master drawings new york 2019...master drawings new york january 26–february 2 preview at all...
TRANSCRIPT
with Special
Exhibitions
from Dealers in
Master Paintings
and Sculpture
MasterDrawingsNew York2019
january 26 –february 2Preview Friday January 25
MasterDrawingsNew YorkJANUARY 26– febRUARY 2
PReV IeW AT ALL G ALLeR IeS
Friday January 25, 4–8 pm
G ALLeR IeS OPeN
Saturday January 26, 11 am – 6 pm
Sunday January 27, 2 pm – 6 pm
Monday January 28– Saturday February 2,
11 am – 6 pm
eNqUIR IeS
Telephone +1 929 265 1441
www.masterdrawingsnewyork.com
Cover
Arshile Gorky, Untitled
(from a 1931 Sketchbook)
Courtesy of Pavel Zoubok
Fine Art, New York
© 2018 The Arshile Gorky Foundation/
Artists Rights Society (ARS), NY
with Special
Exhibitions
from Dealers in
Master Paintings
and Sculpture
@masterdrawingny @masterdrawingsny @masterdrawingsny
eVeNT SPONSORS
CHRISTIE’S
PARTNeRS
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1 Findlay Galleries 724 5th Avenue, 7th Floor
2 Thomas Deprez Fine Arts at Findlay Galleries 724 5th Avenue, 7th Floor
3 Galerie J. Kugel at Brimo Di Castro Kugel 625 Madison Avenue Suite 207a, 2nd Floor
4 Christopher Bishop Fine Art at Daniel Crouch Rare Books 24 East 64th Street, 2nd Floor
5 Didier Aaron Inc 32 East 67th Street
6 Taylor | Graham 32 East 67th Street, 3rd Floor
7 Kapoor Galleries |
Graham Shay 1857 34 East 67th Street, 3rd Floor
8 Mireille Mosler, Ltd 35 East 67th Street, 4th Floor
9 David Tunick, Inc. 13 East 69th Street
10 Colnaghi & Artur Ramon Art 38 East 70th Street
11 Leon Tovar Gallery 16 East 71st Street
12 Découvert Fine Art at Kraushaar Galleries 15 East 71st Street, 2nd Floor
13 Jack Kilgore & Co. Inc. 154 East 71st Street
14 Mia N. Weiner at L’Antiquaire & The Connoisseur Inc. 36 East 73rd Street
15 Benjamin Proust Fine Art Ltd at Ariadne Galleries
11 East 76th Street, #1a
16 Hazlitt 17 East 76th Street, #2
17 Stuart Lochhead Sculpture at Hazlitt, 17 East 76th Street, #2
18 Michael Werner Gallery 4 East 77th Street, #2
19 W.M. Brady & Co. at Richard L. Feigen & Co. 16 East 77th Street,
Ground Floor
20 Guy Peppiatt Fine Art Ltd at Arader Galleries
1016 Madison Avenue, 1st Floor
21 James Mackinnon at Arader Galleries
1016 Madison Avenue, 3rd Floor
22 W & K, Wienerroither & Kohlbacher at Shepherd | W & K Galleries 58 East 79th Street
23 Ambrose Naumann Fine Art 74 East 79th Street, # 1d
24 Robert Simon Fine Art 22 East 80th Street, 4th Floor
25 Martyn Gregory at Leigh Morse Fine Arts 22 East 80th Street, 5th Floor
26 Stephen Ongpin Fine Art at Adam Williams Fine Art Ltd
24 East 80th Street
27 Pavel Zoubok Fine Art at Jill Newhouse Gallery 4 East 81st Street, 1st Floor
28 Jill Newhouse Gallery 4 East 81st Street, 2nd Floor
29 Pia Gallo, Jurjens Fine Art, Richard A. Berman Fine Art at Tambaran Gallery 5 East 82nd Street
30 Tomasso Brothers Fine Art at Carlton Hobbs LLC 60 East 93rd Street, 2nd Floor
★ sPecial loan exhibitionFIGURE/STUDYDrawings from the Herbert F. Johnson Museum of Art, Cornell University
at Carlton Hobbs LLC 60 East 93rd Street, 2nd Floor
S Sotheby’s 1334 York Avenue
C Christie’s 20 Rockefeller Plaza
Master Drawings New York 2019
Master Drawings: The Next Generation
Tuesday, January 29, 4–5.30 pm
Albertine – Cultural Services of the French Embassy972 5th Avenue (at 79th St)
In a celebration of emerging scholars in the field, the
inaugural Ricciardi Essay Prize will be presented for the best
article by an author under 40 submitted to Master Drawings in
2018. The winner will share his or her prizewinning research.
Afterwards, Edouard Kopp, the John R. Eckel Jr. Foundation
Chief Curator, Menil Drawing Institute, will discuss the
strategies he employs to mentor the next generation
of drawings specialists and to ensure that connoisseurship
remains a vibrant practice at the museum.
British Drawings at The Metand New Haven: Hidden Treasures, Recent Acquisitions and
Paul Mellon’s Turners
curator conversation
Friday, January 25, 10 am–12 pm
Bonnie J. Sacerdote Lecture HallThe Metropolitan Museum of Art
sPeakers Constance McPhee, Curator, Drawings and
Prints, The Metropolitan Museum of Art; Ian Warrell,
Senior Visiting Scholar for Collections Research, Yale
Center for British Art; Femke Speelberg, Associate Curator,
Drawings and Prints, The Metropolitan Museum of Art
Third annual symposiumwiTh masTer drawings Journal
masTer drawings new york andThe meTropoliTan museum of arT presenT
Master DrawingsNew York 2019Institutional Partnership Events
Registration is required for
all partnership events.
Please visit our website for
further information:
masterdrawingsnewyork.com/
partnerships
This symposium is made possible through a generous contribution from The Tavolozza Foundation
This event is made possible byCHRISTIE’S
Special Loan Exhibition
FIGURE / STUDYDrawings from the
Herbert F. Johnson
Museum of Art,
Cornell University
January 25 – February 2
Carlton Hobbs LLC
60 East 93rd Street
New York, NY 10128
The figural drawing has long served as a tool for both
students and seasoned artists for perfecting representation and
experimenting with the physical form. In their academic context,
these works from the Herbert F. Johnson Museum of Art at
Cornell University serve as both art objects and as primary
research documents. This installation celebrating the ‘studious’
aspect of drawings will not only highlight the Johnson’s collection
of drawings from the sixteenth through twenty-first centuries,
but also elucidate some teaching contexts and conclusions
stemming from their study.
Exhibition sponsored by
Lecture Event held in conjunction with FIGURE/STUDY
First Draft: the Role of Education in
the Drawings of Abraham Bloemaert
Dr. Elizabeth NogradyAndrew W. Mellon Curator of Academic ProgramsFrances Lehman Loeb Art Center, Vassar CollegeHosted and with an introduction by Dr. Andrew C. WeislogelThe Seymour R. Askin, Jr. ’47 Curator Earlier European and American Art
Herbert F. Johnson Museum of Art, Cornell University
Sunday, January 27, 2019 at 4:00 reception to follow
Carlton Hobbs LLC 60 East 93rd Street
Dante Gabriel Rossetti
1828–1882
Drawing for The Blue Bower, 1865
Pencil
19¼ × 13 inches (48.9 × 33 cm)
Promised gift of Virginia M. Lindseth,
Cornell Class of 1956, and Jon Lindseth,
Cornell Class of 1956, to the collection of
the Herbert F. Johnson Museum of Art
Joseph Mallord William Turner
1775–1851
The Channel Sketchbook, ca. 1845
Watercolor on medium, slightly
textured, white wove paper,
Yale Center for British Art,
Paul Mellon Collection
My first encounter with master drawings
as a graduate student found me speechless
before works by Rosso, Primaticcio, and
Cellini in the Uffizi, the Louvre, and the
British Museum. Ever since that introduction,
I have been continually astonished by the
outsized power and versatility of drawings –
the emergence of a breathing figure from
mere marks on paper; the revelation of
decision-making in a complex composition;
the daring of a high-stakes presentation
drawing calculated to snare a commission
or elicit a court invitation.
Giorgio Vasari, artist, thinker, and prescient
drawings collector, famously championed
disegno – drawing’s theoretical root – as
father to the arts of painting, sculpture, and
Master DrawingsNew York 2019
inTroducTion
abrahaM bloeMaert (1475–1564)
Studies for female saint
and male head (recto)
abrahaM bloeMaert (1475–1564)
Arm, leg and hand studies
(verso)
opens, my colleagues and I are proud to
present a selection of Cornell’s European
and American figural drawings from the
sixteenth through the twenty-first centuries
for this discerning audience. Among the
notable works in the exhibition is Cornell’s
double-sided sheet by Abraham Bloemaert, that
illustrates Vasari’s dichotomy of inspiration
and industry. On the recto, an unfinished,
ethereal Virgin Mary hovers, head bowed,
while on the verso, hand and leg studies await
activation by students – or by the master
himself. Rossetti’s drawing for The Blue Bower,
so different from the final painting, raises
questions about the nature of studies in an
artist’s process.
Our museum’s mandate to reach academic
disciplines beyond fine art and art history
requires a drawings collection to be able to
turn in many directions. The subject matter
of new acquisitions must evoke inquiry and
discussion, as students of literature ponder the
poetic motivation of art through interpretations
of Dante and Ariosto by Felice Giani or
Fragonard. A group of saints by Ciro Ferri
architecture. He characterized disegno as a
perfect idea envisioned in the mind and soul,
but one that can only be expressed by a trained
and practiced hand. We still seek this essential
balance of invention and manual skill in the
best drawings today. But Vasari also understood
drawing’s importance, not only for developing
a work of art from idea to execution, but
also as a tool for learning about the world
through the study of nature and of art, both
past and present.
To engage a range of students in the
university setting – and to train tomorrow’s
curators and connoisseurs – a collection of
drawings must accordingly express the artist’s
creative spark and model the material practice
of art. As Master Drawings New York 2019
squared for transfer to its place in the dome
frescoes of a grand baroque church spotlights
the intersection of art and architecture, and
engages engineers as well as students of art.
In a world that increasingly bombards us
with images, drawings stand as irreplaceable
records of personal expression, culture, and
history. Their intimacy calls for a measured
approach; every encounter offers the opportu-
nity for ‘slow looking’ and careful observation
crucial for honing critical thinking, regardless
of the beholder’s discipline or stage of life.
For all of these reasons, I look forward to this
week when, in the company of knowledgeable
dealers, collectors, and colleagues, I can
become a student again, looking long,
marveling at the manifestation of skill,
and seeking insight.
andrew c. weislogel
The Seymour R. Askin, Jr. ’47 Curator
Earlier European and American Art
Herbert F. Johnson Museum of Art,
Cornell University
Jean-Baptiste Greuze (1725–1805)
Cupid dictating a letter
to a young woman
Pen and ink, and grey wash
heightened with white
gouache on blue paper
16 × 12 in . 410 × 306 mm
Colnaghi & Artur Ramon Art
3 8 e A ST 7 0 T h ST R e e T
N e W YO R k , N Y 10021
T +1 917 261 4022
www.colnaghi.com
Artur Ramon Art
Bailen, 19 – 08010 Barcelona
T +34 93 302 59 70 c e L L +34 62 636 43 67
www.arturamon.com
Spanish Master Drawings:
from Cano to Picasso
Juan Antonio Conchillos (1641–1711)
Saint John
Pencil and highlights of
white chalk on bluish background
Dated ‘Nov 9 1695’ in lower left
17 × 11¼ in . 435 × 285 mm
10
Didier Aaron, Inc.3 2 e A ST 67 T h ST R e e T
N e W YO R k , N Y 10065
T +1 212 988 5248
www.didieraaron.com
Master Drawings, 1600–1875
5
Christopher Bishop Fine Art
e x h I b I T I N G AT :
d A N I e L c R O U c h
R A R e b O O k S
2 4 e A ST 6 4 T h ST R e e T
2 N d f LO O R
N e W YO R k , N Y 10065
ceLL +1 203 494 8853
Milford, CT 06460
www.christopherbishopfineart.com
Master Drawings 1580–1840
Bartholomeus Spranger (1546–1611)
Saint Ursula, ca. 1583
Pen and brown ink over traces of black chalk with
red and green washes. Squared for transfer
7¾ × 6¹⁄₃ in . 197 × 162 mm
4
W.M. Brady & Co.e x h I b I T I N G AT :
R I c h A R d L . f e I G e N & cO.
G R O U N d f LO O R
1 6 e A ST 7 7 T h ST R e e T
N e W YO R k , N Y 10075
T +1 212 249 7212
28 East 73rd Street
New York, NY 10021
Old Master and 19th-century Drawings 1520–1930
January 25–February 8
Michelangelo Anselmi (1491–1554)
A Seated Sibyl Holding Books and a Tablet
with a Putto
Red and black chalk
8³⁄₈ × 8¹⁄₈ in . 211 × 206 mm
19
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Childe Hassam (1834–1917)
The Willow and the Bather
Watercolour, charcoal and gouache
on paperboard
14¼ × 10 in . 362 × 254 mm
fg©125825
Findlay Galleries7 T h f LO O R
7 2 4 5 T h AV e N U e
N e W YO R k , N Y 10019
T +1 212 421 5390
www.findlaygalleries.com
Impressionism, European Modernism,
l’Ecole de Rouen, l’Ecole de Paris and
20th Century American Art
1
Cornelis Dusart (1660–1704)
A Farmer Taking a Pee
Pen and brush in brown ink, framing lines
in brown ink, laid paper, old mounting
9 × 8 in . 224 × 203 mm
Pia Gallo, Jurjens Fine Art,Richard A. Berman Fine Art
e x h I b I T I N G AT :
TA m b A R A N G A L L e RY
5 e A ST 8 2 N d ST R e e T
N e W YO R k , N Y 10028
Pia Gallo
[email protected] www.piagallo.com
c e L L +1 917 331 0248
Jurjens Fine Art
[email protected] www.jurjens-fine-art.com
c e L L +31 (0) 6 57 555 734
Richard A. Berman Fine Art
c e L L +1 917 378 0543
29
Frantz Charlet (1862–1928)
Self-portrait of the artistPastel on paper mounted on canvas
Signed lower left ‘f. Charlet’
34½ × 47 in . 880 × 1200 mm
Thomas Deprez Fine Arts
e x h I b I T I N G AT :
f I N d L AY G A L L e R I e S
7 T h f LO O R
7 2 4 5 T h AV e N U e
N e W YO R k , N Y 10019
T +1 212 421 5390
Kasteelstraat 1, 8980 Geluved, Belgium
T +32 (0) 479 07 74 28
www.thomasdeprezfinearts.com
Belgian art from the fin-de-siècle: Les XX,
symbolism and the Belgian avant-garde
2
Paolo de Matteis (1662–1728)
Study of Ceres Driving a Chariot
Drawn by DragonsPen, brown ink, and wash,
over traces of black chalk
16¹⁄₈ × 10³⁄₈ in . 415 × 269 mm
Découvert Fine Arte x h I b I T I N G AT :
k R A U S h A A R G A L L e R I e S
1 5 e A ST 7 1 ST ST R e e T,
S U I T e 2 b
N e W YO R k , N Y 10021
73 Main Street
Rockport, Massachusetts 01966
c e L L +1 978 546 9407
www.decouvertfineart.com
Transformations Drawings From the 16th to 20th Century
12
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Michael Angelo Rooker (1746–1801)
Leiston Abbey, Suffolk
Watercolour
Signed ‘MRooker’ lower left
12 × 10½ in . 310 × 265 mm
Martyn Gregorye x h I b I T I N G AT :
L e I G h m O R S e G A L L e RY
2 2 e A ST 8 0 T h ST R e e T
5 T h f LO O R
N e W YO R k , N Y 10075
T +1 212 288 4144
34 Bury Street, St James’s
London, SW1Y 6AU
T +44 (o)20 7839 3731
www.martyngregory.com
British Watercolors and Drawings
25
Kapoor Galleries | Graham Shay 1857
3 4 e A ST 67 T h ST R e e T,
3 R d f LO O R
N e W YO R k , N Y 10065
Kapoor Galleries
www.kapoorgalleries.com
T +1 212 794 2300
Graham Shay 1857
www.grahamshay.com
T +1 212 535 5767
Indian and Himalayan arts
and 19th–21st century
North American and
European art
7
Hazlitt1 7 e A ST 7 6 T h ST R e e T # 2
N e W YO R k , N Y 10021
T +1 212 772 1950
Old Master paintings and drawings, French
19th Century paintings and drawings and
English paintings and drawings.
Biagio Pupini, called Biagio delle Lame (1511–1575)
Venus at the forge of Vulcan, asking for arms for Cupid
Pen and brown ink, heightened with a white,
red and brown wash on prepared paper
11¹⁄₈ × 8 in . 293 × 205 mm
16
Auguste Rodin (1840–1917)
Study for the head of Saint John the Baptist
Plaster
Height: 5½ in . 140 mm
Conceived circa 1878, this plaster made circa 1885–90
Radha and Krishna with Mirror
India, Jaipur, c. 1830
Gouache and gold on paper
(detail)9½ × 7½ in . 240 × 190 mm
Henry Glintenkamp
(1887–1946)
Carol Schroder, Auto Girls Burlesque
Watercolor on paper, 1915
(detail)9½ × 6½ in . 241 × 156 mm
Stuart LochheadSculpture
e x h I b I T I N G AT :
h A z L I TT A S A b O V e
35 Bury Street, St James’s
London SW 1 Y 6 A U
T +44 (o)20 3950 2377
c e L L +44 (o)7770 364 099
www.stuartlochhead.art
Stuart Lochhead Sculpture, based in St James’s,
London, offers the best in all media from
antiquity to 20th century. Whether created by
a celebrated or little-known artist, the sculptures
we handle are of the highest quality.
17
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Galerie J. Kugele x h I b I T I N G AT :
b R I m O d I c A ST R O kU G e L
S U I T e 207A , S e cO N d f LO O R
625 m A d I S O N AV e N U e
N e W YO R k , N Y 1 0 0 2 2
Galerie J. Kugel, 25, quai Anatole France
75007 Paris, France
T +33 (01) 42 60 86 23
www.galeriekugel.com
Portraits from the French Renaissance Drawings, Paintings, Enamels and Sculptures
Léonard Limosin
Portrait of Henri II, King of France
Circa 1553
Enamel on copper
7¼ × 5¹⁄₈ in . 180 × 130 mm
Gustave Doré (1832–1883)
Poor Children of London, circa 1882–83
Watercolor on paper
49 × 23 in . 1240 × 600 mm
Jack Kilgore & Co. Inc.1 5 4 e A ST 7 1 ST ST R e e T
N e W YO R k , N Y 1 0 0 2 1
T +1 212 650 1149
European Master Paintings from the 15th to
the mid 20th Century
13
Henry Moore, O.M., R.A. (1898–1986)
The Artist’s Hands
Charcoal and ballpoint pen
on wove paper
10 × 7¹⁄₈ in . 254 × 181 mm
3
James Mackinnone x h I b I T I N G AT :
A R A d e R G A L L e R I e S
3 R d f LO O R ,
1 01 6 m A d I S O N AV e N U e
N e W YO R k , N Y 1 0 0 7 5
T +1 212 628 7625
c e L L +44 (0)7973 539 332
Old Masters, 19th Century Paintings,
Watercolors and Drawings
21
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Mireille Mosler Ltd3 5 e A ST 67 T h ST R e e T
4 T h f LO O R
N e W YO R k , N Y 1 0 0 6 5
T +1 212 249 4195
www.mireillemosler.com
Master drawings and paintings from
the 17th to 20th century
Xavier Mellery (1845–1921)
The Weaver, 1884
Crayon, ink and watercolor on paper
Signed and dated ‘XMellery 1884’
17⁷⁄₈ × 16⁵⁄₈ in . 455 × 425 mm
8
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Ambrose Naumann Fine Art
74 e A ST 7 9 T h ST R e e T, # 1 d
N e W YO R k , N Y 10075
Walter Sauer (1889–1927)
Woman from the Borinage
Monogrammed, dated and signed
upper left ‘1923/Walter/Sauer’
Mixed media and silver leaf
14⁵∕₁₆ × 21¹³∕₁₆ in . 363.5 × 554 mm
23
Jill Newhouse Gallery
4 e A ST 8 1 ST ST R e e T
# 2 b
N e W YO R k , N Y 10028
T +1 212 249 9216
www.jillnewhouse.com
19th and 20th century European
and American works on paper
Edouard Vuillard (1868–1940)
Self-Portrait Caricature, c.1890
Pastel on grey paper
12 × 8⁵⁄₈ in . 305 × 219 mm
28
Bartolomeo Schedoni (1578–1615)
Study of a Seated Nude Girl
Red chalk
12¼ × 8¼ in . 310 × 210 mm
Stephen Ongpin Fine Art
e x h I b I T I N G AT :
A d A m W I L L I A m S f I N e A RT LT d
2 4 e A ST 8 0 T h ST R e e T
N e W YO R k , N Y 10075
T +1 212 249 4987 ceLL +1 917 587 1183
Riverwide House, 6 Mason’s Yard
Duke Street, St. James’s, London SW1Y 6bU
T +44 (0)20 7930 8813
www.stephenongpin.com
Master drawings, watercolors and oil sketches
dating from the 16th through the 20th centuries
26
John Robert Cozens (1752–1797)
Near Sallanches, Savoy, France
Watercolour over pencil on laid paper
Signed on original mount lower left
‘John Cozens 1778’ and inscribed
lower right ‘nr Salanche in Savoy’
and ‘This drawing lent to G.H. by
Dr Richardson of the Times [Paper]
14½ × 21 in . 368 × 537 mm
e x h I b I T I N G AT : A R A d e R G A L L e R I e S
1 ST f LO O R , 1 01 6 m A d I S O N AV e N U e
N e W YO R k , N Y 10021
T +1 212 628 7625
20
T +1 212 734 0050
www.anfainc.com
Guy Peppiatt Fine Art Ltd Riverwide House
6 Mason’s Yard
Duke Street, St James’s
London SW1Y 6bU
T +44 (0)20 7930 3839
www.peppiattfineart.co.uk
ceLL +44 (0)7956 968 284
18th and 19th century British
Watercolors and Drawings
Ambrose Naumann
Fine Art opened its doors
at 74 East 79th Street in
October 2018. The gallery
specializes in the sale of 19th
and 20th century paintings
and works on paper.
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Benjamin Proust Fine Art Ltd.e x h I b I T I N G AT :
A R I A d N e G A L L e R I e S
1 1 e A ST 7 6 T h ST R e e T, # 1 A
N e W YO R k , N Y 10021
T +1 212 288 4144
43–44 New Bond Street
London, W1S 2SA
c e L L +44 (o)7500 804 504
T +44 (o)20 7409 1901
www.benjaminproust.com
European sculpture and works
of art, with a particular emphasis
on bronzes and the Renaissance
Auguste Rodin (1840–1917)
Femme Nue Alongée, circa 1900
Pencil and stumping on paper
With artist’s stamp ‘Rodin’ (lower right)
7½ × 11¾ in . 192 × 300 mm
Robert Simon Fine Art2 2 e A ST 8 0 T h ST R e e T,
4 T h f LO O R
N e W YO R k , N Y 10075
T +1 212 288 9712
www.robertsimon.com
Robert Simon Fine Art is a
gallery specializing in Old
Master paintings of the
highest quality, principally but
not exclusively by Italian and
Spanish artists.
Anthony Baus (b. 1981)
Ruins of the Mithraic Mysteries
Pen and sepia ink and wash
on toned paper
12 × 15 in . 305 × 381 mm
Taylor | Graham3 2 e A ST 67 T h ST R e e T,
3 R d f LO O R
N e W YO R k , N Y 10065
T +1 646 649 4646
www.taylorandgraham.com
Taylor | Graham was founded upon
the rich legacy of New York’s oldest
gallery, and has evolved to carry
that history into the present and
future. The gallery secializes in
European and American paintings,
sculpture, and photography from
the 19th century to the present.
Anton Rooskens (1888–1964)
Untitled, 1968
Gouache on paper
Signed and dated lower right ‘Rooskens 68’
12½ × 16½ in . 317.5 × 419 mm
Tomasso BrothersFine Art
e x h I b I T I N G AT :
c A R LTO N h O b b S L Lc
6 0 e A ST 9 3 R d ST R e e T
N e W YO R k , N Y 10128
T +44 (0)20 7839 9394
www.tomassobrothers.co.uk
Marquis House, 67 Jermyn Street
St James's, London SW 1Y 6NY
European sculpture from the early
Renaissance to the Neoclassical periods,
with a particular knowledge of
European Renaissance
Laocoön and his Sons
Italian, late 17th / early 18th century,
After the Antique, Bronze
20½ in . 520 mm high 15³⁄₈ in . 390 mm wide
7⁷⁄₈ in . 200 mm deep
30
15
24
6
Introducing Anthony Baus: After the Antique
and Selected Old Master Drawings
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Agustín Fernández
Untitled, circa 1980
Graphite on paper
30 × 22¼ in . 762 × 565.2 mm
Leon Tovar Gallery1 6 e A ST 7 1 ST ST R e e T, # 1 A
N e W YO R k , N Y 10021
T +1 212 585 2400
www.leontovargallery.com
Leon Tovar is a New York-based Gallery
showcasing Latin American Modernism.
First established in Bogotá, the Gallery
relocated to New York in 2002, where it
has diligently promoted Latin American
masters through exhibitions, exhibition-
related programming, catalogue publication,
and expansive participation in art fairs
around the world.
Latin American Master Drawings
January 14–February 2 2019
11
Mia N. Weinere x h I b I T I N G AT :
L ’ A N T I q U A I R e &
T h e cO N N O I S S e U R I N c .
3 6 e A ST 7 3 R d ST R e e T
G R O U N d f LO O R
N e W YO R k , N Y 10021
Mia N. Weiner
Mountain Road, Norfolk, CT 06058
c e L L +1 860 480 0100
www.oldmasterdrawings.com
European drawings and oil sketches,
16th to the early 20th century
Giorgio de Chirico (1888–1978)
Orfeo
Charcoal, brush with black ink and wash,
brown chalk
Signed at lower right ‘G. de Chirico’
18⁷⁄₈ × 12⁷⁄₈ in . 477 × 327 mm
14
David Tunick, Inc.1 3 e A ST 6 9 T h ST R e e T
N e W YO R k , N Y 10021
T +1 212 570 0090
www.tunickart.com
Mary Cassatt (1844–1926)
La Tasse du Thé
(The Cup of Tea), 1897
Pastel on tan wove paper
mounted on canvas
stretched on a strainer
21¼ × 28¾ in . 540 × 730 mm
9
Works of art on paper
↑↓
↑↓
Michael WernerGallery
4 e A ST 7 7 T h ST R e e T
# 2
N e W YO R k , N Y 1 0 0 7 5
T +1 212 988 1623
www.michaelwerner.com
European and American Modern,
and Contemporary Art
Pierre Puvis de ChavannesWorks on Paper and Paintings
30 November 2018–16 February 2019
closed on sunday
Pierre Puvis de Chavannes (1824–1898)
La Renommée (Renown), 1894
Watercolor, pencil on paper
7¾ × 6¼ in . 200 × 160 mm pcz 36
18 ↑↓
Pavel Zoubok Fine Art
e x h I b I T I N G AT :
J I L L N e W h O U S e G A L L e RY
4 e A ST 8 1 ST ST R e e T, # 1 b
N e W YO R k , N Y 10028
PO Box 566
New York, NY 10150
T +1 212 675 7490
www.pavelzoubok.com
Modern and Contemporary Art
Arshile Gorky: Drawings
from a 1931 Sketchbook
Arshile Gorky (1902–1948)
Untitled (from a 1931 Sketchbook), 1931
Ink on paper
12½ × 9³⁄₈ in . 315 × 238 mm
27
Sunday, January 27, 2.00pm
Sotheby’s 1334 York Avenue
New York, NY 10021
Solimena or not Solimena?New observations on the artist’s graphic style
cristiana romalliSenior Specialist, Sotheby’s London
LImITed SeATING AVAILAbLe ON A fIRST cOme fIRST SeRVed bASIS
Apply for tickets at
Institutional Event in conJuncTion wiTh
Master DrawingsNew York 2019
Egon Schiele (1890–1918)
Girl Leaning on her Elbow, 1915
Charcoal on paper, signed and dated lower left
19⁵⁄₈ × 13¹⁄₈ in . 500 × 333 mm
W & K Wienerroither & Kohlbacher
e x h I b I T I N G AT :
S h e P h e R d / W & k G A L L e R I e S
5 8 e A ST 7 9 T h ST R e e T
N e W YO R k , N Y 10075
W&K – Wienerroither & Kohlbacher
Strauchgasse 2, 1010 Vienna
T +43 1 533 9977
[email protected] www.w-k.art
Classical Modernism, German Expressionist
and selected contemporary artists |paintings and works on paper
22
Gallery Tours for
Master Drawings New York 2019organized in associaTion wiTh
Drawing New York is a community of
over 8000 drawing enthusiasts who love
to practice and learn about drawing.
For further details and a tour schedule
will be announced on
masterdrawingsnewyork.com
Drawing New Yorkwww.drawingnewyork.com
Auction | Private Sales | christies.com
Christie’s Inc. License #1213717
OLD MASTER
& BRITISH
DRAWINGS
Auction
January 31, 2019, 2pm
Viewing
January 26–31
20 Rockefeller Plaza
New York, NY 10020
Contact
Furio Rinaldi
+1 212 636 2328
POLIDORO CALDARA CALLED
POLIDORO DA CARAVAGGIO
(1499–1543)
Design for a banner with Saint
Mark and two Franciscan friars
black chalk, pen and brown ink, brown wash, heightened with white gouache, on blue paper
16 ¾ x 11 ⅜ in. (42.5 x 28.4 cm.)
Estimate: $200,000–300,000
www.artcurial.com Contact: Matthieu Fournier +33 (0)1 42 99 20 26 [email protected]
Wednesday 27th March 2019
7 Rond-Point des Champs-Élysées 75008 Paris
Simon VOUETParis, 1590 - 1649Portrait of an artist
Pastel and black chalk
Sold for € 230 000 on Wednesday 21st March 2018
Auction in Paris
OLD MASTER DRAWINGS
RTCURIAL
F I N D L A Y G A L L E R I E S
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1 6 5 W O R T H A V E N U E , P A L M B E A C H , F L O R I D A 3 3 4 8 0 • ( 5 6 1 ) 6 5 5 2 0 9 0
W W W . F I N D L A Y G A L L E R I E S . C O M© WALLY FINDLAY GALLERIES INTERNATIONAL, INC. NOVEMBER 2018
N E W Y O R K E X H I B I T I O N
N O W O N V I E W
ART
FINDLAY ES
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1870
Henri Matisse • Femme Allongée au Peignoir • Pen and India Ink on Paper • 19 x 26 Inches • FG131705
Proud Participant Master Drawings New York 2019
A Benefit for East Side House
5,000 Years of Art, Antiques & Design
Opening Night Party January 17
Park Avenue Armory New York City
January 18–27, 2019
thewintershow.org
Collecting Nantucket /
Connecting the World:
Nantucket Historical
Association
Presenting Sponsor
Egon Schiele, Portrait of a Woman with
Orange Hat, 1910, Galerie St. Etienne
Loan
Exhibition
Sponsor
Property from the Collection
formed by King William II of the
Netherlands (1792-1849)
SIR PETER PAUL RUBENS.
Nude Study of a Young Man
with Raised Arms (for the
Antwerp Cathedral altarpiece,
The Raising of the Cross)
Estimate $2,500,000–3,500,000
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EXHIBITION FREE AND OPEN TO THE PUBLIC 25–29 JANUARY
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Old Master DrawingsAUCTION NEW YORK 30 JANUARY 2019