race, and caste. Ourfocus will be on the last half century, although deeper histories will needto be considered. Students will learn to analyze instrumentation andlyrics in various genres and traditions of South Asian music, includingboth art, folkloric, and popular idioms, and to correlate these with aspectsof the social context of diaspora. While the specific focus of the course ison a particular diasporic history, the class will help students understandand think critically about the broader phenomenon of “diaspora” and itscultural dimensions, and through this to engage critically with importantaspects of cultural globalization and migration.

Students from all departments are welcome. Reading music not required.


CourseNumber

Section/CallNumber


MUSI 3343 001/12586 M W 11:40am - 12:55pm814 Dodge Building

NandiniBanerjee

3 4/15

MUSI UN3346 REIMAGINING RESISTANCE:SOUND AS SUBVERSION IN20TH & 21ST CENTURY AMERICAN EXPERIMENTALISM. 3 points.How can composers and musicians push back against inequality andinjustice through their creative practice? How can they reimagine,through sound, a more equal, compassionate, collaborative, criticallyengaged, and humanistic society? How can they critique and transcendcategories of race, gender, class, and sexuality to create music that looksto new, more open and egalitarian forms of music making, reframingproblematic hierarchies inherited from 19th century Europe? In thissurvey, students will investigate how 20th and 21st century Americanexperimentalist composers engage with these questions — questionswhich are particularly pressing today. Students will examine howcomposers like John Cage, Ruth Crawford Seeger, Ornette Coleman,and Pauline Oliveros resisted stylistic, philosophical, and institutionalconventions to form subversive creative and intellectual strands thatcontinue to undergird the American musical landscape today. Byexamining networks of actors (composers, venues, critics, publications,performers, events) including groups such as the Sonic Arts Union,the Composers’ Collective, the Jazz Composer’s Guild, Wandelweiser,Fluxus, and Musica Elettronica Viva, students will explore the uniqueand complex topology of experimental music communities in the UnitedStates and the subversive threads that tie them together. Race, gender,class, and sexuality mark these networks, and will feature prominentlyin our analyses. Students will engage with sound/video recordings andprimary source texts alongside contemporary scholarship includingcritical, ethnographic, and journalistic sources. There are no prerequisitesrequired for this course, but HUMA UN1123 (“Music Humanities”) ishighly recommended.


CourseNumber

Section/CallNumber


MUSI 3346 001/12585 T Th 11:40am - 12:55pm405 Dodge Building

WilliamDougherty

3 8/15

MUSI UN3400 Topics in Music and Society. 3 points.Music Majors and Concentrators.

This course seeks to approach the study of music and society bycomparatively studying repertories from different parts of the world,how the history of ideas and methods of studying such repertoiresshaped them, the practices that constitute them and the ways they areunderstood and used by different peoples. Central to this course is theinterrelationship between the constitution of a repertoire and the historyof the construction of knowledge about it.


CourseNumber

Section/CallNumber



FarzadAmoozegar-Fassaie

3 13/35


CourseNumber

Section/CallNumber



AlessandraCiucci

3 18/30

MUSI UN3996 Honors Research. 3 points.Open to honors candidates in music only.

Prerequisites: a formal proposal to be submitted and approved prior toregistration; see the director of undergraduate studies for details.A creative/scholarly project conducted under faculty supervision, leadingto completion of an honors essay, composition, or the equivalent.


CourseNumber

Section/CallNumber



3 0/5

MUSI 3996 004/19939 Julia Doe 3 1/5


MUSI 3996 006/19941 Kevin Fellezs 3 0/5

MUSI 3996 007/19942 Aaron Fox 3 0/5

MUSI 3996 008/19943 Walter Frisch 3 0/5


3 0/5

MUSI 3996 013/19949 Mariusz Kozak 3 0/5

MUSI 3996 014/19950 George Lewis 3 1/5


3 0/5



3 0/5


3 0/5



3 0/5

MUSI 3996 022/36693 Mahir Cetiz 3 0/5

Music 23

MUSI UN3999 Supervised Independent Study. 3 points.Prerequisites: approval prior to registration; see the director ofundergraduate studies for details.A creative/scholarly project conducted under faculty supervision.


CourseNumber

Section/CallNumber



3 0/5

MUSI 3999 004/20011 Julia Doe 3 0/5


MUSI 3999 006/20013 Kevin Fellezs 3 0/5

MUSI 3999 007/20014 Aaron Fox 3 2/5

MUSI 3999 008/20015 Walter Frisch 3 0/5


3 2/5

MUSI 3999 013/20018 Mariusz Kozak 3 0/5

MUSI 3999 014/20019 George Lewis 3 0/5


3 0/5



3 0/5


3 0/5



3 1/5

MUSI 3999 022/36697 Mahir Cetiz 3 1/5

MUSI GU4109 Music, Musicians and Mobility in the Early Modern Period.3 points.In the early modern period—here roughly limited to the fifteenth throughearly seventeenth century—the Western idea of the world underwenttwo contrasting, but equally fundamental shifts. On the one hand, theknown world expanded in unprecedented and entirely unexpected ways.At the same time, on the other hand, Europe itself splintered dramaticallyalong conflicting religious lines that would shape politics and warfare forcenturies after, erecting barriers and boundaries where they previouslydid not exist. This course studies the effect of these changes on music,through the lens of mobility, understood in various ways, both social andphysical.


CourseNumber

Section/CallNumber


MUSI 4109 001/12593 M 4:10pm - 6:00pm620 Dodge Building

David Burn 3 6/12

MUSI GU4308 Theory and Analysis of Jazz and Improvisation. 3 points.This course explores diverse approaches to analyzing jazz andimprovisation. Students will engage with analytical methods stemmingfrom both scholars and improvisers, learn to apply traditional analyticalapproaches, examine critical issues underlying them, and developnew applications of heretofore underexamined ones. We will focusalternatively on harmony, solos, interaction, cognition, rhythm, andpedagogy, among other issues, and the survey will afford students insightinto the priorities, methodologies, outcomes, and shortcomings of eachof them. Additionally, the course covers theoretical texts producedby improvising musicians, as well as instances where improvisersengage with preexisting theoretical texts. Finally, we will also examineintersections between identity—encompassing issues such as race,ethnicity, gender, and class among others—and music theory. Wewill investigate characterizations of music theory, composition, andimprovisation in terms of identity and suggest ways that we mightincorporate the diverse range of theorists and analysts in our course intolarger intellectual and musical histories.


CourseNumber

Section/CallNumber


MUSI 4308 001/12591 T Th 11:40am - 12:55pm404 Dodge Building

MarcHannaford

3 17/25

MUSI GU4319 Ear-Training VI. 1 point.Advanced dictation, sight singing, and musicianship, with emphasis on20th-century music.


CourseNumber

Section/CallNumber



Peter Susser 1 2/12

MUSI GU4325 Introduction to Cognitive Musicology. 3 points.This course is an introduction to a variety of key topics in the field ofcognitive musicology, including human development, evolution, neuralprocessing, embodied knowledge, memory and anticipation, cross-cultural perspectives, and emotions. The course explores recent researchon these topics, as well as ways in which this research can be applied tomusic scholarship.


CourseNumber

Section/CallNumber


MUSI 4325 001/13737 M 10:10am - 12:00pm622 Dodge Building


MUSI GU4406 Acoustic Ecologies. 3 points.This course explores the relationship between music, sound andthe environment from a cross cultural perspective. We will explorenotions such as acoustic ecology, ambient sound, soundscape andacoustemology, ecomusicology and the relation between sound, climatechange, and the anthropocene. We will also address how differentcultures conceive of the changing relations between sounding andenvironment and how these are linked to decolonial struggles.


CourseNumber

Section/CallNumber


MUSI 4406 001/12592 W 3:10pm - 5:00pm701c Dodge Building

Ana MariaOchoa

3 15/15

24 Music

MUSI GU4425 Sounding Islam. 3 points.The objective of this course is to explore the relationship between sound,music and Islam and, in doing so, to focus on a philosophy of listening(sama‘) which is deeply embedded in the experiential. The course aims toanalyze how sound and music directly or indirectly associated with Islamare produced, circulated, and listened to by a wide variety of audiencesin local and transnational settings; to explore the ways in which multiplesonic dimensions of Islam have affected the public sphere in differenthistorical moments and contexts (particular in relation to ideas aboutnationalism, secularism and modernity); and to examine the effect ofthese sonic dimensions on Muslim and non-Muslim listeners in a localand a transnational perspective.


CourseNumber

Section/CallNumber


MUSI 4425 001/12590 Th 2:10pm - 4:00pm701c Dodge Building

AlessandraCiucci

3 6/15

MUSI GU4515 Conducting Music. 3 points.Prerequisites: advanced music major and extensive contemporary musicbackground.Analysis of the modern repertory of contemporary music with directionalemphasis on actual conducting preparation, beating patterns, rhythmicnotational problems, irregular meters, communication, and transferenceof musical ideas. Topics will include theoretical writing on 20th-centuryconducting, orchestration, and phrasing.


CourseNumber

Section/CallNumber



JeffreyMilarsky

3 9/15

MUSI GU4630 Recorded Sound. 3 points.Prerequisites: The instructor's permission.As music moves into the 21st century, we find ourselves surroundedby an ever-evolving landscape of technological capability. The world ofmusic, and the music industry itself, is changing rapidly, and with thatchange comes the opening – and closing – of doorways of possibility. What does this shift mean for today’s practicing artist or composer? With big label recording studios signing and nurturing fewer and fewerartists, it seems certain that, today, musicians who want to record anddistribute their music need to be able to do much of the recording andproduction work on their own. But where does one go to learn how todo this – to learn not only the “how to” part of music production, but thehistorical underpinnings and the development of the music productionindustry as well? How does one develop a comprehensive frameworkwithin which they can place their own artistic efforts? How does onelearn to understand what they hear, re-create what they like and developtheir own style?

This class, “Recorded Sound,” aims to be the answer. It’s goal is to teachartists how to listen critically to music from across history and genres inorder to identify the production techniques that they hear, and reproducethose elements using modern technology so they can be incorporatedinto the artist’s own musical works.


CourseNumber

Section/CallNumber



David Bird 3 14/15


CourseNumber

Section/CallNumber



BradfordGarton

3 0/15

MPP UN1401 Bassoon Instruction. 1 point.Prerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.eduPrerequisites: Accepting NEW STUDENTS in FALL semester ONLY.$300 MUSIC LESSON FEE FOR ALL STUDENTS. All accepted MPPstudents must register for lessons and ensembles by the change-of-program deadline in order to be allowed to attend lessons that semester.Petitioning students must notify MPP staff prior to this deadline. ContactMusic Performance Program at [email protected] Please sign up for anaudition time on MPP website in August: mpp.music.columbia.edu


CourseNumber

Section/CallNumber



1 3/25


CourseNumber

Section/CallNumber



1 0/25

Music 25

MPP UN1403 Cello Instruction. 1 point.Prerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.eduPrerequisites: Accepting NEW STUDENTS in FALL semester ONLY.$300 MUSIC LESSON FEE FOR ALL STUDENTS. All accepted MPPstudents must register for lessons and ensembles by the change-of-program deadline in order to be allowed to attend lessons that semester.Petitioning students must notify MPP staff prior to this deadline. ContactMusic Performance Program at [email protected] Please sign up for anaudition time on MPP website: mpp.music.columbia.edu


CourseNumber

Section/CallNumber


MPP 1403 001/13731 Eliot Bailen 1 2/25

MPP 1403 002/13732 Yari Bond 1 3/25

MPP 1403 003/13734 James Wilson 1 0/25


CourseNumber

Section/CallNumber


MPP 1403 001/10935 Eliot Bailen 1 0/25

MPP 1403 002/10936 Yari Bond 1 0/25

MPP 1403 003/10938 James Wilson 1 0/25

MPP UN1405 Clarinet Instruction. 1 point.Prerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber




CourseNumber

Section/CallNumber



MPP UN1407 Classical Saxophone Instruction. 1 point.Prerequisites: Sign up for an audition time on MPP website:mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1407 001/11072 1 0/25

MPP UN1409 Flute Instruction. 1 point.Prerequisites: Sign up for an audition time on MPP website:mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber



1 1/25


1 3/25



CourseNumber

Section/CallNumber



1 0/25


1 0/25


MPP UN1411 French Horn Instruction. 1 point.Prerequisites: Sign up for an audition time on MPP website:mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1411 001/11145 BradGemeinhardt

1 0/25









26 Music

MPP UN1413 Guitar (Bluegrass) Instruction. 1 point.Prerequisites: Sign up for an audition time on MPP website:www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1413 001/13741 James Kerr 1 0/25


CourseNumber

Section/CallNumber


MPP 1413 001/10945 James Kerr 1 0/25

MPP UN1415 Guitar (Classical) Instruction. 1 point.Prerequisites: Sign up for an audition time on MPP website:mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1415 001/11071 1 0/25

MPP UN1417 Harp Instruction. 1 point.Prerequisites: Sign up for an audition on MPP website:mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1417 001/13743 June Han 1 2/25


CourseNumber

Section/CallNumber


MPP 1417 001/10946 June Han 1 0/25

MPP UN1419 Oboe Instruction. 1 point.Prerequisites: Sign up for an audition on MPP website:www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1419 001/13744 Vicki Bodner 1 1/25


CourseNumber

Section/CallNumber


MPP 1419 001/10947 Vicki Bodner 1 0/25

MPP UN1421 Organ Instruction. 1 point.Prerequisites: Sign up for an audition on MPP website:www.mpp.music.columbia.edu Prerequisites: Audition Required: Signup for an audition time on MPP website: www.mpp.music.columbia.edu(http://www.mpp.music.columbia.edu/) Accepting NEW STUDENTS inFALL semester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS.All accepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber



1 1/25


CourseNumber

Section/CallNumber



1 0/25

MPP UN1423 Percussion Instruction. 1 point.Prerequisites: Sign up for an audition on MPP website:mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1423 001/13746 Ian Sullivan 1 0/25


CourseNumber

Section/CallNumber


MPP 1423 001/10949 Ian Sullivan 1 0/25















Music 27

MPP UN1425 Piano Instruction. 1 point.Prerequisites: Signup 109/110 Dodge Sept 4&5; ALL LEVELS; $300LESSON FEERequired: Meet with instructors September 4 and 5 for placement in 109Dodge Hall. $300 MUSIC LESSON FEE FOR ALL STUDENTS. All acceptedMPP students must register for lessons and ensembles by the change-of-program deadline in order to be allowed to attend lessons that semester.Petitioning students must notify MPP staff prior to this deadline. ContactMusic Performance Program at [email protected]


CourseNumber

Section/CallNumber




MPP 1425 003/13752 Reiko Uchida 1 10/50


CourseNumber

Section/CallNumber




MPP 1425 003/10960 Reiko Uchida 1 0/50

MPP UN1427 String Bass Instruction. 1 point.Prerequisites: Sign up for an audition on MPP website:www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1427 001/11068 1 0/25

MPP UN1429 Trombone Instruction. 1 point.Prerequisites: Sign up for an audition on MPP website:mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber



1 1/25


CourseNumber

Section/CallNumber



1 0/25

MPP UN1431 Trumpet Instruction. 1 point.Prerequisites: Sign up for an audition on MPP website:www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1431 001/11069 1 0/25

MPP UN1433 Tuba Instruction. 1 point.Prerequisites: Sign up for an audition on MPP website:www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1433 001/11070 1 0/25

MPP UN1435 Viola Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1435 001/13766 Sarah Adams 1 2/25

MPP 1435 002/13768 Ah-ling Neu 1 2/25


1 2/25


CourseNumber

Section/CallNumber


MPP 1435 001/10964 Sarah Adams 1 0/25

MPP 1435 002/10966 Ah-ling Neu 1 0/25


1 0/25














28 Music

MPP UN1437 Violin Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber



1 3/25

MPP 1437 002/13780 Maja Cerar 1 4/25

MPP 1437 004/13781 Lisa Kim 1 0/25

MPP 1437 005/14160 Muneko Otani 1 4/25

MPP 1437 006/13782 Richard Rood 1 3/25


CourseNumber

Section/CallNumber



1 0/25

MPP 1437 002/10971 Maja Cerar 1 0/25

MPP 1437 004/10972 Lisa Kim 1 0/25

MPP 1437 005/10973 Muneko Otani 1 0/25

MPP 1437 006/10974 Richard Rood 1 0/25

MPP UN1439 Early Instruments: Harpsichord. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]

MPP UN1441 Early Instruments: Viola da Gamba. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]

MPP UN1443 Jazz Bass Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1443 001/13784 Bradley Jones 1 0/25


1 2/25


CourseNumber

Section/CallNumber



1 0/25

MPP UN1445 Jazz Bass (Electric) Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1445 001/13786 Leo Traversa 1 1/25


CourseNumber

Section/CallNumber


MPP 1445 001/11146 Leo Traversa 1 1/25













Music 29

MPP UN1447 Jazz Guitar (Electric) Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1447 002/13789 Leo Traversa 1 0/25


CourseNumber

Section/CallNumber


MPP 1447 001/11010 PaulBollenback

1 0/25

MPP 1447 002/11011 Leo Traversa 1 0/25

MPP UN1449 Jazz Orchestration. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1449 001/13897 Ole Mathisen 1 0/25

MPP 1449 002/13898 Don Sickler 1 2/25


CourseNumber

Section/CallNumber


MPP 1449 001/11012 Ole Mathisen 1 0/25

MPP 1449 002/11013 Don Sickler 1 0/25

MPP UN1451 Jazz Percussion Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1451 002/13899 1 2/25



CourseNumber

Section/CallNumber


MPP 1451 001/11018 AnthonyMoreno

1 0/25



MPP UN1453 Jazz Piano Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1453 001/13790 Bruce Barth 1 9/25

MPP 1453 002/13792 Victor Lin 1 3/25

MPP 1453 004/13793 Helen Sung 1 0/25


CourseNumber

Section/CallNumber


MPP 1453 001/11014 Bruce Barth 1 0/25

MPP 1453 002/11015 Victor Lin 1 0/25

MPP 1453 004/11016 Helen Sung 1 0/25










30 Music

MPP UN1455 Jazz Saxophone Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: www.mpp.music.columbia.edu Accepting NEW STUDENTS inFALL semester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS.All accepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber


MPP 1455 001/13795 Ole Mathisen 1 4/25


CourseNumber

Section/CallNumber


MPP 1455 001/11017 Ole Mathisen 1 0/25

MPP UN1457 Jazz Trombone Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber



1 1/25


CourseNumber

Section/CallNumber



1 0/25

MPP UN1459 Jazz Trumpet Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition time on MPPwebsite: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSONFEE FOR ALL STUDENTS. All accepted MPP students must register forlessons and ensembles by the change-of-program deadline in order to beallowed to attend lessons that semester. Petitioning students must notifyMPP staff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1459 001/13798 Don Sickler 1 4/25


CourseNumber

Section/CallNumber


MPP 1459 001/11023 Don Sickler 1 1/25

MPP UN1461 Jazz Voice Instruction. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an auditiontime on MPP website: mpp.music.columbia.edu (http://www.mpp.music.columbia.edu/) Accepting NEW STUDENTS in FALLsemester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber



1 9/25


CourseNumber

Section/CallNumber



1 0/25

MPP UN1511 Collegium Musicum. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. $250 MUSIC LESSON FEE FOR ALL STUDENTS. Allaccepted MPP students must register for lessons and ensembles bythe change-of-program deadline in order to be allowed to attend lessonsthat semester. Petitioning students must notify MPP staff prior to thisdeadline. Contact Music Performance Program at [email protected]


CourseNumber

Section/CallNumber



RussellO'Rourke

1 7/35


CourseNumber

Section/CallNumber


MPP 1511 001/10944 1 0/30











Music 31

MPP UN1521 University Orchestra . 2 points.Prerequisites: Auditions are required. Sign up for an audition on the MPPwebsite: www.mpp.music.columbia.edu or on the CUO website: http://cuo.music.columbia.edu/Auditions are required. Sign up for an audition on the MPP website:www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu)or on the CUO website: http://cuo.music.columbia.edu/ AcceptingNEW STUDENTS in FALL semester ONLY unless otherwise noted. Allaccepted MPP students must register for ensembles by the change-of-program deadline every semester in order to be allowed to participate.Petitioning students or students not able to register must notify MPPstaff prior to this deadline. Contact Music Performance Program [email protected] Weekly meetings with ensemble and end-of-semester performance required.


CourseNumber

Section/CallNumber



JeffreyMilarsky

2 67/200


CourseNumber

Section/CallNumber



JeffreyMilarsky

2 0/200

MPP UN1531 Chamber Ensemble. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. All accepted MPP students must register for lessonsand ensembles by the change-of-program deadline in order to be allowedto attend lessons that semester. Petitioning students must notify MPPstaff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1531 003/13801 Ian Sullivan 1 0/50

MPP 1531 004/13804 W 4:15pm - 5:30pmRoom TBA

MagdalenaBaczewska

1 12/24

MPP 1531 006/13806 Sarah Adams 1 8/50

MPP 1531 007/13807 Eliot Bailen 1 7/50


MPP 1531 009/13811 Vicki Bodner 1 0/50

MPP 1531 010/13814 Yari Bond 1 3/50

MPP 1531 011/13816 Maja Cerar 1 2/50


1 2/50

MPP 1531 013/13850 June Han 1 0/50


1 3/50

MPP 1531 016/13853 Muneko Otani 1 11/50


1 1/50

MPP 1531 018/13855 Richard Rood 1 5/50


MPP 1531 021/13858 James Wilson 1 6/50



CourseNumber

Section/CallNumber


MPP 1531 003/11034 Ian Sullivan 1 0/50

MPP 1531 004/11035 MagdalenaBaczewska

1 0/12

MPP 1531 006/11036 Sarah Adams 1 0/50

MPP 1531 007/11037 Eliot Bailen 1 0/50


MPP 1531 009/11039 Vicki Bodner 1 0/50

MPP 1531 010/11040 Yari Bond 1 0/50


1 0/50

MPP 1531 013/11042 June Han 1 0/50


1 0/50

MPP 1531 016/11044 Muneko Otani 1 0/50


1 0/50

MPP 1531 018/11046 Richard Rood 1 0/50


MPP 1531 021/11048 James Wilson 1 0/50




http://cuo.music.columbia.edu/




32 Music

MPP UN1541 Columbia University Jazz Ensemble . 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. All accepted MPP students must register for lessonsand ensembles by the change-of-program deadline in order to be allowedto attend lessons that semester. Petitioning students must notify MPPstaff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber



1 9/50

MPP 1541 002/13860 Bruce Barth 1 4/50

MPP 1541 003/13861 Bruce Barth 1 6/50


MPP 1541 005/13864 Victor Lin 1 7/50

MPP 1541 006/13865 Ole Mathisen 1 6/50

MPP 1541 007/13868 Ole Mathisen 1 0/50

MPP 1541 008/13879 Ole Mathisen 1 10/50

MPP 1541 009/13883 Don Sickler 1 12/50

MPP 1541 010/13887 Ole Mathisen 1 5/50


CourseNumber

Section/CallNumber



1 0/50

MPP 1541 002/11051 Bruce Barth 1 0/50

MPP 1541 003/11052 Bruce Barth 1 0/50


MPP 1541 005/11054 Victor Lin 1 0/50

MPP 1541 006/11055 Ole Mathisen 1 0/50

MPP 1541 007/11056 Ole Mathisen 1 0/50

MPP 1541 008/11057 Ole Mathisen 1 0/50

MPP 1541 009/11058 Don Sickler 1 1/50

MPP 1541 010/11061 Ole Mathisen 1 0/50

MPP UN1551 World Music Ensemble. 1 point.Prerequisites: Auditions are required. Sign up for an audition on MPPwebsite: www.mpp.music.columbia.eduPrerequisites: Audition Required: Sign up for an audition timeon MPP website: www.mpp.music.columbia.edu (http://www.mpp.music.columbia.edu) Accepting NEW STUDENTS in FALLsemester ONLY. All accepted MPP students must register for lessonsand ensembles by the change-of-program deadline in order to be allowedto attend lessons that semester. Petitioning students must notify MPPstaff prior to this deadline. Contact Music Performance Program [email protected]


CourseNumber

Section/CallNumber


MPP 1551 001/13888 James Kerr 1 4/50


Louise Sasaki 1 4/50


JamesSchlefer

1 0/50


Masayo Tokue 1 0/50


JeffWarschauer

1 1/50

MPP 1551 006/13894 Sebastian Cruz 1 8/50


CourseNumber

Section/CallNumber


MPP 1551 001/11062 James Kerr 1 0/50

MPP 1551 002/11063 Louise Sasaki 1 0/50

MPP 1551 003/11064 JamesSchlefer

1 0/50

MPP 1551 004/11065 Masayo Tokue 1 0/50

MPP 1551 005/11066 JeffWarschauer

1 0/50

MPP 1551 006/11067 Leo Traversa,Vince Cherico

1 0/50

MPP 1551 007/11164 Taoufik Ben-Amor

1 0/50

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