moving as not moving

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moving as not moving

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Page 1: Moving as not moving

moving as not moving

Page 2: Moving as not moving

Notice

Santiago Díez-Fischer

www.santiagodiezfischer.com.ar

For Ensemble Dal NienteFirst performance: July 21st 2012 at the 46th International Summer Course for New Music, Darmstadt

Bass Flute, Bass Clarinet, Baritone saxophone, E-guitar, Viola, Cello, Double Bass.

Page 3: Moving as not moving

String

���g

! �j�+ Scordatura Viola

Scordatura Cello

Scordatura Double bass

��+

��

���g��

Bow pressure

a lot, scratch

pseudo scratch, slow bow

ordinary

flautato

molto flaut.

Left hand pressure�� muted with the finger. Half pressure

ordinary

bow vibrato

��

Battuto bow (one coup)

Battuto bow

Tap the string with the hand tapping

paper clip

Left Hand position to mute the string. See the hand mouvement gothe next page.

With paper clip in the III and IV string (the same clip for both of them)

Passage from the muted sound to theordinary notation and position of the hand and bow.

sul pont

N

54M

IV

C

sul tasto

position of the finger of the left hand

pressure of the bowString

Page 4: Moving as not moving

Violoncello and Double bass movement

Viola movement

Page 5: Moving as not moving

j

a lot, scratch

pseudo scratch, slow sponge

ordinary

flautato

molto flaut.

E-guitar

�� ���+� �= Scordatura E -guitar

VI V Soft part of the sponge

Hard part of the sponge

Sponge vibrato

Pedal

Whammy (Digitech) pedal. Alternatively a programabledigital multi-effects unit may be programmed to achieve L.H. an equivalent result. It requires an expression pedal.

Wh.M.

H.M.

02

20

88

2 Differents distortion

Expression pedal goes DOWN two octaves at its highest state and up to original sound at its lowest

Expression pedal goes UP two octaves at its highest state and down to original sound at its lowest.

Expression pedal goes UP one octave at its highest state and DOWN one octave at its lowest. Original sound sounds in harmony.

Whammy Mode

Harmony Mode

Page 6: Moving as not moving

pressure of the sponge

The dynamics depending onthe speed of the sponge in the long of the string

Play with the sponge et with a lot of pressure muting the string. very radical and nerveus gesture.

Play with the sponge. In this case it’s the hard part of the sponge (green or blue)The soft part is this

Whammy pedal.In this case Harmony Mode octave upoctave down

The “E-guitar clef” CC

G

$

88

CTAB 3

3Dist. 2

Dist. 1

Play with the left hand

Cut the sound Pull cable out of guitar and hold in hand.Touch with the thumb.This sound will be a G.

Make this rythmicwith the touch and release

��5:4

Left hand

Page 7: Moving as not moving

� ordinary

eolian sound (1/2 air and 1/2 sound)

� without mouth

Flute, clarinet and saxophon

Neck in the mouth

lip’s position

This sound is a throat soundlike someone willing to speak and not being able to do so.

7KURDW¬VRXQG¬�OLNH�WKH��M��6SDQLVK��¬,W�PXVW�EH�SOD\HG¬ZLWKRXW�WKH¬PRXWKSLHFH�¬7KH�OLSV¬VKRXOG�EH�SODFHG�LQ¬WKH�SRVLWLRQ�DV�VKRZQ�LQ�D¬¬¬UHG�FLUFOH¬LQ�WKH�GUDZLQJ�¬7KH�VRXQG¬VKRXOG�EHJLQ¬LQ�D¬UDGLFDO��KDUG�¬VSDVPRGLF�ZD\�¬$V�LI¬D�VZLWFK¬EOLQNV�RQ�DQG�RII¬WKH�LQVWUXPHQW��0DNH�WKLV�VRXQG�ZLWK�ILQJHULQJ�RI�WKH�ORZHVW�QRWH�

hu

� � Throat sound/pressure

Voice With voice. Sing the same notein the easiest octave. Just in the caseswhere voice must do a different noteit will be indicated with a circle.

This sound is a throat soundlike someone willing to speak and not being able to do so.

Throat sound/pressure

Page 8: Moving as not moving

Play the harmonic but with a little bit of the bass sound. A sound with a lot of air and noise should be heard.

harmonic

Sound with air

� G

G�®

�®

M

voice

¯ ¯

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�¯ ¯ ¯ ¯ ¯ ¯G xhu hu hu

Page 9: Moving as not moving

paper clip

paper clip

!

Bass Flute

Bass Clarinet in B@

Baritone Sax.

Electric Guitar

Viola

Violoncello

Double bass

accell.

�# (

hu

��N

G��N

�Ü

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e= 80

� �hu

e= 60

hu

sp.

sp.st.

very slow bow r +

3 54 4

3 54 4III

note

G G3:4

��

st.

note

M

GIV

((

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Dist. 1

Whammy

GG

e= 60

G

� � �

C

CC

C

CM

MM

M

III

02

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�hu

�xWh.M.

Page 10: Moving as not moving

rit.e= 80

sp.

mst.

accell.

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B@ Cl.

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E.Gtr.

Vla.

Vc.

Db.

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TAB 5

5

� �

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02

Page 11: Moving as not moving

e= 80

!

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B@ Cl.

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E.Gtr.

Vla.

Vc.

Db.

11

11

11

e= 52

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hu

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CTAB

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Page 12: Moving as not moving

!

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B@ Cl.

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E.Gtr.

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Db.

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e= 60

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,

,

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Dist. 102

Page 13: Moving as not moving

B. Fl.

B@ Cl.

B. Sx.

E.Gtr.

Vla.

Vc.

Db.

21

x G G

3:2

x

� � �C

M

voice

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� �g �M

G�

à à ¯Ã à à à à à à à à à à Ãvoice

à ÃM

IV

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Page 14: Moving as not moving

B. Fl.

B@ Cl.

B. Sx.

E.Gtr.

Vla.

Vc.

Db.

G

G �� ��bb ��##

x

x

3:2

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voice

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voice

CTAB

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GC

TAB

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3

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Dist. 2 Dist. 1

Dist. 2 Dist. 2Dist. 1 Dist. 1

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n1 2 3 4

2 3 5(

Page 15: Moving as not moving

B. Fl.

B@ Cl.

B. Sx.

E.Gtr.

Vla.

Vc.

Db.

31

(

� � � �

(

� � � � � �

(

���

��bb

G��##

��

(

� �

x

e=100

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G x

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e= 807

5

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� � � � �

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x

accell.

$ MMM

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C C

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voice

voice voice no voice

®� �� ��# �� ��# ��# ��(

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7

7Dist. 2

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C55

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{ {1 2 3 4

2 4 5(

voice

H.M.

Page 16: Moving as not moving

B@ Cl.

B. Sx.

E.Gtr.

Vla.

Vc.

Db.

36 ¯

(

36 x ��bb ��nn ��bb ��##

e= 60

(¯ ¯

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G�̄ �̄ O)¯ ¯ ¯b

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e= 80accell.

M $

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CTAB 7

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6

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Dist. 1

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Page 17: Moving as not moving

G

B@ Cl.

B. Sx.

E.Gtr.

Vla.

Vc.

Db.

41 � � ¯ ¯

3:2

C

¯ ®

3:2

(�#

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rit. e= 40 e= 72

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� �

CTAB 3

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accell.

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Wh.M.

Page 18: Moving as not moving

$

!

B@ Cl.B@ Cl.

B. Sx.B. Sx.

E.Gtr.

Vla.

Vc.

Db.

46

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e= 80accell.

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Page 19: Moving as not moving

4

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E.Gtr.

Vla.

Vc.

Db.

50Æ

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5:4

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e= 60

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Page 20: Moving as not moving

B@ Cl.

B. Sx.

E.Gtr.

Vla.

Vc.

Db.

accell.

55

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no voice

B/Bb -7

Bb

2

Page 21: Moving as not moving

M

B@ Cl.

B. Sx.

E.Gtr.E.Gtr.E.Gtr.E.Gtr.

Vla.

Vc.

Db.

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50

Page 22: Moving as not moving

!

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Vc.

Db.

67

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tapping

tapping

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Page 23: Moving as not moving

!

B@ Cl.

B. Sx.

E.Gtr.

Vla.

Vc.

Db.

72

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Page 24: Moving as not moving

!

B@ Cl.

B. Sx.

E.Gtr.

Vla.

Vc.

Db.

78

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Page 25: Moving as not moving

III

II

IIIIV IV

B@ Cl.B@ Cl.

B. Sx.

E.Gtr.

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e= 52

»

17

B. Fl.

3

3

4

4

88

a lot of air

pizz.arco

arco

x 3

M

5’’

5’’

3’’

3:2

G¯ ¯ ¯ ¯ ¯ ¯

voice no voice

G

Dist. 2

02

Page 26: Moving as not moving

5

5

e= 40 e= 72

voice no voice

!

Fl.

B@ Cl.

B. Sx.

E.Gtr.

Vla.

Vc.

Db.

87

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r

G

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