mod art wk 1 r side
TRANSCRIPT
The Origins of Modern Art
Ch.1
right side
James McNeill Whistler
Nocturne in Black and Gold: The Falling Rocket
c. 1875
Oil on panel
23 × 18”
Detroit Institute of Arts, Detroit
[Fig. 01-01]
Art Critic
John Ruskin
1819-1900
William Blake, Nebuchadnezzar, 1795.Color print finished in ink and watercolor on paper, 21 × 28”
Tate, London. [Fig. 01-03]
Jean-Auguste-Dominique Ingres, Grande Odalisque, 1814.Oil on canvas, 36 × 64”
Louvre, Paris. [Fig. 01-05]
Eugène Delacroix, The Lion Hunt, 1861.Oil on canvas, 30-1⁄8 × 38-3⁄4”
The Art Institute of Chicago. [Fig. 01-08]
Théodore Géricault, Cheval Devoré par un Lion (Horse Devoured by a Lion), 1820–21. Lithograph; black lithographic ink on prepared “stone” paper,
10-13⁄16 × 14-9⁄16”British Museum, London. [Fig. 01-04]
Francisco de Goya y Lucientes, “This Is Worse,” Plate 37 from The Disasters of War, 1810–11. Etching, 1863 edition, image 5 × 6-1⁄8”
The Metropolitan Museum of Art, New York. [Fig. 01-07]
Théodore Rousseau, Edge of the Forest of Fontainebleau, Sunset, 1850.
Oil on canvas, 55-7⁄8 × 77-7⁄8” Louvre, Paris. [Fig. 01-12]
Jean-François Millet, The Angelus, 1857–59.Oil on canvas, 21-1⁄2 × 25-7⁄8” Musée d’Orsay, Paris. [Fig. 01-13]
Joseph Mallord William Turner, The Burning of the Houses of Parliament, 1834–35.
Oil on canvas, 36-1⁄2 × 48-1⁄2” The Cleveland Museum of Art. Bequest of John L. Severance. 1942.647. [Fig. 01-11]
Early Photography
Louis-Jacques-Mandé Daguerre, An early daguerreotype, taken in the artist’s studio, 1837. Société Française de Photographie, Paris.
[Fig. 02-01]
Louis-Jacques-Mandé Daguerre, Boulevard du Temple, Paris, c. 1838.Daguerreotype. Bayerisches Nationalmuseum, Munich. [Fig. 02-06]
Julia Margaret Cameron
Unknown Girl, Ceylon
1875–79
Albumen print. J. Paul Getty Museum, Los Angeles
[Fig. 02-10]
Mathew Brady
Dead SoldierCivil War
c.1863
Gelatin-silver print
Library of Congress, Washington, D.C.
[Fig. 02-11]
Realism
Honoré Daumier, Rue Transnonain, April 15, 1834, published in L’Association Mensuelle, July 1834.
Lithograph, 11-1⁄2 × 17-1⁄2” Graphische Sammlung Albertina, Vienna. [Fig. 02-13]
Gustave Courbet, A Burial at Ornans, 1849–50.
Oil on canvas, 10’ 3-1⁄2” × 21’ 9” Musée d’Orsay, Paris.
[Fig. 02-14]
Rosa Bonheur, Plowing in the Nivernais1849
Oil on canvas 70-7⁄8 × 102-3⁄8”
Musée d’Orsay, Paris. [Fig. 02-16]
