monica sanchez diaz (a)rchitecture portfolio

36

Upload: monica-sanchez-diaz

Post on 06-Apr-2016

239 views

Category:

Documents


2 download

DESCRIPTION

 

TRANSCRIPT

Page 1: Monica Sanchez Diaz (A)rchitecture Portfolio
Page 2: Monica Sanchez Diaz (A)rchitecture Portfolio

[email protected](787) 391-5445

Page 3: Monica Sanchez Diaz (A)rchitecture Portfolio

MONICA SANCHEZ DIAZ

Page 4: Monica Sanchez Diaz (A)rchitecture Portfolio

Content

Existing + Culturally Significant OccupationRio de Janeiro

Fave

laPu

sh +

Pul

lTe

lefe

rico

Shoe Repair C l a s s r o o m s N u r s e r y

Existing + Culturally Significant Occupation

S a m b aD a n c eS t u d i oN u r s e r y O p e n t o

Interpretation

S Y S T E MS Y S T E M

E D U C A T I O NF u t e b o l é V i d a

D A N C E

C U L T U R E

M A R K E TTo create spaces for comfortable classrooms that the community can take advantage of. Most of the children that live in the favela have trouble getting to school; two main reasons are distance and dropping out of school. This implementation of classrooms can mini-mize one of the two and hopefully create a snowball effect to eliminate the other one. This can create a larger sense of ownership for the teachers as well as build a larger importance to education, especially in

areas like favelas.

Soccer is more important than important, if it were possible. “Soccer is life” is not just a saying for fun, for many countries around the world, and without a doubt in South America. Especially for the players who live in the favelas, soccer is a getaway from the often danger-ous and hectic lifestyle. With the FIFA World Cup being held in the backyard of Complexo do Alemao, there are a lot of conflicting elements with building enough infrastructure for an event that lasts a month versus building better infrastructure for hundreds of thousands of

people that struggle to get by in the favelas of Rio de Janeiro.

Dancing is an important part of any culture, and in Brazil we can find some of the liveliest music and dances. Samba fills the streets on any given day, especially during carnivale season, where all the samba schools that exist and are major parts of it reside solely in favelas. Hip Hop is also beginning to impact the youths of the favelas, hence the breakdancing and the creation of entirely new

dance styles.

Markets are the heart of any community, literally bringing everyone together for the sake of getting the right kind of vegetable. If I can provide one central point for some of the markets to reconvene it would make it easier to find them as well as for the market owners to exchange pieces of ideas with each other. In terms of entertainment and diving into culture, I immediately think of Capoeira. It’s a mixture of martial arts and dance and is innevitably an impressive feat.

pla

ns

ec

tio

na

xo

np

ar

tic

ipa

tio

n

TIME

THE VIRGIN

TCA JULY 2013 LOST BOY SHOP STOREFRONT LAYOUT 4

ALL PHOTOGRAPHY TAKEN BY: Monica Sanchez Diaz

Page 5: Monica Sanchez Diaz (A)rchitecture Portfolio

Comienzo

Page 6: Monica Sanchez Diaz (A)rchitecture Portfolio

Comienzo

THESIS PREP

BijaRi: Brazilian Artists in Medellin (Comuna 1)“Contando con Nosotros” looked to get close into that young neighborhood for a collaboration with its people, to create a story with its memories, history, conflicts and desires. The phrases and themes come together to form an intervention over the roofs to portray testimonies that mold an identity that is under construction as an open book, and keep writing its memories until they form into cities.

Triggering the Favela Roofscapehttp://vimeo.com/35007967#at=0

Complexo do Alemao Teleferico and Morro Alemao

Roughly 300,000 total population.

Morro do Alemao= German Hill after settler Leonard Kaczmarkiewicz

1920 | Leather Factory1946 | Avenida Brasil1951 | Beginning Settlements

Triggering the Favela Roofscape

Complexo do Alemao Teleferico and Morro Alemao

27.65%>3.4%Favela Population growth > Rest of the city population

growth in 10 years

65%of Favela Inhabitants

considered middle class

Open ProgramRio de Janeiro

Fave

laIn

terv

entio

nTe

lefe

rico

INSERT PROGRAM HERE

Open Program

INSERT PROGRAM HERE

Existing + Culturally Significant OccupationRio de Janeiro

Fave

laPu

sh +

Pul

lTe

lefe

rico

Shoe Repair C l a s s r o o m s N u r s e r y

Existing + Culturally Significant Occupation

S a m b aD a n c eS t u d i oN u r s e r y O p e n t o

Interpretation

Case Studies: Transportation systems present in South American cities Focus on Cable Cars (Gondolas)

Page 7: Monica Sanchez Diaz (A)rchitecture Portfolio

PERCENTAGE OF POPULATION LIVING IN SLUM CONDITIONS

“massive urbanisation means hundreds of already near-bankrupt cities trying to cope in 20 years with the kind of problems London or New York only managed to address with difficulty in 150 years.” John Vidal (2004) from Chapter 1 of “Tomorrow’s Crises Today” by Chris Horwood

COLOMBIA

VENEZUELA

BRAZIL

Population:46,056,000

Population:27,600,000

Population:200,000,000

20%

16.1%

32%

http://www.prb.org/DataFinder/Topic/Rankings.aspx?ind=13http://www.indexmundi.com/colombia/slum-population.html

INTRO TO TRANSPORTATION

FLAWS IN THE CABLE CAR CASE STUDIES

Medellin Caracas Rio de Janeiro

$$$$$$ INCREASE IN METRO FARES

GONDOLAS

http://www.irinnews.org/pdf/in-depth/tomorrowscrisestoday-chapter6.pdfhttp://riotimesonline.com/brazil-news/rio-politics/rios-favela-population-largest-in-brazil/#

http://www.nytimes.com/2012/03/05/world/americas/brazil-faces-obstacles-in-preparations-for-rio-olympics.html?_r=1&http://rioonwatch.org/?p=3367http://rioonwatch.org/?p=3252

http://oglobo.globo.com/rio/rio-capital-verde-20-anos-depois-4068395http://iets.org.br/

74

ROOF AS FACADEKenya—Aimed skyward from photos atop a train, the eyes of women pierce a rooftop landscape in Nairobi's Kibera slum.

Triggering the Favela Roofscape 82

14

GENERAL POPULATION

Colombia Venezuela Brazil

60%45% 26%PUBLICDEBT

20.337.8 26.3POP.

DENSITY: PPL PER

SQ. KM.

LARGESTCITYPOP.

16,553,0006,079,000 3,007,000of the h o u s e s w e r e brick and concrete

95% 75%h a d t i l e floors

44%had

computers

1 = 5,000 ppl

RIO DE JANEIRO’S FAVELAS

INTRO TO TRANSPORTATION 16

90%of working age resi-

dents were employed

15yrs-

64

76%have lived in

the community for 10+ yrs

26%employed

in own business

From a Survey by the IETS, interesting results came up when speaking to and comparing results from 6 of the major favelas in rio de Janeiro. They interviewed 92,000 people across the 6 favelas (total population of all favelas in Rio de Janeiro is 1,400,000).

CO

NTE

NTI

ON The Gondola/Cable Car system creates pockets of urban acupuncture that allows for the informal

settlements that obtained this asset to their community to expand their possibilities of integration to the formal city. Whether or not the informal communities want to be involved is entirely up to them. One way to allow for the community to feel a sense of proprietorship with these new systems,

such as the gondola, I am proposing a sort of advertising to be acquired by the inhabitants of certain houses. Specifically looking and exploring the Complexo do Alemao in Rio de Janeiro, we will

envision a roof that acts as a mediator between the ground floor inhabitant and the soaring spectator, albeit some of those spectators are inhabitants as well.

CO

NC

ER

NS

What are the tactics used in the planification of the roof systems?

What type of advertising are we talking about?

How are they being integrated into the existing houses?

How are these roof systems spatially redefining the informal landscape, as well as the formal gondola?

What space does this system inhabit? And what strategy is it using to inhabit that space?

XY GRID GO VERTICAL! XYZ

Triggering the Favela Roofscape

THESIS PREPCase Studies: Transportation systems present in South American cities Focus on Cable Cars (Gondolas)

Page 8: Monica Sanchez Diaz (A)rchitecture Portfolio

THESISTHE EFFECTS OF THE DENSITY OF SURROUNDING BUILDINGS (MAINLY HOUSING)

SMALL

MEDIUM

LARGE

X-LARGE

S I T E P L A N SS I T E P L A N S

0

20

50

100

Existing Roof Conditions in Complexo do Alemao

French Artist: JR, Author of “Women are Heroes”

“Today I am revealing the first image from a project I did almost a year ago in the complete shadows… 10 years ago I was enlarging for the first time huge images of people from this neighborhood on the walls of

riots started in France at this exact same place, in front of the pastings. My friend @ladjly still lives there, and when we heard they were going to destroy the buildings for a new renovation plan we decided to do a last action inside it with the portraits we had from 2004/2005. We gathered a team of 25 that had previously pasted with me around the globe and we went inside the buildings with no authorization and pasted faces on the different apartments. We got arrested when we came out of the building later in the night but the police didn't under-stand why we pasted inside a tower that would be destroyed the next

When the cranes arrived the next day to destroy the building, this is what they found… More images to be published in the next days. #SuburbsofParis #prodbyEtienneandSaid #showatLazaridesGallery”-From JR Intsagram Account.

French Artist: JR, Author of Women are Heroes

BijaRi: Brazilian Artists in Medellin (Comuna 1)“Contando con Nosotros” looked to get close into that young neighborhood for a collaboration with its people, to create a story with its memories, history, conflicts and desires. The phrases and themes come together to form an intervention over the roofs to portray testimonies that mold an identity that is under construction as an open book, and keep writing its memories until they form into cities.

NGO

ARCHITECT FavelaCommunity

Building Relationships

THE LETTERED FAVELA: THE FOLLIES OF VACANCY IN COMPLEXO DO ALEMAO, RIO DE JANEIRO

Page 9: Monica Sanchez Diaz (A)rchitecture Portfolio

BijaRi: Brazilian Artists in Medellin (Comuna 1)“Contando con Nosotros” looked to get close into that young neighborhood for a collaboration with its people, to create a story with its memories, history, conflicts and desires. The phrases and themes come together to form an intervention over the roofs to portray testimonies that mold an identity that is under construction as an open book, and keep writing its memories until they form into cities.

NGO

ARCHITECT FavelaCommunity

Building Relationships

1’ = 1/8”

S Y S T E MS Y S T E M

E D U C A T I O NF u t e b o l é V i d a

D A N C E

C U L T U R E

M A R K E TTo create spaces for comfortable classrooms that the community can take advantage of. Most of the children that live in the favela have trouble getting to school; two main reasons are distance and dropping out of school. This implementation of classrooms can mini-mize one of the two and hopefully create a snowball effect to eliminate the other one. This can create a larger sense of ownership for the teachers as well as build a larger importance to education, especially in

areas like favelas.

Soccer is more important than important, if it were possible. “Soccer is life” is not just a saying for fun, for many countries around the world, and without a doubt in South America. Especially for the players who live in the favelas, soccer is a getaway from the often danger-ous and hectic lifestyle. With the FIFA World Cup being held in the backyard of Complexo do Alemao, there are a lot of conflicting elements with building enough infrastructure for an event that lasts a month versus building better infrastructure for hundreds of thousands of

people that struggle to get by in the favelas of Rio de Janeiro.

Dancing is an important part of any culture, and in Brazil we can find some of the liveliest music and dances. Samba fills the streets on any given day, especially during carnivale season, where all the samba schools that exist and are major parts of it reside solely in favelas. Hip Hop is also beginning to impact the youths of the favelas, hence the breakdancing and the creation of entirely new

dance styles.

Markets are the heart of any community, literally bringing everyone together for the sake of getting the right kind of vegetable. If I can provide one central point for some of the markets to reconvene it would make it easier to find them as well as for the market owners to exchange pieces of ideas with each other. In terms of entertainment and diving into culture, I immediately think of Capoeira. It’s a mixture of martial arts and dance and is innevitably an impressive feat.

pla

ns

ec

tio

na

xo

np

ar

tic

ipa

tio

n

TIME

S Y S T E MS Y S T E M

tim

eli

ne

co

nn

ec

tio

no

rg

an

iza

tio

nT

sc

hu

mi

THESISTHE LETTERED FAVELA: THE FOLLIES OF VACANCY IN COMPLEXO DO ALEMAO, RIO DE JANEIRO

Page 10: Monica Sanchez Diaz (A)rchitecture Portfolio

t h e p e r s i s t e n c e a n e w i m p r i n t ,

a c r o s s a b r o k e n g r o u n dA G R O U N D P L A N E T H A T C R E A T ES A D ES T I N A T I O N N O T A D E T O U R T H R O U G H T T H E H E A R T O F C I T Y

S U M M A R Y O F T H E G R I D D E D I D E O L O G Y

g r i d

p l a n e

e x t r u d e d r e -

a l i g n e d

b r o k e n v o i d

The Walls of Firenze

Roman Walls

Medival Walls

Bridges

City Blocks

SITE

SU ABROAD|Florence

In partnership with Nicole M. Homeny

Page 11: Monica Sanchez Diaz (A)rchitecture Portfolio

u n d e r -

s t a n d i n g

T H E G R I D

I N F I N I T E P E R S P E C T I V E

F O C A L P O I N T S

R E S T R A I N T S

E X T R U S I O N S

P O I N T S :

R E D U C E D

S T A T E

C O N T I N U O U S :

N O

H I E R A R C H Y

D E F I N E D :

N O

H I E R A R C H Y

W A L L :

S T R A T E G I C

S P A C I N G

V O I D :

M O D U L A T E D

F I E L D S

P O S C H E :

M A N I P U L A T I O N

O F R E D I D U A L

F O R M

B E C O M I N G

T H E G R I D65 ’

In partnership with Nicole M. Homeny

Page 12: Monica Sanchez Diaz (A)rchitecture Portfolio

ANALYSIS OF THE ANNUNCIATION

the annunciation, Friar Bartolomeo

the annunciation, Piero della Francesca

THE VIRGIN

CORINTHIAN COLUMN,

BONE OF THE BUILDING

the building blocks of buildings

CORINTHIAN COLUMN, doric COLUMN, ionic COLUMN, tuscan COLUMN, composite cOLUMN,

the devotions of the marian faith

the object mary god

In partnership with Nicole M. Homeny

Piero della Francesca

Page 13: Monica Sanchez Diaz (A)rchitecture Portfolio

THE EFFECTS OF THE DENSITY OF SURROUNDING BUILDINGS (MAINLY HOUSING)

SMALL

MEDIUM

LARGE

X-LARGE

S I T E P L A N SS I T E P L A N S

0

20

50

100

NGO

ARCHITECT FavelaCommunity

Building Relationships

BASILICA DI SAN MARCO|VENEZIABas-Relief Model

Page 14: Monica Sanchez Diaz (A)rchitecture Portfolio

CIUDADES DEL SURLANDSCAPE URBANISM, MODERNISM AND THE SOUTH AMERICAN CITY

Page 15: Monica Sanchez Diaz (A)rchitecture Portfolio

COPACABANA BEACH, RIO DE JANIERO

Page 16: Monica Sanchez Diaz (A)rchitecture Portfolio

NIEMEYER, SAO PAULO

Page 17: Monica Sanchez Diaz (A)rchitecture Portfolio
Page 18: Monica Sanchez Diaz (A)rchitecture Portfolio

SAO PAULO

Page 19: Monica Sanchez Diaz (A)rchitecture Portfolio

MEXICOMexico City: Myth, Mechanics and Modernity

Page 20: Monica Sanchez Diaz (A)rchitecture Portfolio

To create a unique, collaged site from examples of strip malls from all around the worldEXPLORING MID CITIES

Page 21: Monica Sanchez Diaz (A)rchitecture Portfolio

The study of big box architectureBIG BOX UTOPIA EUPHORIA

Page 22: Monica Sanchez Diaz (A)rchitecture Portfolio

BOSTON UNIVERSITY EXPANSION OF BU FACILTIES INTO STRIP-BASED BUILDINGS

Page 23: Monica Sanchez Diaz (A)rchitecture Portfolio

Longitudinal Section0’’

5’’ 10’’

16’’

College of Fine ArtsCommonwealth Ave.

Charles River

EL -15'

Transverse Section0’’

5’’ 10’’

16’’

Page 24: Monica Sanchez Diaz (A)rchitecture Portfolio

LIBRARYJYVASKYLA, NORWAY

Page 25: Monica Sanchez Diaz (A)rchitecture Portfolio

Longitudinal Section0’’

5’’ 10’’

16’’

College of Fine ArtsCommonwealth Ave.

Charles River

JYVASKYLA, NORWAY

Page 26: Monica Sanchez Diaz (A)rchitecture Portfolio

Professional Practice

Page 27: Monica Sanchez Diaz (A)rchitecture Portfolio

LOST BOY SHOPJean store in Alfred I. Dupont Historic building, Miami, FL (Trelles Cabarrocas Architects)

In collaboration with Luis Trelles and Christopher Rodriguez

Page 28: Monica Sanchez Diaz (A)rchitecture Portfolio

LOST BOY SHOP

In collaboration with Luis Trelles and Chris-topher Rodriguez

Page 29: Monica Sanchez Diaz (A)rchitecture Portfolio

TCA JULY 2013 LOST BOY SHOP STOREFRONT LAYOUT 4

TCA JULY 2013 LOST BOY SHOP STOREFRONT LAYOUT 4

In collaboration with Luis Trelles and Chris-topher Rodriguez

LOST BOY SHOP

Page 30: Monica Sanchez Diaz (A)rchitecture Portfolio

C3TEC | CAGUAS, PRWorkshop /exhibition space in Salon Explora, to be used by Middle and High School students as a hands-on science and technology experience

Page 31: Monica Sanchez Diaz (A)rchitecture Portfolio

C3TEC | WORKSTATION

Page 32: Monica Sanchez Diaz (A)rchitecture Portfolio

CORB -BOLOGNA

Page 33: Monica Sanchez Diaz (A)rchitecture Portfolio

PEREZ CRUZ WINERY

Page 34: Monica Sanchez Diaz (A)rchitecture Portfolio

ROMA, ITALIA

Page 35: Monica Sanchez Diaz (A)rchitecture Portfolio
Page 36: Monica Sanchez Diaz (A)rchitecture Portfolio

SAUDADE

“I didn’t know (A)rchitecture was funny.”- AM