MELODIAA COMPREHENSIVE COURSE IN

SIGHT-SINGING(SOLFEGGIO)

THE EDUCATIONAL PLAN BY

SAMUEL W. CpLEDIRECTOR OF MUSIC IN THE PUBLIC SCHOOLS OFBROOKLINE, MASS., AND INSTRUCTOR IN THENEW ENGLAND CONSERVATORY OF MUSIC

THE EXERCISES WRITTEN AND SELECTED BY

LEO R. LEWISPROFESSOR OF MUSIC AT TUFTS COLLEGE

OLIVER DITSON COMPANYTHEODORE PRESSER CO., DISTRIBUTORS

BRYN MAWR, PENNSYLVANIA

MADE IN U. S. A.

Copyrlghc ltd), l>04, by Ssmad "V. Col< isd Leo R. Ltwii

Copyright iisigncd to OlWcr Ditson Complnyi 1909

'^5

INTRODUCTORYThe Value of Sight-Singing

For at least two centuries training in sight-sing-

ing has been recognized in Europe as fundamental

to all technical education in music. Americans

have seemed to set little store by such training;

for, today, the great majority of our professional

musicians, not only instrumentalists but also vocal-

ists, need unerring instrumental support in " sing-

ing at sight " a part-song or an anthem which has

modulations to any except closely related keys, or

which abounds in the larger intervals. Obviously,

inability to read at sight does not preclude good

performance, after familiarity has been gained by

instrumental assistance; but probably no one

would deny that the possibilities of artistic

achievement are infinitely greater when one has

acquired the confidence born of genuine ability to

sing at sight— which ability may be defined as the

power to know the units of rhythm and of relative

pitch of any rational musical phrase, and to prove

that knowledge by singing it correctly at first

sight.

Much Material is Necessary

Many works on sight-singing have been com-

piled and written for use in the public schools.

But the authors of Melodia believe that there is

need of more and better graded material for use in

conservatories and by private teachers. The pres-

ent work is an attempt to meet this need. It rep-

resents the results of many years' experience, and

is based on the belief that, whatever be the method

of presenting the elements of the subject, the sur-

est road to growth is through actual performance

of a great number of carefully graded tasks.

Confidence Must be Developed

A second fundamental thought has been that a

high degree of self-confidence must be developed

before one can " stand up and sing " alone at sight

a somewhat difficult musical phrase, without other

assistance than the sounding of the key-note. Ex-

perience has shown that rhythmical problems are

quite as often stumbling-blocks to musical students

as are to^ial problems. Therefore, in Melodia, the

first eighty pages, which are written without skips

primarily to develop a ready confidence, contain

many and varied examples of each of the conven-

tional rhythm-forms ; and the most deliberate pro-

gressiveness is maintained in the introduction of

new difficulties. In a word, it is a feature of

Melodia that early emphasis is laid upon rhythmi-

cal problems.

The Treatment of Large Intervals

In the treatment of the larger intervals there is

also a departure from the conventional procedure.

Instead of taking them in the order of small to

great, the octave is first presented, because experi-

ence shows that it is the only " skip " definitely

recognized as such by most beginners. The sev-

enths, sixths, etc., are then presented both in their

relation to the octave and as composites of the

steps and half-steps with which the student is

already thoroughly familiar.

General Features of Melodia

A glance at the headings of the successive Series

will indicate in detail the comprehensiveness of the

plan. The following general points may be noted

:

1, The typographical arrangement is such that a verylarge amount of material is brought within comparatively

narrow limits;

2, The normal compass of average voices (an octaveand five notes from low A) is seldom exceeded

;

3, Nearly one-half of the unison exercises are writtenin the bass clef, thus forcing sopranos and altos to becomefamiliar with that clef

;

4, The two-part exercises are all written so that theymay be inverted, the bass being made the tune, and the

tune the bass ; or they may be sung by male voices only orby female voices only; thus, each two-part page repre-

sents two pages of practice material

;

5, Again, the two-part exercises are adapted to use byteacher with pupil in private vocal lessons;

6, Since all indications of phrasing are lacking, oppor-tunity is offered for constructive work of the highest edu-cational value.

Individual Work Essential

It is expected that, even when the book is

studied in large classes, much work in individual

reading will be required by the Instructor; for,

after all, no one has fully mastered sight-singing

who cannot sing alone, while beating time after

the conventional forms.

As a special—and, perhaps, novel—^help in de-

veloping the sense of individual independence in

ensemble, there have been included, in Series I,

exercises which may be sung simultaneously.

Cases of this sort are indicated in connection with

each of the respective exercises. Thus I 233 maybe sung with I 243, I 246 with I 263, etc. Someteachers believe so fully in this method of devel-

oping independence that they cause exercises in

the same key, and with the same number of mea-

sures, to be sung together, without regard to the

tone-content of the exercises. This practice, ar-

tistically unjustifiable, may have, in moderate use,

educational value.

The Goal of Melodia

Melodia undertakes to prepare students to meet

the most difficult tasks in pitch and rhythm set by

masters of choral composition. If suggestions of

phrases from some of the masters have occasion-

ally been incorporated in the original exercises,

the reader may be willing to waive a charge of un-

justifiable appropriation, in view of the specific

object of the whole work.

The Modulatory Studies

Pages 76 to 80 contain Modulatory Exercises,

some of which may well be studied earlier than

their position in the book would indicate. The

relationship between the objective keys and the

tonic is indicated by Roman numerals,—capitals

for major keys and small capitals for minor keys.

Thus, "To II " means that the exercise illus-

trates modulation to the minor key based on its

Super-tonic of the prevailing scale—to D minor,

if the piece is in C major. Such an exercise

may well be studied in connection with any ear-

lier exercise which modulates to any similarly re-

lated key—to F-sharp minor from E major, for

instance. Reference to these exercises is occa-

sionally made in the earlier pages of Series IV

;

but the teacher may best judge whether more

detailed study of key-relationship is desirable.

Matters of Notation.

There has been no attempt to preserve absolute

uniformity as to the details of notation through-

out the book. On the contrary, it has been

deemed wise to present a variety of forms and

usages, in order to accustom the student to the

practices of various authors and editors.

A word is necessary as to the insertion of clefs

and the use of bars, which features, on casual

view, might appear to be unsystematic and need-

lessly unconventional. As a matter of fact, con-

siderations of brevity have prompted several

departures from the established usage. For the

guidance of the singer, however, but a single

direction is necessary : the prevailing key-signa-

ture and time-signature are not cancelled

unless a clef or the regular double-bar [II] is

inserted. The double-thin-bar [||] is therefore

not to be regarded as necessitating a new indica-

tion of key or time. The time-signature maychange while the key-signature remains. The reg-

ular double-bar appears where either a clef or a

A^y-signature is changed. The meaning of the

single-thick-bar [I] or the double-thick-bar [II],

as in the Modulatory Exercises and in connection

with repeat-signs, is, in the respective cases,

obvious.

THE SOURCES OF THE SELECTED EXERCISESThe authorship of the selected exercises and of the excerpts, is indicated by letters following

the respective numbers. An asterisk shows that some modification other than transposition has

been made, but not such as to impair the original character. Below is a key to the indications

of the letters. All exercises not so marked have been written for this book.

Ad T. Anderton [1836- ]

Ab D. F. E. Auber [1782-1871]

Bh J. S. Bach [1685-1750]

Be U van Beethoven [1770-1827]

Bt A. Bertalotti [166S-1730( ?)]

Bh H: Bonicke [1821-1879]

Br J. Brahms [1833-1897]

a G. Carulli [1800-1877]

Cb E. Chabrier [1842-1894]

Ck G. W. Chadwick [1854- 1

Ch L. Cherubini [1760-1842]

Cn P. Cornelius [1824-1874]

Du F. Durante 1:1684-1755]

Fi C. H. Fischer [1800-187S(?)]

Fr C. Franck [1822-1890]

Gn

TABLE OF CONTENTS

INTRODUCTORY V

BOOK I

FIRST SERIES I

One-part diatonic exercises in step-wise melody— G and F clefs— All major keys to B and to D-flat

inclusive— All representations of notes and rests of whole-beat length and multiples thereof—Elementary presentation of the divided beat,

SECOND SERIES 21

Two-part diatonic exercises in step-wise melody— Keys to B and to D-flat inclusive— Alt representa-

tions of notes as in First Series, with greater variety and length of rests— The divided beat in fuller

presentation.

BOOK II

THIRD SERIES 41

One-part exercises in step-wise melody in all keys— Graded presentation of all chromatic tones, except

flat-2 and flat-5— Development of the minor— The dotted note involving division of the beat—Triple and quadruple division of the beat.

FOURTH SERIES 61

Two-part exercises in step-wise melody in all keys— Chromatic tones, modulatory and ornamental—Development of incidental and extended modulation— Syncopation— Mingling of double and triple

divisions of the beat.

FIFTH SERIES 81

One-part exercises— Systematic treatment of intervals, beginning with the larger— Skips to and fromchromatic tones having obvious key-relationship—The commoner augmented and diminished intervals.

BOOK III

SIXTH SERIES loi

Two-part exercises embodying all intervals treated in Fifth Series— More elaborate development ofrhythmical difficulties, especially of syncopation— Lengthy solfeggi from German, French, andEnglish sources— Canon and Fugue.

SEVENTH SERIES 131

One-part exercises— Systematic treatment of skips to, from, and between chromatic tones— Intro-ductory study of passages whose chromatics "deny" the signature— Advanced solfeggi from foreignsources— Specimen difliculties, without text, from the classics.

EIGHTH SERIES 151

Two-part exercises, involving all the difficulties treated in Seventh Series, and fully reviewing therhythmical problems earlier treated — Maximum difficulties of mediated modulation— Special studiesin the development of independence of the parts.

BOOK IVNINTH SERIES ....... 161

One-part exercises— Typical passages from early and recent composers, with text, of d'.fticulty rangingfrom medium to great— Full exposition of chromatics which "deny" the signature— Arbitrarychanges of tonality.

TENTH SERIES 177

Two-part exercises, with text— Representative excerpts from early and recent composers, with a fewnew exercises, embodying maximum difficulties of pitch and rhythm, as well as the utmost independenceof parts.

ELEVENTH SERIES 191

Two-part exercises, partly without and, partly with text, in the following Church Modes : ^olian,Dorian, Jonian, Mixolydian, Phrygian — Canonic imitation, strict and free, in other intervals than that

of the octave.

MELODIA - BOOK I

FIRST SERIES

One -part diatonic exercises in step-wise melody — G and F clefs — All major keys to B and

D-flat inclusive — All representations of notes and rests of whole-beat leng'th and mnltiples

thereof — Elementary presentation of the divided beat

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MELODIA - BOOK II

THIRD SERIES

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MELODIA-BOOK III

SIXTH SERIES

Two-part exercises embodying- all intervals treated in Series V More elaborate devel-

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One -part exercises — Systematic treatment of skips to, from, and between chromatic

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151

EIGHTH SERIES

Two-part exercises, involving all the difficulties treated in Series VII, aiid fully reviewing Ihe

rhythmical problems earlier treated—Maximum difficulties of mediated modulation — Special

studies in the development of independence of the parts

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161

MELODIA-BOOK IVNINTH SERIES

One-part exercises — Typical passages from early and recent composers, with text, of difficulty

rang'ing- from medium to great— Full exposition of chromatics which"deny"the sig-nature Arbi-

trary changes of tonality

Thy name l_

l^pr pJjJpJj^ l^^'T p J> } I p||'/r"l

^-=-

throug-h - out the world

.

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Springs up at

^God's com-mand. Af- fright -ed fled Hells spi rits black in throngb

di^^ ^j* ^Down they sink in the deep 'a byss To end less night.

3Mz^m ^WHZMm *

Hear our all ap-pal-ling vengeanceTearCre - a - tion's vault a sund-er, TiU its

4.fcm ^^

wrath a might-ier thunder Hurl an ni -hi-la-tion down. Hurl an ni hi

. 4Hd? *r r I r^ rrtrffrfTP^ I M'Tf g

la tion down

.

men,A

sm m w^men,A

5Mz,,

^^ ^ifid wX tA men, A - men, A -men, A -men.

m SrkIr f f

Since Im my - self, Sirs

^ Ei ^^^a? ^' And not an oth er Spareme my lit - tie life To grow more

f m ^pVirffTf*;^3£iIifff ^ M1

•I

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^ Sjwise, spare me my lit-tle life Togrowmorewise, To growmorewise,Togrowmore wise\

6Mz _ < L

19 Z*r r-F i V r i

f £^ E ^Thou bad'stme to thy supper.

E^ fel

Host of mine , Host would I turn: And

ii=ff ^9i|, I

|t,J ^B

hou to I

^ \'m- m P PP

wilt thou too, and wilt thou too, in thy turn, Come to my ban-quet?

5-57-6764B-200

162

^7Gn

I KI .

|,-^„^

Let me but sit co-zyanddry Un- derthe trees -with my daug-b. ter,

hh fp

^I p p

J>.7Jil J^ ii

cjpp I [^^mAnd while raft and boat travel by I drink to the folk on the wa ter!

8Ck

Let Israel oerish never. Let Tudahserods orevail! Ha! ha ha! ha ha! ha ha!

^^tL . _ ..' ,. ^ XT-- r ^ • ±- •. TT-l 1 t II 1 I 1 1 1 1 l._l

ha! In shackles live forever. Nor cease your plaintive wail. Hal ha ha!ha ha! ha ha! ha ha!

9Fr

l-lilji h J. I>i' J: l -J'Jli' iW ^E=±=^HWhen our hearts are op-prest in the midst of our pleasure, And despair

|->J^J' h J--l-J^J'i) J) ^^^^^^-^ 1^

without meas ureHasfUld us with dread; Say, where, Say, where

^m mKr

J.J J',^r J- |J^^ Eghas gladness fled? ay, where, Say, where has 'g-ladness fled?

10 Mn^ i 4 t=^E »ffF i^-fff

if*m m m r.

i

^a^Take aU the prophets of Baal, and let not one of them escape 3rouJBring'them downtoKshons

r fi pii|k^r'ip iJ

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j/ifyi^^brook, and there let them be slain Not a trespass g-o un-smit-ten;Nothing'

^m J ^ Ji r^rr i '''^frt^^^^

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longer shall be hidden. Not a trespass,Not a tres - pass go un - sniitten,go un -

^^ h I J-iU J^

I

smitten. Not a tres -pass,not a tres - pass go un smit

,

,12Gn. I L . I

I

L^!>^ I « I ,. k. I ^ Kl- I K*- I- J

I

J. K

ten.^ p-JHJ J'J' ^ * * h s^This rare cup so ten-der-ly cherish'd,Thisrare cup so ten-der-ly cherish'd, Aye at his^ s=c

^ i^ ^side the kingdid keep

.

* ^And ev-'ry time it touch'd his lip,

13 Gnj''''^ ^

" f "i I M I'I

I

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III I

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TT„ i ilji ~t.i. -ft 1 ^-rrz • . '. >„ . . .-He weptand thought ofher long per ish'd. Gainst the pow'rs of5-57-67645-200

163

^'•1'^ j^i^^JyF

i fiiJ-'^piJ''p I' r ijj'ii J'r- g i

r rp p

E-vil our arms as - sailing', Gainst the powrs of E-vilourarms as sail-Lng-, Stirong-est

hK LJii'

earthly might must be un-a-vail-ing-Strongest earthly might must be un-a-vail ing!earthly might must be un-a-vail -ing-Strongest earthly might must be un-a-vail

14 Hn

OMi^p'F'FF^ir ^ pV'p IJ ^ f m ^p—

•

tP=^^i -t-ft^Andthe An-gels strucktheir im-mor-tal harps, and the wonders, the wonders

15Hn

gg ^r

^iif^'^t'p r^i7

|yp r

p jii^^h^p^^p rf^^^tof the fifth day sung°. And God saidiLetthe earthbring forth the living- creature afterhis

')'»f / F C ^ Fg >Mr U'J'j v('F*p i f.^- II^

kiiikind, cattle, and creeping thing, and beast of the earth after Ins kind.

16 Hn

^F J)^r nr- g M ^ 5e i ¥fc=iAndGod said, Let there be lights in the fir. ma ment of heav'n To di

^5Vide the day from the night , And to give light up-on the earth; And let them

mdfor seasons and for days and for veiirs. He made the stars also.be for signs and for seasons and for days and for yeiirs. He made the stars also.

17 Hn _ U.ff m m ^ C .^,.>"1°.

rf. fifii ^FTPffrr t<t^\

i uU r ±=tAnd God said,Let the wa-ters under the heavens be gath-er ed to-geth-er un

^0- ^ .—m— — 1^ a»# .

—

0-W^m P r / l/^ # fft,#:e3 £E^

to oneplace And let the dryland appear and it was so. AndGodoalledthe dry land

^>rF i FM" F ^ F F I^^^

f i ryff rPr a

earth, andthe gathering of waters called He seas,AndGod saw that it was good.

18Ki5>,..iitr F F r F F I r-rff^r ff'P I F Fv F F' F MF F

And God madethe firma - ment and di-vi-ded the wa - ters which were un-derthe firma -

19Ab

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||ii|

I I

r FFFFfF^iri'FFp ll |^''w:;.^f p p

ment, fromthe -waters -wliich-were abovetiiefirmament,Andit-wasso. In make some de

•^ layilvetravellcl far so I in - tenduntil to-morrowhere to stay.until to -morrow here to stay!stay!

5-57-67645-800

16420 Rs

g-e -am. He trusted in

E ^^a ifPF I PP p r H' M^;i fc=i ^GodthatHe would de liver Him; letHim de liver Him, if He de light in Him,

:k'->-i>i. ^pp^'T^T l^^ ^^ lff=ff^FF=f

ieht in Him , if He delie-l

^^ifHe delight in Him let Him,deliver Him if He delight

22Hd „ 1^

delight in

gi."i. PT p r r r ifT i fT.;^ithHis stripes we are healHim, ifHe delight in Him. AndwithHis stripes we are heal

^ i m F m W==frzL mcf f J *

ed are heal ed.

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tff rTf'^r I

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are heal

23 Rs '^^'-'—

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ed are head ed.

-men, A men.

men,insempi-ter-na sae-cu la, a

•:e^ fMmfEfxmP^P m mpg -p

ft

liJ|»|hV-H:^ t LUJ P UJ l^ l f^l^l^ljmen, a men, a men, a men, a

24 Vd

men, a men.

'>'i%c-^'^P ^ E ^^When thou shajt come in the midst of fire to judge the world^WhenThou shalt come

s> 1

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in the midst of fire to judge the world, in the midst of fire to judge, in the midst of

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fire to judge,yea,to judgethe world, O Lord God, O Lord God,de-liv-er me, OE-5'J-B7B4B-200

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^^God, deliver me, O God, deliver me, de liv- er me from death, death e

.25 Fr^ v\I

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i.\ I vv M ^=^r=flS^-=- y •

^^l .hter nal in Thy day of Judg- ment. I gath-er in each soul im-

M-V,IJ^| p-Jp.^ |P rn^'nr f'^ i

*rri# f p • r^

S^mor-tal, Death's dark angfel. I. Widely opens Heavn's fJaming- portal . Seethe throne on

=>"/ J / r Ir

1. it*I

*• KI I I I mFr If r"f"^'ir^ ^ X

t-#

high! And which of you, frail sons ter restrial, But which of you Can view undis-

,i'«,ijm'iFJ^-i'^'f

p I

rp

-1

y r' it f t^l

"I

mayd God enthron'd in light ce les - tial,

26 Fr

AH lEs might dis playd?

^m^ i f^^—s- m I fJ rJ »

Only the meekand childlike soul, Pure in heart and humble in fepirit, pure in

#S»i*y\ juJ j>J

iiJ>/J

iiiJ

r r.I .1,.^^ I

27 Hn.

heart and humble in spirit, May en-ter this bright ho - ly place.

•^jSS H F frl^Mg F^PB F^ I

- ^. F F'TF'P

Butpress'd by ardournow he runs.But press 'd by ardournow he runs

,>riirjMr .,..,.ir.f.

if

Nor

pr-'M' r fI

' *Fr^i-/':-M r r f yf

i

heedsthecall,andchidingvoice,Norheedsthecanandchiding voice. Then scenting, then

_ ^28 Hd., _ _ r^l'r f ixc

scent-ii^ the game. He sud-den stops.

r^h\ \

^T(!jj^}^i^^\^^^ ^j m

^ ^:e ^

Thy rebuke hath broken his heart,

He is full of heaviness. He is fuU of heaviness. Thy rebuke hath

jHJ^^jir ^^\^ ^ ^ )\j)^pi

broken his heart

.

He look-ed for some to have pity on Him, but therewas no

V i

ir ^ r r ffp

I ff / / r I f ' II J J' vii>liiJ J' j'^iddqman: niether found He any to comfort Him. He looked for some to have

^ p"i'rM|. p<|, pi, JI iJ'J'ii Jj-j:n\j,j II

pity on Him, but therewas no man, niether found He any to com-fortffim.

5-57-67645-aOO

16629 Gn

'>'i\i! ^vy F 1^ F^r'^

ir ptp F

i r p'rJr^ ir vy t>

Lo! his Empire is un - dy-iiig,Pope amd Po-et join the ring-, Laurelld

S Vf y M r V

^rF

I r f.»ff^ \f^F -, v^Se

chiefs his tri - umph sing, Dancing- round his pe des tal

.

30Hn

'.v/w»r r F Ipup r'ff if / h F F p r « F*g

No-«r swarms ihe vil-lag-e o'er the mead, The rus-tic youth, the rud-dy

->P/^F Fn F FM M ^C f F"

pI r-'>F"F F

^^ Wmaid: The breathing-harvestspreadsaroundJiVhosefiagrancescentsthe air;RDmdaletodale making- the

> »f^:tf"Ff l FF*^^F rhF»F»p*F F F"*!^ ! »f^breeze, Resoundsthevoice of happy labor. Of jo - cund mirth and so - cial g-lee.

31Vd.^^le i - son, chri ste e

S m

^ rTr^L M-j ms:

^^=?=^^ ste e le

1 E mH ^'H ^ ^

sonson, chri

32 Fr

ste e le i son.

J r I r l>J7zp: t

e -le-i son, e -le -i

i f' ft IgQ

" '^ Ji^ r I

r'-^

F ^ E

:!

All the -wealth of the earth Is our de - sire, is our de - sire, is our de sire.

33 Hn

i J >JI r HF'f^S ^ ^ ^ ^=*^

And onward as he bravely toils, In deep-er er ror plung^es still. In

»r r ^ r I ^r ^^ rr+T" rir r 3^ ^^

deeper er-ror plunges still. In deep-er er-ror plunges still. De-

db/PC | »^ /p 1^^ ^1^^Ni m

press'd his courage sinks,

34.Fr

And an guish fills his heart.

^ za-a-, w—I

• u-The earth is dark, Heavns light has faded.

^ sShedding no bright

35Ki

^ray; Ev-'ry hope, ev-'ry hope with sor-row shaded. Direct

ii'^""ii'^"^rfr^«ii|i |i

I

Direct us in Thy

ways, God! God! Siqiporttis in the strife, support us in the strife, O God!

B-B7-67645-800

36 Fr167

t'VV-ij^iuiij.Mjiiiyiijnj.JMJ ji^iiiJ J^-^ir s

tffeMAnd as of yore, And as of yore See us kneeling-, trembling, a dor-ing-,

.^^ 3. ^_^^_ i37Gn

i i l J U^'t=

loring; B'

=e=^trembling-, a doring; Bow down once more.^ And I, the

38 Fr0,

t=!t ^^:k ^0^—#o •

frail est of the frail.Have mostneed of your for - giveness! The gods our offHngs

^:i^T' 'T I T r

dht iP"> I f ff tff'

Kff l aqct Jl^^ ^?

spuming. Scorn each bit-ter cry; To souls all dctrk"mthdoubtsdis-maying. To

'>..V-r if^r ^^ ^^*

^souls aU dark with doubts dis maying, O blessed Truth, light re -veal, bless

^^^ ^^ BE r I

fy V

\ PI t^ ^' P r ^ied Truth! The skipper he blew a whiff frQmhispipe,the skipper he blew a

Q.>r

P'^r fi

f Ffr ri r r ff«r Fg i

rrr,rrrc/i

whiff from his pipe,the skipper he blew a whiff fromhis pipe And a scorn-ful laugh laughed

F^ l r f^r ^^ »

he. And a scornful laugh laughed he. And a scorn-ful laugh laughed he

40 Mn40 M:

')--%h'ij r r

^^ttp- ff ^^ 4M 0.

t=iE

Is not his word like a fire? And like a ham-mer that break -eth the

'>--^^^ /JI

r p ;? r <tM I-^ ^'^

I r fp r Offpu^ ^ ^'^

rock? A helm-merthat breaketh the rock, that breaketh the rock in-to pieceS?Likea

r>v i

^rfrrj..n | ,j. J^p»r i r^rr n^^ 'J m '~p

fire, like a fire, and like a ham - mer that break - eth, that break -eth the

''^i' "p t r i Tr^rrr'Tj^ i r Ir'^r ^r r

icjf'^^itj j^'rW=tf-

m^rock. His word is like a fire and like a ham - mer,A ham mer that

• • *J -

I/ It

breaketh the rock^^ E 3^

iFor God IS angry, an-gry with the wick-ed ev-ry

'>»iii' Jir Fr

J ujIrr i r^''^'Hrrr r'r^^

day; For God is angry with the wicked ev-'ry day,- And if the wicked turn not, TheB-57-67645-200

168

^^m , m mz Rz: ^^ ^^

^Lord willwhetHis sword, wiU whet His sword;andHe hath bent his bow, and

O n •I I . n (2 , #

r ji / Jrrimade it ready, and made it read-y, read-y, Is notHis word like a

>:M f - i P—m^ «—

*

^\ g si=i Eifire? and like a hammerthat breaketh the rock.andlikea hammer that breaketh the

u it

I f rFT r f J" ,* LjUl ^^ # r I r tt.

rock? Is not His word like a fire.andlike a ham mer, a ham - mer that

^ WiS ^^^^^ *IjI'J- u

break- eth the rock?That break- eth the rock, that break- eth the rock -.andlike a

Se :iJ^ Tr fff F^ffis

^fire like a hammerthat break-eth the rock; is not His word like a

^ 1^ r^^ ^apP ^s^ >g °

hajnmerUiat break eth the rock.is notHis wordlikea hammerthat breaketh

n* ^J r r cpi^j Jjj/-u^rr iiirir J J iJ^r ^

s_the rock in-to pie-ces? Is notHis word like a ham-mer that

_41Vdl>f--ff|,^.. _ ^

_LP • # ^i te ^s s

breaketh the rock?

9- jT-1 /J Jr

I 'r^r r

Grace on whom thou wilt 'be - stowing- Save me Lord withmercy

zasi

F^flowing, with mercy flowing'.Save me, Lord,save me, Lord, save

42 Gn

_me, L'ord!

F F F 't•

,J' I ,J'

H

' N^hpi. fV-.M jJ^i'J'j/|

^^T^^

What wealth is here, what wealth out- bidding- g-old. Of peace and love,and innocence untold!

-^ V J^ J' "ff '^l

=S^ 1^ mli^I'lp tp p J' Ji

I

J,i'J J^.,||

of peaceandlove,A)diatwealthout - bidding- g-old!What -w'eadth is here

43 Ck43 Ck.

I 11 -^

Tis a Jewishwoman taken in the vale.And she is passing- fair!

i-,ppr,joi,y.piTF^^iFF'T>^ 'i

^^'i" 'r I 'r^She is fair? Tis well! Let her approacWFairJewishwomen may my mer cy gain!

5-57-67645-200

44Vd^m 4ij.

I ^«^^Y 1^169

.J p fff

f)7/ |t.p-^rT? ITi

£

Day of an ger, Day of an - ger,

-V- - ^-

Day of trouble, 'ime shall

S ^ ^P pTr'-p rl'T TT f i V ft f i f T t f

per ish, per-ish like a bubble.Day of an-ger,Dayof trouble,Time shall

l*-^ -^ k^ Lr' I ^ ^ . ^ - 5. r:^ S. :::^ 45VdSgi-ffTrif y f r \

I?

tnd the Sibyl

.

When thou shaltperish like a bubble, So spake David and

^^^^^^^ ^ .JT, I Hf r nr J^ ^^ icome in the midst of fire to judge the whole world, in the midst of

V-M ^46 Ck

whole world. A las' A

^Efire to judgethe whole

i'h^' Mr ^r

'

^'^ ^ ^

' 'T' rI

^'^-^ ^ cjr '

''^r

^ ^las! Thou might'sthave saved our lives! A lasl our children, our

children and our wives! But now no hope!. AH hope is gone!But

'H 0-^. i^r^r^ripViu »j ^'^'

p r M r i^ r

^It

now no hopel allhopeis gone,The blciz ing- sky no pitying raindrop sheds!

4'7Bh*^ ^^ ^ ^tP E it

How swiftly the flames of a wrath, all-compel- lingjlise forthfrom a heart where God's

love hath no dwelling, And man's dearest treas

B^ a^Frrn^^J i r pip ^ Et

^uretoru-Ln is hurl'd.To fix the af-fec -tion on wealth in pro-fu sion Is

-m—M-^—0-^ ^ ^ ^t^P=i

but a de-lu- sion! Take heed, sin-ful world. Is but a de-lu-sion, Is

^j:tt r r^ n - / J I tfJ F Mr 1^ ^ mm2; ^ ^

but a de-lu-sion. Is but a de-lu - sion! Take heed, sin - ful world ! Take

T" r iinvp i n ^ricrirnr nrmlrt^i r w

heed, sinful world.take heed. sinful world!

5-B7- 67645-200

170

48Bh*

'»i ^ ^ F I -ar ., r If^# :E

'Tis he, 'tis he, 'tis he who all a^ :±=im -ft-p-

lone, 'tis he who all aP

r ^'r'~'C££fN rrrrncc:;^ ^s

lone, a lone,

.

"l*

who

nrT?]fj i Jlr ^*P F' L^ ^aU a - lone,

jjf r^ffi

g p Ur,*f,Tn \T.-,»f F

^ «.

^alone hath trod-denthe winepress,all alone hathtroddenthe winepress,a - lone,yea, all a

m ^^. ^ m ^* g^slone.

. us, erringf mor - tals. by cost-ly sac-ri fice, to save us, err-ing-

mortals, bycost-ly sac- ri fice. Ye Prin ces, ye Prin

'"Fr^^^F P i F F r ., [TI^

^F FIf p ^^^gces.now be-stir ye crown him Lord of all! Ye princes now bestir ye,crownhim

>- rf>»^JPcim^Jlr»4rF p ju^

,

1 1'', r f^^

Lord of all. crown him Lord of all! Ye Princes, now be

'-^FF.M prff|

f |- r ri||I

ffiii^I

stir ye, and crownhim Lord of all, and crown himLord of all! Ye Prin

^^m m^fe^^ fe

• , P M «.

ces, now

9E^^^^

be - stir ve . crown'.

I''

F'

I-UJ '

^'

him Lord, O crown him

£Lord! Ye Prin

m^f^^^ces, now be-

^^^^^stir ye,crownhim Lord, all!

5-B7-6764B-200

49 Bh*

m >^ \/±j^ i171

In vis ion I be. hold, In vis ion I be

i'rJMMF £rf^ ^i

,j' j.j'j.jj,

ip;^^E

hold howhe, at Godb right hand.with lightnings,smltes ihe foe,howhe,at God's right hand,-mtli%htiiings smites the

^hiJjjj i iiJ^r^^J^i-i-'J'^ ^foe!

"! 52Rs

m i ^• ' ^^-^ ^ P' I

* ^D urn pen de-bat Fi - li us, dum pen de-bat, dum pe de -bat,dumpen-

53Ck

^ pT'l p'/-/7 ||P'gi|(;

^E ttf

i> f ^ ["T' iT f f

sde-bat Fi-li us.

r ^ P

'»krp"i' I1

1 f r' ^gn «^-iJ^^

Tbeyhave left unstain'dwhattheretlieyfoundFree

m. «.

Jitrtif n JjjJJ3Jg h,j / r

dom to worship God, to wor-ship God, wor ship God, to wor- ship, to

54Py

"y-h j^

r"??^ r N r> / ^r I

J ^^ r I aJ ^r ^I r II

^^'^^-^ ^' ^^

^ship God, to wor ship God. Mu-sic the fierc-

f|

ff rpr iTFri^Ti^^P'pt^^

»estgrief cancharm, And fate's se-ver est rag-e disarm. Music can sof tenpainto ease.

t^f*frff i»-=—( 4 c-T|

fff r^ps^ 5=i

. Andmake despair jind mad-ness please.

)»r.,.fT-BMr'r^ n^'r

Ourjoys be low it can im-

-4 ^ ^

prove,And an - te date our bliss a bove, and

55Bh*

te-date our bliss a bove.

f.rrfl i ;];-H. pi

,.M ri

i ^j .^ j ^At a g-es -ttire of his fin-g-er, man's de-vi-ces halt and fail. At

Hr^^ r~T ^^ ^ma gesture of his fin - ger, mans de-vi-ces halt and fail Pow'r and

pride

w^can-not a vail. ^pride cannot a vail. Speaks th'Al

^«=#

might-y but a word, speaks th Almight y but a word. All His

*=^

1?3

foes, in rag-e, must van - ish. Ye who have His messag-e heard, Ye

fr^i nrih^7 rm,^l

^^f^n Mri|i|| 5f^vslio haveHis messag-e heard, Ev 'ry worldly longing- ban -ish. De

ten tes de se de at ex-al-ta

f^r^ \ ^f::::\^:ii:m \ U' ^^ivit hu mi

HM r ^^<tn \ t^'-}p'<ih ^^^^Jj^le

17458W^

"-"'k"«<:J Tf !(' ^ !;»• J| J' J i'J'rr i

Out fromthe depth of darkness grazing upward.Sorehavel long^'d a love likehersto

')'% J I/ J fiS

«-=—sf»-=F :i^ siI mierht sti

^gain ; A beating heart was leftme.for my torment,That I might still

^teh^ r r*pi r//7j^ i J ij I

^J/yi »p"p p-

ft ^wake to all my pain! This quenchless flame I feel within me burn - ing,

o.^.' i

r rn^'i^'^Hr r^ ir'rMpirT

i

r'rit-FffCan I, un happy one, love dare to call it? Ah no'.It is but longing for re -lease,

H"«^^'^i ^'r i^rr'F

i

^'i'f rri*^"^ ^

^That I thro' such an angel might have peace,thati thro' such an angelmighthavepeace!

^ ^ 4J

I f tff^ I

<l

f" Tf^ ^^

sA store of rarest treasures shalt thou see. pearls rich and cost

4ly-

y M F»r pi iif "F ^s

stones beyond com pare. Be hold. and so con vince thyself how

^ >km- A ^-Se ^—^ , m ^ '. (2_4 ir=^ ^ ^ '

I P t|^.

I

'l^^^ ¥ ^great is their val-ue. AUthesefora friend-ly roof I give thee.

eO'Wg, . V^-\

Thee I be

^m te ^3:3 ? PThee I be- seech.Kindansrel sent from heav- en, Thou.who for me didst

win un-look'd for grace. Was there a fruitless hope to mock me giv-en. Whenthou didst

showme howtofind re -lease? Thee I be seech,Kind an-gelsentfromheaven,

Thou who for me didst win un-look'd for grace;

xKn^""^ \

^ ^|i|I

V1

1 iM-|ii Fi'^rII

Was there a fruit -less

hope tomock me giv-en. When thou didst show me how to find re - lease?

61Wefey. J|J.i'J J|i|J.ir('r«r^

l,>^

If vain desires and earthly longing Have turridaryheart from thee a way,'5-B7-67645-«00

175^^ =^-l>^:p>W =pc 1 ^ * ^^

The sin-ful hopes within me thronging-.Be -fore thy blessed feet I lay; 111

fcW' J tJ'

I

fr <MJiJ'T i r rif J i JJ- 1'

*a

wrestle with the love I cherish'd, Until in death its flame hath perished.

62 Wgi

I- -l l J J J- J' l "f I

^ F^ ^m "^^Nay,thou art rav - ing'.

^Tern per wrathwith meas-ure! And I wiU

63 Wg•«

'f fi'i- F-'ir . j iJ-j' irj/i^i j

teach thee vengeance, God -like pleasure. For dread re venge

mIw ^^ ^^ ^ j^^r rr*

here I ira - plore ye, O Pow'rsthat rule our earthly lot. Ye whonow

dt tw r r^ ^ ^^ ' #«J- »dream of joys be fore ye. Know that our vengeance slumbers not! Ye who now

^ [ f \ \" ^f\

^P JI

I.J ^^ f^dream of joys be fore ye. Know that our vengeance slum bers not!

64Wg

Piir/p p-^ |

i|p>/p| 'T pi,J.^jM^J-J ^-/Jl J.

itJ'I'^^tt'^ ^ I

Giveheed,0 King! In fight I may not lead them! The Grails sworn champion.

h\ ^Hi thiJ'-J' JtJ'uJ'-iiJ'J'J'Jpf

I />r p p

»—fr

t=iif to mortals known,Must bide its laws,and in obedience heedthem;

^ a65 Bh*.

Or ev-'rypow'r of

[;J Jl J -iif)**''-'

J1^I

p ^F I? F ffla'^

manhood he'd dis - own'.

\Ji \\ I

nii|if )^,pvl yJ'jJ'^ishi>^;iJ.,ffl

Lau da mus te, be - ne

di - ci-mus te, ado- ra- mus te, glo^i-fi-ca-mus te, glo-ri - fi - ca

^pi^^j'i'jvJjJifr/Q'^ j' jiiJ'.p

mus te, glo - ri ficamus te, a do ra mus te, glo - ri fi

^J^ pl» ^Jfci

muste.glo - ri -fi - ca muste, glo ri - fi ca

n ' I 4''X ^^^1-mus te, lau - da

'^ m-

B-67-6764B-200

176

*!=,.

mus te, lau da mus teflau

da mus te, lau da - muste ben-e - di-ci-mos te, ado-ra-muste,g-lomuste ben-e - di-ci-mos te, ado-ra-muste,g-lo-

'tfu-u^'nniinii|[ij:3j.%j jj ix^-u- mri fi-ca-mus te.lau

"^^^ ^mdamus te, benedicimus te, a

66Wgdo-ra mus.g-lo -

r i riiJ^i'^Jr Jj=^ E E2ri - fi - ca -mus te. Truthful runes tomake treaties ri- gid set Wotan

^==^ ^ ^ i ^ Vm^ ^ ^^^=7 * #

on the shaft of Ms spear: this servedhim to sway the world. One bold and

iVf^FrTrr'TiTr lT^

|/,M,J

|Nr.fY fplJ.JJ J'ilstrong^ destroyed in battle that spear. The binding^witness of bonds was shiver'd to

* S ^ ±>vj,i^^i-F r

^—

^

=f^=ff^ ^i1 i^

shreds. Then straight Wotan warriors summoned, the worlds ashtrees with - er- ing-

^^% W^=^ ^^ ^E^^^ ? ^P^ :> V ^E1^

arms with its stem to splin - ter and sunder. The ash des troyed. For-

rh J ; ' .M I J'J'I'if /J- ^\' Jy I' Jls*r F p

i T^'Mev - er the spring;- must g-o dry. Now roundthe keenedg-ed stoneI

m m ^ \^}frl- tJ' ^ ^fe=*^ ^^ ^'O ^ '

tb*

knot thestring

67 WgSing; O sister! thouweave it now,Weenst thou why this was?

OfpV l'TiJ

^- Mr I

. l|iI" JhJi^^ t^

!*

Westward sui^.esslip. eastwardspeeds the ship. Thewind sowildblows homeward now; my

1 k ^^

?:i^^- j'UjJ^r in J ^^^-J ^ * ?

Irish child, where wait- est thou? Say must our sails be weig^ht ed?

i

f'V I ^iMi

I

hi

'

I'l l r r-i^' ' ^ ^ ^

Filled bythysighs un bat-ed? Waft us, wind sdroi^and wild! Woe, ah

jj^'i''i'iiiiiiili i j ^-Frir v^ \\<^'\^ F ^

i

-i ^1woe formv child! O Irish maid! my winsome, mar- vellous maid!

5-57-B7645-200

177

TENTH SERIES

T-flTo part exercises, with text — Representative excerpts from early and recent composers,

with a few new exercises, embodying maximum difficulties of pitch and rhythm, as well as the

utmost independence of parts

* IHd

p I ^^^' F F M crrrrrrr^g^^^ m

For sportive play, for sportive play,

P^F ^^ I 1 F ^ fi F^PfFf P f'-M:v F ff F [fTTiTr r

i ^^'^'^- ^m"! F'>' ^'

'>:^-^

Forsportive play, for sportive play, . for sportive play.

J3ft51tij1t} ^ *f' J^

^'J' i: .h

for sportive play we now pre-

^»f fm^mPm Pm-p-

'>\ c^rm-rr mmmP p PrnW-0 # W=^t^m W arww ^^m ' P ff C

' •

F rP p Ffor sportive playwe now^ pre -

2Hd

M / - H^1^(Bpare.

'>-if

^ iii'iva' i p M F r^ [4r I r^ Lrrr.^rF.rgpare. Thou heedestbut thy fan

^ i^^riFA''i. f -^

F F r f F I r^ Lrr^ j r^i ^J Uf ^^

Thouheedestbut thy fan

^f^r^r^ ' ^' M ^ I' ^ ^, r I

^^?F^cy, heedest but thy fan

#,Fi*^^cy but thy fan

y'4.DjJJJ^Crr]'[^|J'^J J ^ II ''"V^ ^'££crt£&f j

cy, but thy fan - cy. men, a

FlT^^Erfl'C^^j'l^'F r J ^1^ ^

cy, but thy fan - cy. men,

Eti ^ji'ssgrger/^fcceirf ^—

»

^==*

men, men,

a

men,a

a men, a >——-> F"^ men,

a

men, a

5-57-67645-200

1784 Hd

i i^ci J">'iJ^> ui^im I Jinmrojjj^men, a men, Forwe turn

->'*p P r r r ^

iim^- -^

—

m 3E:

men, a men

.

For we turn

> J'J' ff ff r ^ -

II

ed ev-'ry one to his own way.

ed, for we turn

5Hd

^'A^: ^ ^ J' ^ F F M P ^' ^ ^ [[^[£^1 [TTf^nCTE:^But thou com-fortest my heart in its op- pres

'''i'hc- r F Mc;[rgrCfi^^crEca"^

5=a EBut thou comfortestmyheartin its op - pres

^efl'^^J^ I ^^^m ^5^

sion, its op - pres

^ ^^^^S raer i F f p f-^^^

sion, its op - pres

6Bh

sion

'"W| . 1

-IK^J^ ^^ r V f

Ipt i=t=^=ision. Praise and hon-or and glo - ry and pow'r be

Jjj].jjJ^J7jJJjjJ|JjjJ^)

j J *? > 1

^ p*y

p F^^^men. Praise and hon-or and glo-ry and

-to God for- ev- erand for ev ermore.A

^^ E ^powr be ufl - to God for - ev er and for ev

F i r <•

Ier mcfre!

» d ' ' 4

-rn^^^^ \iTmmn ^m-men.

5-57-67645-200

te7Hd

J79

P'ii^r.^p [; ff'

j^ >I r -i'

i > sJiJJ' lJ J ^ J J J^cj^

Age un-to ag"e telleth forth all the wonders of ihy glo

^3 >>pr >^l^ J)J'J'; , ;,J' I J JJJJTJJ"]Ag-eun-to age telleth forth all thewonders of thy glo

'-"i,"i> JT] J ip p I ^^^JjJ^J^

I fiJ'

p (!^/^ J^ l

ry, and re joic eth in thy might

.

ifeS / J' JM^CTjfflJjJJiP' d»K 4^^-d

ry; and re joic -eth in thy.

^F FPr ^'V I f

i'^'^'J'J'J'1

^7^ i^UAge un-to age tell- eth forth all thewonders of thy glo

j>'i,N Jj'jji:i *^ ^

might, and re- joic eth in thy might, -in thy might,

ry,and re -joic

rI

p F!'

re-joic eth, re -joic eth in thy might,

eth in thy might, and re

and re-joic eth,and re-joic eth in thjeth in thy mght

.

eth in thy might

.

^^ ^^There is neither speech nor language, there is nei-ther speech nor Ian

ther nei

5-57-67645-200

180

cuaffe.Siere is nei - iher speech nor Ianguage,Sere is nei - iher speech nor Ian

^P ^ Lf l tJ ^

I > > > i'^^p. • P

ther speechnor Ian gTiag-e, there is nei -ther speech nor

P . P p lyjjJOT ^j^iJi^F^Ei^r^i^^^giiage,their voice

'^1''ff J i' J' J) & \ e J /F c/CJ^P #language.there is nei - ther speechnor Ian

9Hd

g-uagetheir voice can

ji.''f Q'J'.p

i

p/ Jip''tij/ / J I JTj] " 4 * 4 d'^

cannot be heard. The dove

not cannot be heard. Pin mg-,

as he flut ters, his plaint soft ly_

9^ ^^long-- ing:, his

dsfe ^ 'H^^^ir' p^* * *#w *

ut ters; he's cal ling-, hes

plaint g-en tly ut ters ; he's cal ling; his lovlj one

,

The

£ V » =p ^^ E

cal ling- his lovd one. The dove. as he flut ters his

dove.

^ plaint

1^ i,"i

rr -p hp J . J'

li ^

plaint soft- ly ut ters. hes cal ling-, he's

.';-57-67B45-200

181

ffi t772^:jjiJ^ \M^^ ~9 9 _soft-ly ut ters he's cal ling-

•>i,i'i. JJ73 i^-m-^ f-j-r^ firfir 0-m-0- ^^ aS ^cal ling his, lov'd one, he's cal ling

10 Hd

IS^^5r

i L£rrir i mig^his lovd one. Lovenow u nit

^Li'kj^i h' Mi ^^Kr r

I uj^ i^^ P f P m P

his lovd one. Love now u nit

I- JJJJJl|J| [^f|'i-|'p^ | p J

I"IJ

r I f feth a hap

#=F»i.rrrrrr

«—

»

f r f pfm-f f f w5i

eth, Love flow u nit

i^ ^^ \ * d A 4 ^^ 1=? ^'^ I '"'

-'

py pair hap py pair. Love now u nitm

^r I r ifr irm rrrir^rfe ^^

eth a hap py pair, Lovenowu nit -eth,Love

eth, Love now u nitP

eth, u nit- eth. Love now u

^HT rrcrr rjcriciifir

now u nit- eth,Love now u nit eth, u nit eth.

-J^^JI J J I JJd i ^ d J S * J t s ^ i»*»-#

Love now u nit^gf ^^^^

eth Love now

.

^ W-w Pr^rJ i.JJj J '^ w I w- ^ -—^-- I ^

eth a hap py pair.

^m^nit^ i

eth a hap ^^ py TiitJ \r II

py ^air.

B-57-67645-200

182

UMz

Chri-ste e le

'-'-'*" r- F rr I ,j. 'J J. J' I

J- Jin: WW

Ky ri e e le i - son, e le

son.e - le - i- son,Christee

^h ;;]]OJ7TjI ^jjj ^\^j_iSj}j^^^,j \_^^

1 -son, e - le - i - son.

i - son,e le 1 - son.

M 12 Be*^ ^ ^-»311

In g-lo

ny. i

^JJ^i^^ ^^ ^^?

In g-lo ri-a Dei pa tris, a men, a

13 Bh

'/«.i^Ji^Jirrf i>^r^ il**'*"-

ri-a Dei, a

^^»ii"<„ r r / ^ rUrJ / i>-"«A

i

<:c-FcrQ^jmen a men Ky -ri-e e - le

i son,Ky ri-e e - le 1 - son, e

P^^^'^Ji^''

I'liU'i' ^'"^1 J I .I'll II

- i son,Ky - ri ^ e e le - i son, "b - le i son.

1 - son,e - le 1 son.

5-57-67645-300

±*14 Bh* 183

mi S ip- f^rpjt» . ^ f I f FtfHg i

Ky- ri e elei

'> it,i'(i!f'riipriiirrrrrrr

i rrf rTr*rr^''^

- son,ele i

a!==zz

Ky.ri-e e - lei son,e le-i-^son, e le i son, Ky

^ rni>f >l » -I ^ mr=p 19 !»

F^^ ^ 3SI

son, e le i - son, e

ott^^ r r^*^rri"i

^ r r

le i son

#- m 'P' P—

_

^ F=? ^*A

e e- le

15 Bh

i - son, 6 le 1 son

WU /

Cumsancto Spi ri-tu in gflo

L^^-s ^ ^P'ji;j:37^ J j^ I rTjjrJ^Cumsancto spi ri - tu in g-lo

\h\ r^^PP"'^r^ l ^^^^^ l Jffl'57^-TO lJi?^^^^

ria Dei Patris,A-men, a

i&iMgg=* i^J iin^ i

J J]3^i^ J II

menria Dei Patris A- men a-

.' lu'ii,

, yjj1 1 1'l ca^^fcf4£Cj^to£gLf^ I

men

7 "yjir 'i|^^' \J'^r'a£rr~Uj'V^'^ir

Chri-ste e - le - i son,ele

Chri - ste e - le i son. elei

' r '"^F &D'J'J'f'^ 'ipjjJ'^

^i-son, Chri ste, Christe,e-le i-son,ele

E P I ;t

son.Chri - ste.Christe e - le i-8on,ele -

^r i

| DB"'

6-67-67645-200

184

j'j'F^c/ i r 'T^rcjiF^'iF* P} \i t m

i-soii,e-le- i son. e-le- i - sonChristee-le - i - son.

•.'"'FffFFr/LT ir v'^ff [j:; l FPFFi^J i Ngr»r"rrT

i-son,p-le i son, e-le i son,Christe ele i son^hriste ele

|- ^M'F i crrFW i 'S-gj'Fc;M

*<^

Christe e-le i -son,e le-i-son,ele i - son, e-le i-son^hri-

'^^F™'WF '

FiLr :r^'^T~F :rFFi* I fmf » \

fci = ?^i - son, e le-i-son, e-le - i - son,e-le i - sonjbhriste ele - i-sonjGhristee-le

|Fir'r'S^J l J'>^^^^^V lFFr F Cf FF lJ^pOpMte ele i- sonjChriste ele i - sonjChriste ele - i-son,e

-

p f f»i f * v=i;i^=0-^ F^'ETf Fa-iLT" r-^rr i p^tffcjE

i - son.Christe e i- sonjChriste e

Jl n J ^ J' J J'-' I , I. Jdjjj.1 J' jijr^^^le i son. e le i- son, Chri ste, Chri -ste, e le

^ J^Jl ^'PP«• J m ^WpW

i^^ ^^ ^

le i son, e le i-son, Chri ste, Chri-ste,e- le

^r^^jj-j^ i Jte jrryr F F F

Tp=^ ^2i-son,Christe e le 1 son, e

^\' ^^ ^ i ^^r-rnpr^r F ^g

i- son.Christe e-le 1 SOD, e -

^ feS gp- i-sonPhriste e - le - i son.

^P 1

le i-son. e le^ ^ i jj^inn J ^^l;^'^^^' u

le i s on. e-le

17 Bh

- i- son,Christe e-le i son.

>'-i.fjjJj^iiJ:J Jf J^Ji|JJ'^r%FU^ pJ *! J ' 11^#-H #—

Do mi-ne De - us, a - g-nus De - i. Do - mine De - us, agnus De

Do mine De-us,a-g^us De.- i. Do - mi-ne De U8,agiius De i,

5"57-fi761R-800

wg It^^ i I

J-'0'^

. . 1S5

Mij;jJ/l/J'ppp^-^J'liiJ'p,iJj'Jj)i

]J'^^gTius De i, R -li-us Pa tris, Domine De-us.ag-nus De-i. ag-iius Dei, Domine

•>ff f "CFtl+gLfffirr/i^'gVpgrrPfi^ ^prfte

gnus De - i, Fi- li-us Pa tris, Domine De-us,agTius De-i, agnusDei, Domine

''

r P F ;L_l-g^ H '>tJ^^m ^m ^^^De-US, a ^us De - - i, Fi li us Pa tris.

^^^=^ T LXfr ^ II^i t

De-US,

18 Bh

^us De-i, Fi - li-us Pa tris.

^^ )| ^ f0f i^ ' h ^j ^^^=^? ^1

1

»

Et exl^tre ex Patre na tum, et ex Patre, ex Patre na tum ante

^'JW^»r f'^^^^^^^

Et ex Patre, ex Patre, na tum et ex Patre, ex Patre, na

^j^ J, ,iXi ^ipr 'P ^ - J flJ.i'JU'

P

[t i ^ rF r'l^'r^"

mnia Sae -cula, an-te omnia saecula.

•^'F^i; FF6r^r"~icfl'^ppgr i r-^p»s ^

- turn, ante o

19

- minia sae cu la.

^^)'! ^pFF i r F^pii^'p I f P r rT^ wmsiilTo battle haste, to battle haste,0 baste!The foe lurkethnig-

f.fi rV. f mg ^

To battle. to battle, O haste! The foe lurk etknigh.

earth! To battle haste, to battle haste, haste! The5-57-6764B-1J00

186

s

5

lurlt - eth nigh!

M 20 Fr

\^'»Vi}. * ^Now.ais of yore, now.as of yore, Thy people

ri-^'h\i

- W*=M ^ ^& ^fo e lurkeih , lurketh nig-hl Now as of yore, now as of yore.

i^r ^iT'^rh ^1

trembling- and a - dor ing,

^\\J-p

I f EEfe^Bow down once more

M y-gi rn^F/ P * ^1El ^ ^r

Thypeople,tremblingand a - doring, Bow down once more

21Fr*

n^\- ^r i rm^ m. m m:^^^

^ ^Our sacrifices spurn ing, Silent to our cry. Our sac-ri - fi -ces

T"T . _* « 0—0-^ m ^ iS—^ -K^

Our sacri-fi-ces spurn ing. Silent to our cry, Our sac-ri -fi-ces spurn uig.

fI »r^r r**r' r

^^^' r r'^r r»^

nV^g^r^

p^spurn ing, Silent to our cry, Ye gods, to us in darkness lying, ye

0—, , irj • ^. . "f"' 0im- ..- . ..-#» \r0, \rri •^ ^ rtrI r P<^

«*IK*ft^ ^ ^

Silent to our cry, ye gods, to us in darkness lying, ye gods, to

^ :k—0- ^ • • ^m£

gods, to us in darkness lying,

^\>m m , »^0 0,^0'msend the lightjthebless ed truth.

f , fy-.ifffI

fe^^m E ^ H^

us in darkness lying, O send the light, send the light,+he bless - ed truth.

22 Cb. _

'f Fp l TfF tm^ ^EEDream of de - light, _ en- kind ling the soul, O why canst thou

^ 0—0- ?2= \/rj

I ^ M 0.^^Dream of de -light, en kindling the soul, O why canst thou not

c7^uJ J Ji ^Jj_j'-/u^j'j i iJ j^^fe^not ling- er? Thouhov'rest a-bove Likea flut-ter-ing dove!

Thouhovrest a-bove Likea flut -ter-in$rdove!

5-B7-67645-300

187

ih^.^'hi Jiv-';iqiY"^»rii^iij i' j' J' J'

Vision of heaVn, O stay! Shed en tranc ing' radiance

,,j,i, Mr\rK iV' fi f~T f 7 rsp

Vision of heav'n,0 stay! Shed en tranc ing' radiance

as of end -less day! Like a dove

^^ftfl

tl^j^^ l

sas of end -less day! Like a dove

T^^^^ s^as of endless day! hov'restthou.

M i\i-\ ^i.J J^^ h I In;.^ * :fe » •

Ah! Dream of de light, en kindling- the soul,

aFF

i

^ffi

f y-f^^ shov'rest thou, Dream of de lig'ht, en - kind - ling- the

te ^J^ J'l iJ ^J Js ^ ^^0,-wiiy canst thounot ling- Thou hov rest

P (• 0- 0 ^^ SSsoul, 0,-why canst thou not Ung- er?

23 Cn

Thou hov'rest a - bove

^^^k M ^ ^like a dove! Ac-cur-sed Ca-di,

g /J

" rnvopi f M rn^- pir ^^like a dove! Ac cur - sed Ca-di, who, cold -hearted, A

EE2 m h J> iirI

li

i ^^ac-cur-sed Ca di, A guest -with

"vn I V ^ I f v ' r ^in thy house didst

:e

gTiest with in thy house didst slay, 'Tis time

kU .-—^.- .. \ .. i \ m ^ ^ I i ;=

—

\V^ ^

that

slay.f

^ff ff ff

^ Ml r r'^^ £ m ^at'-iH

^r•

t"

Ac-cur-sed Ca - di, thou di-est to <lay!

Em: # *^

thou and lif« 'w^^^e part-ed; Ihou di est to day!5-57-67645-200

18824

^m ^r'Fiyy^ i^jj^ii^;fi^j^j ^

Hear thy children, Lord,heartheirpe ti tion!

H\yi;\Y^thT'^tr \

f w l r-ff^ ^^We hope,OLord,m thee, we hope, we hope, Lord we hope, O

^ a J»J-jJ'ii^'*crj^-iV -^j i j^J'^^With richest boun ty hast thou blessed thy faith ful people!

H,^ criirrJ\ ii 7^

1 ^^F p f) 5 ( !

^Lord in thee.

*With bounty hast thou blessed thy faith - ful people! We

3 . 3 ^__£J 9m-

VY"P^r--

-

^ ^^V-Trf

i ryrr if

Hear thy children,

^^heed their pe-ti tion! We hope,

i» f»^ ^ ^hope. O Lord in thee, we hope, we

S^ uFM^j^ i j j^pinfm

hope, O Lord.

25in thee. w^e

zz ^we hope.O Lord, in thee! Sail a - way. sail a - w-ay.

^ r>vi.(i^ ...fr'gi r .ffhope- thee'. Now^to the east, now to the

m M'rr^'j'iF D•? X 7 = ; •/ ^ ^g ^ %*

have nocare of the morrow. O wind. blow

ivj.rvrj.i .pc ri-rirf i

, ,

[ff ^P

west. AH is one to themen of the sea. Storm.beat, and wind, blow!

4&- .... A 26

ban-ners streaming', sa - bresgleaming-. coursers prancing-, comes the foe!

'> ii^pif r^'fri frr^ "c^^'i'trr' iFip ii

rrr i 'ftt'rrj-^iban 7 ners streaming-, sa bresgleaming-, coursers prancing-, comes the foe!

5-57-6-7645-200

h J »r I 'c F

189

mHo! ye chieftains, ye

d5

^ , »rr -^ Ji m^ I scorn! Ho! ye chieftains, ye I scorn!

heydarenotheed the caU!Nav,nav.thevdare not heedth<

?• P'

Nay,nay.they dare not,nay,theydarenotheed the caU!Nay,nay,theydare not heed the

': '^ r n I ,J iMn 1 J' tewISidenotin dread, cowards all\ Here be hold me ready! Hide not,.

^ ^t^TiV V-f|

^-ffs ^F'r' g i TP

call! Hide not in dread. Our charapionwaits!Hidenot indread,ourchampion waits!

28

W^ *P

S ^strength tocow - ards eill! Who hath the

> r/hrn \ \' i '"!\J ^ i'l •> ^^ M^'p i^^. ^^Come

Jye cowards all! Who hath streng-th to win the

[jj- I'f -I'

r l y 'fI f^^i^^^bat tie? Who ah! who can quell, quell the str

^

r

't r I "r'-^ i J v j n ^J' -^h i i-e_i < i' ->iJ ^ j^P

bat tie? Who. ah! who can

29quell the strife? Who

|.^:jr i

r ^'^'r'^t ^ifiWMP'F i^pfJ^.

Who can quell the strife? What ho! what ho! Let the port-cul - lis

ran aiipll can Quell the strife? Let the port cul liscan quell, can quell the strife? Let the port cul

30

fain Ho shall nnt.he shall not es-caoeus now! Far from the

P^fall! He shall

}hA ill U l -r-yji

I i f^\ni es-caoe us now! Far

1^not es-cape us now!

*s ^ imad ding- crowds ig- no

^^S 3E *

Me strife, Their so ber

far. farf P

from tlie madding- crowd

190

mwish - es ne - ver learn'd to stray, to stray Fax

>[ '"c.r ^'T r Nr

^ i-'«r/p ^ v 1

1

^^Their so her wish es ne ver learn'd to stray

'''f^'^^ i '^ ^'^i'UJjUJ 'I '"U i^

from the madding- crowds ig - no ^ble strife Their so - ber

JJrr^tI

f'>

I. / r ^r '^ ^ ^ I ^ r f

Far, far, far from the madding crowd

IF„J;i:]^l

l lCf^^JJJ^pF^,^ l ''l,^ ^^ ^3wish es. Theirso-ber wishes ne - verleamdto stray,

,^niVr inr*r^^ ^

Their so ber wish es ne-ver learn'd to stray,

31

r i

i'J'iJ i |''tj iJA i JJ^^^neverlearn'd to stray. Press on, press on, ye

iif>p g ffI r^|. < I

J,,."^f

i

pI 'X'i^ i fr^^^

never learn'd to stray, learn'd to stray. Press on, press on, ye

*:,]^^ \ \} pOt fjI 'M^cT l iiJi^^-9 "^ *"

sons of light,press on, presson.Un tir ing in your no ble

iifTr ci r i 'irlr

\ lij-^^ssons of li&ht, Un tir ing in your no ble

|'j^'Mrjy.r>iiirr '> i ri|j.J:;irj >

fieht- Still treaS iner each newfoeman down, each foe - man down,

fight, Still tread - ing each new foe man, eachfoe -man down,And^ i ^^ **a brig-ht - er crown!And battling for a bright

i.f-rr i n ,

i |iTrri

*rl^ r i r^^^batt ling for a bright- er crown, a bright er crown!

5-67-67645-200

tdl

ELEVENTH SERIES

Two-part exercises, partly without and partly with text, in the following Church Modes: Aeolian,

Dorian, Ionian, l^ixolydian, Phrygian — Canonic imitation, strict and free, in other intervals than

that of the octave

1 Mixolydian —Bt

* ^^ ar:—CT~^ ^ ^m

S iif P- f^-»-

P

lt~P (:,.f.\

192

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9^in Ht^ c

^aac

^ #^

^ =fZ2 ^i =p==p:^

* - ^ 1 ^^ i^-^

^m -(S>—r-l9- ^^^^

-(»-=-r. ff ^ l

"^ o

F|g= ^'t d ^M i O Z7 s

^N

*

r " ^ rr

3 Ionian — Bt

n in=i»#-PM

P ^!^

351

ifc

BE *t >-^ vv -gy- Do: ff-»- «: ^>-xv

iwt1^^ gQ XEEm 3Wt:«: ^•' «

# :«=-TV" ^se:-»- 3£: «: 3^

9;»M <>sx:

-»- ^ t-^ *-^ " jtp ,j g> «: 44-isx 35= ~rv-

«= 31= " O .t M <*":Wt 33-»- =n= «=E

w == =n= =W:=51^ ss =£s:

xx:35=

i w o IWt-»- VI o " ®J 1Mt= jgt

9^"^o" -«>-xv- =iwt ^ n: M • p \^ 3iE JOb

#^^=f=i

193

J. J' I hMiJ' l J'l'-rzlM S ^M. ^ ^^ ^Ei

^

^PE ^E£ ^ ZCZI ^ V

^iM i ^ tf r if tp

^P ^ ^ ^He=iS=

?= ^

p5 Dorian—Bt^ jlp^^

i| |g==^ ^-«-

^ ^ ^iis fe^ -^^ -»-

^ •'<B 3SZ

M ^m 351tjt ~tv-

P'<t f^tff

-4S si zo:^" Jtt^^ ^ P

~tv-ZZI

^

"» ^l^«rP

m i

?2:^ S ^ iS-r;—»-

JQ_

FItFF#

2^^^^

3i:

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^^ P 3sr

P ^Mixolydian — Bt

^331

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^

P=o=

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F^=pif

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^^tf^5-57-67645-200

194

351 E ~cv- p -Ig-p-«- -TT-

^ P=^_a_ -f2-« *7:fe

-Q_•[ ° «f

^ ^V^ O ^^ s

^ ~rt~ f^. f <tf S

^=^

*7 Aeolian—Bt

P ^i'-'^"'r- ppFFr

m m ^m mR=ff

^^ j^^r' "F g ^Tr F'TpF^'

s #—•- 4*e i

j"7 "r F ^^ ^^ i r ff^ IZZ

^^^ m ^m;a

=F=BF ^FttF-^'f "^ ^ ^

P--*1 BFfPF ^^Efc!r- jT'FPp

^ ^p ^ i-^f r r ^

s B=^=yf r FP^r ^^ ^^H^

JT ^ ^ r 'F'F r"FpF^r' P

35=

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»''rrr[|--Mrrr»^|r'FC:crP' •'!''• Mrcrrrir^195

^ ^19 n

19 1»—

^

^^

41= i ^^i ^ arj^ ^^K^—

^

o m^ ^ #^=F^F^2=^ ^^ ^¥ ?^

A4: ^ 1^^ 0-0

^ ^w*^^

^ i^ ^ fe ^^ F^^^f

»/rf.. I p..

J

?^ f^ ^^^

^m ^ ^=^^ ^ ^

±t ^s ^ ^^p;

^ ^i^s

Hi ! ff'

if f pfeE^ ^m ^^^•y.%} \

<' ^ P—P-

V l^'llis^ ^

wi^^t^^^v^

196

MfeEP^ mt^E

i r r ttrr'i r ^

^^^ -#—#-

f—^

—

^i

^

^

:iyt ^ r FLiirp 22=3: 3SI

s^ ^^30= ^ rnr

i^^<''''^^

9 Phrygian—Bt

i Xlftpffr fr^ E)Z

'J'«t|<^i ^P g i f ppr

^^ ^^m^ i;pf -'f@^ ^

s ^af pfpr FT' P^r

:^= ^^^FM^^F

« ^ r r- c» iw r [! ppffl^'«tiJ> r F ^ ^^ f

>^'>«i'''

a^ ^»-=—

^

g^^5-57-67645-200

te10 Mixolyddim Ls'dan L 197

^ ^^2==n: »P p:n= ^

Be ne-di ctus. qui ve

^B J l Jf" J?

Be ne di ctus, qui

^ JJJJJ IJJJJJJJJS po h'M 3B ^^^

nit m no - mi ne Do

1 J r JJIJJJ JjJ i Jrr JJ^ -^rg

j^Hrr ^^rrp^n."f

^ 301

nit in no - mi - ne Do

J J J I

J JJ i«¥ rssi *=S

mi ni, in no-mi ne,

,

in no-nu ne.

i o rrr '

" ^'>^''i> r r " ^

3SI

1 ni. in no - mi ne m no -mi ne

* ^ ^m ? ^—rim no - mi ne

;2 . T r T P^^ff r |f ffrfiTrrf

Doo

ImiHMF

r I f »

tein no - mi ne Do

11 Mixolydian Ls Wll

?19 1^ +#:

mi JUL

Ex pan^^J J lUiJ I

J- J

r ^r f^I JJ^y^

di ma - nus me as

3SEx- pan di ma- nus me as ad te:

P g» MI-

rvMf rr ri-j.^ ^ad te

'^•^v rT^f

a ni-ma me a a ni-ma me a si cut ter

^. J^ J

I

- J J f^Tf^ p J en r r''.-

ra - ni - ma me a ni-ma me a si -cut ter ra si

^^^ **:;=PF Ibi

r>—I*

ne a- qua ti bi si ne a qua ti

'" ^H H I gbi.

6-57-8764B-300

19812 Mixolydian Lsm _ (J p--»- ^m Wr-i n

Be ne di ctus,qui ve nit in no

^ m vy I

|9 f f f f f33C ZtXtZ—^

Be - ne di - ctus,qui ve - nit m no li ne Do

h. f^- r

-

J ^ ii

-rr T

p' pmp r^ ?

^riii - ne Do

i2_LQ li_

mi - ni. in no

m ^rrri Jljrrr i irrr^-

^ft ^mi - ni mi-ne. Do mi--ni,in no

^S £ &:=a=

fl^J- JJJ gJ_K^^ Miiz fj fj d

ne, mi - ne, in no mi - ne, in no ni - ne Do

m, i F' p#f> f^ \^ MPfc IZZ

mi - ne Do-mi - ni, in no mi -ne,

^ 13 Mixolydian Ls

in no mi ne.Do

HII ^'l.^^^ ^^ 12= ^ VSZ

TSZ ^Do-mi-

^^^V ffJ j J

ni. Do mi-ne De-us, ne De us

^ p I^•» orz: ra—1»

3^^ 3iE

mi ni. Do -mi-ne De us, Do-mi - ne

^ DQIm - Of:

35:-gy-

Do-mi-ne De us, A- gnus De i. A-gnus De i.AgJius

~tv-_£i_

ISSIss _ Q^ •xv - ^^

^" O

De us. Do-mi-ne De us. A- g-nus De-i, A gnus De-i,

fe 155= ^^ -«- ^ mZS5Z 35=

De i. Fi li-us Pa-tris, Fi li-us Pa tris Fi li -us

^^m 3r: ^ rrrrirr'rr^fa' 4

Fi - li - us Pa - tris. Fi- li-us Pa tris Pi

^-m.^ _ p

fp^ I p^" i|J I N II

tris.Pa- tris. Fi li-us Pa

^••|H k JJ (^ J^ L LL IkVli'i'liI

+* Ili - us Pa-tris tris.

5-B7-67645-800

^ 14 Ionian Hn199

m ^Cru-ci-fi-xt

atzP

ub Pon-tiru-ci-fi-xus e-ti-am pro no bis, sub Pon-ti Pi la

Cru - ci fi xus e-ti-am prone -

lEC BS^ubPonti-o P:

^ ^j J^

1

J J ^^p^ IP J jtff J

ftopas-sus et se-pultusest. Etre-sur-re - xit ter-ti-a di e secundum

A ^ . r r r r i ^1^U^m Eto pas - sus et sepul-tus est

.

Et re-sur-re - xit ter-ti-a di e

^^ ^^ irr. \^ .\ J Jm I s±3i ^sen ptu ras . Et ascen - dit et ascen-dit in coe lum se -

a»/» /f^rr \rrir rff rr i^

se-cundumscriptu ras. Et ascen dit, et ascen -dit in coe lum,

15 Phrygian Ls

f^^^

zn.

det ad de xteram Pa•

vs =iSF

k:^ o o

tris Auditu-

^ ^ ^ ii_

M l

|

p;=^y»JJ|

^>..I

dit ad de xteram Pa tris Audi-tu -i me-

I^3S=

^1 me o da

^bis gau di um et_

'i'. I I''JJIUJ^

o da^

19 S- .ij. JJJi rrrrf ri

bis gau di um et

Slae- ti

rrrr i -ir" Y ^ 351^sr 3i: i ~tv-

ti -am.et e-xul-ta bunt et e-xul-ta

^i>, rrpr -J

fir(^ *^^ ^ w= ^ XSI 1

lae ti ti am: et e-xal ta-bunt OS sa

M zssz Z551 -»- 3s: ~tvo

^^bunt OS sa hu mi li

—e-

ta,

J ('7pJ3

BEsr:

i ^humi - li a.

r. i r" r

33:

OS sa hu - mi - li a

itiss:

ta, humi li-a ta> OS sa hu5-57-67645-200

200

*feefea16 Mixolydian Ls

U^'iMTTztat » fii/-I z^-'^ o .J I IM I'

ta humi li-a ta. Cru-ci-fi xus e ti am.

^^P & &m -o- ^^^ -<» ~tv

ta.mi - li - a Cru ci fi - xus e ti

itt ^^^ 9=m. mp^ ^pro bis.

^^g rrn r rrrrrci3e:

WTT^r''''>pro bis.

tes mm m^ -cv- ZSE

sub Pon - ti - o Pi la to_

^ m -»-

pas

-s—

n O g> -€»- *=? 35=

5ub Ponti - o Pi la to pas SUB

i"\V f' fi ^ ~IVs l9-=-^

sus et se pul tus est

.

it re- sur - re-xit ter-ti

p--^'i. n' rp—n

is>

—

& •XV- 3S=

at se - pul tus est

.

Et re-sur-re-xit

^u r (7 I r ^B f rr r ' r

^=p-©-

a di - e se

¥W^cundumscriptu ras. Et ascen-dit in coe-lum,

m zssz p - pl

"I f f—

f

Et as-cen dit in c(

mterti - a di e se-cun-dum scripturas

.

^^ ^i;t as-cen dit in coelum,

mm m^m\', rrfj

" a¥^ **

se det ad de-xte ram Pa tris.

^^ ^se-det ad de-xte -ram Pa tris.

End of Melodia

5-57-67645-200